Songs like Préludes / Book 1, L.117: 8. La fille aux cheveux de lin by Claude Debussy
Based on a tempo of (+/- 10%) and a similar genre
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Robert Schumann
Kinderszenen, Op. 15: 7. Träumerei
135 bpm • F Maj • 02:30 • -35.8db
51% Popularity • 40% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
51% Popularity • 40% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
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Charles-Valentin Alkan
Premier Nocturne, Op. 22
135 bpm • B Maj • 06:09 • -31.53db
42% Popularity • 34% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
42% Popularity • 34% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
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Claude Debussy
Préludes / Book 1, L.117: 8. La fille a...
135 bpm • F# Maj • 02:21 • -36.79db
36% Popularity • 37% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 19% Positiveness
36% Popularity • 37% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 19% Positiveness
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Lang Lang
24 Préludes, Op. 28: No. 15 in D Flat M...
134 bpm • C# Maj • 06:34 • -22db
26% Popularity • 42% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
26% Popularity • 42% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
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Gustav Holst
St. Paul's Suite, Op. 29 No. 2, H 118: 3...
136 bpm • E min • 04:10 • -23db
30% Popularity • 24% Danceability • 5% Energy • 10% Liveness
80% Instrumentalness • 15% Positiveness
30% Popularity • 24% Danceability • 5% Energy • 10% Liveness
80% Instrumentalness • 15% Positiveness
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Pyotr Ilyich Tchaikovsky
X. October - Autumn Song
134 bpm • D min • 05:43 • -34db
24% Popularity • 42% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 11% Positiveness
24% Popularity • 42% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 11% Positiveness
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Jean-Philippe Rameau
The Arts and the Hours
136 bpm • C# Maj • 04:45 • -36.7db
64% Popularity • 42% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 27% Positiveness
64% Popularity • 42% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 27% Positiveness
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Antonín Dvořák
Lasst Mich Alein, Op. 82, B.157
136 bpm • B Maj • 04:18 • -26.55db
15% Popularity • 21% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
15% Popularity • 21% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Claude Debussy
Suite bergamasque, L. 75: III. Clair de ...
135 bpm • C# Maj • 05:30 • -32db
53% Popularity • 37% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
53% Popularity • 37% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
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Max Bruch
Kol Nidrei, Op. 47
136 bpm • D Maj • 08:16 • -21.76db
32% Popularity • 18% Danceability • 12% Energy • 30% Liveness
88% Instrumentalness • 6% Positiveness
32% Popularity • 18% Danceability • 12% Energy • 30% Liveness
88% Instrumentalness • 6% Positiveness
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Carl Maria von Weber
7 Variations on the Air Vien qua, Dorina...
134 bpm • C Maj • 01:17 • -34db
58% Popularity • 22% Danceability • 1% Energy • 7% Liveness
80% Instrumentalness • 22% Positiveness
58% Popularity • 22% Danceability • 1% Energy • 7% Liveness
80% Instrumentalness • 22% Positiveness
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Franz Liszt
Berceuse, S. 174
136 bpm • C# Maj • 09:36 • -30db
34% Popularity • 30% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
34% Popularity • 30% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Sergei Prokofiev
Piano Concerto No. 3 in C, Op. 26: 1. An...
133 bpm • A min • 09:24 • -16db
44% Popularity • 35% Danceability • 25% Energy • 8% Liveness
86% Instrumentalness • 10% Positiveness
44% Popularity • 35% Danceability • 25% Energy • 8% Liveness
86% Instrumentalness • 10% Positiveness
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Edvard Grieg
Lyric Pieces, Op. 57, Book VI: VI. Hjemv...
137 bpm • E min • 04:33 • -34db
43% Popularity • 37% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 5% Positiveness
43% Popularity • 37% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 5% Positiveness
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Gabriel Fauré
Fauré: Sicilienne, Op. 78
137 bpm • D# Maj • 03:52 • -27.4db
35% Popularity • 22% Danceability • 3% Energy • 12% Liveness
96% Instrumentalness • 13% Positiveness
35% Popularity • 22% Danceability • 3% Energy • 12% Liveness
96% Instrumentalness • 13% Positiveness
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김준영
Paradis: Sicilienne 파라디스 시실�...
