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Pretty Beauty
Songs like
Pretty Beauty
by
Andrew Cyrille
Based on a tempo of (+/- 10%) and a similar genre
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Coffee Shop Jazz
Jazz Moon Groove
129 bpm • D min • 02:22 • -17.56db
16% Popularity • 46% Danceability • 12% Energy • 11% Liveness
85% Instrumentalness • 22% Positiveness
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Borah Bergman
Man To Mann Duos - C.103
129 bpm • C Maj • 09:03 • -10.58db
0% Popularity • 43% Danceability • 54% Energy • 23% Liveness
95% Instrumentalness • 75% Positiveness
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Don Cherry
Orbit Of La-Ba
129 bpm • E min • 07:24 • -21.44db
14% Popularity • 41% Danceability • 19% Energy • 29% Liveness
89% Instrumentalness • 32% Positiveness
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Jeff Parker
Like-Coping
129 bpm • B min • 05:07 • -21db
10% Popularity • 45% Danceability • 27% Energy • 11% Liveness
92% Instrumentalness • 62% Positiveness
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The Tony Williams Lifetime
Some Hip Drum Shit
129 bpm • F Maj • 01:36 • -9.15db
24% Popularity • 39% Danceability • 89% Energy • 18% Liveness
90% Instrumentalness • 74% Positiveness
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Leroy Jenkins
What Goes Around Comes Around
129 bpm • G Maj • 08:27 • -13.55db
0% Popularity • 52% Danceability • 46% Energy • 13% Liveness
4% Instrumentalness • 36% Positiveness
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Kham Meslien
Kar kar kar
129 bpm • G Maj • 02:59 • -20.37db
24% Popularity • 54% Danceability • 13% Energy • 11% Liveness
95% Instrumentalness • 43% Positiveness
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Mary Halvorson
892 Teeth
128 bpm • D Maj • 05:50 • -10.18db
8% Popularity • 35% Danceability • 45% Energy • 11% Liveness
55% Instrumentalness • 9% Positiveness
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Dave Douglas
Curly
130 bpm • E Maj • 04:15 • -15.43db
2% Popularity • 43% Danceability • 41% Energy • 23% Liveness
82% Instrumentalness • 50% Positiveness
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Andrew Cyrille
The Loop
130 bpm • G# Maj • 05:39 • -14.88db
0% Popularity • 47% Danceability • 35% Energy • 7% Liveness
6% Instrumentalness • 57% Positiveness
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Carsten Dahl, Arild Andersen, Jon Christensen
Sing, Sing Loud
130 bpm • G Maj • 03:44 • -13.89db
10% Popularity • 43% Danceability • 42% Energy • 8% Liveness
82% Instrumentalness • 42% Positiveness
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Søren Kjærgaard
Row No. 18
130 bpm • C# Maj • 06:44 • -18.27db
0% Popularity • 42% Danceability • 29% Energy • 22% Liveness
26% Instrumentalness • 17% Positiveness
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Borah Bergman
The Fourth Idea
128 bpm • A min • 02:54 • -6.78db
1% Popularity • 30% Danceability • 93% Energy • 8% Liveness
9% Instrumentalness • 56% Positiveness
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Ben Monder
Gamma Crucis
130 bpm • F min • 05:15 • -30.39db
3% Popularity • 17% Danceability • 1% Energy • 16% Liveness
93% Instrumentalness • 4% Positiveness
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Kirk Knuffke
Safety Shoes
131 bpm • A Maj • 02:33 • -15db
16% Popularity • 66% Danceability • 33% Energy • 7% Liveness
81% Instrumentalness • 57% Positiveness
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Mu Quintet
IV
127 bpm • D Maj • 01:23 • -39db
26% Popularity • 35% Danceability • 8% Energy • 11% Liveness
97% Instrumentalness • 17% Positiveness
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Jazz instrumental clásico
Zingaro (Retrato En Blanco Y Negro)
127 bpm • A# min • 05:26 • -24.25db
11% Popularity • 56% Danceability • 18% Energy • 13% Liveness
91% Instrumentalness • 37% Positiveness
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Søren Kjærgaard
Under a Canopy of Leaves
131 bpm • B Maj • 02:58 • -30.2db
0% Popularity • 36% Danceability • 0% Energy • 14% Liveness
88% Instrumentalness • 4% Positiveness
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Jakob Bro
Starting Point / Electric Version
127 bpm • E min • 06:07 • -22.09db
7% Popularity • 32% Danceability • 14% Energy • 57% Liveness
92% Instrumentalness • 4% Positiveness
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Ill Considered
Perplexity
131 bpm • D Maj • 02:32 • -13.63db
14% Popularity • 36% Danceability • 0% Energy • 16% Liveness
87% Instrumentalness • 97% Positiveness
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Mats Eilertsen
March
127 bpm • A min • 08:03 • -15.69db
15% Popularity • 39% Danceability • 16% Energy • 14% Liveness
54% Instrumentalness • 8% Positiveness
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Ambrose Akinmusire
reset (quiet victories&celebrated defeat...
