Songs like Prelude No. 3 in C# Major from The Well-Tempered Clavier Book I, BWV 848 by Brad Mehldau
Based on a tempo of (+/- 10%) and a similar genre
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Alberto Ginastera
Suite de danzas criollas, Op. 15 (2nd ve...
129 bpm • C Maj • 01:56 • -40db
33% Popularity • 40% Danceability • 0% Energy • 11% Liveness
97% Instrumentalness • 8% Positiveness
33% Popularity • 40% Danceability • 0% Energy • 11% Liveness
97% Instrumentalness • 8% Positiveness
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Brad Mehldau
Prelude No. 3 in C# Major from The Well-...
129 bpm • C# Maj • 01:21 • -19db
37% Popularity • 32% Danceability • 25% Energy • 11% Liveness
92% Instrumentalness • 90% Positiveness
37% Popularity • 32% Danceability • 25% Energy • 11% Liveness
92% Instrumentalness • 90% Positiveness
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Felix Mendelssohn
Piano Trio No. 1 in D Minor, Op. 49: II....
129 bpm • A# Maj • 06:36 • -25.51db
10% Popularity • 25% Danceability • 4% Energy • 10% Liveness
44% Instrumentalness • 7% Positiveness
10% Popularity • 25% Danceability • 4% Energy • 10% Liveness
44% Instrumentalness • 7% Positiveness
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Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 1 ...
129 bpm • D min • 01:46 • -28.77db
56% Popularity • 25% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 17% Positiveness
56% Popularity • 25% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 17% Positiveness
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Franz Schubert
Winterreise, D. 911: 24. Der Leiermann (...
128 bpm • D Maj • 03:58 • -32db
11% Popularity • 29% Danceability • 1% Energy • 20% Liveness
90% Instrumentalness • 17% Positiveness
11% Popularity • 29% Danceability • 1% Energy • 20% Liveness
90% Instrumentalness • 17% Positiveness
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Antonio Soler
Sonata No. 84 in D
130 bpm • D Maj • 02:45 • -27db
12% Popularity • 41% Danceability • 10% Energy • 12% Liveness
92% Instrumentalness • 46% Positiveness
12% Popularity • 41% Danceability • 10% Energy • 12% Liveness
92% Instrumentalness • 46% Positiveness
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Alexander Scriabin
3 Pieces, Op. 2: No. 1 in C-Sharp Minor
128 bpm • C# min • 03:21 • -23.33db
25% Popularity • 54% Danceability • 1% Energy • 14% Liveness
91% Instrumentalness • 8% Positiveness
25% Popularity • 54% Danceability • 1% Energy • 14% Liveness
91% Instrumentalness • 8% Positiveness
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Edvard Grieg
Lyric Pieces Book I, Op. 12: No. 1 Ariet...
130 bpm • D# Maj • 01:25 • -41db
52% Popularity • 44% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 37% Positiveness
52% Popularity • 44% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 37% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 7. Träumerei
130 bpm • F Maj • 02:55 • -42.24db
55% Popularity • 41% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 32% Positiveness
55% Popularity • 41% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 32% Positiveness
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Pat Metheny
A Night Away
130 bpm • G min • 07:59 • -9.01db
25% Popularity • 42% Danceability • 61% Energy • 26% Liveness
92% Instrumentalness • 58% Positiveness
25% Popularity • 42% Danceability • 61% Energy • 26% Liveness
92% Instrumentalness • 58% Positiveness
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Domenico Scarlatti
Sonata in D Minor, K. 32
130 bpm • D min • 02:43 • -30db
40% Popularity • 56% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 30% Positiveness
40% Popularity • 56% Danceability • 1% Energy • 9% Liveness
93% Instrumentalness • 30% Positiveness
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György Ligeti
Etudes, Book 1: No. 5, Arc-en-ciel
130 bpm • A Maj • 04:07 • -24db
22% Popularity • 48% Danceability • 2% Energy • 6% Liveness
76% Instrumentalness • 4% Positiveness
22% Popularity • 48% Danceability • 2% Energy • 6% Liveness
76% Instrumentalness • 4% Positiveness
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Jean-Philippe Rameau
Les Boréades, RCT 31, Acte IV, Scène I...