137 bpm • D# Maj • 03:03 • -28.25db
27% Popularity • 18% Danceability • 2% Energy • 19% Liveness
80% Instrumentalness • 11% Positiveness
27% Popularity • 18% Danceability • 2% Energy • 19% Liveness
80% Instrumentalness • 11% Positiveness
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Erik Satie
3 Gymnopédies: No. 2, Lent et triste
133 bpm • F Maj • 02:32 • -35.85db
39% Popularity • 48% Danceability • 0% Energy • 11% Liveness
96% Instrumentalness • 42% Positiveness
39% Popularity • 48% Danceability • 0% Energy • 11% Liveness
96% Instrumentalness • 42% Positiveness
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Ludwig van Beethoven
Piano Concerto No. 3 in C Minor, Op. 37:...
137 bpm • E Maj • 10:28 • -29db
23% Popularity • 22% Danceability • 3% Energy • 20% Liveness
95% Instrumentalness • 4% Positiveness
23% Popularity • 22% Danceability • 3% Energy • 20% Liveness
95% Instrumentalness • 4% Positiveness
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Claude Debussy
Préludes / Book 1, L.117: 2. Voiles
138 bpm • C min • 03:40 • -34db
34% Popularity • 32% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
34% Popularity • 32% Danceability • 1% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Antonín Dvořák
Slavonic Dances, Op. 72, B. 145: No. 2 i...
132 bpm • C Maj • 02:01 • -25db
56% Popularity • 34% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
56% Popularity • 34% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
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Lang Lang
Variations on an Original Theme, Op. 36 ...
138 bpm • D# Maj • 04:18 • -16db
19% Popularity • 64% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 50% Positiveness
19% Popularity • 64% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 50% Positiveness
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Modest Mussorgsky
Pictures at an Exhibition: X. The Great ...
138 bpm • D# Maj • 05:34 • -16.75db
18% Popularity • 52% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 13% Positiveness
18% Popularity • 52% Danceability • 15% Energy • 10% Liveness
91% Instrumentalness • 13% Positiveness
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César Franck
Violin Sonata in A Major, FWV 8: I. Alle...
138 bpm • A Maj • 06:32 • -25db
20% Popularity • 24% Danceability • 4% Energy • 6% Liveness
5% Instrumentalness • 4% Positiveness
20% Popularity • 24% Danceability • 4% Energy • 6% Liveness
5% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Fantasia for Piano in D Minor, K...
132 bpm • D Maj • 05:58 • -27db
26% Popularity • 43% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 12% Positiveness
26% Popularity • 43% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 12% Positiveness
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Claude Debussy
Préludes / Book 1, L.117: 6. Des pas su...
132 bpm • F Maj • 04:18 • -39.48db
21% Popularity • 50% Danceability • 0% Energy • 9% Liveness
87% Instrumentalness • 15% Positiveness
21% Popularity • 50% Danceability • 0% Energy • 9% Liveness
87% Instrumentalness • 15% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 19, No. 1
138 bpm • E Maj • 03:14 • -34db
46% Popularity • 22% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
46% Popularity • 22% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
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Erik Satie
Gnossiennes: No. 5, Modéré
132 bpm • G Maj • 04:07 • -32db
28% Popularity • 43% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
28% Popularity • 43% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
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Janos Sebestyen
Prelude In C Major, BWV 924 : Praeambulu...
139 bpm • C Maj • 01:07 • -26db
61% Popularity • 27% Danceability • 22% Energy • 12% Liveness
85% Instrumentalness • 60% Positiveness
61% Popularity • 27% Danceability • 22% Energy • 12% Liveness
85% Instrumentalness • 60% Positiveness
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Frédéric Chopin
Chopin: Scherzo No. 2 in B-Flat Minor, O...
131 bpm • C# Maj • 09:47 • -21.51db
39% Popularity • 38% Danceability • 8% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
39% Popularity • 38% Danceability • 8% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
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Andre Caplet
Children's Corner (arr. A. Caplet for or...