131 bpm • B min • 03:25 • -20.42db
9% Popularity • 26% Danceability • 4% Energy • 10% Liveness
21% Instrumentalness • 9% Positiveness
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Art Ensemble Of Chicago
Charlie M
127 bpm • A# min • 09:17 • -15db
14% Popularity • 47% Danceability • 31% Energy • 15% Liveness
17% Instrumentalness • 36% Positiveness
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Nik Bärtsch
Modul 42
131 bpm • C# Maj • 06:27 • -23.64db
18% Popularity • 48% Danceability • 9% Energy • 19% Liveness
86% Instrumentalness • 3% Positiveness
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Jan Garbarek Quartet
Blow Away Zone
127 bpm • G Maj • 08:38 • -13.75db
11% Popularity • 43% Danceability • 70% Energy • 15% Liveness
29% Instrumentalness • 43% Positiveness
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Nils Petter Molvær
Framework 2
127 bpm • E min • 03:20 • -17.27db
18% Popularity • 31% Danceability • 6% Energy • 14% Liveness
91% Instrumentalness • 18% Positiveness
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Aldo Romano
Il piacere
132 bpm • G# Maj • 03:58 • -12db
11% Popularity • 34% Danceability • 36% Energy • 10% Liveness
82% Instrumentalness • 5% Positiveness
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Jeff Parker
Pinecone
126 bpm • G Maj • 04:09 • -21.39db
9% Popularity • 48% Danceability • 20% Energy • 11% Liveness
92% Instrumentalness • 38% Positiveness
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Yazz Ahmed
La Saboteuse
126 bpm • G# min • 04:31 • -18.46db
15% Popularity • 20% Danceability • 13% Energy • 8% Liveness
86% Instrumentalness • 7% Positiveness
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Dave Holland Quartet
See-Saw
126 bpm • G Maj • 06:44 • -13.52db
9% Popularity • 41% Danceability • 56% Energy • 26% Liveness
0% Instrumentalness • 67% Positiveness
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Andrew Cyrille
E-Squat
133 bpm • D# min • 05:44 • -25.97db
0% Popularity • 57% Danceability • 13% Energy • 10% Liveness
78% Instrumentalness • 51% Positiveness
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Maddalena Ghezzi
Old Stems
133 bpm • D Maj • 03:04 • -11.75db
8% Popularity • 46% Danceability • 33% Energy • 12% Liveness
20% Instrumentalness • 12% Positiveness
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Phi-Psonics
Drum Talk
125 bpm • F min • 03:32 • -18.61db
11% Popularity • 29% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 12% Positiveness
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Leroy Jenkins
Tuesday Child
126 bpm • G min • 05:23 • -26.26db
0% Popularity • 50% Danceability • 14% Energy • 51% Liveness
4% Instrumentalness • 13% Positiveness
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Kenny Clarke
Drum Song For Leadbelly
125 bpm • C# Maj • 02:33 • -25.59db
1% Popularity • 62% Danceability • 72% Energy • 6% Liveness
92% Instrumentalness • 12% Positiveness
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Elenata Harmony
Midnight Serenade, Pt. 4
133 bpm • A# min • 01:20 • -22.09db
18% Popularity • 75% Danceability • 2% Energy • 9% Liveness
87% Instrumentalness • 54% Positiveness
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Myra Melford
Night of Sorrow
133 bpm • E min • 06:43 • -24.43db
9% Popularity • 38% Danceability • 12% Energy • 12% Liveness
87% Instrumentalness • 14% Positiveness
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Jimmy Lyons
Exotique
133 bpm • F# Maj • 09:47 • -11.17db
0% Popularity • 39% Danceability • 54% Energy • 37% Liveness
0% Instrumentalness • 67% Positiveness
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Wadada Leo Smith
Central Park at Sunset
134 bpm • F min • 05:17 • -15.91db
21% Popularity • 38% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 18% Positiveness
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Yazz Ahmed
The Space Between the Fish and the Moon
125 bpm • E Maj • 05:02 • -16.59db
15% Popularity • 28% Danceability • 20% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Andrew Cyrille
Module
124 bpm • F min • 04:01 • -14.01db
0% Popularity • 51% Danceability • 45% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
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Chicago Underground Quartet
A Re-Occuring Dream
124 bpm • G Maj • 03:11 • -11.19db
12% Popularity • 52% Danceability • 33% Energy • 12% Liveness
95% Instrumentalness • 25% Positiveness
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Dayna Stephens
Placate
124 bpm • F Maj • 04:12 • -16.03db
10% Popularity • 35% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Jimmy Lyons