130 bpm • C# Maj • 07:01 • -19db
36% Popularity • 16% Danceability • 14% Energy • 16% Liveness
19% Instrumentalness • 4% Positiveness
36% Popularity • 16% Danceability • 14% Energy • 16% Liveness
19% Instrumentalness • 4% Positiveness
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Brad Mehldau
Sehnsucht
130 bpm • G Maj • 04:56 • -21.7db
17% Popularity • 36% Danceability • 16% Energy • 9% Liveness
88% Instrumentalness • 20% Positiveness
17% Popularity • 36% Danceability • 16% Energy • 9% Liveness
88% Instrumentalness • 20% Positiveness
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Sergei Rachmaninoff
Vocalise, Op. 34 No. 14 (Arr. for Violin...
130 bpm • E min • 05:39 • -29db
9% Popularity • 20% Danceability • 3% Energy • 6% Liveness
16% Instrumentalness • 4% Positiveness
9% Popularity • 20% Danceability • 3% Energy • 6% Liveness
16% Instrumentalness • 4% Positiveness
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Joseph-Nicolas-Pancrace Royer
Pièces de clavecin, Book 1: No. 6, L'ai...
130 bpm • D min • 04:28 • -22.89db
22% Popularity • 38% Danceability • 18% Energy • 11% Liveness
94% Instrumentalness • 48% Positiveness
22% Popularity • 38% Danceability • 18% Energy • 11% Liveness
94% Instrumentalness • 48% Positiveness
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Domenico Scarlatti
Sonata in E Major, Kk. 20: Presto
130 bpm • E Maj • 03:31 • -28db
31% Popularity • 58% Danceability • 5% Energy • 11% Liveness
86% Instrumentalness • 35% Positiveness
31% Popularity • 58% Danceability • 5% Energy • 11% Liveness
86% Instrumentalness • 35% Positiveness
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François Couperin
Les Barricades mystérieuses
131 bpm • A# Maj • 02:10 • -37.66db
31% Popularity • 15% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
31% Popularity • 15% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
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Jean Sibelius
Sibelius: 13 Pieces, Op. 76: No. 2, Étu...
127 bpm • A min • 01:14 • -27db
44% Popularity • 41% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 88% Positiveness
44% Popularity • 41% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 88% Positiveness
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Maurice Ravel
Ravel: Sonatine, M. 40: II. Mouvement de...
131 bpm • C# Maj • 02:56 • -27.01db
35% Popularity • 39% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
35% Popularity • 39% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
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Joseph Haydn
Concerto pour Violoncelle et Orchestre e...
131 bpm • C Maj • 08:12 • -23.05db
45% Popularity • 20% Danceability • 7% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
45% Popularity • 20% Danceability • 7% Energy • 10% Liveness
74% Instrumentalness • 4% Positiveness
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César Franck
Franck: Prélude, fugue et variation, Op...
127 bpm • B min • 04:21 • -34.47db
26% Popularity • 45% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 34% Positiveness
26% Popularity • 45% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 34% Positiveness
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Wolfgang Amadeus Mozart
Piano Concerto No. 20 in D Minor, K. 466...
131 bpm • D min • 08:45 • -23.05db
7% Popularity • 36% Danceability • 13% Energy • 12% Liveness
89% Instrumentalness • 18% Positiveness
7% Popularity • 36% Danceability • 13% Energy • 12% Liveness
89% Instrumentalness • 18% Positiveness
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Jean-Philippe Rameau
Suite in A Minor, RCT 5: VII. Gavotte et...
127 bpm • A min • 09:33 • -30db
16% Popularity • 37% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 19% Positiveness
16% Popularity • 37% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 19% Positiveness
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Wilhelm Stenhammar
String Quartet No. 5 in C Major, Op. 29,...
