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Prelude in D Maj, Cello Suite 1: BWV 1007
Songs like
Prelude in D Maj, Cello Suite 1: BWV 1007
by
Mark Bodino
Based on a tempo of (+/- 10%) and a similar genre
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Mauricio Hernandez Monterrubio
Adios
111 bpm • A Maj • 03:24 • -14.64db
27% Popularity • 59% Danceability • 17% Energy • 9% Liveness
91% Instrumentalness • 23% Positiveness
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Gerson Lizama
Forest Mist
111 bpm • G Maj • 03:52 • -16.73db
16% Popularity • 47% Danceability • 18% Energy • 10% Liveness
85% Instrumentalness • 74% Positiveness
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Mark Bodino
Allemande
111 bpm • D# min • 02:46 • -15.4db
1% Popularity • 44% Danceability • 32% Energy • 14% Liveness
91% Instrumentalness • 84% Positiveness
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Chris Embers
Epilogue
111 bpm • E min • 03:10 • -18db
31% Popularity • 39% Danceability • 16% Energy • 10% Liveness
96% Instrumentalness • 49% Positiveness
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Robert Blanke
At first dawn
111 bpm • D Maj • 02:41 • -15.64db
31% Popularity • 51% Danceability • 16% Energy • 10% Liveness
94% Instrumentalness • 11% Positiveness
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Phillip Lester
Evening Waltz
111 bpm • E Maj • 03:32 • -20.43db
17% Popularity • 35% Danceability • 22% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
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Peter Lainson
Drift Into a Dream
111 bpm • F# Maj • 02:34 • -13.08db
13% Popularity • 36% Danceability • 31% Energy • 12% Liveness
73% Instrumentalness • 33% Positiveness
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Ricardo Octavio
Studio 3
111 bpm • A min • 02:38 • -22.75db
27% Popularity • 44% Danceability • 10% Energy • 12% Liveness
95% Instrumentalness • 74% Positiveness
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Mark Bodino
Prelude in D Maj, Cello Suite 1: BWV 100...
111 bpm • C# Maj • 03:00 • -15db
14% Popularity • 40% Danceability • 26% Energy • 9% Liveness
93% Instrumentalness • 58% Positiveness
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Ryohei Shimoyama
Danny Boy
111 bpm • C# Maj • 03:20 • -13.87db
30% Popularity • 53% Danceability • 25% Energy • 9% Liveness
86% Instrumentalness • 60% Positiveness
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Matteo Palmer
Sleepy Dog
112 bpm • A# min • 02:57 • -18.04db
7% Popularity • 42% Danceability • 8% Energy • 12% Liveness
92% Instrumentalness • 26% Positiveness
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Auguste Henrique
Lullaby Of The Birds
112 bpm • A Maj • 02:00 • -19.38db
7% Popularity • 77% Danceability • 4% Energy • 8% Liveness
20% Instrumentalness • 13% Positiveness
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Mike Howe
Gone
112 bpm • A# min • 03:21 • -16.31db
32% Popularity • 46% Danceability • 32% Energy • 16% Liveness
90% Instrumentalness • 33% Positiveness
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Vin Downes
Entwined and Lost
110 bpm • D Maj • 04:08 • -21.42db
19% Popularity • 45% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 19% Positiveness
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Mark Bodino
Hey There Delilah
110 bpm • C# Maj • 03:41 • -8.59db
2% Popularity • 69% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Ronny Davis
Departure
110 bpm • E Maj • 01:45 • -17.06db
31% Popularity • 57% Danceability • 14% Energy • 10% Liveness
97% Instrumentalness • 29% Positiveness
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Toledo Heights
To The Bitter End
112 bpm • G# min • 03:18 • -19.13db
23% Popularity • 71% Danceability • 13% Energy • 11% Liveness
91% Instrumentalness • 14% Positiveness
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Wayne Jones
