Songs like Presenting the Problem by Ribozyme
Based on a tempo of (+/- 10%) and a similar genre
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Froglord
Frogman
160 bpm • C# Maj • 03:48 • -6.14db
18% Popularity • 35% Danceability • 89% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
18% Popularity • 35% Danceability • 89% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
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Offchain
Not Again
160 bpm • C# Maj • 04:08 • -5.27db
15% Popularity • 42% Danceability • 96% Energy • 11% Liveness
28% Instrumentalness • 39% Positiveness
15% Popularity • 42% Danceability • 96% Energy • 11% Liveness
28% Instrumentalness • 39% Positiveness
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Pryne
The Terrible End of the Yogi
160 bpm • C Maj • 07:00 • -7.78db
7% Popularity • 42% Danceability • 92% Energy • 16% Liveness
5% Instrumentalness • 33% Positiveness
7% Popularity • 42% Danceability • 92% Energy • 16% Liveness
5% Instrumentalness • 33% Positiveness
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Dreadlight
LMTFA
160 bpm • D min • 03:34 • -8.62db
12% Popularity • 46% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
12% Popularity • 46% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
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Ribozyme
Presenting the Problem
160 bpm • F# Maj • 02:54 • -6db
2% Popularity • 48% Danceability • 93% Energy • 40% Liveness
40% Instrumentalness • 49% Positiveness
2% Popularity • 48% Danceability • 93% Energy • 40% Liveness
40% Instrumentalness • 49% Positiveness
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Holliven
Nothing to fear
160 bpm • A# Maj • 03:23 • -5.81db
19% Popularity • 42% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
19% Popularity • 42% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
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Get Through
New Tomorrow
160 bpm • C# Maj • 04:03 • -5.66db
9% Popularity • 36% Danceability • 86% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
9% Popularity • 36% Danceability • 86% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
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Offchain
Lover Flies
160 bpm • C# Maj • 03:03 • -4.7db
15% Popularity • 42% Danceability • 97% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
15% Popularity • 42% Danceability • 97% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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Mother Vulture
Break Me
160 bpm • G# Maj • 03:25 • -4.58db
9% Popularity • 36% Danceability • 99% Energy • 31% Liveness
20% Instrumentalness • 31% Positiveness
9% Popularity • 36% Danceability • 99% Energy • 31% Liveness
20% Instrumentalness • 31% Positiveness
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Northern Captives
Living In-Between
160 bpm • G# Maj • 04:51 • -6.49db
7% Popularity • 49% Danceability • 64% Energy • 23% Liveness
28% Instrumentalness • 16% Positiveness
7% Popularity • 49% Danceability • 64% Energy • 23% Liveness
28% Instrumentalness • 16% Positiveness
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Dead Kings
Now or Never
160 bpm • D Maj • 03:18 • -5.88db
22% Popularity • 31% Danceability • 93% Energy • 35% Liveness
0% Instrumentalness • 16% Positiveness
22% Popularity • 31% Danceability • 93% Energy • 35% Liveness
0% Instrumentalness • 16% Positiveness
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Ribozyme
Coerced
160 bpm • F# min • 02:43 • -12.31db
1% Popularity • 39% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
1% Popularity • 39% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Libricide
Over Everything
160 bpm • C# Maj • 03:09 • -4.05db
11% Popularity • 40% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 50% Positiveness
11% Popularity • 40% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 50% Positiveness
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The Party After
Blast Off
160 bpm • F Maj • 03:14 • -6.87db
21% Popularity • 39% Danceability • 88% Energy • 33% Liveness
5% Instrumentalness • 48% Positiveness
21% Popularity • 39% Danceability • 88% Energy • 33% Liveness
5% Instrumentalness • 48% Positiveness
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Dead Superstar
Crossroads
160 bpm • F Maj • 03:56 • -4.62db
9% Popularity • 42% Danceability • 91% Energy • 25% Liveness
0% Instrumentalness • 45% Positiveness
9% Popularity • 42% Danceability • 91% Energy • 25% Liveness
0% Instrumentalness • 45% Positiveness
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Undead Society
Turn Black
160 bpm • C min • 04:28 • -5.35db
14% Popularity • 36% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
14% Popularity • 36% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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Holliven
Eight Miles
160 bpm • D Maj • 05:13 • -7.34db
15% Popularity • 43% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
