Songs like Prelude And Rooftop - From "Vertigo" by Bernard Herrmann
Based on a tempo of (+/- 10%) and a similar genre
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Johan Söderqvist
Let the Right One In
88 bpm • F# min • 05:49 • -20db
20% Popularity • 16% Danceability • 6% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
20% Popularity • 16% Danceability • 6% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Bernard Herrmann
Fahrenheit 451: Prelude
88 bpm • B Maj • 01:33 • -23.97db
10% Popularity • 19% Danceability • 12% Energy • 32% Liveness
1% Instrumentalness • 3% Positiveness
10% Popularity • 19% Danceability • 12% Energy • 32% Liveness
1% Instrumentalness • 3% Positiveness
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The Warner Bros. Studio Orchestra
Medley: Paris Montage
88 bpm • C# Maj • 03:48 • -8.84db
15% Popularity • 17% Danceability • 35% Energy • 21% Liveness
64% Instrumentalness • 5% Positiveness
15% Popularity • 17% Danceability • 35% Energy • 21% Liveness
64% Instrumentalness • 5% Positiveness
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Orchestra Sinfonica Di Milano
Love and Menace - Excerpt from Body Doub...
89 bpm • F Maj • 04:48 • -16.29db
8% Popularity • 18% Danceability • 19% Energy • 26% Liveness
90% Instrumentalness • 4% Positiveness
8% Popularity • 18% Danceability • 19% Energy • 26% Liveness
90% Instrumentalness • 4% Positiveness
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Michael Nyman
Book Depository - 2004 Digital Remaster
89 bpm • C Maj • 05:41 • -13.66db
12% Popularity • 10% Danceability • 28% Energy • 18% Liveness
83% Instrumentalness • 5% Positiveness
12% Popularity • 10% Danceability • 28% Energy • 18% Liveness
83% Instrumentalness • 5% Positiveness
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Michel Legrand
Ice Station Zebra (Overture)
89 bpm • G# Maj • 02:27 • -18.62db
8% Popularity • 10% Danceability • 14% Energy • 36% Liveness
87% Instrumentalness • 16% Positiveness
8% Popularity • 10% Danceability • 14% Energy • 36% Liveness
87% Instrumentalness • 16% Positiveness
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Wojciech Kilar
Love Eternal
87 bpm • B min • 02:22 • -40.85db
29% Popularity • 9% Danceability • 0% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
29% Popularity • 9% Danceability • 0% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
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Bernard Herrmann
Prelude And Rooftop
88 bpm • A# min • 04:43 • -14.37db
28% Popularity • 15% Danceability • 20% Energy • 9% Liveness
82% Instrumentalness • 3% Positiveness
28% Popularity • 15% Danceability • 20% Energy • 9% Liveness
82% Instrumentalness • 3% Positiveness
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Christopher Young
Hellraiser
89 bpm • G# Maj • 01:42 • -18.71db
30% Popularity • 20% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
30% Popularity • 20% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Alfred Newman
Airport (Main Title)
89 bpm • C min • 03:15 • -12db
17% Popularity • 37% Danceability • 43% Energy • 16% Liveness
93% Instrumentalness • 57% Positiveness
17% Popularity • 37% Danceability • 43% Energy • 16% Liveness
93% Instrumentalness • 57% Positiveness
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Toru Takemitsu
Hell's Picture Scroll
87 bpm • A Maj • 05:47 • -17.3db
13% Popularity • 15% Danceability • 30% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
13% Popularity • 15% Danceability • 30% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Gottfried Huppertz
Metropolis: I. Auftakt: Die Ewigen Garte...