I'm with You
110 bpm • E Maj • 03:47 • -21db
29% Popularity • 66% Danceability • 5% Energy • 10% Liveness
84% Instrumentalness • 32% Positiveness
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Auguste Henrique
Fortevik
112 bpm • D Maj • 02:24 • -15.92db
24% Popularity • 86% Danceability • 15% Energy • 11% Liveness
78% Instrumentalness • 11% Positiveness
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Steve Pulvers
Both Sides Now
110 bpm • F# Maj • 03:18 • -17.74db
31% Popularity • 84% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 61% Positiveness
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Mark Bodino
Wake Me Up When September Ends
110 bpm • F# Maj • 03:57 • -6.21db
2% Popularity • 60% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Georg Erixon
I'll Be Over You
110 bpm • A# Maj • 03:25 • -14.88db
40% Popularity • 64% Danceability • 21% Energy • 12% Liveness
85% Instrumentalness • 28% Positiveness
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LIBSTOK
En La Noche
112 bpm • G Maj • 02:08 • -13.84db
21% Popularity • 75% Danceability • 25% Energy • 12% Liveness
79% Instrumentalness • 63% Positiveness
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Phillip Lester
Greensleeves
112 bpm • A# min • 03:19 • -25db
19% Popularity • 32% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 21% Positiveness
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Auguste Henrique
Serenade
112 bpm • C Maj • 02:08 • -17.51db
30% Popularity • 87% Danceability • 7% Energy • 10% Liveness
66% Instrumentalness • 12% Positiveness
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Peter Lainson
New Leaf
112 bpm • E min • 02:42 • -13.77db
29% Popularity • 65% Danceability • 21% Energy • 11% Liveness
89% Instrumentalness • 20% Positiveness
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Patagonic
Ambar
112 bpm • G min • 01:40 • -15.27db
14% Popularity • 63% Danceability • 21% Energy • 11% Liveness
94% Instrumentalness • 69% Positiveness
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Tommy Berre
Gabriel
112 bpm • F Maj • 02:25 • -19db
22% Popularity • 62% Danceability • 22% Energy • 10% Liveness
93% Instrumentalness • 48% Positiveness
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Barracuda Sound
Medianoche
112 bpm • D# min • 02:19 • -13.45db
31% Popularity • 65% Danceability • 18% Energy • 11% Liveness
93% Instrumentalness • 12% Positiveness
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Realizer
Azalea
112 bpm • G Maj • 02:26 • -16.26db
18% Popularity • 40% Danceability • 23% Energy • 10% Liveness
93% Instrumentalness • 50% Positiveness
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Lance Takamiya
Like I'm Gonna Lose You
110 bpm • C Maj • 02:48 • -17.99db
32% Popularity • 78% Danceability • 14% Energy • 10% Liveness
95% Instrumentalness • 33% Positiveness
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Mark Bodino
Waltz in Ab
109 bpm • G# Maj • 02:39 • -17.81db
1% Popularity • 44% Danceability • 13% Energy • 11% Liveness
87% Instrumentalness • 11% Positiveness
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William Wilson
Clair De Lune
109 bpm • D Maj • 03:48 • -24.96db
30% Popularity • 46% Danceability • 2% Energy • 10% Liveness
95% Instrumentalness • 11% Positiveness
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Viktor Kvist
The Times They Are a-Changin’
113 bpm • G Maj • 02:22 • -21.33db
59% Popularity • 60% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 15% Positiveness
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Phillip Lester
Prelude In C
113 bpm • D# Maj • 02:36 • -22db
21% Popularity • 52% Danceability • 20% Energy • 11% Liveness
94% Instrumentalness • 65% Positiveness
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Jason Carter
The Wizard of Oz (arr. J. Carter): Wizar...
