Songs like Premonitions by Miya Folick
Based on a tempo of (+/- 10%) and a similar genre
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Miya Folick
Premonitions
119 bpm • F Maj • 03:46 • -5.18db
28% Popularity • 72% Danceability • 71% Energy • 7% Liveness
1% Instrumentalness • 68% Positiveness
28% Popularity • 72% Danceability • 71% Energy • 7% Liveness
1% Instrumentalness • 68% Positiveness
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MAITA
Someone's Lost Their Goddamn Wallet
119 bpm • C# Maj • 04:00 • -7.99db
11% Popularity • 70% Danceability • 64% Energy • 31% Liveness
0% Instrumentalness • 63% Positiveness
11% Popularity • 70% Danceability • 64% Energy • 31% Liveness
0% Instrumentalness • 63% Positiveness
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Perfume Genius
Just Like Love
119 bpm • C# min • 03:16 • -7.57db
29% Popularity • 66% Danceability • 55% Energy • 12% Liveness
14% Instrumentalness • 42% Positiveness
29% Popularity • 66% Danceability • 55% Energy • 12% Liveness
14% Instrumentalness • 42% Positiveness
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Half Waif
Ordinary Talk
120 bpm • G min • 03:25 • -10.95db
15% Popularity • 49% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
15% Popularity • 49% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Laura Jean
You Make Me Feel
118 bpm • G min • 04:05 • -9.57db
18% Popularity • 81% Danceability • 60% Energy • 15% Liveness
2% Instrumentalness • 79% Positiveness
18% Popularity • 81% Danceability • 60% Energy • 15% Liveness
2% Instrumentalness • 79% Positiveness
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Goodwerks
Walking on Broken Glass
118 bpm • C Maj • 03:35 • -11.97db
8% Popularity • 75% Danceability • 35% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
8% Popularity • 75% Danceability • 35% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
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Miya Folick
Trouble Adjusting
119 bpm • E Maj • 03:42 • -3.4db
21% Popularity • 36% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
21% Popularity • 36% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Tomberlin
Self-Help
120 bpm • B Maj • 03:17 • -8.91db
25% Popularity • 34% Danceability • 42% Energy • 10% Liveness
1% Instrumentalness • 17% Positiveness
25% Popularity • 34% Danceability • 42% Energy • 10% Liveness
1% Instrumentalness • 17% Positiveness
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Boyish
anxious butterball
120 bpm • D# Maj • 03:38 • -12.37db
26% Popularity • 60% Danceability • 35% Energy • 33% Liveness
0% Instrumentalness • 20% Positiveness
26% Popularity • 60% Danceability • 35% Energy • 33% Liveness
0% Instrumentalness • 20% Positiveness
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Wild Ones
No Money
120 bpm • C Maj • 03:21 • -9db
30% Popularity • 78% Danceability • 65% Energy • 12% Liveness
44% Instrumentalness • 31% Positiveness
30% Popularity • 78% Danceability • 65% Energy • 12% Liveness
44% Instrumentalness • 31% Positiveness
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Sharaya Summers
Light of the Moon
120 bpm • E Maj • 04:04 • -6db
31% Popularity • 60% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
31% Popularity • 60% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Denai Moore
Cascades
120 bpm • D Maj • 03:36 • -8.68db
20% Popularity • 79% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
20% Popularity • 79% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Perfume Genius
On the Floor - Edit
118 bpm • A Maj • 03:45 • -6db
24% Popularity • 62% Danceability • 69% Energy • 29% Liveness
0% Instrumentalness • 66% Positiveness
24% Popularity • 62% Danceability • 69% Energy • 29% Liveness
0% Instrumentalness • 66% Positiveness
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Pavo Pavo
Close To Your Ego
118 bpm • A# min • 02:33 • -8.89db
14% Popularity • 71% Danceability • 58% Energy • 22% Liveness
48% Instrumentalness • 83% Positiveness
14% Popularity • 71% Danceability • 58% Energy • 22% Liveness
48% Instrumentalness • 83% Positiveness
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Shamir
Diet
120 bpm • G Maj • 03:17 • -6.8db
15% Popularity • 65% Danceability • 70% Energy • 40% Liveness
0% Instrumentalness • 70% Positiveness
15% Popularity • 65% Danceability • 70% Energy • 40% Liveness
0% Instrumentalness • 70% Positiveness
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Grace Turner
Dead or Alive
120 bpm • D Maj • 03:05 • -7db
18% Popularity • 67% Danceability • 73% Energy • 24% Liveness