89 bpm • B Maj • 02:22 • -19.83db
16% Popularity • 16% Danceability • 18% Energy • 28% Liveness
88% Instrumentalness • 14% Positiveness
16% Popularity • 16% Danceability • 18% Energy • 28% Liveness
88% Instrumentalness • 14% Positiveness
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Original Soundtrack
Hotel Exterior
87 bpm • D# Maj • 03:25 • -10.11db
12% Popularity • 33% Danceability • 29% Energy • 16% Liveness
12% Instrumentalness • 23% Positiveness
12% Popularity • 33% Danceability • 29% Energy • 16% Liveness
12% Instrumentalness • 23% Positiveness
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Bernard Herrmann
The Past And The Girl
89 bpm • D min • 03:14 • -22.55db
15% Popularity • 10% Danceability • 8% Energy • 9% Liveness
83% Instrumentalness • 3% Positiveness
15% Popularity • 10% Danceability • 8% Energy • 9% Liveness
83% Instrumentalness • 3% Positiveness
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Dave Grusin
The Goondocks (Goonies Theme)
87 bpm • A Maj • 02:04 • -19.83db
30% Popularity • 14% Danceability • 18% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
30% Popularity • 14% Danceability • 18% Energy • 10% Liveness
82% Instrumentalness • 4% Positiveness
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Jonny Greenwood
Open Spaces
87 bpm • A Maj • 03:55 • -18.54db
36% Popularity • 9% Danceability • 16% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
36% Popularity • 9% Danceability • 16% Energy • 11% Liveness
92% Instrumentalness • 3% Positiveness
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Riz Ortolani
Adulteress' Punishment
89 bpm • E Maj • 03:24 • -11.35db
19% Popularity • 19% Danceability • 31% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
19% Popularity • 19% Danceability • 31% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Richard Strauss
Also Sprach Zarathustra (Thus Spake Zara...
89 bpm • C Maj • 01:43 • -13.59db
7% Popularity • 27% Danceability • 21% Energy • 10% Liveness
76% Instrumentalness • 3% Positiveness
7% Popularity • 27% Danceability • 21% Energy • 10% Liveness
76% Instrumentalness • 3% Positiveness
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Alex North
Streetcar
87 bpm • A Maj • 02:50 • -12.6db
15% Popularity • 30% Danceability • 37% Energy • 16% Liveness
44% Instrumentalness • 16% Positiveness
15% Popularity • 30% Danceability • 37% Energy • 16% Liveness
44% Instrumentalness • 16% Positiveness
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Michael Small
The Tape (Main Title)
87 bpm • D# min • 02:02 • -16.56db
24% Popularity • 36% Danceability • 54% Energy • 18% Liveness
94% Instrumentalness • 7% Positiveness
24% Popularity • 36% Danceability • 54% Energy • 18% Liveness
94% Instrumentalness • 7% Positiveness
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The Warner Bros. Studio Orchestra
Medley (Ilsa Returns / As Time Goes By /...
90 bpm • G min • 03:13 • -19.88db
5% Popularity • 17% Danceability • 19% Energy • 13% Liveness
97% Instrumentalness • 4% Positiveness
5% Popularity • 17% Danceability • 19% Energy • 13% Liveness
97% Instrumentalness • 4% Positiveness
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Krzysztof Penderecki
Polymorphia
86 bpm • F min • 10:48 • -19db
21% Popularity • 12% Danceability • 30% Energy • 10% Liveness
79% Instrumentalness • 7% Positiveness
21% Popularity • 12% Danceability • 30% Energy • 10% Liveness
79% Instrumentalness • 7% Positiveness
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Angela Morley
The End Titles
86 bpm • A min • 03:02 • -18.12db
11% Popularity • 17% Danceability • 16% Energy • 30% Liveness
92% Instrumentalness • 6% Positiveness
11% Popularity • 17% Danceability • 16% Energy • 30% Liveness
92% Instrumentalness • 6% Positiveness
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Nathan Johnson
The Thrombey Family Theme
86 bpm • C min • 01:47 • -18.52db
36% Popularity • 46% Danceability • 19% Energy • 13% Liveness
59% Instrumentalness • 5% Positiveness
36% Popularity • 46% Danceability • 19% Energy • 13% Liveness
59% Instrumentalness • 5% Positiveness
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Bernard Herrmann
Prelude / The Murder / Finale
90 bpm • B Maj • 06:37 • -31.19db
15% Popularity • 24% Danceability • 1% Energy • 8% Liveness
30% Instrumentalness • 4% Positiveness
15% Popularity • 24% Danceability • 1% Energy • 8% Liveness
30% Instrumentalness • 4% Positiveness
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Alex North
Pharsalia
86 bpm • A min • 01:17 • -23db
11% Popularity • 14% Danceability • 7% Energy • 12% Liveness
87% Instrumentalness • 20% Positiveness
11% Popularity • 14% Danceability • 7% Energy • 12% Liveness
87% Instrumentalness • 20% Positiveness
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Various Artists
Sniper
86 bpm • A min • 03:15 • -27.68db
20% Popularity • 11% Danceability • 5% Energy • 9% Liveness
54% Instrumentalness • 3% Positiveness
20% Popularity • 11% Danceability • 5% Energy • 9% Liveness
54% Instrumentalness • 3% Positiveness
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Jonny Greenwood
For the Hungry Boy
86 bpm • C Maj • 03:41 • -16.4db
34% Popularity • 16% Danceability • 15% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
34% Popularity • 16% Danceability • 15% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
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Gottfried Huppertz
Metropolis: I. Auftakt: Der Maschinemens...