15% Popularity • 43% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Ribozyme
Year of the Fearsome
160 bpm • C Maj • 03:14 • -4.55db
0% Popularity • 44% Danceability • 92% Energy • 28% Liveness
0% Instrumentalness • 33% Positiveness
0% Popularity • 44% Danceability • 92% Energy • 28% Liveness
0% Instrumentalness • 33% Positiveness
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Strike The Tower
Chalice
160 bpm • A min • 04:54 • -4.44db
10% Popularity • 39% Danceability • 96% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
10% Popularity • 39% Danceability • 96% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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The Flash Gordons
Black Heart
161 bpm • B Maj • 03:59 • -8.09db
12% Popularity • 25% Danceability • 66% Energy • 10% Liveness
2% Instrumentalness • 41% Positiveness
12% Popularity • 25% Danceability • 66% Energy • 10% Liveness
2% Instrumentalness • 41% Positiveness
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Dead Superstar
Redemption
160 bpm • G Maj • 06:58 • -4.67db
9% Popularity • 43% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
9% Popularity • 43% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Burned Matches
Out Of The Black Live Sessions
159 bpm • D Maj • 04:07 • -2.77db
21% Popularity • 48% Danceability • 93% Energy • 3% Liveness
1% Instrumentalness • 78% Positiveness
21% Popularity • 48% Danceability • 93% Energy • 3% Liveness
1% Instrumentalness • 78% Positiveness
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Wishbone
Three Stripes
158 bpm • A Maj • 03:51 • -8.44db
9% Popularity • 22% Danceability • 88% Energy • 13% Liveness
60% Instrumentalness • 35% Positiveness
9% Popularity • 22% Danceability • 88% Energy • 13% Liveness
60% Instrumentalness • 35% Positiveness
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Ribozyme
Finding the Damage
158 bpm • C# Maj • 04:00 • -8.52db
0% Popularity • 27% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 19% Positiveness
0% Popularity • 27% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 19% Positiveness
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ShoonyaBvek
Sad And Scared
162 bpm • A Maj • 04:27 • -7.76db
10% Popularity • 42% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
10% Popularity • 42% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Like Machines
THE MAKER
158 bpm • C min • 03:10 • -4.68db
10% Popularity • 41% Danceability • 83% Energy • 38% Liveness
0% Instrumentalness • 65% Positiveness
10% Popularity • 41% Danceability • 83% Energy • 38% Liveness
0% Instrumentalness • 65% Positiveness
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Gravity's Good There
The Deep Peace of Ruby
158 bpm • A Maj • 03:49 • -4.91db
21% Popularity • 22% Danceability • 96% Energy • 22% Liveness
0% Instrumentalness • 28% Positiveness
21% Popularity • 22% Danceability • 96% Energy • 22% Liveness
0% Instrumentalness • 28% Positiveness
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Netchild
Singing Hearts
158 bpm • B Maj • 03:33 • -13.41db
13% Popularity • 50% Danceability • 69% Energy • 28% Liveness
8% Instrumentalness • 73% Positiveness
13% Popularity • 50% Danceability • 69% Energy • 28% Liveness
8% Instrumentalness • 73% Positiveness
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Black Absinthe
Nobody Knows
163 bpm • A# min • 03:22 • -6.27db
19% Popularity • 41% Danceability • 98% Energy • 12% Liveness
15% Instrumentalness • 50% Positiveness
19% Popularity • 41% Danceability • 98% Energy • 12% Liveness
15% Instrumentalness • 50% Positiveness
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Ribozyme
Scapegoat Chronicles
162 bpm • F# min • 02:41 • -4.6db
0% Popularity • 36% Danceability • 82% Energy • 35% Liveness
0% Instrumentalness • 39% Positiveness
0% Popularity • 36% Danceability • 82% Energy • 35% Liveness
0% Instrumentalness • 39% Positiveness
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Flint Moore
Undermask
157 bpm • F# min • 02:45 • -6.79db
13% Popularity • 50% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 15% Positiveness
13% Popularity • 50% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 15% Positiveness
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Sound&Shape
Someday Maybe
157 bpm • F# Maj • 03:52 • -5.72db
10% Popularity • 43% Danceability • 92% Energy • 15% Liveness
27% Instrumentalness • 56% Positiveness
10% Popularity • 43% Danceability • 92% Energy • 15% Liveness
27% Instrumentalness • 56% Positiveness
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Super Bright
Kindness
157 bpm • G Maj • 02:37 • -7.62db
14% Popularity • 25% Danceability • 98% Energy • 3% Liveness
35% Instrumentalness • 16% Positiveness
14% Popularity • 25% Danceability • 98% Energy • 3% Liveness
35% Instrumentalness • 16% Positiveness
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Norton Montgomery
The Golden Ship Of The Holocaust
157 bpm • F min • 04:41 • -4.45db