J. L.
134 bpm • G Maj • 05:14 • -17.87db
0% Popularity • 63% Danceability • 32% Energy • 11% Liveness
11% Instrumentalness • 56% Positiveness
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Rudresh Mahanthappa
The General
134 bpm • D Maj • 08:25 • -11.36db
8% Popularity • 49% Danceability • 51% Energy • 5% Liveness
84% Instrumentalness • 53% Positiveness
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Dave Douglas
Rose and Thorn
135 bpm • D Maj • 05:33 • -13.14db
1% Popularity • 55% Danceability • 43% Energy • 5% Liveness
84% Instrumentalness • 61% Positiveness
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Andrew Cyrille
Novo
134 bpm • F min • 05:46 • -21.65db
0% Popularity • 43% Danceability • 27% Energy • 10% Liveness
45% Instrumentalness • 82% Positiveness
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John Surman
Invisible Threads
135 bpm • C Maj • 05:39 • -15.13db
9% Popularity • 52% Danceability • 13% Energy • 9% Liveness
81% Instrumentalness • 15% Positiveness
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Walter Smith III
Oliver
124 bpm • D min • 02:40 • -9.55db
9% Popularity • 44% Danceability • 47% Energy • 7% Liveness
84% Instrumentalness • 51% Positiveness
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Kenny Clarke
No. 11
135 bpm • C# Maj • 07:49 • -20.5db
0% Popularity • 44% Danceability • 58% Energy • 7% Liveness
85% Instrumentalness • 23% Positiveness
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Gard Nilssen Acoustic Unity
Altaret
123 bpm • G# Maj • 03:49 • -22.13db
11% Popularity • 40% Danceability • 9% Energy • 16% Liveness
93% Instrumentalness • 17% Positiveness
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Henry Threadgill
Spotted Dick Is Pudding
123 bpm • A Maj • 08:53 • -12.5db
8% Popularity • 48% Danceability • 51% Energy • 10% Liveness
85% Instrumentalness • 59% Positiveness
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Kit Downes
Plus Puls
135 bpm • G Maj • 04:00 • -27.65db
9% Popularity • 41% Danceability • 8% Energy • 8% Liveness
88% Instrumentalness • 20% Positiveness
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Jimmy Lyons
Nuba
123 bpm • C# Maj • 09:50 • -18.58db
0% Popularity • 50% Danceability • 70% Energy • 33% Liveness
59% Instrumentalness • 73% Positiveness
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John Surman
Roundelay
123 bpm • G# Maj • 05:10 • -18.15db
8% Popularity • 38% Danceability • 8% Energy • 18% Liveness
75% Instrumentalness • 4% Positiveness
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Uncivilized
Twin Peaks Theme - Outro
123 bpm • F Maj • 01:07 • -16.72db
20% Popularity • 20% Danceability • 28% Energy • 10% Liveness
86% Instrumentalness • 24% Positiveness
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Jaimie Branch
birds of paradise
136 bpm • G# Maj • 03:57 • -21.69db
17% Popularity • 50% Danceability • 32% Energy • 63% Liveness
88% Instrumentalness • 26% Positiveness
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Tomasz Stańko
Morning Heavy Song
136 bpm • C# Maj • 06:43 • -18.6db
18% Popularity • 39% Danceability • 14% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Andrew Cyrille
Pioneering
122 bpm • D# min • 04:36 • -15.57db
0% Popularity • 57% Danceability • 94% Energy • 40% Liveness
0% Instrumentalness • 7% Positiveness
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Jimmy Lyons
Something In Return
122 bpm • D Maj • 14:29 • -20.93db
0% Popularity • 62% Danceability • 17% Energy • 57% Liveness
77% Instrumentalness • 32% Positiveness
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Booker Little
Man Of Words - Remastered
136 bpm • F min • 04:51 • -16.19db
26% Popularity • 36% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 18% Positiveness
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Wadada Leo Smith
Uprising
136 bpm • E min • 04:41 • -11db
12% Popularity • 44% Danceability • 66% Energy • 9% Liveness
14% Instrumentalness • 62% Positiveness