131 bpm • A min • 07:35 • -21.87db
7% Popularity • 35% Danceability • 5% Energy • 12% Liveness
32% Instrumentalness • 20% Positiveness
7% Popularity • 35% Danceability • 5% Energy • 12% Liveness
32% Instrumentalness • 20% Positiveness
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Keith Jarrett
Part XI - Live
132 bpm • A min • 05:40 • -24.19db
18% Popularity • 47% Danceability • 3% Energy • 4% Liveness
84% Instrumentalness • 11% Positiveness
18% Popularity • 47% Danceability • 3% Energy • 4% Liveness
84% Instrumentalness • 11% Positiveness
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Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 1 ...
132 bpm • C min • 02:07 • -27.63db
37% Popularity • 42% Danceability • 7% Energy • 7% Liveness
89% Instrumentalness • 30% Positiveness
37% Popularity • 42% Danceability • 7% Energy • 7% Liveness
89% Instrumentalness • 30% Positiveness
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Wolfgang Muthspiel
Where The River Goes
132 bpm • G Maj • 07:42 • -18.12db
21% Popularity • 40% Danceability • 27% Energy • 10% Liveness
88% Instrumentalness • 11% Positiveness
21% Popularity • 40% Danceability • 27% Energy • 10% Liveness
88% Instrumentalness • 11% Positiveness
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Joseph Haydn
The Seven Last Words of Christ, Hob.XX:2...
132 bpm • C min • 08:21 • -26db
28% Popularity • 24% Danceability • 2% Energy • 6% Liveness
20% Instrumentalness • 7% Positiveness
28% Popularity • 24% Danceability • 2% Energy • 6% Liveness
20% Instrumentalness • 7% Positiveness
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George Frideric Handel
Keyboard Suite No. 5 in E Major, HWV 430...
126 bpm • E Maj • 04:43 • -26.48db
32% Popularity • 26% Danceability • 10% Energy • 9% Liveness
89% Instrumentalness • 39% Positiveness
32% Popularity • 26% Danceability • 10% Energy • 9% Liveness
89% Instrumentalness • 39% Positiveness
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Thomas Adès
Adès: Les baricades mistérieuses
132 bpm • A# Maj • 02:42 • -40.82db
28% Popularity • 24% Danceability • 0% Energy • 9% Liveness
90% Instrumentalness • 20% Positiveness
28% Popularity • 24% Danceability • 0% Energy • 9% Liveness
90% Instrumentalness • 20% Positiveness
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Brad Mehldau
After Bach: Pastorale
126 bpm • D min • 03:46 • -18.87db
20% Popularity • 39% Danceability • 24% Energy • 15% Liveness
84% Instrumentalness • 8% Positiveness
20% Popularity • 39% Danceability • 24% Energy • 15% Liveness
84% Instrumentalness • 8% Positiveness
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Percy Grainger
La Scandinavie: III. Polska norvégien
126 bpm • D# Maj • 02:54 • -22.83db
14% Popularity • 30% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 10% Positiveness
14% Popularity • 30% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 10% Positiveness
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Wolfgang Muthspiel
Rising Grace
126 bpm • C Maj • 05:56 • -18.31db
16% Popularity • 40% Danceability • 25% Energy • 10% Liveness
93% Instrumentalness • 34% Positiveness
16% Popularity • 40% Danceability • 25% Energy • 10% Liveness
93% Instrumentalness • 34% Positiveness
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Joseph Haydn
Concerto for Trumpet and Orchestra, in E...
126 bpm • D# Maj • 06:50 • -20db
31% Popularity • 39% Danceability • 12% Energy • 12% Liveness
92% Instrumentalness • 31% Positiveness
31% Popularity • 39% Danceability • 12% Energy • 12% Liveness
92% Instrumentalness • 31% Positiveness
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Pat Metheny
Make Peace
125 bpm • D Maj • 07:06 • -16.26db
19% Popularity • 33% Danceability • 23% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
19% Popularity • 33% Danceability • 23% Energy • 10% Liveness
96% Instrumentalness • 7% Positiveness
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Gottfried Heinrich Stölzel
Bist du bei mir (Formerly Attrib. J.S. B...