27% Popularity • 57% Danceability • 79% Energy • 22% Liveness
1% Instrumentalness • 50% Positiveness
27% Popularity • 57% Danceability • 79% Energy • 22% Liveness
1% Instrumentalness • 50% Positiveness
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100 Smokes
Can’t Move On
164 bpm • C Maj • 03:12 • -4.77db
11% Popularity • 48% Danceability • 96% Energy • 44% Liveness
0% Instrumentalness • 44% Positiveness
11% Popularity • 48% Danceability • 96% Energy • 44% Liveness
0% Instrumentalness • 44% Positiveness
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Ribozyme
Allegiance to the Damned
158 bpm • D# min • 04:09 • -11.48db
0% Popularity • 43% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
0% Popularity • 43% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Clæmus
Recovery
164 bpm • A# min • 04:56 • -4.19db
8% Popularity • 48% Danceability • 91% Energy • 38% Liveness
0% Instrumentalness • 65% Positiveness
8% Popularity • 48% Danceability • 91% Energy • 38% Liveness
0% Instrumentalness • 65% Positiveness
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Condemned-AD
Crawl in the dirt
164 bpm • C# min • 04:42 • -6.58db
28% Popularity • 40% Danceability • 95% Energy • 25% Liveness
61% Instrumentalness • 28% Positiveness
28% Popularity • 40% Danceability • 95% Energy • 25% Liveness
61% Instrumentalness • 28% Positiveness
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LetsBeAstronauts
Overdose
164 bpm • B min • 05:45 • -5.04db
7% Popularity • 25% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
7% Popularity • 25% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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GriefCase
Summertime - Reprise
156 bpm • C# Maj • 04:01 • -5.48db
10% Popularity • 39% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
10% Popularity • 39% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Sonic Whip
Storm Is Over
165 bpm • G Maj • 04:58 • -5.84db
8% Popularity • 25% Danceability • 81% Energy • 16% Liveness
12% Instrumentalness • 33% Positiveness
8% Popularity • 25% Danceability • 81% Energy • 16% Liveness
12% Instrumentalness • 33% Positiveness
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Ribozyme
Argute
163 bpm • C# Maj • 03:03 • -11.9db
1% Popularity • 47% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
1% Popularity • 47% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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Angelo Terrero Band
The Last Ride
164 bpm • A Maj • 05:34 • -5.72db
13% Popularity • 18% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
13% Popularity • 18% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Curt Cannabis
Words To Skin
165 bpm • A Maj • 02:57 • -5.43db
16% Popularity • 34% Danceability • 89% Energy • 8% Liveness
71% Instrumentalness • 34% Positiveness
16% Popularity • 34% Danceability • 89% Energy • 8% Liveness
71% Instrumentalness • 34% Positiveness
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Taylor McCluskey
Flow
165 bpm • F# min • 03:14 • -4.35db
17% Popularity • 43% Danceability • 92% Energy • 85% Liveness
5% Instrumentalness • 72% Positiveness
17% Popularity • 43% Danceability • 92% Energy • 85% Liveness
5% Instrumentalness • 72% Positiveness
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Sophia Moonlight
Murmurs of the Ocean's Soul
165 bpm • D Maj • 01:50 • -15.3db
20% Popularity • 48% Danceability • 61% Energy • 33% Liveness
0% Instrumentalness • 73% Positiveness
20% Popularity • 48% Danceability • 61% Energy • 33% Liveness
0% Instrumentalness • 73% Positiveness
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Counting Silence
Hold This Fire
165 bpm • A min • 05:41 • -7.63db
13% Popularity • 32% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
13% Popularity • 32% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Ribozyme
BLOODWORKS
156 bpm • A# min • 04:21 • -7.32db
4% Popularity • 42% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
4% Popularity • 42% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Field of Giants
The Distance Between Us All
165 bpm • D# min • 05:26 • -7.36db
21% Popularity • 40% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
21% Popularity • 40% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Tarimosi
Wires
165 bpm • G# Maj • 04:01 • -3.05db
9% Popularity • 37% Danceability • 96% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
9% Popularity • 37% Danceability • 96% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Nowake
Alone
155 bpm • A# min • 04:57 • -6.67db
8% Popularity • 35% Danceability • 78% Energy • 6% Liveness
10% Instrumentalness • 32% Positiveness
8% Popularity • 35% Danceability • 78% Energy • 6% Liveness
10% Instrumentalness • 32% Positiveness
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Atlas : Empire
Resurrector
155 bpm • C Maj • 03:54 • -4.93db
13% Popularity • 49% Danceability • 96% Energy • 8% Liveness
20% Instrumentalness • 52% Positiveness
13% Popularity • 49% Danceability • 96% Energy • 8% Liveness