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Devin Gray
Melt All the Guns
136 bpm • G Maj • 04:31 • -10.2db
13% Popularity • 38% Danceability • 59% Energy • 8% Liveness
86% Instrumentalness • 15% Positiveness
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Max Roach
For Big Sid - Mono
122 bpm • E Maj • 03:03 • -17db
10% Popularity • 56% Danceability • 75% Energy • 10% Liveness
94% Instrumentalness • 39% Positiveness
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Ari Hoenig
Nardis
122 bpm • C# min • 05:32 • -20.86db
11% Popularity • 48% Danceability • 18% Energy • 11% Liveness
90% Instrumentalness • 15% Positiveness
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Dave Douglas
Devotion
122 bpm • G Maj • 05:34 • -15.52db
1% Popularity • 42% Danceability • 27% Energy • 7% Liveness
94% Instrumentalness • 33% Positiveness
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Huw V Williams
Equidistant Between
137 bpm • A Maj • 05:53 • -14db
9% Popularity • 42% Danceability • 24% Energy • 28% Liveness
46% Instrumentalness • 24% Positiveness
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Alexander Hawkins
One Tree Found
122 bpm • B Maj • 05:29 • -13.49db
9% Popularity • 50% Danceability • 41% Energy • 10% Liveness
54% Instrumentalness • 37% Positiveness
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Jan Garbarek Quartet
Afric Pepperbird
137 bpm • C Maj • 07:58 • -15.86db
12% Popularity • 47% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Bambi Pang Pang
Isme
137 bpm • B min • 03:46 • -17.99db
0% Popularity • 40% Danceability • 5% Energy • 9% Liveness
1% Instrumentalness • 10% Positiveness
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Andrew Cyrille
Drum Song for Leadbelly
138 bpm • A# min • 04:21 • -16.28db
0% Popularity • 57% Danceability • 37% Energy • 8% Liveness
86% Instrumentalness • 13% Positiveness
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Rudresh Mahanthappa
The Windup
121 bpm • C Maj • 04:42 • -11.76db
10% Popularity • 59% Danceability • 37% Energy • 7% Liveness
16% Instrumentalness • 66% Positiveness
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Jaimie Branch
sun tines
120 bpm • G min • 01:46 • -21.59db
10% Popularity • 60% Danceability • 13% Energy • 12% Liveness
3% Instrumentalness • 10% Positiveness
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Bill McHenry
Shades of Jazz
120 bpm • D# Maj • 09:11 • -16.63db
0% Popularity • 45% Danceability • 44% Energy • 35% Liveness
6% Instrumentalness • 56% Positiveness
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ADRIMUSICVERAS
Tucana
120 bpm • A# Maj • 01:22 • -20.76db
10% Popularity • 53% Danceability • 15% Energy • 12% Liveness
96% Instrumentalness • 31% Positiveness
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Daniel Carter
Playing Retention
120 bpm • A# Maj • 07:38 • -6db
8% Popularity • 47% Danceability • 80% Energy • 11% Liveness
44% Instrumentalness • 40% Positiveness
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Andrew Cyrille
Fortified Nucleolus
138 bpm • C# Maj • 05:12 • -11.54db
0% Popularity • 64% Danceability • 39% Energy • 8% Liveness
2% Instrumentalness • 58% Positiveness
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Sylvie Courvoisier
Golden Proportion
120 bpm • F# min • 02:54 • -18.76db
8% Popularity • 39% Danceability • 22% Energy • 18% Liveness
90% Instrumentalness • 20% Positiveness
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Jazz Drum Wizards
Groove
120 bpm • C# min • 01:39 • -24.25db
18% Popularity • 65% Danceability • 45% Energy • 34% Liveness
90% Instrumentalness • 75% Positiveness
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Bill McHenry
Django
139 bpm • D# Maj • 08:27 • -14.35db
1% Popularity • 45% Danceability • 48% Energy • 23% Liveness
14% Instrumentalness • 27% Positiveness
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Tomasz Stanko Quintet
The Dark Eyes Of Martha Hirsch
120 bpm • G Maj • 10:03 • -13db