113 bpm • G Maj • 02:30 • -25.92db
29% Popularity • 55% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 15% Positiveness
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Jürgen Saalmann
Fade Away
113 bpm • G Maj • 04:02 • -21.2db
17% Popularity • 55% Danceability • 1% Energy • 7% Liveness
76% Instrumentalness • 54% Positiveness
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Will Moore
Southwold
109 bpm • D Maj • 02:49 • -19.28db
12% Popularity • 51% Danceability • 14% Energy • 9% Liveness
87% Instrumentalness • 35% Positiveness
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William Wilson
Gymnopédie No. 3
109 bpm • E min • 02:03 • -25.11db
26% Popularity • 46% Danceability • 2% Energy • 10% Liveness
95% Instrumentalness • 23% Positiveness
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Liam Stoler
Art Deco
109 bpm • D Maj • 02:33 • -15.87db
31% Popularity • 66% Danceability • 12% Energy • 12% Liveness
86% Instrumentalness • 51% Positiveness
► Preview
Liad Abraham
Daydreamer
109 bpm • A Maj • 02:24 • -18.7db
27% Popularity • 37% Danceability • 10% Energy • 9% Liveness
62% Instrumentalness • 10% Positiveness
► Preview
Mark Bodino
Romance
109 bpm • C# Maj • 02:55 • -15.71db
2% Popularity • 32% Danceability • 40% Energy • 11% Liveness
87% Instrumentalness • 42% Positiveness
► Preview
Phillip Lester
Drifting Off
108 bpm • F# Maj • 04:15 • -27.16db
14% Popularity • 38% Danceability • 9% Energy • 11% Liveness
94% Instrumentalness • 27% Positiveness
► Preview
Georg Erixon
Fernando
108 bpm • A Maj • 03:57 • -12db
41% Popularity • 50% Danceability • 33% Energy • 10% Liveness
92% Instrumentalness • 22% Positiveness
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Stefan
Without Words
108 bpm • C Maj • 03:38 • -20.86db
8% Popularity • 48% Danceability • 11% Energy • 11% Liveness
88% Instrumentalness • 37% Positiveness
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Benjamin Wallace
Cinema Paradiso - Love Theme
114 bpm • G# min • 01:59 • -20.98db
29% Popularity • 78% Danceability • 8% Energy • 10% Liveness
93% Instrumentalness • 18% Positiveness
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Marcel Depuis
In Trutina
108 bpm • F Maj • 02:47 • -19.54db
36% Popularity • 78% Danceability • 6% Energy • 10% Liveness
78% Instrumentalness • 12% Positiveness
► Preview
Wayne Jones
Midday on the Promenade
108 bpm • A Maj • 03:39 • -20.47db
22% Popularity • 68% Danceability • 6% Energy • 12% Liveness
87% Instrumentalness • 19% Positiveness
► Preview
Claudio Van Hoven
Fall in New York
114 bpm • D Maj • 02:00 • -14.84db
37% Popularity • 63% Danceability • 20% Energy • 12% Liveness
89% Instrumentalness • 50% Positiveness
► Preview
Georg Erixon
Gabriel's Oboe
114 bpm • D Maj • 02:11 • -12.86db
38% Popularity • 47% Danceability • 17% Energy • 10% Liveness
88% Instrumentalness • 18% Positiveness
► Preview
Henry Windon
Water
108 bpm • E min • 02:17 • -19.17db
17% Popularity • 72% Danceability • 11% Energy • 8% Liveness
62% Instrumentalness • 4% Positiveness
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Realizer
Boreas
108 bpm • C Maj • 02:41 • -13.75db
14% Popularity • 43% Danceability • 33% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
► Preview
Jonnie Snoilsky
Come Fly With Me Honey
108 bpm • C Maj • 01:50 • -16.31db
28% Popularity • 71% Danceability • 11% Energy • 11% Liveness
93% Instrumentalness • 33% Positiveness
► Preview
Larry Pattis
Homeland Suite
114 bpm • D Maj • 04:44 • -17db
22% Popularity • 42% Danceability • 14% Energy • 10% Liveness
86% Instrumentalness • 21% Positiveness
► Preview
Roberto Diana
A Gleam of Hope
107 bpm • F# Maj • 02:39 • -12.7db
25% Popularity • 53% Danceability • 34% Energy • 12% Liveness
14% Instrumentalness • 19% Positiveness
► Preview
Maisy Anderson
Amanda
114 bpm • D Maj • 01:52 • -17.71db
18% Popularity • 75% Danceability • 8% Energy • 12% Liveness
90% Instrumentalness • 31% Positiveness
► Preview
Vin Downes
Something in You Remembers
115 bpm • D# min • 03:42 • -21.31db
17% Popularity • 35% Danceability • 13% Energy • 11% Liveness
91% Instrumentalness • 30% Positiveness
► Preview