20% Instrumentalness • 52% Positiveness
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Slow Wild
Dream
155 bpm • G Maj • 04:44 • -6.45db
12% Popularity • 44% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
12% Popularity • 44% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Adam Evolving
Salted With Fire
155 bpm • F Maj • 05:18 • -4.87db
8% Popularity • 23% Danceability • 91% Energy • 10% Liveness
45% Instrumentalness • 49% Positiveness
8% Popularity • 23% Danceability • 91% Energy • 10% Liveness
45% Instrumentalness • 49% Positiveness
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Sons Of Steel
Beyond My Acts
155 bpm • C min • 05:20 • -5.04db
10% Popularity • 44% Danceability • 95% Energy • 14% Liveness
38% Instrumentalness • 34% Positiveness
10% Popularity • 44% Danceability • 95% Energy • 14% Liveness
38% Instrumentalness • 34% Positiveness
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The Tips
Are You Alright
155 bpm • D Maj • 04:19 • -7.86db
13% Popularity • 51% Danceability • 60% Energy • 41% Liveness
5% Instrumentalness • 34% Positiveness
13% Popularity • 51% Danceability • 60% Energy • 41% Liveness
5% Instrumentalness • 34% Positiveness
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L'itch
Ronka
165 bpm • A Maj • 06:09 • -5.9db
12% Popularity • 38% Danceability • 85% Energy • 8% Liveness
1% Instrumentalness • 11% Positiveness
12% Popularity • 38% Danceability • 85% Energy • 8% Liveness
1% Instrumentalness • 11% Positiveness
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In The Balance
Innocuous Transmissions
165 bpm • G# Maj • 03:06 • -5.23db
10% Popularity • 37% Danceability • 89% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
10% Popularity • 37% Danceability • 89% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
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Offchain
The Plot
155 bpm • G# Maj • 03:39 • -4.54db
15% Popularity • 37% Danceability • 92% Energy • 42% Liveness
15% Instrumentalness • 35% Positiveness
15% Popularity • 37% Danceability • 92% Energy • 42% Liveness
15% Instrumentalness • 35% Positiveness
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The Misty Cult
The Third Red Eye
155 bpm • G min • 03:53 • -8.07db
11% Popularity • 42% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 35% Positiveness
11% Popularity • 42% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 35% Positiveness
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Bleed the Water
Every Time You Come Around (Everything G...
165 bpm • C# Maj • 03:49 • -7.61db
14% Popularity • 42% Danceability • 83% Energy • 37% Liveness
57% Instrumentalness • 23% Positiveness
14% Popularity • 42% Danceability • 83% Energy • 37% Liveness
57% Instrumentalness • 23% Positiveness
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The Everyday Losers
Feed Me to the Wolves
155 bpm • F min • 02:22 • -5.38db
26% Popularity • 44% Danceability • 93% Energy • 24% Liveness
82% Instrumentalness • 60% Positiveness
26% Popularity • 44% Danceability • 93% Energy • 24% Liveness
82% Instrumentalness • 60% Positiveness
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Mammothor
So Long, Sanity
155 bpm • C# Maj • 03:58 • -4.52db
24% Popularity • 40% Danceability • 95% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
24% Popularity • 40% Danceability • 95% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
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Madelyn's Gun
Oh You Move
155 bpm • B Maj • 03:22 • -3.62db
13% Popularity • 45% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
13% Popularity • 45% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Fate's Hollow
The End Of Summer
155 bpm • F# min • 05:28 • -6.62db
12% Popularity • 46% Danceability • 89% Energy • 37% Liveness
0% Instrumentalness • 42% Positiveness
12% Popularity • 46% Danceability • 89% Energy • 37% Liveness
0% Instrumentalness • 42% Positiveness
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INVESTIGATOR
Madness
166 bpm • E min • 03:30 • -5.16db
10% Popularity • 38% Danceability • 98% Energy • 37% Liveness
0% Instrumentalness • 51% Positiveness
10% Popularity • 38% Danceability • 98% Energy • 37% Liveness
0% Instrumentalness • 51% Positiveness
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Jack and the bearded fishermen
Fingers Crossed
154 bpm • C# Maj • 03:22 • -3.53db
12% Popularity • 37% Danceability • 89% Energy • 27% Liveness
2% Instrumentalness • 30% Positiveness
12% Popularity • 37% Danceability • 89% Energy • 27% Liveness
2% Instrumentalness • 30% Positiveness
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The Exchange Project
Carnivores
154 bpm • C# Maj • 03:29 • -4.06db
0% Popularity • 52% Danceability • 97% Energy • 28% Liveness
0% Instrumentalness • 88% Positiveness
0% Popularity • 52% Danceability • 97% Energy • 28% Liveness
0% Instrumentalness • 88% Positiveness
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Monolith Grows!