13% Popularity • 39% Danceability • 31% Energy • 11% Liveness
60% Instrumentalness • 6% Positiveness
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Art Ensemble Of Chicago
Nice Guys
120 bpm • D Maj • 01:41 • -13db
30% Popularity • 57% Danceability • 23% Energy • 14% Liveness
70% Instrumentalness • 50% Positiveness
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Andrew Cyrille
Lebroba
120 bpm • F# Maj • 05:44 • -24.67db
13% Popularity • 58% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Dave Holland Quartet
Four Winds
120 bpm • E min • 06:34 • -13.82db
17% Popularity • 39% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Kham Meslien
Mauza
139 bpm • G min • 01:01 • -22.55db
34% Popularity • 47% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Matthew Shipp Trio
Tangible
139 bpm • C Maj • 01:46 • -19db
20% Popularity • 34% Danceability • 42% Energy • 10% Liveness
79% Instrumentalness • 57% Positiveness
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Bambi Pang Pang
Frases
119 bpm • B min • 04:06 • -19.83db
0% Popularity • 42% Danceability • 13% Energy • 12% Liveness
6% Instrumentalness • 8% Positiveness
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Miroslav Vitous
Infinite Search
119 bpm • A# Maj • 06:44 • -20db
11% Popularity • 37% Danceability • 24% Energy • 11% Liveness
69% Instrumentalness • 18% Positiveness
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Walter Smith III
freefive
119 bpm • D min • 01:14 • -11.7db
24% Popularity • 52% Danceability • 20% Energy • 11% Liveness
76% Instrumentalness • 38% Positiveness
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Jimmy Lyons
Lorry
119 bpm • C# Maj • 06:23 • -16.16db
0% Popularity • 48% Danceability • 44% Energy • 24% Liveness
28% Instrumentalness • 70% Positiveness
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Dave Holland Quartet
Q & A
140 bpm • C Maj • 08:37 • -18db
13% Popularity • 52% Danceability • 36% Energy • 19% Liveness
10% Instrumentalness • 39% Positiveness
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John Abercrombie Quartet
Arcade
119 bpm • F min • 09:37 • -18db
8% Popularity • 43% Danceability • 38% Energy • 31% Liveness
94% Instrumentalness • 39% Positiveness
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Andrew Cyrille
Worried Woman
141 bpm • F min • 07:35 • -18.4db
11% Popularity • 34% Danceability • 19% Energy • 9% Liveness
58% Instrumentalness • 22% Positiveness
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Bill McHenry
Low Blue Flame
118 bpm • G# Maj • 05:40 • -14.73db
0% Popularity • 45% Danceability • 49% Energy • 4% Liveness
28% Instrumentalness • 55% Positiveness
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Jakob Davidsen
7-Isolation (Edvard Munch)
141 bpm • D min • 03:55 • -27db
10% Popularity • 32% Danceability • 2% Energy • 7% Liveness
64% Instrumentalness • 3% Positiveness
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Joe Harriott
Spring Low, Sweet Harriott
118 bpm • G min • 01:57 • -16.69db
22% Popularity • 48% Danceability • 26% Energy • 11% Liveness
7% Instrumentalness • 23% Positiveness
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Ben Monder
Zythum
118 bpm • B min • 07:06 • -19.76db
3% Popularity • 25% Danceability • 16% Energy • 12% Liveness
92% Instrumentalness • 9% Positiveness
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Joe Lovano
One Time In
142 bpm • B min • 03:41 • -22.71db
10% Popularity • 42% Danceability • 1% Energy • 38% Liveness
83% Instrumentalness • 12% Positiveness
► Preview
Andrew Cyrille
Duo Palindrome 2002
118 bpm • F min • 04:34 • -14.81db
0% Popularity • 47% Danceability • 43% Energy • 14% Liveness
2% Instrumentalness • 50% Positiveness
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Bobo Stenson
There Comes A Time
117 bpm • A Maj • 06:37 • -20.75db
8% Popularity • 42% Danceability • 9% Energy • 8% Liveness
52% Instrumentalness • 4% Positiveness
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Pretty Beauty