86 bpm • F Maj • 02:43 • -21.17db
10% Popularity • 12% Danceability • 8% Energy • 40% Liveness
89% Instrumentalness • 4% Positiveness
10% Popularity • 12% Danceability • 8% Energy • 40% Liveness
89% Instrumentalness • 4% Positiveness
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Gerald Fried & Alexander Courage
Ruth
86 bpm • F Maj • 02:38 • -18.17db
15% Popularity • 18% Danceability • 20% Energy • 7% Liveness
55% Instrumentalness • 4% Positiveness
15% Popularity • 18% Danceability • 20% Energy • 7% Liveness
55% Instrumentalness • 4% Positiveness
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Nicholas Britell
Major Combat Operations Have Ended
86 bpm • D# Maj • 01:53 • -14.94db
16% Popularity • 11% Danceability • 20% Energy • 19% Liveness
93% Instrumentalness • 4% Positiveness
16% Popularity • 11% Danceability • 20% Energy • 19% Liveness
93% Instrumentalness • 4% Positiveness
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Terence Blanchard
Ten Thirty
86 bpm • D Maj • 01:58 • -12.96db
11% Popularity • 27% Danceability • 39% Energy • 16% Liveness
94% Instrumentalness • 7% Positiveness
11% Popularity • 27% Danceability • 39% Energy • 16% Liveness
94% Instrumentalness • 7% Positiveness
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David Shire
Dare To Dream
90 bpm • G min • 01:21 • -23.21db
15% Popularity • 18% Danceability • 6% Energy • 13% Liveness
87% Instrumentalness • 3% Positiveness
15% Popularity • 18% Danceability • 6% Energy • 13% Liveness
87% Instrumentalness • 3% Positiveness
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Krzysztof Penderecki
De Natura Sonoris No. 1 - 1994 Remastere...
86 bpm • G Maj • 07:22 • -19db
12% Popularity • 12% Danceability • 38% Energy • 18% Liveness
88% Instrumentalness • 3% Positiveness
12% Popularity • 12% Danceability • 38% Energy • 18% Liveness
88% Instrumentalness • 3% Positiveness
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Roque Baños
Trevor In Jail
86 bpm • E min • 01:49 • -26.82db
9% Popularity • 11% Danceability • 5% Energy • 12% Liveness
99% Instrumentalness • 4% Positiveness
9% Popularity • 11% Danceability • 5% Energy • 12% Liveness
99% Instrumentalness • 4% Positiveness
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Michael Small
Goldfarb's Fantasy
91 bpm • A Maj • 04:21 • -9db
23% Popularity • 24% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
23% Popularity • 24% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Bernard Herrmann
Devotion / Binoculars
91 bpm • G Maj • 01:00 • -21.74db
7% Popularity • 24% Danceability • 7% Energy • 7% Liveness
78% Instrumentalness • 3% Positiveness
7% Popularity • 24% Danceability • 7% Energy • 7% Liveness
78% Instrumentalness • 3% Positiveness
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Terence Blanchard
Nazis Pay Too Well
86 bpm • A Maj • 03:54 • -16.94db
8% Popularity • 13% Danceability • 18% Energy • 12% Liveness
86% Instrumentalness • 4% Positiveness
8% Popularity • 13% Danceability • 18% Energy • 12% Liveness
86% Instrumentalness • 4% Positiveness
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Jean Constantin
Générique Et Car De Police
91 bpm • C Maj • 03:16 • -19db
30% Popularity • 30% Danceability • 11% Energy • 22% Liveness
96% Instrumentalness • 21% Positiveness
30% Popularity • 30% Danceability • 11% Energy • 22% Liveness