0% Instrumentalness • 36% Positiveness
18% Popularity • 67% Danceability • 73% Energy • 24% Liveness
0% Instrumentalness • 36% Positiveness
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Ada Lea
what makes me sad
120 bpm • A Maj • 03:22 • -7.94db
16% Popularity • 48% Danceability • 50% Energy • 13% Liveness
26% Instrumentalness • 9% Positiveness
16% Popularity • 48% Danceability • 50% Energy • 13% Liveness
26% Instrumentalness • 9% Positiveness
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Cherry Glazerr
Daddi
120 bpm • G min • 03:11 • -4db
36% Popularity • 69% Danceability • 73% Energy • 11% Liveness
14% Instrumentalness • 42% Positiveness
36% Popularity • 69% Danceability • 73% Energy • 11% Liveness
14% Instrumentalness • 42% Positiveness
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Speedy Ortiz
Lucky 88
120 bpm • G# Maj • 03:11 • -4.95db
20% Popularity • 58% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
20% Popularity • 58% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Miya Folick
Bad Thing
120 bpm • C Maj • 03:22 • -6.35db
42% Popularity • 66% Danceability • 85% Energy • 26% Liveness
0% Instrumentalness • 82% Positiveness
42% Popularity • 66% Danceability • 85% Energy • 26% Liveness
0% Instrumentalness • 82% Positiveness
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Stef Chura
Sweet Sweet Midnight
120 bpm • B Maj • 05:29 • -9db
20% Popularity • 75% Danceability • 51% Energy • 19% Liveness
0% Instrumentalness • 84% Positiveness
20% Popularity • 75% Danceability • 51% Energy • 19% Liveness
0% Instrumentalness • 84% Positiveness
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Frances Quinlan
Rare Thing
120 bpm • F Maj • 03:30 • -5db
25% Popularity • 82% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
25% Popularity • 82% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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Hannah Jadagu
What Is Going On?
118 bpm • E Maj • 03:27 • -6.34db
39% Popularity • 67% Danceability • 75% Energy • 12% Liveness
3% Instrumentalness • 70% Positiveness
39% Popularity • 67% Danceability • 75% Energy • 12% Liveness
3% Instrumentalness • 70% Positiveness
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Land of Talk
Footnotes
120 bpm • A# Maj • 03:33 • -10.49db
31% Popularity • 61% Danceability • 63% Energy • 20% Liveness
64% Instrumentalness • 56% Positiveness
31% Popularity • 61% Danceability • 63% Energy • 20% Liveness
64% Instrumentalness • 56% Positiveness
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Alaska Reid
Boys From Town
118 bpm • F# Maj • 03:39 • -8.72db
23% Popularity • 70% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
23% Popularity • 70% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Haley Blais
Severance Pay
120 bpm • A Maj • 04:17 • -18.08db
13% Popularity • 63% Danceability • 22% Energy • 7% Liveness
90% Instrumentalness • 31% Positiveness
13% Popularity • 63% Danceability • 22% Energy • 7% Liveness
90% Instrumentalness • 31% Positiveness
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Graveyard Club
Witchcraft
120 bpm • C Maj • 03:57 • -6.29db
33% Popularity • 46% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
33% Popularity • 46% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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Miya Folick
Ordinary
118 bpm • B min • 02:52 • -9.79db
30% Popularity • 65% Danceability • 44% Energy • 12% Liveness
19% Instrumentalness • 12% Positiveness
30% Popularity • 65% Danceability • 44% Energy • 12% Liveness
19% Instrumentalness • 12% Positiveness
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Sir Babygirl
Heels
120 bpm • D Maj • 03:15 • -9db
27% Popularity • 64% Danceability • 51% Energy • 11% Liveness
33% Instrumentalness • 29% Positiveness
27% Popularity • 64% Danceability • 51% Energy • 11% Liveness
33% Instrumentalness • 29% Positiveness
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Claud
Giving In
120 bpm • B min • 04:20 • -10.6db
16% Popularity • 55% Danceability • 58% Energy • 12% Liveness
33% Instrumentalness • 13% Positiveness
16% Popularity • 55% Danceability • 58% Energy • 12% Liveness
33% Instrumentalness • 13% Positiveness
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Miel
Must Be Fine
120 bpm • G# Maj • 02:30 • -9.86db
26% Popularity • 76% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
26% Popularity • 76% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Rostam
Bike Dream
120 bpm • G# Maj • 03:21 • -2.72db
42% Popularity • 51% Danceability • 97% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
