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Pretending That You're Dead
Songs like
Pretending That You're Dead
by
Sam Fender
Based on a tempo of (+/- 10%) and a similar genre
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Paolo Nutini
Shine A Light
129 bpm • A min • 05:56 • -5db
52% Popularity • 58% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Sam Fender
Pretending That You're Dead
129 bpm • D Maj • 02:58 • -4db
44% Popularity • 54% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 54% Positiveness
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The View
Covers
129 bpm • C Maj • 03:23 • -6db
41% Popularity • 68% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Shambolics
When She Goes Home (Demo)
129 bpm • B Maj • 05:15 • -3db
30% Popularity • 31% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 37% Positiveness
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Viola Beach
Go Outside
129 bpm • B min • 03:48 • -7.6db
42% Popularity • 68% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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The Rolling People
This Much Is True
129 bpm • D Maj • 03:05 • -6.5db
26% Popularity • 42% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Louis Dunford
Lucy
130 bpm • D# Maj • 04:20 • -5db
45% Popularity • 71% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Sam Fender
All Is On My Side
129 bpm • B min • 04:33 • -4.92db
53% Popularity • 60% Danceability • 82% Energy • 4% Liveness
0% Instrumentalness • 65% Positiveness
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Catfish and the Bottlemen
Hourglass
130 bpm • F# Maj • 02:18 • -9.95db
58% Popularity • 65% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Hannah Weedall
Helena
130 bpm • C# Maj • 04:16 • -4.35db
22% Popularity • 65% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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The Vaccines
Headphones Baby
130 bpm • A# Maj • 03:18 • -4db
43% Popularity • 52% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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The Kairos
Time Keeper
130 bpm • F min • 03:46 • -3db
17% Popularity • 42% Danceability • 87% Energy • 29% Liveness
0% Instrumentalness • 57% Positiveness
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The Clause
Cruella
128 bpm • E Maj • 03:07 • -5.2db
32% Popularity • 58% Danceability • 84% Energy • 14% Liveness
52% Instrumentalness • 81% Positiveness
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Somebody's Child
Hold Me Like You Wanna
128 bpm • C Maj • 04:00 • -4db
30% Popularity • 57% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Nieve Ella
Blu Shirt Boy
128 bpm • E Maj • 03:43 • -6.19db
31% Popularity • 66% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Bayboards
Poison Ivy
130 bpm • D Maj • 03:20 • -6db
14% Popularity • 55% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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Gerry Cinnamon
Sun Queen
128 bpm • C Maj • 04:07 • -9db
54% Popularity • 65% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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The Public Eye
Late Nights and Snakebites
130 bpm • G# min • 03:07 • -6.62db
15% Popularity • 59% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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The Clause
Electric
130 bpm • E min • 03:51 • -7.39db
30% Popularity • 64% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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The Kairos
Thick Of It
128 bpm • A Maj • 03:37 • -5db
23% Popularity • 46% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Somebody's Child
Hold Me Like You Wanna - EP Version
128 bpm • A min • 03:58 • -3.26db
30% Popularity • 56% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
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Inhaler
It Won't Always Be Like This
128 bpm • C# min • 04:04 • -4.74db
53% Popularity • 52% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
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The Wombats
Is This What It Feels Like to Feel Like ...