133 bpm • D# Maj • 03:29 • -30db
31% Popularity • 51% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 20% Positiveness
31% Popularity • 51% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 20% Positiveness
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Brad Mehldau
Look for the Silver Lining
132 bpm • D# Maj • 03:31 • -21.24db
15% Popularity • 56% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 19% Positiveness
15% Popularity • 56% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 19% Positiveness
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François Couperin
Pièces de Clavecin, Livre II, 6e ordre:...
133 bpm • F Maj • 02:27 • -19db
21% Popularity • 41% Danceability • 31% Energy • 12% Liveness
93% Instrumentalness • 93% Positiveness
21% Popularity • 41% Danceability • 31% Energy • 12% Liveness
93% Instrumentalness • 93% Positiveness
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Ottorino Respighi
Antiche Danze Ed Arie Per Liuto (Ancient...
125 bpm • D Maj • 02:47 • -23db
43% Popularity • 51% Danceability • 12% Energy • 12% Liveness
84% Instrumentalness • 35% Positiveness
43% Popularity • 51% Danceability • 12% Energy • 12% Liveness
84% Instrumentalness • 35% Positiveness
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Ferruccio Busoni
24 Preludes, Op. 37, BV 181: No. 15 in D...
133 bpm • C# Maj • 02:06 • -35db
40% Popularity • 37% Danceability • 1% Energy • 12% Liveness
86% Instrumentalness • 19% Positiveness
40% Popularity • 37% Danceability • 1% Energy • 12% Liveness
86% Instrumentalness • 19% Positiveness
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Joaquín Rodrigo
Rodrigo: Concierto de Aranjuez: I. Alleg...
125 bpm • G Maj • 06:02 • -17.74db
24% Popularity • 53% Danceability • 22% Energy • 11% Liveness
90% Instrumentalness • 35% Positiveness
24% Popularity • 53% Danceability • 22% Energy • 11% Liveness
90% Instrumentalness • 35% Positiveness
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Maurice Ravel
Ziloti: Kaddisch, Mélodie hébraïque i...
133 bpm • C min • 04:32 • -25.42db
17% Popularity • 42% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 11% Positiveness
17% Popularity • 42% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 11% Positiveness
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Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 2 ...
133 bpm • C# Maj • 02:00 • -31.22db
45% Popularity • 24% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
45% Popularity • 24% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
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Brad Mehldau
After Bach: Ostinato
134 bpm • G Maj • 12:19 • -16.93db
17% Popularity • 30% Danceability • 28% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
17% Popularity • 30% Danceability • 28% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Heinrich Ignaz Franz von Biber
Mystery (Rosary) Sonata No. 1, "The Annu...
134 bpm • C# min • 02:28 • -21.36db
28% Popularity • 34% Danceability • 8% Energy • 11% Liveness
39% Instrumentalness • 3% Positiveness
28% Popularity • 34% Danceability • 8% Energy • 11% Liveness
39% Instrumentalness • 3% Positiveness
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Inge Rosar
Fantasie g-Moll "duobus subjectis" BWV 9...
134 bpm • G min • 02:15 • -28db
23% Popularity • 41% Danceability • 4% Energy • 17% Liveness
90% Instrumentalness • 50% Positiveness
23% Popularity • 41% Danceability • 4% Energy • 17% Liveness
90% Instrumentalness • 50% Positiveness
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Lang Lang
Danzas Argentinas, Op. 2: II. Danza de l...
134 bpm • A min • 04:00 • -24db
21% Popularity • 35% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 6% Positiveness
21% Popularity • 35% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 6% Positiveness
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Erik Satie
Petite Ouverture à danser
134 bpm • A# Maj • 01:15 • -25.16db
33% Popularity • 38% Danceability • 3% Energy • 12% Liveness
90% Instrumentalness • 19% Positiveness
33% Popularity • 38% Danceability • 3% Energy • 12% Liveness
90% Instrumentalness • 19% Positiveness
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Chris Thile
The Watcher
124 bpm • D min • 05:27 • -14.4db
21% Popularity • 48% Danceability • 31% Energy • 10% Liveness
88% Instrumentalness • 35% Positiveness
21% Popularity • 48% Danceability • 31% Energy • 10% Liveness
88% Instrumentalness • 35% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 12. Kind im Einsch...