42% Popularity • 51% Danceability • 97% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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SOAK
Valentine Shmalentine
118 bpm • D Maj • 03:58 • -7.85db
24% Popularity • 59% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
24% Popularity • 59% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Miya Folick
Shortstop
118 bpm • F# Maj • 03:20 • -10.37db
29% Popularity • 65% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
29% Popularity • 65% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Nilüfer Yanya
The Florist
120 bpm • A Maj • 03:21 • -10.95db
36% Popularity • 80% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
36% Popularity • 80% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Snail Mail
Golden Dream
118 bpm • C# min • 03:27 • -6.91db
38% Popularity • 57% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
38% Popularity • 57% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Hater
Blushing
118 bpm • C min • 04:39 • -7.23db
17% Popularity • 45% Danceability • 56% Energy • 8% Liveness
2% Instrumentalness • 47% Positiveness
17% Popularity • 45% Danceability • 56% Energy • 8% Liveness
2% Instrumentalness • 47% Positiveness
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Alison Sudol
Lonely Love
120 bpm • C Maj • 05:38 • -9.92db
12% Popularity • 46% Danceability • 31% Energy • 8% Liveness
27% Instrumentalness • 7% Positiveness
12% Popularity • 46% Danceability • 31% Energy • 8% Liveness
27% Instrumentalness • 7% Positiveness
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Sjowgren
Beginners
121 bpm • F# min • 05:16 • -6.07db
30% Popularity • 71% Danceability • 75% Energy • 8% Liveness
17% Instrumentalness • 70% Positiveness
30% Popularity • 71% Danceability • 75% Energy • 8% Liveness
17% Instrumentalness • 70% Positiveness
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Miya Folick
Nothing to See - Acoustic
118 bpm • D Maj • 04:25 • -11.84db
15% Popularity • 54% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 33% Positiveness
15% Popularity • 54% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 33% Positiveness
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Sorcha Richardson
The Starlight Lounge
121 bpm • D Maj • 03:34 • -9.94db
29% Popularity • 83% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
29% Popularity • 83% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Kississippi
Cut Yr Teeth
117 bpm • D Maj • 03:06 • -6.43db
32% Popularity • 58% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
32% Popularity • 58% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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Snail Mail
Full Control
117 bpm • B Maj • 02:55 • -4.69db
43% Popularity • 55% Danceability • 75% Energy • 14% Liveness
6% Instrumentalness • 57% Positiveness
43% Popularity • 55% Danceability • 75% Energy • 14% Liveness
6% Instrumentalness • 57% Positiveness
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Sivan Levy
Swimming Backwards
121 bpm • F Maj • 03:42 • -10.81db
17% Popularity • 70% Danceability • 50% Energy • 11% Liveness
82% Instrumentalness • 16% Positiveness
17% Popularity • 70% Danceability • 50% Energy • 11% Liveness
82% Instrumentalness • 16% Positiveness
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Cherry Glazerr
Rabbit Hole
117 bpm • C# min • 02:59 • -5.44db
38% Popularity • 65% Danceability • 81% Energy • 34% Liveness
3% Instrumentalness • 36% Positiveness
38% Popularity • 65% Danceability • 81% Energy • 34% Liveness
3% Instrumentalness • 36% Positiveness
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Miya Folick
I Will Follow You Into The Dark
117 bpm • D# Maj • 03:53 • -7.97db
42% Popularity • 57% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
42% Popularity • 57% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Elizabeth & the Catapult
Underwater
121 bpm • A min • 04:02 • -6db
21% Popularity • 68% Danceability • 79% Energy • 23% Liveness
0% Instrumentalness • 59% Positiveness
21% Popularity • 68% Danceability • 79% Energy • 23% Liveness
0% Instrumentalness • 59% Positiveness
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SOAK
Fall Asleep / Backseat
122 bpm • F# min • 03:24 • -6.72db
14% Popularity • 60% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
14% Popularity • 60% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Madeline Kenney
Double Hearted
122 bpm • A Maj • 02:54 • -7.66db
14% Popularity • 63% Danceability • 67% Energy • 11% Liveness