Souls
154 bpm • F Maj • 03:53 • -6.38db
2% Popularity • 34% Danceability • 69% Energy • 8% Liveness
20% Instrumentalness • 22% Positiveness
2% Popularity • 34% Danceability • 69% Energy • 8% Liveness
20% Instrumentalness • 22% Positiveness
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Norton Montgomery
You Use A Knife
153 bpm • G# Maj • 04:20 • -3.34db
27% Popularity • 31% Danceability • 89% Energy • 36% Liveness
0% Instrumentalness • 32% Positiveness
27% Popularity • 31% Danceability • 89% Energy • 36% Liveness
0% Instrumentalness • 32% Positiveness
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Troubadour
Sweet Love
168 bpm • G# Maj • 03:49 • -6.66db
12% Popularity • 45% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
12% Popularity • 45% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Ten Eighty Trees
The Incubator
168 bpm • F min • 03:25 • -2.97db
14% Popularity • 45% Danceability • 95% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
14% Popularity • 45% Danceability • 95% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Final Stair
Swear To You
168 bpm • G# Maj • 03:39 • -4.08db
7% Popularity • 39% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
7% Popularity • 39% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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The Flash Gordons
Egypt`s Eye
152 bpm • D Maj • 04:18 • -7.88db
12% Popularity • 36% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
12% Popularity • 36% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Dead Superstar
Memorial
152 bpm • C Maj • 04:43 • -3.91db
21% Popularity • 49% Danceability • 91% Energy • 10% Liveness
3% Instrumentalness • 26% Positiveness
21% Popularity • 49% Danceability • 91% Energy • 10% Liveness
3% Instrumentalness • 26% Positiveness
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![[FWD: Adolescent] cover art](https://i.scdn.co/image/ab67616d00001e0290a5cc6fbaacfd9b8b18dad2)
In Minor
[FWD: Adolescent]
152 bpm • A min • 07:12 • -6.87db
8% Popularity • 53% Danceability • 84% Energy • 14% Liveness
10% Instrumentalness • 38% Positiveness
8% Popularity • 53% Danceability • 84% Energy • 14% Liveness
10% Instrumentalness • 38% Positiveness
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Alien Ant Farm
The Wrong Things
152 bpm • B min • 03:48 • -6.28db
34% Popularity • 52% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
34% Popularity • 52% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Babies on a Halfpipe
Passion Matcher
169 bpm • G# Maj • 01:39 • -6.82db
8% Popularity • 48% Danceability • 88% Energy • 36% Liveness
9% Instrumentalness • 44% Positiveness
8% Popularity • 48% Danceability • 88% Energy • 36% Liveness
9% Instrumentalness • 44% Positiveness
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Ribozyme
NEWLY DEFEATED
169 bpm • A# min • 04:08 • -7.14db
4% Popularity • 42% Danceability • 96% Energy • 24% Liveness
1% Instrumentalness • 57% Positiveness
4% Popularity • 42% Danceability • 96% Energy • 24% Liveness
1% Instrumentalness • 57% Positiveness
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The Flash Gordons
Hollow Wind
152 bpm • B Maj • 03:24 • -10.09db
12% Popularity • 40% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
12% Popularity • 40% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Supersoul
Girl Is Revolution
169 bpm • A min • 03:06 • -6.96db
9% Popularity • 39% Danceability • 90% Energy • 48% Liveness
0% Instrumentalness • 51% Positiveness
9% Popularity • 39% Danceability • 90% Energy • 48% Liveness
0% Instrumentalness • 51% Positiveness
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Velvetcut
Eating Machine
169 bpm • D Maj • 03:59 • -6.82db
20% Popularity • 14% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
20% Popularity • 14% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Alexander Judd
Zombies
170 bpm • A# min • 02:56 • -7.54db
19% Popularity • 31% Danceability • 76% Energy • 67% Liveness
0% Instrumentalness • 36% Positiveness
19% Popularity • 31% Danceability • 76% Energy • 67% Liveness
0% Instrumentalness • 36% Positiveness
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Casual Tailors
Regret or Play