130 bpm • A Maj • 02:45 • -4db
46% Popularity • 60% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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FEVER
Too Close
130 bpm • A Maj • 03:39 • -6db
18% Popularity • 52% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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The Magic Gang
Somebody Like You
130 bpm • E Maj • 03:57 • -6.43db
25% Popularity • 79% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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SHADE
Neverdie - Demo
130 bpm • A# Maj • 03:59 • -7.94db
13% Popularity • 55% Danceability • 81% Energy • 8% Liveness
5% Instrumentalness • 72% Positiveness
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Somebody's Child
Make You Alright
130 bpm • B Maj • 03:33 • -8db
29% Popularity • 55% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
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The Stone Roses
Sally Cinnamon - Single Mix
131 bpm • G Maj • 02:53 • -13db
58% Popularity • 32% Danceability • 60% Energy • 25% Liveness
0% Instrumentalness • 30% Positiveness
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The Wombats
People Don't Change People, Time Does
130 bpm • A min • 03:01 • -5.69db
26% Popularity • 61% Danceability • 88% Energy • 32% Liveness
0% Instrumentalness • 80% Positiveness
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Jake Bugg
Messed Up Kids
130 bpm • F# Maj • 02:59 • -4.08db
41% Popularity • 54% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Sam Fender
The Kitchen - Live
127 bpm • G# Maj • 03:39 • -4.31db
32% Popularity • 40% Danceability • 88% Energy • 90% Liveness
0% Instrumentalness • 30% Positiveness
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Ten Hands High
Red Wine
127 bpm • A Maj • 03:35 • -5db
19% Popularity • 62% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Shambolics
Sandra Speed
127 bpm • C Maj • 03:42 • -7.43db
12% Popularity • 49% Danceability • 84% Energy • 39% Liveness
0% Instrumentalness • 68% Positiveness
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Lock-In
Sweet Love
127 bpm • G Maj • 04:23 • -8db
11% Popularity • 65% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Viola Beach
Call You Up
131 bpm • C# min • 04:58 • -7.45db
46% Popularity • 42% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Neon Waltz
Strung Up
131 bpm • E Maj • 02:30 • -4.57db
12% Popularity • 40% Danceability • 91% Energy • 23% Liveness
0% Instrumentalness • 21% Positiveness
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Sam Fender
Angel In Lothian
127 bpm • A min • 04:12 • -2.69db
44% Popularity • 46% Danceability • 85% Energy • 6% Liveness
2% Instrumentalness • 39% Positiveness
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Circa Waves
Somebody Else
127 bpm • A# min • 02:58 • -5.69db
36% Popularity • 52% Danceability • 88% Energy • 20% Liveness
20% Instrumentalness • 39% Positiveness
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Shambolics
Losing Your Mind
127 bpm • F min • 03:23 • -7.69db
28% Popularity • 56% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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The Clause
Hate the Player
131 bpm • C Maj • 03:08 • -5db
33% Popularity • 61% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Gerry Cinnamon
Belter
127 bpm • A min • 03:14 • -9.68db
64% Popularity • 71% Danceability • 66% Energy • 37% Liveness
0% Instrumentalness • 49% Positiveness
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Fatherson
Normal People
127 bpm • E Maj • 02:58 • -5.04db
21% Popularity • 58% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Sam Fender
Hypersonic Missiles
131 bpm • E Maj • 03:57 • -3.68db
67% Popularity • 55% Danceability • 81% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
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Dylan John Thomas
If I Didn't Laugh
127 bpm • D# Maj • 02:46 • -12.61db
30% Popularity • 76% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Arctic Monkeys
Bigger Boys and Stolen Sweethearts
132 bpm • A Maj • 03:00 • -7.32db
63% Popularity • 49% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Stanleys
What's Been And Gone
132 bpm • B Maj • 03:36 • -4.63db
16% Popularity • 55% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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The Kairos
Trip Through The Night
126 bpm • C# min • 04:26 • -6.4db
23% Popularity • 50% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
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Sundara Karma
Pain + Pleasure
132 bpm • D# Maj • 03:26 • -3.73db
28% Popularity • 62% Danceability • 93% Energy • 16% Liveness
10% Instrumentalness • 82% Positiveness
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Sam Fender
Paradigms
127 bpm • C# Maj • 03:45 • -5db
40% Popularity • 55% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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KAWALA
Jesse C'mon
126 bpm • C# Maj • 02:26 • -6.11db
34% Popularity • 79% Danceability • 86% Energy • 28% Liveness
0% Instrumentalness • 96% Positiveness
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Circa Waves
The Way We Say Goodbye
126 bpm • C Maj • 04:03 • -8.39db
38% Popularity • 47% Danceability • 54% Energy • 5% Liveness
1% Instrumentalness • 8% Positiveness
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Inhaler
Who's Your Money On? (Plastic House)
126 bpm • F min • 06:22 • -7.15db
45% Popularity • 32% Danceability • 65% Energy • 7% Liveness
17% Instrumentalness • 17% Positiveness
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The Clause
Where Are You Now?