131 bpm • C# min • 03:04 • -31db
20% Popularity • 22% Danceability • 1% Energy • 8% Liveness
31% Instrumentalness • 6% Positiveness
20% Popularity • 22% Danceability • 1% Energy • 8% Liveness
31% Instrumentalness • 6% Positiveness
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Claude Debussy
Debussy: 2 Arabesques, CD 74, L. 66: No....
132 bpm • F# min • 04:31 • -29db
46% Popularity • 33% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
46% Popularity • 33% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
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Edvard Grieg
Peer Gynt Suite No. 2, Op. 55: IV. Solve...
139 bpm • E min • 04:37 • -30db
30% Popularity • 40% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 8% Positiveness
30% Popularity • 40% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 8% Positiveness
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Erik Satie
Mercure, Scene 1: La nuit
139 bpm • C Maj • 01:13 • -35.36db
58% Popularity • 14% Danceability • 0% Energy • 7% Liveness
3% Instrumentalness • 5% Positiveness
58% Popularity • 14% Danceability • 0% Energy • 7% Liveness
3% Instrumentalness • 5% Positiveness
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Janos Sebestyen
Prelude In D Major, BWV 925 : Prelude In...
139 bpm • D Maj • 01:08 • -22db
60% Popularity • 32% Danceability • 26% Energy • 12% Liveness
92% Instrumentalness • 82% Positiveness
60% Popularity • 32% Danceability • 26% Energy • 12% Liveness
92% Instrumentalness • 82% Positiveness
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Alexander Scriabin
3 Pieces, Op. 2: Prelude in B Major, Op....
131 bpm • B Maj • 00:59 • -41db
54% Popularity • 31% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 18% Positiveness
54% Popularity • 31% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 18% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 7. Träumerei
130 bpm • F Maj • 02:55 • -42.24db
55% Popularity • 41% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 32% Positiveness
55% Popularity • 41% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 32% Positiveness
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Fanny Mendelssohn
6 Melodies, Op. 4 - 6 melodies, Op. 5: A...
140 bpm • C# min • 01:33 • -30.89db
42% Popularity • 28% Danceability • 4% Energy • 11% Liveness
79% Instrumentalness • 5% Positiveness
42% Popularity • 28% Danceability • 4% Energy • 11% Liveness
79% Instrumentalness • 5% Positiveness
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Wolfgang Amadeus Mozart
Rondo in A Minor, K. 511
130 bpm • D min • 10:02 • -22.47db
32% Popularity • 35% Danceability • 11% Energy • 8% Liveness
92% Instrumentalness • 16% Positiveness
32% Popularity • 35% Danceability • 11% Energy • 8% Liveness
92% Instrumentalness • 16% Positiveness
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Edvard Grieg
Lyric Pieces Book I, Op. 12: No. 1 Ariet...
130 bpm • D# Maj • 01:25 • -41db
51% Popularity • 44% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 37% Positiveness
51% Popularity • 44% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 37% Positiveness
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Claude Debussy
Préludes, Book 1, L. 117: No. 8, La fil...
129 bpm • D# min • 02:46 • -39.8db
14% Popularity • 36% Danceability • 0% Energy • 4% Liveness
96% Instrumentalness • 15% Positiveness
14% Popularity • 36% Danceability • 0% Energy • 4% Liveness
96% Instrumentalness • 15% Positiveness
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Ludwig van Beethoven
Piano Sonata No. 8 in C Minor, Op. 13 "P...
129 bpm • G# Maj • 05:26 • -37.66db
20% Popularity • 34% Danceability • 0% Energy • 12% Liveness
90% Instrumentalness • 26% Positiveness
20% Popularity • 34% Danceability • 0% Energy • 12% Liveness
90% Instrumentalness • 26% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: No. 7 in F Major, ...
130 bpm • F Maj • 03:06 • -30.17db
59% Popularity • 50% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 31% Positiveness
59% Popularity • 50% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 31% Positiveness
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Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 1 ...
129 bpm • D min • 01:46 • -28.77db
55% Popularity • 25% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 17% Positiveness
55% Popularity • 25% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 17% Positiveness
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Janos Sebestyen
Prelude In G Minor, BWV 930 : Praeambulu...