170 bpm • G min • 03:00 • -6.47db
27% Popularity • 34% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
27% Popularity • 34% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
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ZEN HYENA
Crazy Absurd World
151 bpm • G min • 03:20 • -6.43db
21% Popularity • 45% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
21% Popularity • 45% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Sweet Needles
Not The Only One
170 bpm • C# Maj • 03:41 • -5.47db
17% Popularity • 36% Danceability • 96% Energy • 20% Liveness
2% Instrumentalness • 32% Positiveness
17% Popularity • 36% Danceability • 96% Energy • 20% Liveness
2% Instrumentalness • 32% Positiveness
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Frank Palangi
Dynamite
170 bpm • F# Maj • 03:36 • -3.92db
12% Popularity • 36% Danceability • 98% Energy • 28% Liveness
0% Instrumentalness • 36% Positiveness
12% Popularity • 36% Danceability • 98% Energy • 28% Liveness
0% Instrumentalness • 36% Positiveness
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The Rocket Dolls
THE CLEAR LIGHT OF SELF HATRED
170 bpm • D Maj • 03:47 • -5.76db
11% Popularity • 40% Danceability • 94% Energy • 35% Liveness
2% Instrumentalness • 20% Positiveness
11% Popularity • 40% Danceability • 94% Energy • 35% Liveness
2% Instrumentalness • 20% Positiveness
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Outer Space Experiment
Burn Your Sister
170 bpm • D min • 05:13 • -8.57db
15% Popularity • 42% Danceability • 69% Energy • 21% Liveness
1% Instrumentalness • 42% Positiveness
15% Popularity • 42% Danceability • 69% Energy • 21% Liveness
1% Instrumentalness • 42% Positiveness
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Evelyn's Casket
Neon Veins
170 bpm • C Maj • 04:12 • -6.15db
22% Popularity • 36% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
22% Popularity • 36% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Sister May
The Kneep
170 bpm • D Maj • 04:22 • -8.54db
13% Popularity • 45% Danceability • 63% Energy • 12% Liveness
5% Instrumentalness • 29% Positiveness
13% Popularity • 45% Danceability • 63% Energy • 12% Liveness
5% Instrumentalness • 29% Positiveness
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The Ghost Town Rebellion
Poverty Ridge
170 bpm • F Maj • 02:53 • -4.45db
13% Popularity • 42% Danceability • 97% Energy • 23% Liveness
8% Instrumentalness • 70% Positiveness
13% Popularity • 42% Danceability • 97% Energy • 23% Liveness
8% Instrumentalness • 70% Positiveness
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Ribozyme
RAPIDLY CHANGED
150 bpm • B min • 04:06 • -8.12db
4% Popularity • 36% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
4% Popularity • 36% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Rascals Of the First Order
Hardwired
150 bpm • G Maj • 04:57 • -5.21db
8% Popularity • 46% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
8% Popularity • 46% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Mike Lawson
Feels Very Good
150 bpm • D Maj • 03:49 • -4.68db
9% Popularity • 39% Danceability • 78% Energy • 43% Liveness
0% Instrumentalness • 55% Positiveness
9% Popularity • 39% Danceability • 78% Energy • 43% Liveness
0% Instrumentalness • 55% Positiveness
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Wake Up Karma
Knock Me Out
150 bpm • C# Maj • 03:18 • -6.08db
18% Popularity • 51% Danceability • 94% Energy • 30% Liveness
73% Instrumentalness • 27% Positiveness
18% Popularity • 51% Danceability • 94% Energy • 30% Liveness
73% Instrumentalness • 27% Positiveness
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Black Kanyon
Double Down
150 bpm • C min • 03:14 • -5.25db
7% Popularity • 45% Danceability • 84% Energy • 10% Liveness
1% Instrumentalness • 61% Positiveness
7% Popularity • 45% Danceability • 84% Energy • 10% Liveness
1% Instrumentalness • 61% Positiveness
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Of The Unknown
Mistakes (Might Not See You Tomorrow)
150 bpm • A min • 03:15 • -8.56db
21% Popularity • 32% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
21% Popularity • 32% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