30% Instrumentalness • 47% Positiveness
14% Popularity • 63% Danceability • 67% Energy • 11% Liveness
30% Instrumentalness • 47% Positiveness
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Land of Talk
Weight of That Weekend
122 bpm • D Maj • 03:46 • -10.21db
23% Popularity • 61% Danceability • 44% Energy • 46% Liveness
1% Instrumentalness • 59% Positiveness
23% Popularity • 61% Danceability • 44% Energy • 46% Liveness
1% Instrumentalness • 59% Positiveness
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Claud
Gold
122 bpm • C Maj • 03:19 • -8db
32% Popularity • 90% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
32% Popularity • 90% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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Miya Folick
Stop Talking
122 bpm • C Maj • 02:45 • -2db
33% Popularity • 83% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
33% Popularity • 83% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Katy Kirby
Juniper
116 bpm • G# Maj • 02:39 • -9db
45% Popularity • 70% Danceability • 54% Energy • 24% Liveness
0% Instrumentalness • 81% Positiveness
45% Popularity • 70% Danceability • 54% Energy • 24% Liveness
0% Instrumentalness • 81% Positiveness
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Purr
Painted Memory
116 bpm • B Maj • 03:06 • -5.24db
17% Popularity • 61% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
17% Popularity • 61% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Thao
Temple
116 bpm • D Maj • 04:10 • -8db
32% Popularity • 67% Danceability • 64% Energy • 37% Liveness
12% Instrumentalness • 44% Positiveness
32% Popularity • 67% Danceability • 64% Energy • 37% Liveness
12% Instrumentalness • 44% Positiveness
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Nilüfer Yanya
Baby Luv
116 bpm • C# Maj • 03:27 • -8.3db
32% Popularity • 83% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
32% Popularity • 83% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Sjowgren
High Beam
116 bpm • G Maj • 04:14 • -6db
41% Popularity • 70% Danceability • 67% Energy • 22% Liveness
71% Instrumentalness • 26% Positiveness
41% Popularity • 70% Danceability • 67% Energy • 22% Liveness
71% Instrumentalness • 26% Positiveness
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Black Belt Eagle Scout
I Said I Wouldn’t Write This Song
122 bpm • F Maj • 03:22 • -6.18db
25% Popularity • 57% Danceability • 72% Energy • 10% Liveness
83% Instrumentalness • 38% Positiveness
25% Popularity • 57% Danceability • 72% Energy • 10% Liveness
83% Instrumentalness • 38% Positiveness
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Bernice
He's The Moon
116 bpm • C Maj • 04:20 • -15.79db
20% Popularity • 60% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
20% Popularity • 60% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Your Smith
Closer Than This
116 bpm • C min • 03:46 • -10.66db
17% Popularity • 71% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
17% Popularity • 71% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Sorry Girls
Waking Up
123 bpm • E Maj • 02:54 • -5.79db
29% Popularity • 72% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
29% Popularity • 72% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
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Free Cake For Every Creature
Around You
123 bpm • E Maj • 03:33 • -8.13db
28% Popularity • 57% Danceability • 64% Energy • 18% Liveness
1% Instrumentalness • 52% Positiveness
28% Popularity • 57% Danceability • 64% Energy • 18% Liveness
1% Instrumentalness • 52% Positiveness
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Hand Habits
what lovers do
123 bpm • C# Maj • 04:09 • -9.13db
19% Popularity • 46% Danceability • 45% Energy • 30% Liveness
0% Instrumentalness • 25% Positiveness
19% Popularity • 46% Danceability • 45% Energy • 30% Liveness
0% Instrumentalness • 25% Positiveness
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Thao
Marrow
123 bpm • F min • 03:29 • -6.76db
24% Popularity • 62% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
24% Popularity • 62% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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Vagabon
Water Me Down
115 bpm • C# min • 04:32 • -9.67db
42% Popularity • 79% Danceability • 72% Energy • 10% Liveness
9% Instrumentalness • 19% Positiveness
42% Popularity • 79% Danceability • 72% Energy • 10% Liveness
9% Instrumentalness • 19% Positiveness
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Haley Blais
On a Weekend
123 bpm • C Maj • 02:41 • -6.63db