96% Instrumentalness • 21% Positiveness
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Ernest Gold
Exodus - Theme
85 bpm • E min • 02:52 • -10.7db
19% Popularity • 13% Danceability • 25% Energy • 9% Liveness
91% Instrumentalness • 8% Positiveness
19% Popularity • 13% Danceability • 25% Energy • 9% Liveness
91% Instrumentalness • 8% Positiveness
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Jonny Greenwood
Phantom Thread III
85 bpm • A Maj • 02:20 • -11.64db
28% Popularity • 9% Danceability • 35% Energy • 18% Liveness
79% Instrumentalness • 6% Positiveness
28% Popularity • 9% Danceability • 35% Energy • 18% Liveness
79% Instrumentalness • 6% Positiveness
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Alex North
Blanche And Mitch
85 bpm • F min • 03:45 • -25.54db
10% Popularity • 18% Danceability • 6% Energy • 10% Liveness
81% Instrumentalness • 7% Positiveness
10% Popularity • 18% Danceability • 6% Energy • 10% Liveness
81% Instrumentalness • 7% Positiveness
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Bernard Herrmann
By The Fireside
85 bpm • D min • 02:55 • -18.85db
24% Popularity • 21% Danceability • 18% Energy • 14% Liveness
22% Instrumentalness • 3% Positiveness
24% Popularity • 21% Danceability • 18% Energy • 14% Liveness
22% Instrumentalness • 3% Positiveness
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Nicholas Britell
Andantino for Brass and Orchestra in B M...
85 bpm • A Maj • 01:51 • -17.14db
40% Popularity • 32% Danceability • 4% Energy • 10% Liveness
86% Instrumentalness • 6% Positiveness
40% Popularity • 32% Danceability • 4% Energy • 10% Liveness
86% Instrumentalness • 6% Positiveness
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George Fenton
The Message / Main Theme
92 bpm • G# min • 03:16 • -18.58db
9% Popularity • 16% Danceability • 15% Energy • 10% Liveness
47% Instrumentalness • 4% Positiveness
9% Popularity • 16% Danceability • 15% Energy • 10% Liveness
47% Instrumentalness • 4% Positiveness
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Armando Trovajoli
I lunghi giorni della vendetta - Main Ti...
85 bpm • C Maj • 01:12 • -12.51db
36% Popularity • 20% Danceability • 37% Energy • 12% Liveness
71% Instrumentalness • 21% Positiveness
36% Popularity • 20% Danceability • 37% Energy • 12% Liveness
71% Instrumentalness • 21% Positiveness
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Punch-Drunk Love
He Really Needs Me
84 bpm • E Maj • 03:08 • -22.52db
18% Popularity • 38% Danceability • 8% Energy • 12% Liveness
89% Instrumentalness • 20% Positiveness
18% Popularity • 38% Danceability • 8% Energy • 12% Liveness
89% Instrumentalness • 20% Positiveness
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Gabriel Yared
Maudits manèges
84 bpm • F# Maj • 02:25 • -16.52db
22% Popularity • 41% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
22% Popularity • 41% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Bernard Herrmann
Prelude And Rooftop
85 bpm • A# min • 04:55 • -16.16db
9% Popularity • 10% Danceability • 15% Energy • 11% Liveness
82% Instrumentalness • 3% Positiveness
9% Popularity • 10% Danceability • 15% Energy • 11% Liveness
82% Instrumentalness • 3% Positiveness
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Béla Bartók
Music for Strings, Percussion and Celest...