Pierluigi Colangelo
Larsen Tema - Guitar Solo
115 bpm • D Maj • 01:24 • -15db
24% Popularity • 89% Danceability • 8% Energy • 11% Liveness
93% Instrumentalness • 33% Positiveness
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Dan O'malley
She's Leaving Home
115 bpm • G Maj • 02:57 • -13.1db
21% Popularity • 82% Danceability • 20% Energy • 11% Liveness
84% Instrumentalness • 14% Positiveness
► Preview
Gabriella Vargas Luna
Saudade
107 bpm • G min • 02:27 • -12.44db
39% Popularity • 59% Danceability • 19% Energy • 12% Liveness
70% Instrumentalness • 48% Positiveness
► Preview
Andrea Sason
Night in Valencia
107 bpm • D Maj • 02:43 • -18.92db
23% Popularity • 65% Danceability • 11% Energy • 11% Liveness
95% Instrumentalness • 16% Positiveness
► Preview
Jürgen Saalmann
Day 3 - Hvide Sande
107 bpm • D Maj • 01:28 • -17.75db
36% Popularity • 49% Danceability • 10% Energy • 11% Liveness
95% Instrumentalness • 28% Positiveness
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Roberto Diana
A Better Tomorrow
115 bpm • D# Maj • 02:39 • -14db
27% Popularity • 65% Danceability • 34% Energy • 11% Liveness
86% Instrumentalness • 37% Positiveness
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Mark Bodino
Adagio
115 bpm • G# min • 06:26 • -10.19db
1% Popularity • 50% Danceability • 27% Energy • 11% Liveness
83% Instrumentalness • 10% Positiveness
► Preview
Per-Olov Kindgren
After Silence
107 bpm • E Maj • 03:49 • -20.63db
24% Popularity • 33% Danceability • 10% Energy • 11% Liveness
95% Instrumentalness • 46% Positiveness
► Preview
Peter Lainson
From Winter to Spring
115 bpm • C min • 03:27 • -17.81db
15% Popularity • 64% Danceability • 13% Energy • 11% Liveness
89% Instrumentalness • 36% Positiveness
► Preview
Ken Smith
Valletta
115 bpm • A min • 03:55 • -17db
17% Popularity • 45% Danceability • 15% Energy • 12% Liveness
92% Instrumentalness • 30% Positiveness
► Preview
Jürgen Saalmann
Wiegenlied
115 bpm • G Maj • 02:22 • -22db
28% Popularity • 55% Danceability • 2% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
► Preview
Barracuda Sound
Quiet Desperation
115 bpm • A min • 02:16 • -19.48db
26% Popularity • 60% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 38% Positiveness
► Preview
Mark Bodino
Study 1
107 bpm • G# min • 01:12 • -12.88db
5% Popularity • 35% Danceability • 47% Energy • 12% Liveness
91% Instrumentalness • 82% Positiveness
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Marcel Depuis
Sonata Pathétique
115 bpm • B min • 02:50 • -23db
38% Popularity • 71% Danceability • 5% Energy • 12% Liveness
81% Instrumentalness • 14% Positiveness
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Matthew Everwood
Humble Stream
106 bpm • A Maj • 01:55 • -20.25db
28% Popularity • 72% Danceability • 5% Energy • 9% Liveness
13% Instrumentalness • 56% Positiveness
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Fredrik Johansson
Open Eyes
116 bpm • E Maj • 03:32 • -14.35db
32% Popularity • 68% Danceability • 24% Energy • 11% Liveness
92% Instrumentalness • 35% Positiveness
► Preview
Steve Pulvers
Have You Ever Seen the Rain
116 bpm • C Maj • 03:01 • -14.65db
41% Popularity • 74% Danceability • 24% Energy • 17% Liveness
51% Instrumentalness • 53% Positiveness
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Between the Dots
Tu Alma
106 bpm • A Maj • 01:21 • -14.49db
26% Popularity • 60% Danceability • 19% Energy • 12% Liveness
85% Instrumentalness • 30% Positiveness
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Mark Bodino
Song of the Emperor
115 bpm • D# min • 02:59 • -13.76db
1% Popularity • 55% Danceability • 18% Energy • 10% Liveness
96% Instrumentalness • 32% Positiveness
► Preview
Pepe Ramos
Etude Op.35 Number 22
106 bpm • B min • 02:54 • -19.66db
15% Popularity • 38% Danceability • 9% Energy • 11% Liveness
95% Instrumentalness • 34% Positiveness
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Sebastian Winskog
Forests
117 bpm • C Maj • 02:20 • -15.28db
40% Popularity • 64% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 8% Positiveness
► Preview
Manuel Gonza
Luz de Otoño
105 bpm • D min • 01:42 • -18.51db