28% Popularity • 64% Danceability • 66% Energy • 15% Liveness
8% Instrumentalness • 64% Positiveness
28% Popularity • 64% Danceability • 66% Energy • 15% Liveness
8% Instrumentalness • 64% Positiveness
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Snail Mail
Madonna
123 bpm • A# min • 02:53 • -6.89db
37% Popularity • 71% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 61% Positiveness
37% Popularity • 71% Danceability • 63% Energy • 20% Liveness
0% Instrumentalness • 61% Positiveness
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Black Belt Eagle Scout
I Don't Have You In My Life
123 bpm • E min • 04:23 • -10.34db
22% Popularity • 63% Danceability • 29% Energy • 11% Liveness
41% Instrumentalness • 11% Positiveness
22% Popularity • 63% Danceability • 29% Energy • 11% Liveness
41% Instrumentalness • 11% Positiveness
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Barrie
Drag
123 bpm • E Maj • 02:11 • -8.79db
21% Popularity • 70% Danceability • 46% Energy • 10% Liveness
43% Instrumentalness • 92% Positiveness
21% Popularity • 70% Danceability • 46% Energy • 10% Liveness
43% Instrumentalness • 92% Positiveness
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Petey
California - Prius Edition
115 bpm • D Maj • 03:58 • -14db
29% Popularity • 68% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
29% Popularity • 68% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Lola Kirke
Omens
123 bpm • C Maj • 03:24 • -9db
10% Popularity • 70% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
10% Popularity • 70% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Lala Lala
Fantasy Movie
115 bpm • C Maj • 03:52 • -6.57db
33% Popularity • 62% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
33% Popularity • 62% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Sir Babygirl
Everyone Is a Bad Friend
115 bpm • C Maj • 02:59 • -8.44db
15% Popularity • 67% Danceability • 70% Energy • 40% Liveness
0% Instrumentalness • 47% Positiveness
15% Popularity • 67% Danceability • 70% Energy • 40% Liveness
0% Instrumentalness • 47% Positiveness
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Spaceface
Single Star
115 bpm • C min • 02:46 • -8db
25% Popularity • 67% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
25% Popularity • 67% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Queen of Jeans
Get Lost
115 bpm • E Maj • 04:15 • -9.61db
28% Popularity • 65% Danceability • 46% Energy • 11% Liveness
14% Instrumentalness • 34% Positiveness
28% Popularity • 65% Danceability • 46% Energy • 11% Liveness
14% Instrumentalness • 34% Positiveness
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Summer Twins
Another Hit
123 bpm • A min • 03:06 • -9.12db
16% Popularity • 71% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
16% Popularity • 71% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
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Allie Crow Buckley
Hanging Tough
124 bpm • C Maj • 04:00 • -11.38db
10% Popularity • 51% Danceability • 62% Energy • 6% Liveness
23% Instrumentalness • 38% Positiveness
10% Popularity • 51% Danceability • 62% Energy • 6% Liveness
23% Instrumentalness • 38% Positiveness
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Miya Folick
What I Have To
124 bpm • A min • 03:21 • -10.04db
17% Popularity • 58% Danceability • 45% Energy • 13% Liveness
22% Instrumentalness • 29% Positiveness
17% Popularity • 58% Danceability • 45% Energy • 13% Liveness
22% Instrumentalness • 29% Positiveness
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Ages and Ages
How It Feels
124 bpm • C Maj • 03:30 • -6.49db
30% Popularity • 69% Danceability • 72% Energy • 18% Liveness
79% Instrumentalness • 46% Positiveness
30% Popularity • 69% Danceability • 72% Energy • 18% Liveness
79% Instrumentalness • 46% Positiveness
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La Battue
Big Picture
124 bpm • E Maj • 03:38 • -8db
17% Popularity • 57% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
17% Popularity • 57% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Sjowgren
Dreams
124 bpm • C# Maj • 02:55 • -7.15db
39% Popularity • 73% Danceability • 77% Energy • 7% Liveness
34% Instrumentalness • 74% Positiveness
39% Popularity • 73% Danceability • 77% Energy • 7% Liveness
34% Instrumentalness • 74% Positiveness
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Franny London
Dining With My Head at the Table
124 bpm • D min • 03:53 • -10db
14% Popularity • 74% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