84 bpm • A# min • 06:17 • -30db
11% Popularity • 15% Danceability • 5% Energy • 10% Liveness
35% Instrumentalness • 4% Positiveness
11% Popularity • 15% Danceability • 5% Energy • 10% Liveness
35% Instrumentalness • 4% Positiveness
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Randy Newman
Ragtime - Soundtrack Version
92 bpm • E Maj • 02:47 • -17.76db
9% Popularity • 20% Danceability • 12% Energy • 11% Liveness
4% Instrumentalness • 7% Positiveness
9% Popularity • 20% Danceability • 12% Energy • 11% Liveness
4% Instrumentalness • 7% Positiveness
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Disasterpeace
The Curse of Edendale
92 bpm • B Maj • 02:01 • -20.76db
16% Popularity • 16% Danceability • 6% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
16% Popularity • 16% Danceability • 6% Energy • 9% Liveness
86% Instrumentalness • 3% Positiveness
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![Bored to sobs [Gosford Park - Original Motion Picture Soundtrack] cover art](https://i.scdn.co/image/ab67616d00001e027df1806967638828b0e25243)
Patrick Doyle
Bored to sobs [Gosford Park - Original M...
84 bpm • A# Maj • 01:28 • -16.93db
10% Popularity • 39% Danceability • 10% Energy • 12% Liveness
3% Instrumentalness • 19% Positiveness
10% Popularity • 39% Danceability • 10% Energy • 12% Liveness
3% Instrumentalness • 19% Positiveness
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The Marx Brothers
A Night At the Opera: Alone (2) - MGM 19...
84 bpm • F Maj • 02:58 • -21.67db
8% Popularity • 28% Danceability • 25% Energy • 61% Liveness
91% Instrumentalness • 7% Positiveness
8% Popularity • 28% Danceability • 25% Energy • 61% Liveness
91% Instrumentalness • 7% Positiveness
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Bernard Herrmann
Temptation
92 bpm • A# min • 02:51 • -29.49db
16% Popularity • 15% Danceability • 3% Energy • 12% Liveness
86% Instrumentalness • 4% Positiveness
16% Popularity • 15% Danceability • 3% Energy • 12% Liveness
86% Instrumentalness • 4% Positiveness
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Pino Donaggio
John's Theme (Laura Leaves Venice)
84 bpm • G Maj • 01:00 • -16.25db
29% Popularity • 22% Danceability • 28% Energy • 36% Liveness
98% Instrumentalness • 6% Positiveness
29% Popularity • 22% Danceability • 28% Energy • 36% Liveness
98% Instrumentalness • 6% Positiveness
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Richard Strauss
Also Sprach Zarathustra (Thus Spake Zara...
83 bpm • C Maj • 01:43 • -13.18db
22% Popularity • 20% Danceability • 28% Energy • 8% Liveness
91% Instrumentalness • 6% Positiveness
22% Popularity • 20% Danceability • 28% Energy • 8% Liveness
91% Instrumentalness • 6% Positiveness
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Jonny Greenwood
Prospector's Quartet
83 bpm • G min • 02:57 • -12.9db
16% Popularity • 16% Danceability • 18% Energy • 12% Liveness
41% Instrumentalness • 4% Positiveness
16% Popularity • 16% Danceability • 18% Energy • 12% Liveness
41% Instrumentalness • 4% Positiveness
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Orchestra Sinfonica Di Milano
The Shower - Excerpt from Dressed to Kil...
83 bpm • C Maj • 03:41 • -17.84db
17% Popularity • 10% Danceability • 19% Energy • 36% Liveness
87% Instrumentalness • 4% Positiveness
17% Popularity • 10% Danceability • 19% Energy • 36% Liveness
87% Instrumentalness • 4% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Intermezzo sinfoni...