129 bpm • G min • 01:27 • -24.02db
59% Popularity • 32% Danceability • 24% Energy • 16% Liveness
90% Instrumentalness • 60% Positiveness
59% Popularity • 32% Danceability • 24% Energy • 16% Liveness
90% Instrumentalness • 60% Positiveness
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Johann Sebastian Bach
The Well-Tempered Clavier: Book I, BWV 8...
129 bpm • C Maj • 02:17 • -42db
52% Popularity • 12% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 20% Positiveness
52% Popularity • 12% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 20% Positiveness
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Ignaz Friedman
Orfeo ed Euridice, Act II: Dance of the ...
128 bpm • D min • 04:11 • -34db
52% Popularity • 38% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
52% Popularity • 38% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
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Lavinia Meijer
Dances for Harp and Orchestra, L. 103: 2...
142 bpm • G Maj • 04:39 • -21.07db
52% Popularity • 27% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
52% Popularity • 27% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 1. Von fremden Lä...
128 bpm • G Maj • 01:53 • -41.93db
60% Popularity • 28% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 32% Positiveness
60% Popularity • 28% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 32% Positiveness
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Alexander Scriabin
3 Pieces, Op. 2: No. 1 in C-Sharp Minor
128 bpm • C# min • 03:21 • -23.33db
24% Popularity • 54% Danceability • 1% Energy • 14% Liveness
91% Instrumentalness • 8% Positiveness
24% Popularity • 54% Danceability • 1% Energy • 14% Liveness
91% Instrumentalness • 8% Positiveness
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Claude Debussy
Préludes / Book 1, L. 117: VIII. La fil...
128 bpm • F# Maj • 02:31 • -33db
50% Popularity • 34% Danceability • 0% Energy • 5% Liveness
90% Instrumentalness • 13% Positiveness
50% Popularity • 34% Danceability • 0% Energy • 5% Liveness
90% Instrumentalness • 13% Positiveness
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Ludwig van Beethoven
Eroica Dance (Arr. for Piano from Sympho...
143 bpm • D# Maj • 01:25 • -21.95db
40% Popularity • 35% Danceability • 18% Energy • 17% Liveness
90% Instrumentalness • 42% Positiveness
40% Popularity • 35% Danceability • 18% Energy • 17% Liveness
90% Instrumentalness • 42% Positiveness
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Frédéric Chopin
Chopin: Mazurka No. 41 in C-Sharp Minor,...
128 bpm • C# min • 02:37 • -21.74db
37% Popularity • 40% Danceability • 8% Energy • 12% Liveness
93% Instrumentalness • 11% Positiveness
37% Popularity • 40% Danceability • 8% Energy • 12% Liveness
93% Instrumentalness • 11% Positiveness
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Gustav Holst
Brook Green Suite: II. Air
127 bpm • F Maj • 02:05 • -22.64db
52% Popularity • 18% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
52% Popularity • 18% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
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Clara Schumann
3 Romances, Op. 11: No. 1, Andante
127 bpm • D# min • 03:02 • -29db
53% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
53% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Fanny Mendelssohn
Schwanenlied
143 bpm • G min • 02:30 • -21.42db
48% Popularity • 24% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
48% Popularity • 24% Danceability • 11% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
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Wolfgang Amadeus Mozart
Serenade No. 13 in G Major, K. 525, "Ein...
143 bpm • C Maj • 06:03 • -22.3db
55% Popularity • 32% Danceability • 3% Energy • 10% Liveness
83% Instrumentalness • 21% Positiveness
55% Popularity • 32% Danceability • 3% Energy • 10% Liveness
83% Instrumentalness • 21% Positiveness
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César Franck
Franck: Prélude, fugue et variation, Op...
127 bpm • B min • 04:21 • -34.47db
26% Popularity • 45% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 34% Positiveness
26% Popularity • 45% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 34% Positiveness
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Frédéric Chopin
Andante spianato et Grande polonaise bri...
127 bpm • G Maj • 04:55 • -35.89db
29% Popularity • 28% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
29% Popularity • 28% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Erik Satie
Enfantillages pittoresques: II. Berceuse
127 bpm • A min • 01:17 • -45db
57% Popularity • 44% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 47% Positiveness
57% Popularity • 44% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 47% Positiveness
► Preview
Ludwig van Beethoven
Beethoven: Piano Sonata No. 8 in C Minor...