14% Popularity • 74% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Wilsen
Ruiner
114 bpm • A min • 04:25 • -7.97db
17% Popularity • 52% Danceability • 70% Energy • 10% Liveness
65% Instrumentalness • 20% Positiveness
17% Popularity • 52% Danceability • 70% Energy • 10% Liveness
65% Instrumentalness • 20% Positiveness
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Black Belt Eagle Scout
Soft Stud
124 bpm • D Maj • 06:08 • -7.09db
41% Popularity • 55% Danceability • 73% Energy • 12% Liveness
44% Instrumentalness • 33% Positiveness
41% Popularity • 55% Danceability • 73% Energy • 12% Liveness
44% Instrumentalness • 33% Positiveness
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Tomberlin
I'm Not Scared
124 bpm • F Maj • 04:52 • -10.09db
23% Popularity • 51% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
23% Popularity • 51% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Haley Blais
Small Foreign Faction
114 bpm • G Maj • 03:33 • -8.48db
38% Popularity • 71% Danceability • 46% Energy • 8% Liveness
57% Instrumentalness • 56% Positiveness
38% Popularity • 71% Danceability • 46% Energy • 8% Liveness
57% Instrumentalness • 56% Positiveness
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Sorcha Richardson
First Prize Bravery
114 bpm • B min • 03:50 • -8.04db
29% Popularity • 72% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
29% Popularity • 72% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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The Harmaleighs
Anthem for the Weak
114 bpm • A# Maj • 04:42 • -11.52db
20% Popularity • 51% Danceability • 23% Energy • 11% Liveness
4% Instrumentalness • 12% Positiveness
20% Popularity • 51% Danceability • 23% Energy • 11% Liveness
4% Instrumentalness • 12% Positiveness
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King Princess
Femme Fatale - RISE Recording
125 bpm • F Maj • 02:53 • -12db
35% Popularity • 40% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
35% Popularity • 40% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Allie Crow Buckley
Cherry Stems
125 bpm • C Maj • 04:08 • -6.7db
15% Popularity • 58% Danceability • 55% Energy • 27% Liveness
8% Instrumentalness • 14% Positiveness
15% Popularity • 58% Danceability • 55% Energy • 27% Liveness
8% Instrumentalness • 14% Positiveness
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Snail Mail
Speaking Terms
125 bpm • E Maj • 03:53 • -7.03db
46% Popularity • 56% Danceability • 71% Energy • 12% Liveness
35% Instrumentalness • 41% Positiveness
46% Popularity • 56% Danceability • 71% Energy • 12% Liveness
35% Instrumentalness • 41% Positiveness
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Empress Of
I Don't Even Smoke Weed
125 bpm • B min • 03:26 • -7db
23% Popularity • 78% Danceability • 74% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
23% Popularity • 78% Danceability • 74% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
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Sidney Gish
Persephone
125 bpm • B Maj • 03:24 • -16.44db
40% Popularity • 76% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
40% Popularity • 76% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Deanna Petcoff
Terribly True
125 bpm • E Maj • 04:03 • -7.6db
21% Popularity • 61% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
21% Popularity • 61% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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King Princess
Homegirl
125 bpm • C Maj • 03:01 • -7db
38% Popularity • 59% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
38% Popularity • 59% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
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Huntly
Low Grade Buzz
113 bpm • D# Maj • 04:59 • -14.27db
9% Popularity • 75% Danceability • 23% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
9% Popularity • 75% Danceability • 23% Energy • 11% Liveness
1% Instrumentalness • 19% Positiveness
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Claud
Cuff Your Jeans
113 bpm • D Maj • 02:55 • -6db
37% Popularity • 66% Danceability • 76% Energy • 19% Liveness
8% Instrumentalness • 96% Positiveness
37% Popularity • 66% Danceability • 76% Energy • 19% Liveness
8% Instrumentalness • 96% Positiveness
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Lala Lala
See You at Home
125 bpm • C Maj • 04:11 • -7db
25% Popularity • 35% Danceability • 53% Energy • 10% Liveness
42% Instrumentalness • 16% Positiveness
25% Popularity • 35% Danceability • 53% Energy • 10% Liveness
42% Instrumentalness • 16% Positiveness