83 bpm • F Maj • 03:54 • -25.77db
23% Popularity • 16% Danceability • 6% Energy • 34% Liveness
88% Instrumentalness • 4% Positiveness
23% Popularity • 16% Danceability • 6% Energy • 34% Liveness
88% Instrumentalness • 4% Positiveness
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Clint Eastwood
Frankie's Dilemma
83 bpm • C# Maj • 01:09 • -19.42db
17% Popularity • 20% Danceability • 16% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
17% Popularity • 20% Danceability • 16% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
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Stelvio Cipriani
La polizia sta a guardare - Main Theme
93 bpm • G# Maj • 03:42 • -22db
24% Popularity • 52% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
24% Popularity • 52% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
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Adagio
Gayane Ballet Suite (Adagio)
83 bpm • G# Maj • 05:17 • -25db
12% Popularity • 9% Danceability • 7% Energy • 30% Liveness
95% Instrumentalness • 3% Positiveness
12% Popularity • 9% Danceability • 7% Energy • 30% Liveness
95% Instrumentalness • 3% Positiveness
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Terence Blanchard
Doyle's Walk
83 bpm • A# min • 02:19 • -25.99db
11% Popularity • 8% Danceability • 6% Energy • 11% Liveness
63% Instrumentalness • 9% Positiveness
11% Popularity • 8% Danceability • 6% Energy • 11% Liveness
63% Instrumentalness • 9% Positiveness
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Cho Young-Wuk
The Count Of Monte Cristo
83 bpm • F min • 02:34 • -12.32db
21% Popularity • 17% Danceability • 18% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
21% Popularity • 17% Danceability • 18% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
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Wojciech Kilar
End Credits
83 bpm • F Maj • 06:42 • -31.58db
25% Popularity • 11% Danceability • 1% Energy • 10% Liveness
38% Instrumentalness • 3% Positiveness
25% Popularity • 11% Danceability • 1% Energy • 10% Liveness
38% Instrumentalness • 3% Positiveness
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Luis Bacalov
Blue Dark Waltz
94 bpm • C Maj • 01:06 • -34.18db
36% Popularity • 31% Danceability • 1% Energy • 10% Liveness
54% Instrumentalness • 7% Positiveness
36% Popularity • 31% Danceability • 1% Energy • 10% Liveness
54% Instrumentalness • 7% Positiveness
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Nicola Piovani
Palombella Rossa: Le Mamme Ci Asciugavan...
82 bpm • G min • 02:39 • -18db
36% Popularity • 37% Danceability • 21% Energy • 10% Liveness
91% Instrumentalness • 17% Positiveness
36% Popularity • 37% Danceability • 21% Energy • 10% Liveness
91% Instrumentalness • 17% Positiveness
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Roque Baños
Sleepless
94 bpm • C# min • 02:19 • -29.03db
12% Popularity • 20% Danceability • 2% Energy • 9% Liveness
79% Instrumentalness • 3% Positiveness
12% Popularity • 20% Danceability • 2% Energy • 9% Liveness
79% Instrumentalness • 3% Positiveness
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Nicholas Britell
Boring Old Banking
82 bpm • F Maj • 01:15 • -9.38db
22% Popularity • 25% Danceability • 38% Energy • 38% Liveness
93% Instrumentalness • 25% Positiveness
22% Popularity • 25% Danceability • 38% Energy • 38% Liveness
93% Instrumentalness • 25% Positiveness
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Lennie Niehaus
Burn His House Down
82 bpm • A min • 02:10 • -28.7db
14% Popularity • 14% Danceability • 5% Energy • 11% Liveness
85% Instrumentalness • 6% Positiveness
14% Popularity • 14% Danceability • 5% Energy • 11% Liveness
85% Instrumentalness • 6% Positiveness
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Christopher Gunning
Under Suspicion
82 bpm • F min • 07:06 • -20.91db
14% Popularity • 9% Danceability • 12% Energy • 10% Liveness
41% Instrumentalness • 5% Positiveness
14% Popularity • 9% Danceability • 12% Energy • 10% Liveness
41% Instrumentalness • 5% Positiveness
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Luis Bacalov
Storm Rider - The Grand Duel: Parte Sest...