126 bpm • G# Maj • 05:33 • -30.66db
37% Popularity • 38% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 10% Positiveness
37% Popularity • 38% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 10% Positiveness
► Preview
Camille Saint-Saëns
Carnival of the Animals, R. 125: XIII. T...
127 bpm • G Maj • 03:06 • -41.41db
29% Popularity • 17% Danceability • 0% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
29% Popularity • 17% Danceability • 0% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Janos Sebestyen
Prelude In D Minor, BWV 926 : Prelude In...
126 bpm • G min • 01:15 • -25.58db
64% Popularity • 35% Danceability • 18% Energy • 12% Liveness
90% Instrumentalness • 53% Positiveness
64% Popularity • 35% Danceability • 18% Energy • 12% Liveness
90% Instrumentalness • 53% Positiveness
► Preview
Benjamin Frith
Nocturne No. 12 In G Major, H. 58d: Noct...
125 bpm • G Maj • 02:27 • -32db
51% Popularity • 34% Danceability • 1% Energy • 10% Liveness
82% Instrumentalness • 13% Positiveness
51% Popularity • 34% Danceability • 1% Energy • 10% Liveness
82% Instrumentalness • 13% Positiveness
► Preview
Antonín Dvořák
Gypsy Melodies, Op. 55, B. 104: IV. Song...
125 bpm • D Maj • 02:31 • -25.5db
43% Popularity • 24% Danceability • 5% Energy • 13% Liveness
82% Instrumentalness • 6% Positiveness
43% Popularity • 24% Danceability • 5% Energy • 13% Liveness
82% Instrumentalness • 6% Positiveness
► Preview
Lü Wencheng
Autumn Moon on a Calm Lake
124 bpm • C# Maj • 04:08 • -30.03db
28% Popularity • 29% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 8% Positiveness
28% Popularity • 29% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 8% Positiveness
► Preview
Robert Schumann
Kinderszenen, Op. 15: 12. Kind im Einsch...
123 bpm • E min • 02:23 • -40db
47% Popularity • 40% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 10% Positiveness
47% Popularity • 40% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 10% Positiveness
► Preview
Tom Peters
Suite bergamsque, L. 75: III. Clair de l...
147 bpm • C# Maj • 04:24 • -22.94db
27% Popularity • 67% Danceability • 7% Energy • 9% Liveness
93% Instrumentalness • 14% Positiveness
27% Popularity • 67% Danceability • 7% Energy • 9% Liveness
93% Instrumentalness • 14% Positiveness
► Preview
Gabriel Fauré
Sicilienne, Op. 78
123 bpm • D# Maj • 03:31 • -25db
51% Popularity • 29% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
51% Popularity • 29% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
► Preview
Franz Liszt
Mendelssohns Lieder, S. 547: Auf Flugeln...
149 bpm • G# Maj • 03:19 • -30.75db
52% Popularity • 30% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
52% Popularity • 30% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
► Preview
François Couperin
Les Barricades Mystérieuses
149 bpm • A# Maj • 02:24 • -33db
39% Popularity • 17% Danceability • 3% Energy • 13% Liveness
94% Instrumentalness • 33% Positiveness
39% Popularity • 17% Danceability • 3% Energy • 13% Liveness
94% Instrumentalness • 33% Positiveness
► Preview
Enrique Granados
No. 1: Melódico
149 bpm • A Maj • 01:36 • -30.79db
46% Popularity • 36% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 15% Positiveness
46% Popularity • 36% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 15% Positiveness
► Preview
Carl Maria von Weber
7 Variations on an original theme, Op. 9...
121 bpm • F Maj • 00:57 • -35db
59% Popularity • 36% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 38% Positiveness
59% Popularity • 36% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 38% Positiveness
► Preview
Francis Poulenc
Cello Sonata, FP 143: Cavatine: Tres cal...
122 bpm • A# min • 06:22 • -25db
36% Popularity • 22% Danceability • 2% Energy • 14% Liveness
87% Instrumentalness • 4% Positiveness
36% Popularity • 22% Danceability • 2% Energy • 14% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Domenico Scarlatti
Keyboard Sonata in B-Flat Major, K.266/L...