123 bpm • E min • 02:23 • -40db
48% Popularity • 40% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 10% Positiveness
48% Popularity • 40% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 10% Positiveness
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Pat Metheny
Summer Day
123 bpm • D min • 06:21 • -17.04db
18% Popularity • 48% Danceability • 25% Energy • 11% Liveness
91% Instrumentalness • 26% Positiveness
18% Popularity • 48% Danceability • 25% Energy • 11% Liveness
91% Instrumentalness • 26% Positiveness
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Jean-Philippe Rameau
Suite en La Mineur, RCT 5: IV. Les Trois...
135 bpm • A min • 04:12 • -23db
17% Popularity • 44% Danceability • 15% Energy • 12% Liveness
91% Instrumentalness • 61% Positiveness
17% Popularity • 44% Danceability • 15% Energy • 12% Liveness
91% Instrumentalness • 61% Positiveness
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Valentin Silvestrov
Bagatelles I-XIII: Bagatelle I
135 bpm • C min • 03:20 • -35.94db
18% Popularity • 35% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
18% Popularity • 35% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
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Amy Beach
4 Sketches, Op. 15: No. 4. Fireflies
135 bpm • A min • 03:08 • -33.43db
16% Popularity • 26% Danceability • 5% Energy • 6% Liveness
90% Instrumentalness • 19% Positiveness
16% Popularity • 26% Danceability • 5% Energy • 6% Liveness
90% Instrumentalness • 19% Positiveness
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Wolfgang Amadeus Mozart
Sonata for Piano and Violin in A Major, ...
136 bpm • A Maj • 07:08 • -19.8db
15% Popularity • 41% Danceability • 26% Energy • 12% Liveness
7% Instrumentalness • 76% Positiveness
15% Popularity • 41% Danceability • 26% Energy • 12% Liveness
7% Instrumentalness • 76% Positiveness
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Antonio Vivaldi
Concerto in A Minor, RV 356: I. Allegro
123 bpm • A min • 02:46 • -18db
22% Popularity • 61% Danceability • 32% Energy • 14% Liveness
82% Instrumentalness • 76% Positiveness
22% Popularity • 61% Danceability • 32% Energy • 14% Liveness
82% Instrumentalness • 76% Positiveness
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Dmitri Shostakovich
Preludes and Fugues for Piano, Op. 87: P...
136 bpm • G min • 05:09 • -31.07db
16% Popularity • 23% Danceability • 8% Energy • 14% Liveness
88% Instrumentalness • 4% Positiveness
16% Popularity • 23% Danceability • 8% Energy • 14% Liveness
88% Instrumentalness • 4% Positiveness
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Brad Mehldau
Your Mother Should Know
122 bpm • C Maj • 02:18 • -15.07db
39% Popularity • 46% Danceability • 25% Energy • 11% Liveness
93% Instrumentalness • 33% Positiveness
39% Popularity • 46% Danceability • 25% Energy • 11% Liveness
93% Instrumentalness • 33% Positiveness
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George Frideric Handel
Harpsichord Suite No. 1 in B-Flat Major ...
136 bpm • G min • 03:25 • -23.79db
12% Popularity • 50% Danceability • 2% Energy • 13% Liveness
94% Instrumentalness • 12% Positiveness
12% Popularity • 50% Danceability • 2% Energy • 13% Liveness
94% Instrumentalness • 12% Positiveness
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김준영
Paradis: Sicilienne 파라디스 시실�...
137 bpm • D# Maj • 03:03 • -28.25db
27% Popularity • 18% Danceability • 2% Energy • 19% Liveness
80% Instrumentalness • 11% Positiveness
27% Popularity • 18% Danceability • 2% Energy • 19% Liveness
80% Instrumentalness • 11% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Souvenir d'un lieu cher, Op. 42: No. 3, ...