30% Popularity • 63% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 25% Positiveness
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Leo Krepper
All Those Things
117 bpm • E Maj • 02:42 • -23.83db
19% Popularity • 61% Danceability • 2% Energy • 10% Liveness
95% Instrumentalness • 26% Positiveness
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Antonio Garcia Isaac
Una Luz en el Silencio
117 bpm • D Maj • 04:55 • -20.76db
36% Popularity • 44% Danceability • 6% Energy • 9% Liveness
91% Instrumentalness • 14% Positiveness
► Preview
Mark Bodino
Black Magic Woman
116 bpm • C# min • 03:06 • -7.8db
4% Popularity • 62% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
► Preview
Alexas Lucio
Viaggio privato
105 bpm • D Maj • 01:59 • -22.46db
30% Popularity • 57% Danceability • 8% Energy • 11% Liveness
96% Instrumentalness • 34% Positiveness
► Preview
Vin Downes
Streets of Sunday
105 bpm • E Maj • 04:44 • -21.05db
14% Popularity • 43% Danceability • 15% Energy • 11% Liveness
91% Instrumentalness • 36% Positiveness
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Emanuel Costa
Mystic Haze
105 bpm • E min • 02:23 • -18.88db
10% Popularity • 63% Danceability • 10% Energy • 10% Liveness
83% Instrumentalness • 8% Positiveness
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Manuel Boltano
Here and Now
105 bpm • G Maj • 02:45 • -13.96db
13% Popularity • 81% Danceability • 13% Energy • 11% Liveness
88% Instrumentalness • 45% Positiveness
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Liad Abraham
Take on Me
117 bpm • G Maj • 02:43 • -13.91db
46% Popularity • 45% Danceability • 14% Energy • 11% Liveness
89% Instrumentalness • 17% Positiveness
► Preview
Mark Bodino
Adagio for Strings and Organ in G Minor ...
116 bpm • G# min • 06:30 • -10.59db
2% Popularity • 52% Danceability • 23% Energy • 11% Liveness
86% Instrumentalness • 10% Positiveness
► Preview
Mark Grundhoefer
Hummingbird
117 bpm • C Maj • 02:58 • -15.9db
25% Popularity • 39% Danceability • 14% Energy • 12% Liveness
97% Instrumentalness • 58% Positiveness
► Preview
Phillip Lester
When Hearts Touch
117 bpm • C min • 02:50 • -24db
25% Popularity • 34% Danceability • 11% Energy • 10% Liveness
93% Instrumentalness • 30% Positiveness
► Preview
Mats Norrefalk
Longe pode estar muito perto
105 bpm • A min • 04:00 • -22.11db
13% Popularity • 50% Danceability • 7% Energy • 10% Liveness
86% Instrumentalness • 15% Positiveness
► Preview
Jürgen Saalmann
Sternenstaub
105 bpm • D Maj • 03:21 • -18.43db
21% Popularity • 40% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 10% Positiveness
► Preview
Gerson Lizama
Romance de los Cisnes
105 bpm • A Maj • 03:21 • -18.49db
16% Popularity • 48% Danceability • 13% Energy • 10% Liveness
93% Instrumentalness • 19% Positiveness
► Preview
Mark Bodino
For the Beauty of the Earth
117 bpm • E Maj • 03:17 • -6.29db
0% Popularity • 55% Danceability • 55% Energy • 10% Liveness
92% Instrumentalness • 68% Positiveness
► Preview
Vin Downes
When the Sea Lets Go
104 bpm • A# min • 04:19 • -21.41db
36% Popularity • 35% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 16% Positiveness
► Preview
Peter Janson
Fushigi
104 bpm • F# Maj • 04:59 • -19.59db
18% Popularity • 43% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 19% Positiveness
► Preview
Georg Erixon
I’m Forrest… Forrest Gump
104 bpm • G Maj • 02:32 • -11.41db
47% Popularity • 65% Danceability • 24% Energy • 8% Liveness
88% Instrumentalness • 63% Positiveness
► Preview
Michele Leao
Foggy Morning
118 bpm • A Maj • 03:05 • -18.88db
12% Popularity • 61% Danceability • 9% Energy • 11% Liveness
94% Instrumentalness • 33% Positiveness
► Preview
Juri van Saal
Valse de printemps
118 bpm • E Maj • 02:27 • -12.22db
21% Popularity • 87% Danceability • 28% Energy • 11% Liveness
91% Instrumentalness • 42% Positiveness
► Preview
Lance Takamiya
Country Corner
118 bpm • A Maj • 02:35 • -17.52db
16% Popularity • 78% Danceability • 19% Energy • 11% Liveness
88% Instrumentalness • 46% Positiveness
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Prelude in D Maj, Cello Suite 1: BWV 1007