151 bpm • A# Maj • 05:28 • -29.68db
27% Popularity • 24% Danceability • 5% Energy • 10% Liveness
88% Instrumentalness • 18% Positiveness
27% Popularity • 24% Danceability • 5% Energy • 10% Liveness
88% Instrumentalness • 18% Positiveness
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Lazar Berman
Chaconne in sol maggiore : Variazione 10
120 bpm • G min • 01:01 • -37.28db
51% Popularity • 53% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 36% Positiveness
51% Popularity • 53% Danceability • 0% Energy • 10% Liveness
93% Instrumentalness • 36% Positiveness
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George Frideric Handel
Handel: Suite No. 11 in D Minor, HWV 437...
119 bpm • D min • 02:57 • -28.68db
54% Popularity • 45% Danceability • 1% Energy • 6% Liveness
92% Instrumentalness • 18% Positiveness
54% Popularity • 45% Danceability • 1% Energy • 6% Liveness
92% Instrumentalness • 18% Positiveness
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Fanny Mendelssohn
Schluss
118 bpm • C Maj • 02:15 • -34db
50% Popularity • 27% Danceability • 3% Energy • 6% Liveness
86% Instrumentalness • 28% Positiveness
50% Popularity • 27% Danceability • 3% Energy • 6% Liveness
86% Instrumentalness • 28% Positiveness
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Edward Elgar
Sospiri, Op. 70
117 bpm • F Maj • 05:07 • -30db
37% Popularity • 17% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
37% Popularity • 17% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
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Traditional
Scarborough Fair (Arr. Parkin for Cello ...
117 bpm • D Maj • 03:14 • -30.56db
52% Popularity • 31% Danceability • 3% Energy • 12% Liveness
90% Instrumentalness • 25% Positiveness
52% Popularity • 31% Danceability • 3% Energy • 12% Liveness
90% Instrumentalness • 25% Positiveness
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Academy of St. Martin in the Fields
Peer Gynt Suite No.1 op. 46 Anitra's Dan...
168 bpm • E min • 03:22 • -32db
40% Popularity • 20% Danceability • 3% Energy • 12% Liveness
28% Instrumentalness • 13% Positiveness
40% Popularity • 20% Danceability • 3% Energy • 12% Liveness
28% Instrumentalness • 13% Positiveness
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Jean Sibelius
13 Pieces for Piano, Op. 76: Elegiaco, N...
169 bpm • E Maj • 01:32 • -33.11db
46% Popularity • 24% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 14% Positiveness
46% Popularity • 24% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 14% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 19: No. 6 in G Mi...
168 bpm • G min • 01:58 • -37db
54% Popularity • 30% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 19% Positiveness
54% Popularity • 30% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 19% Positiveness
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Ludwig van Beethoven
Piano Sonata No. 8 in C Minor, Op. 13 "P...
170 bpm • G# Maj • 05:43 • -33db
42% Popularity • 29% Danceability • 0% Energy • 13% Liveness
92% Instrumentalness • 7% Positiveness
42% Popularity • 29% Danceability • 0% Energy • 13% Liveness
92% Instrumentalness • 7% Positiveness
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Frédéric Chopin
Sonata In G Minor For Cello & Piano, Op....
171 bpm • A# Maj • 03:37 • -30.67db
22% Popularity • 8% Danceability • 1% Energy • 10% Liveness
79% Instrumentalness • 5% Positiveness
22% Popularity • 8% Danceability • 1% Energy • 10% Liveness
79% Instrumentalness • 5% Positiveness
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Amy Beach
Young Birches, Op. 128, No. 2
170 bpm • F# min • 02:39 • -29.55db
50% Popularity • 24% Danceability • 8% Energy • 8% Liveness
94% Instrumentalness • 19% Positiveness
50% Popularity • 24% Danceability • 8% Energy • 8% Liveness
94% Instrumentalness • 19% Positiveness
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Richard Strauss
Cello Sonata in F Major, Op.6: II. Andan...