137 bpm • D# Maj • 03:19 • -23.73db
14% Popularity • 28% Danceability • 5% Energy • 14% Liveness
23% Instrumentalness • 7% Positiveness
14% Popularity • 28% Danceability • 5% Energy • 14% Liveness
23% Instrumentalness • 7% Positiveness
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Arvo Pärt
Pari intervallo
137 bpm • D# min • 07:50 • -45db
22% Popularity • 52% Danceability • 0% Energy • 9% Liveness
95% Instrumentalness • 46% Positiveness
22% Popularity • 52% Danceability • 0% Energy • 9% Liveness
95% Instrumentalness • 46% Positiveness
► Preview
Joseph-Nicolas-Pancrace Royer
Royer: Premier livre de pièces de clave...
121 bpm • G min • 04:51 • -24db
29% Popularity • 29% Danceability • 16% Energy • 14% Liveness
93% Instrumentalness • 11% Positiveness
29% Popularity • 29% Danceability • 16% Energy • 14% Liveness
93% Instrumentalness • 11% Positiveness
► Preview
Brad Mehldau
Before Bach: Benediction
136 bpm • C# Maj • 05:25 • -16.66db
22% Popularity • 35% Danceability • 27% Energy • 10% Liveness
92% Instrumentalness • 11% Positiveness
22% Popularity • 35% Danceability • 27% Energy • 10% Liveness
92% Instrumentalness • 11% Positiveness
► Preview
Friedrich Burgmüller
3 Nocturnes for Cello and Guitar: Noctur...
121 bpm • C Maj • 02:20 • -24.91db
14% Popularity • 30% Danceability • 6% Energy • 11% Liveness
86% Instrumentalness • 42% Positiveness
14% Popularity • 30% Danceability • 6% Energy • 11% Liveness
86% Instrumentalness • 42% Positiveness
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Claude Debussy
String Quartet in G Minor, Op. 10: I. An...
121 bpm • D min • 06:25 • -22db
3% Popularity • 28% Danceability • 11% Energy • 26% Liveness
77% Instrumentalness • 12% Positiveness
3% Popularity • 28% Danceability • 11% Energy • 26% Liveness
77% Instrumentalness • 12% Positiveness
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François Couperin
Pièces de Clavecin, Livre II, 6e ordre,...
121 bpm • C min • 04:10 • -32.4db
16% Popularity • 38% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 22% Positiveness
16% Popularity • 38% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 22% Positiveness
► Preview
César Franck
Violin Sonata in A Major, FWV 8: I. Alle...
138 bpm • A Maj • 06:32 • -25db
20% Popularity • 24% Danceability • 4% Energy • 6% Liveness
5% Instrumentalness • 4% Positiveness
20% Popularity • 24% Danceability • 4% Energy • 6% Liveness
5% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 19, No. 1
138 bpm • E Maj • 03:14 • -34db
47% Popularity • 22% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
47% Popularity • 22% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
► Preview
Brad Mehldau
Golden Slumbers
137 bpm • C Maj • 08:17 • -15.05db
31% Popularity • 39% Danceability • 20% Energy • 71% Liveness
94% Instrumentalness • 13% Positiveness
31% Popularity • 39% Danceability • 20% Energy • 71% Liveness
94% Instrumentalness • 13% Positiveness
► Preview
George Frideric Handel
Water Music, Suite No. 1, HWV 348: I. Ov...
138 bpm • E Maj • 03:12 • -21.04db
38% Popularity • 34% Danceability • 18% Energy • 10% Liveness
69% Instrumentalness • 56% Positiveness
38% Popularity • 34% Danceability • 18% Energy • 10% Liveness
69% Instrumentalness • 56% Positiveness
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Franz Schubert
4 Impromptus, Op. 90, D. 899: 1. Allegro...
138 bpm • C min • 09:32 • -28.88db
10% Popularity • 39% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
10% Popularity • 39% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 11% Positiveness
► Preview
François Couperin
Les baricades mystérieuses - Arranged B...