82 bpm • D min • 02:26 • -28.87db
37% Popularity • 18% Danceability • 4% Energy • 11% Liveness
12% Instrumentalness • 16% Positiveness
37% Popularity • 18% Danceability • 4% Energy • 11% Liveness
12% Instrumentalness • 16% Positiveness
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Michael Nyman
The Morrow
95 bpm • A# min • 03:10 • -13.1db
27% Popularity • 17% Danceability • 26% Energy • 13% Liveness
95% Instrumentalness • 7% Positiveness
27% Popularity • 17% Danceability • 26% Energy • 13% Liveness
95% Instrumentalness • 7% Positiveness
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Bernard Herrmann
Overture (Main Title)
95 bpm • F Maj • 02:19 • -12.54db
22% Popularity • 43% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
22% Popularity • 43% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Pino Donaggio
John's Theme (Children Play)
95 bpm • G Maj • 01:32 • -25.37db
9% Popularity • 51% Danceability • 2% Energy • 15% Liveness
94% Instrumentalness • 51% Positiveness
9% Popularity • 51% Danceability • 2% Energy • 15% Liveness
94% Instrumentalness • 51% Positiveness
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Fumio Hayasaka
Kanbei & Katushiro / Kikuchiyo's Mambo
95 bpm • G# Maj • 03:43 • -20.12db
15% Popularity • 50% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 30% Positiveness
15% Popularity • 50% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 30% Positiveness
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Jack Shaindlin
Trouble in Suez
95 bpm • A Maj • 01:33 • -12.28db
21% Popularity • 26% Danceability • 27% Energy • 15% Liveness
94% Instrumentalness • 28% Positiveness
21% Popularity • 26% Danceability • 27% Energy • 15% Liveness
94% Instrumentalness • 28% Positiveness
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Pietro Mascagni
Silvano: Barcarola
81 bpm • E Maj • 06:26 • -30.53db
16% Popularity • 8% Danceability • 3% Energy • 67% Liveness
74% Instrumentalness • 4% Positiveness
16% Popularity • 8% Danceability • 3% Energy • 67% Liveness
74% Instrumentalness • 4% Positiveness
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Terence Blanchard
Gone with the Wind
95 bpm • C Maj • 01:01 • -13.8db
17% Popularity • 16% Danceability • 32% Energy • 8% Liveness
65% Instrumentalness • 11% Positiveness
17% Popularity • 16% Danceability • 32% Energy • 8% Liveness
65% Instrumentalness • 11% Positiveness
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Bernard Herrmann
The Letter
82 bpm • F min • 04:16 • -22.32db
13% Popularity • 8% Danceability • 7% Energy • 26% Liveness
86% Instrumentalness • 3% Positiveness
13% Popularity • 8% Danceability • 7% Energy • 26% Liveness
86% Instrumentalness • 3% Positiveness
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Randy Newman
Real Rain
95 bpm • G Maj • 04:31 • -25.5db
16% Popularity • 19% Danceability • 7% Energy • 18% Liveness
94% Instrumentalness • 4% Positiveness
16% Popularity • 19% Danceability • 7% Energy • 18% Liveness
94% Instrumentalness • 4% Positiveness
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Punch-Drunk Love
Tabla
95 bpm • C# Maj • 02:57 • -20.77db
21% Popularity • 63% Danceability • 27% Energy • 11% Liveness
94% Instrumentalness • 31% Positiveness
21% Popularity • 63% Danceability • 27% Energy • 11% Liveness
94% Instrumentalness • 31% Positiveness
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Jonny Greenwood
Oil
81 bpm • C# min • 03:04 • -12.95db
16% Popularity • 17% Danceability • 28% Energy • 6% Liveness
5% Instrumentalness • 3% Positiveness
16% Popularity • 17% Danceability • 28% Energy • 6% Liveness
5% Instrumentalness • 3% Positiveness
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David Kitay
Theme From Ghost World
95 bpm • C min • 03:58 • -21.4db
18% Popularity • 52% Danceability • 3% Energy • 12% Liveness
97% Instrumentalness • 11% Positiveness
18% Popularity • 52% Danceability • 3% Energy • 12% Liveness
97% Instrumentalness • 11% Positiveness
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Antoine Duhamel
La mort bleue - Bande originale du film ...