126 bpm • C Maj • 03:54 • -9db
34% Popularity • 34% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 19% Positiveness
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Bedroom High Club
Carried Away
126 bpm • F Maj • 03:13 • -7.24db
18% Popularity • 65% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Sam Fender
Hypersonic Missiles - Live From Finsbury...
132 bpm • F min • 06:24 • -5.41db
40% Popularity • 32% Danceability • 89% Energy • 32% Liveness
0% Instrumentalness • 33% Positiveness
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Catfish and the Bottlemen
Oxygen
125 bpm • C# min • 02:49 • -4.65db
55% Popularity • 47% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
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Nieve Ella
Car Park
133 bpm • E Maj • 03:04 • -5.08db
39% Popularity • 53% Danceability • 88% Energy • 3% Liveness
0% Instrumentalness • 69% Positiveness
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The Cheap Thrills
Party
133 bpm • A Maj • 03:07 • -9.03db
21% Popularity • 67% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Shambolics
If You Want It
133 bpm • B Maj • 02:47 • -6.13db
30% Popularity • 48% Danceability • 79% Energy • 36% Liveness
0% Instrumentalness • 56% Positiveness
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Bilk
Love Is No Easy Game
125 bpm • A Maj • 03:52 • -5.21db
13% Popularity • 66% Danceability • 73% Energy • 32% Liveness
0% Instrumentalness • 82% Positiveness
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Sam Fender
Good Company
126 bpm • D Maj • 04:47 • -10.25db
34% Popularity • 41% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
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Catfish and the Bottlemen
Cocoon
133 bpm • G min • 03:56 • -4db
67% Popularity • 45% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Nieve Ella
His Sofa
125 bpm • G# min • 03:24 • -5.78db
37% Popularity • 54% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Corella
Waterfall
125 bpm • G min • 03:04 • -4db
38% Popularity • 63% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 32% Positiveness
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Shambolics
What's Going On in Your Head?
133 bpm • A# min • 02:38 • -4.83db
30% Popularity • 56% Danceability • 94% Energy • 12% Liveness
1% Instrumentalness • 67% Positiveness
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The Clause
Tokyo
125 bpm • F min • 04:44 • -9db
29% Popularity • 57% Danceability • 80% Energy • 14% Liveness
1% Instrumentalness • 56% Positiveness
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Sam Fender
Back To Black - BBC Radio 1 Live Session
133 bpm • D min • 05:12 • -8.71db
43% Popularity • 42% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
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Sundara Karma
Explore
134 bpm • B Maj • 04:05 • -5.18db
43% Popularity • 51% Danceability • 84% Energy • 9% Liveness
1% Instrumentalness • 47% Positiveness
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Jamie T
50,000 Unmarked Bullets
134 bpm • D Maj • 02:27 • -6db
25% Popularity • 54% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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The Magic Gang
Just a Minute
124 bpm • C Maj • 03:51 • -5.77db
31% Popularity • 65% Danceability • 57% Energy • 9% Liveness
4% Instrumentalness • 28% Positiveness
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Viola Beach
Like A Fool
134 bpm • G Maj • 02:51 • -6.56db
34% Popularity • 50% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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The Royston Club
I'm a Liar
134 bpm • A Maj • 03:39 • -4.4db
43% Popularity • 58% Danceability • 89% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
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Sam Fender
Waiting For Love - Recorded At RAK Studi...