138 bpm • A# Maj • 02:43 • -27.44db
36% Popularity • 22% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 44% Positiveness
36% Popularity • 22% Danceability • 9% Energy • 11% Liveness
91% Instrumentalness • 44% Positiveness
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Domenico Scarlatti
Keyboard Sonata in C Major, Kk. 159
120 bpm • C Maj • 02:23 • -27db
52% Popularity • 57% Danceability • 20% Energy • 10% Liveness
82% Instrumentalness • 71% Positiveness
52% Popularity • 57% Danceability • 20% Energy • 10% Liveness
82% Instrumentalness • 71% Positiveness
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Pat Metheny
The Sound of Water
120 bpm • D# min • 03:53 • -16.58db
22% Popularity • 42% Danceability • 26% Energy • 13% Liveness
93% Instrumentalness • 11% Positiveness
22% Popularity • 42% Danceability • 26% Energy • 13% Liveness
93% Instrumentalness • 11% Positiveness
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Brad Mehldau
Four Minus Four Equals Zero
138 bpm • B min • 01:10 • -18.52db
27% Popularity • 64% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 17% Positiveness
27% Popularity • 64% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 17% Positiveness
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Johann Baptist Georg Neruda
Neruda: Trumpet Concerto In E Flat - Iii...
139 bpm • D# Maj • 04:43 • -16.62db
22% Popularity • 46% Danceability • 17% Energy • 12% Liveness
92% Instrumentalness • 59% Positiveness
22% Popularity • 46% Danceability • 17% Energy • 12% Liveness
92% Instrumentalness • 59% Positiveness
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Edvard Grieg
Peer Gynt Suite No. 2, Op. 55: IV. Solve...
139 bpm • E min • 04:37 • -30db
30% Popularity • 40% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 8% Positiveness
30% Popularity • 40% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 8% Positiveness
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Ottorino Respighi
Notturno
139 bpm • F# Maj • 06:05 • -26db
22% Popularity • 32% Danceability • 2% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
22% Popularity • 32% Danceability • 2% Energy • 13% Liveness
88% Instrumentalness • 4% Positiveness
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Domenico Scarlatti
Sonata in G Major, KK. 455
139 bpm • G Maj • 01:44 • -30db
42% Popularity • 40% Danceability • 15% Energy • 10% Liveness
88% Instrumentalness • 70% Positiveness
42% Popularity • 40% Danceability • 15% Energy • 10% Liveness
88% Instrumentalness • 70% Positiveness
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Mark Morton
Eccles: Sonata in G Minor: I. Largo
139 bpm • G min • 03:00 • -27.26db
16% Popularity • 15% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
16% Popularity • 15% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 7% Positiveness
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Brad Mehldau
Paranoid Android III
120 bpm • G min • 03:17 • -16.93db
24% Popularity • 49% Danceability • 14% Energy • 11% Liveness
89% Instrumentalness • 7% Positiveness
24% Popularity • 49% Danceability • 14% Energy • 11% Liveness
89% Instrumentalness • 7% Positiveness
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Pat Metheny
Long Before
120 bpm • A min • 06:57 • -20.7db
14% Popularity • 45% Danceability • 10% Energy • 10% Liveness
95% Instrumentalness • 10% Positiveness
14% Popularity • 45% Danceability • 10% Energy • 10% Liveness
95% Instrumentalness • 10% Positiveness
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Joseph Haydn
Keyboard Concerto in G Major, Hob. XVIII...
140 bpm • C Maj • 06:52 • -27.98db
14% Popularity • 15% Danceability • 2% Energy • 11% Liveness
56% Instrumentalness • 5% Positiveness
14% Popularity • 15% Danceability • 2% Energy • 11% Liveness
56% Instrumentalness • 5% Positiveness
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Wolfgang Muthspiel
Father And Sun
140 bpm • A min • 08:14 • -19.52db
15% Popularity • 44% Danceability • 18% Energy • 10% Liveness
94% Instrumentalness • 45% Positiveness
15% Popularity • 44% Danceability • 18% Energy • 10% Liveness
94% Instrumentalness • 45% Positiveness
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Claudio Monteverdi
Chiome d'oro, SV 143
119 bpm • C Maj • 01:25 • -23db
45% Popularity • 46% Danceability • 8% Energy • 15% Liveness
82% Instrumentalness • 77% Positiveness
45% Popularity • 46% Danceability • 8% Energy • 15% Liveness
82% Instrumentalness • 77% Positiveness
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Jenny Lin
Beltà poi che t'assenti (Arr. for 2 Pia...