95 bpm • A min • 03:57 • -14.86db
8% Popularity • 16% Danceability • 18% Energy • 7% Liveness
52% Instrumentalness • 4% Positiveness
8% Popularity • 16% Danceability • 18% Energy • 7% Liveness
52% Instrumentalness • 4% Positiveness
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Clint Eastwood
Jimmy's Anguish
81 bpm • C Maj • 03:09 • -19.98db
12% Popularity • 17% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
12% Popularity • 17% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Digital Hit Factory
William Tell Ouverture Abridged
95 bpm • D# Maj • 01:22 • -13.07db
24% Popularity • 54% Danceability • 54% Energy • 17% Liveness
23% Instrumentalness • 62% Positiveness
24% Popularity • 54% Danceability • 54% Energy • 17% Liveness
23% Instrumentalness • 62% Positiveness
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Randy Newman
The End Title
81 bpm • A# Maj • 03:24 • -19.78db
22% Popularity • 8% Danceability • 11% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
22% Popularity • 8% Danceability • 11% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
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Gottfried Huppertz
Metropolis: III. Furioso: Die Versohnung
96 bpm • G# Maj • 03:02 • -15.13db
10% Popularity • 12% Danceability • 19% Energy • 8% Liveness
70% Instrumentalness • 6% Positiveness
10% Popularity • 12% Danceability • 19% Energy • 8% Liveness
70% Instrumentalness • 6% Positiveness
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Dirk Brossé
Miller's Crossing End Credits
81 bpm • G Maj • 04:06 • -14.07db
10% Popularity • 18% Danceability • 24% Energy • 30% Liveness
83% Instrumentalness • 5% Positiveness
10% Popularity • 18% Danceability • 24% Energy • 30% Liveness
83% Instrumentalness • 5% Positiveness
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Christopher Gunning
Five Little Pigs
96 bpm • A min • 03:37 • -32.9db
19% Popularity • 13% Danceability • 3% Energy • 11% Liveness
37% Instrumentalness • 5% Positiveness
19% Popularity • 13% Danceability • 3% Energy • 11% Liveness
37% Instrumentalness • 5% Positiveness
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Wojciech Kilar
Lucy's Party
81 bpm • C# min • 02:56 • -33.24db
28% Popularity • 31% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 3% Positiveness
28% Popularity • 31% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 3% Positiveness
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Patrick Doyle
To Think Of A Story
96 bpm • C Maj • 03:30 • -14.05db
11% Popularity • 35% Danceability • 31% Energy • 50% Liveness
81% Instrumentalness • 8% Positiveness
11% Popularity • 35% Danceability • 31% Energy • 50% Liveness
81% Instrumentalness • 8% Positiveness
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NDR Radiophilharmonie
The Night Watchmen / Skating / Intruders...
81 bpm • A min • 07:55 • -25.44db
3% Popularity • 23% Danceability • 7% Energy • 8% Liveness
72% Instrumentalness • 11% Positiveness
3% Popularity • 23% Danceability • 7% Energy • 8% Liveness
72% Instrumentalness • 11% Positiveness
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The Warner Bros. Studio Orchestra
Medley: At La Belle Aurore
81 bpm • G min • 04:43 • -10.98db
5% Popularity • 15% Danceability • 33% Energy • 34% Liveness
94% Instrumentalness • 5% Positiveness
5% Popularity • 15% Danceability • 33% Energy • 34% Liveness
94% Instrumentalness • 5% Positiveness
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Luis Bacalov
La Corsa
81 bpm • A Maj • 01:41 • -13db
17% Popularity • 22% Danceability • 31% Energy • 13% Liveness
87% Instrumentalness • 7% Positiveness
17% Popularity • 22% Danceability • 31% Energy • 13% Liveness
87% Instrumentalness • 7% Positiveness
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Anton Karas
Anna Walks Away / Alone / End
96 bpm • G# Maj • 01:43 • -12db
16% Popularity • 29% Danceability • 35% Energy • 11% Liveness
91% Instrumentalness • 11% Positiveness
16% Popularity • 29% Danceability • 35% Energy • 11% Liveness
91% Instrumentalness • 11% Positiveness