125 bpm • F# min • 02:45 • -5.22db
51% Popularity • 33% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Corella
Say Something
134 bpm • D Maj • 03:19 • -5.49db
37% Popularity • 64% Danceability • 76% Energy • 10% Liveness
1% Instrumentalness • 38% Positiveness
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Dylan John Thomas
When I Get Home
124 bpm • C Maj • 03:16 • -7.21db
33% Popularity • 72% Danceability • 82% Energy • 38% Liveness
0% Instrumentalness • 83% Positiveness
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Gerry Cinnamon
Dark Days
124 bpm • D# Maj • 02:55 • -9db
49% Popularity • 66% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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The Coronas
Don't You Say You're In Love
124 bpm • G Maj • 03:14 • -5.63db
30% Popularity • 60% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Jake Bugg
Screaming
124 bpm • A# min • 03:27 • -4.06db
28% Popularity • 53% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 61% Positiveness
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The Outcharms
Thirteen
134 bpm • F min • 03:00 • -12.74db
16% Popularity • 51% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Sam Fender
Last To Make It Home
124 bpm • A Maj • 05:21 • -6.77db
39% Popularity • 52% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Dylan John Thomas
What a Shame
134 bpm • F# min • 02:58 • -12.46db
30% Popularity • 70% Danceability • 46% Energy • 27% Liveness
0% Instrumentalness • 69% Positiveness
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Andrew Cushin
It's Gonna Get Better
124 bpm • F# min • 03:41 • -6.83db
26% Popularity • 54% Danceability • 49% Energy • 26% Liveness
0% Instrumentalness • 20% Positiveness
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Connor Fyfe
Don't
135 bpm • C# min • 02:33 • -5.35db
12% Popularity • 60% Danceability • 73% Energy • 29% Liveness
0% Instrumentalness • 44% Positiveness
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Gerry Cinnamon
Canter
135 bpm • A# Maj • 04:26 • -6.83db
62% Popularity • 68% Danceability • 68% Energy • 42% Liveness
0% Instrumentalness • 55% Positiveness
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Somebody's Child
Stay
135 bpm • F# min • 03:23 • -4.82db
27% Popularity • 55% Danceability • 88% Energy • 35% Liveness
1% Instrumentalness • 38% Positiveness
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Catfish and the Bottlemen
Soundcheck
135 bpm • D Maj • 04:21 • -5.79db
57% Popularity • 60% Danceability • 76% Energy • 41% Liveness
8% Instrumentalness • 65% Positiveness
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Reignmaker
Stay Behind
135 bpm • A# min • 03:42 • -7.64db
16% Popularity • 41% Danceability • 75% Energy • 61% Liveness
0% Instrumentalness • 47% Positiveness
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Nieve Ella
Fall 4 U
135 bpm • E Maj • 03:33 • -7.45db
30% Popularity • 55% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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The Clause
Forever Young
123 bpm • B Maj • 05:05 • -6.89db
25% Popularity • 51% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Kasabian
Coming Back To Me Good
123 bpm • A Maj • 02:49 • -4.44db
60% Popularity • 49% Danceability • 80% Energy • 29% Liveness
0% Instrumentalness • 50% Positiveness
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Shambolics
Chasing a Disaster
123 bpm • G Maj • 03:38 • -7.99db
23% Popularity • 50% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Viola Beach
Boys That Sing
136 bpm • B min • 03:16 • -6.46db
53% Popularity • 54% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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The View
Arctic Sun
136 bpm • C Maj • 02:52 • -5.64db
24% Popularity • 55% Danceability • 85% Energy • 30% Liveness
0% Instrumentalness • 64% Positiveness
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Voodoos
Tired Minds
136 bpm • F Maj • 03:15 • -4.58db
17% Popularity • 40% Danceability • 89% Energy • 27% Liveness
0% Instrumentalness • 46% Positiveness
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Sam Fender
Friday Fighting
136 bpm • F# Maj • 03:10 • -6.02db
45% Popularity • 60% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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The Florentinas
It's Not In Vain
136 bpm • G# Maj • 03:15 • -4.35db
16% Popularity • 52% Danceability • 90% Energy • 8% Liveness
3% Instrumentalness • 62% Positiveness
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Circa Waves
Move to San Francisco
136 bpm • A Maj • 03:01 • -5.22db
38% Popularity • 70% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Stanleys
A Better Life
136 bpm • G# Maj • 03:06 • -3.89db
23% Popularity • 46% Danceability • 88% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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Catfish and the Bottlemen
Tyrants
136 bpm • C# Maj • 04:39 • -5.55db
52% Popularity • 32% Danceability • 70% Energy • 61% Liveness
8% Instrumentalness • 33% Positiveness
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The Rosadocs
Settle Down
136 bpm • C min • 04:09 • -6.37db
19% Popularity • 48% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Pretending That You're Dead