119 bpm • A# Maj • 02:59 • -18.8db
26% Popularity • 58% Danceability • 12% Energy • 10% Liveness
89% Instrumentalness • 18% Positiveness
26% Popularity • 58% Danceability • 12% Energy • 10% Liveness
89% Instrumentalness • 18% Positiveness
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Brad Mehldau
Paranoid Android II
120 bpm • D min • 03:28 • -16.76db
23% Popularity • 46% Danceability • 12% Energy • 13% Liveness
86% Instrumentalness • 6% Positiveness
23% Popularity • 46% Danceability • 12% Energy • 13% Liveness
86% Instrumentalness • 6% Positiveness
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Pat Metheny
Bachelor's III
139 bpm • A# min • 07:20 • -17.66db
14% Popularity • 50% Danceability • 14% Energy • 11% Liveness
93% Instrumentalness • 34% Positiveness
14% Popularity • 50% Danceability • 14% Energy • 11% Liveness
93% Instrumentalness • 34% Positiveness
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Maurice Ravel
Ravel: String Quartet, M. 35: I. Allegro...
118 bpm • F Maj • 08:50 • -23.88db
29% Popularity • 26% Danceability • 7% Energy • 9% Liveness
76% Instrumentalness • 4% Positiveness
29% Popularity • 26% Danceability • 7% Energy • 9% Liveness
76% Instrumentalness • 4% Positiveness
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Benedetto Marcello
Concerto in E Minor: II. Vivace
117 bpm • D# min • 01:41 • -18.41db
43% Popularity • 60% Danceability • 26% Energy • 8% Liveness
63% Instrumentalness • 86% Positiveness
43% Popularity • 60% Danceability • 26% Energy • 8% Liveness
63% Instrumentalness • 86% Positiveness
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François Couperin
Pièces de Clavecin, Livre II, 6e ordre,...
117 bpm • E min • 03:54 • -27db
22% Popularity • 32% Danceability • 11% Energy • 11% Liveness
92% Instrumentalness • 25% Positiveness
22% Popularity • 32% Danceability • 11% Energy • 11% Liveness
92% Instrumentalness • 25% Positiveness
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Franz Schubert
Fantasie in F Minor, D. 940: I. Allegro ...
118 bpm • C Maj • 04:56 • -25.2db
20% Popularity • 47% Danceability • 6% Energy • 9% Liveness
93% Instrumentalness • 21% Positiveness
20% Popularity • 47% Danceability • 6% Energy • 9% Liveness
93% Instrumentalness • 21% Positiveness
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Brad Mehldau
Prelude No. 10 in E Minor from The Well-...
119 bpm • E min • 02:16 • -20.98db
21% Popularity • 37% Danceability • 23% Energy • 12% Liveness
87% Instrumentalness • 77% Positiveness
21% Popularity • 37% Danceability • 23% Energy • 12% Liveness
87% Instrumentalness • 77% Positiveness
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Jacques Loussier
Nocturne No. 20 In C-Sharp Minor, Op. Po...
117 bpm • F# min • 01:56 • -19db
35% Popularity • 48% Danceability • 13% Energy • 14% Liveness
91% Instrumentalness • 21% Positiveness
35% Popularity • 48% Danceability • 13% Energy • 14% Liveness
91% Instrumentalness • 21% Positiveness
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Aaron Parks
River Ways
117 bpm • C# Maj • 03:06 • -26.92db
36% Popularity • 43% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 5% Positiveness
36% Popularity • 43% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 5% Positiveness
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Frédéric Chopin
Chopin: Cello Sonata in G Minor, Op. 65:...
117 bpm • A# Maj • 03:37 • -36.08db
27% Popularity • 17% Danceability • 1% Energy • 8% Liveness
84% Instrumentalness • 6% Positiveness
27% Popularity • 17% Danceability • 1% Energy • 8% Liveness
84% Instrumentalness • 6% Positiveness