171 bpm • A# Maj • 09:18 • -26db
25% Popularity • 11% Danceability • 3% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
25% Popularity • 11% Danceability • 3% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
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Franz Schubert
38 Waltzes, Ländler and Ecossaises, Op....
171 bpm • B Maj • 02:10 • -20.95db
29% Popularity • 42% Danceability • 4% Energy • 9% Liveness
85% Instrumentalness • 12% Positiveness
29% Popularity • 42% Danceability • 4% Energy • 9% Liveness
85% Instrumentalness • 12% Positiveness
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Ottorino Respighi
Antiche danze ed arie per liuto, Suite N...
172 bpm • A# Maj • 03:14 • -26db
38% Popularity • 10% Danceability • 8% Energy • 35% Liveness
80% Instrumentalness • 14% Positiveness
38% Popularity • 10% Danceability • 8% Energy • 35% Liveness
80% Instrumentalness • 14% Positiveness
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Johann Sebastian Bach
Herz und Mund und Tat und Leben, Cantata...
173 bpm • G Maj • 04:03 • -29.65db
46% Popularity • 24% Danceability • 1% Energy • 7% Liveness
89% Instrumentalness • 31% Positiveness
46% Popularity • 24% Danceability • 1% Energy • 7% Liveness
89% Instrumentalness • 31% Positiveness
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Lang Lang
Lieder ohne Worte, Op. 67: No. 4 in C Ma...
173 bpm • C Maj • 01:49 • -20db
51% Popularity • 26% Danceability • 37% Energy • 11% Liveness
92% Instrumentalness • 48% Positiveness
51% Popularity • 26% Danceability • 37% Energy • 11% Liveness
92% Instrumentalness • 48% Positiveness
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Frédéric Chopin
Mazurka in A Minor, Op. 17 No. 4
173 bpm • A min • 04:54 • -42.12db
39% Popularity • 16% Danceability • 0% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
39% Popularity • 16% Danceability • 0% Energy • 9% Liveness
85% Instrumentalness • 4% Positiveness
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Robert Schumann
Schumann: 6 Studien in kanonischer Form,...
173 bpm • C Maj • 02:05 • -37db
48% Popularity • 8% Danceability • 4% Energy • 7% Liveness
94% Instrumentalness • 26% Positiveness
48% Popularity • 8% Danceability • 4% Energy • 7% Liveness
94% Instrumentalness • 26% Positiveness
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Carl Maria von Weber
7 Variations on the Air Vien qua, Dorina...
173 bpm • C Maj • 01:34 • -35db
60% Popularity • 23% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 24% Positiveness
60% Popularity • 23% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 24% Positiveness
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Franz Schubert
4 Impromptus, Op. 90, D.899: No. 3 in G ...
173 bpm • F# Maj • 06:31 • -32.74db
28% Popularity • 15% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
28% Popularity • 15% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
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Dmitri Shostakovich
Shostakovich / Arr. Atovmyan: Suite from...
175 bpm • C Maj • 03:14 • -23.21db
50% Popularity • 11% Danceability • 7% Energy • 11% Liveness
77% Instrumentalness • 4% Positiveness
50% Popularity • 11% Danceability • 7% Energy • 11% Liveness
77% Instrumentalness • 4% Positiveness
► Preview
Peter Warlock
Capriol Suite: 5. Pied-en- l'air
174 bpm • G Maj • 02:24 • -30db
51% Popularity • 8% Danceability • 6% Energy • 31% Liveness
87% Instrumentalness • 4% Positiveness
51% Popularity • 8% Danceability • 6% Energy • 31% Liveness
87% Instrumentalness • 4% Positiveness
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Lang Lang
Sonatina No. 1 in C Major, Op. 36: II. A...
176 bpm • F Maj • 01:31 • -27.33db
53% Popularity • 23% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 28% Positiveness
53% Popularity • 23% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 28% Positiveness
► Preview
Felix Mendelssohn
Lieder ohne Worte, Book 2, Op. 30: VI. A...
176 bpm • F# min • 03:06 • -38db
34% Popularity • 18% Danceability • 0% Energy • 9% Liveness
89% Instrumentalness • 7% Positiveness
34% Popularity • 18% Danceability • 0% Energy • 9% Liveness
89% Instrumentalness • 7% Positiveness
