Songs like Pretty Girl by asking for a friend
Based on a tempo of (+/- 10%) and a similar genre
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Ben Kessler
Cruise Control
146 bpm • F Maj • 02:39 • -8.42db
32% Popularity • 40% Danceability • 36% Energy • 42% Liveness
0% Instrumentalness • 23% Positiveness
32% Popularity • 40% Danceability • 36% Energy • 42% Liveness
0% Instrumentalness • 23% Positiveness
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Tori Templet
Butterfly Rain
146 bpm • G min • 03:43 • -15db
30% Popularity • 84% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
30% Popularity • 84% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Golden Boy
Mistaken for Granite
146 bpm • G Maj • 03:25 • -5.96db
22% Popularity • 63% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
22% Popularity • 63% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Mallory Merk
Ghosts
146 bpm • A Maj • 02:15 • -5db
22% Popularity • 60% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
22% Popularity • 60% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Ben Chandler
Confession
146 bpm • D Maj • 02:09 • -9.38db
13% Popularity • 61% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
13% Popularity • 61% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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asking for a friend
Pretty Girl
145 bpm • F Maj • 03:13 • -9.43db
19% Popularity • 41% Danceability • 35% Energy • 38% Liveness
0% Instrumentalness • 34% Positiveness
19% Popularity • 41% Danceability • 35% Energy • 38% Liveness
0% Instrumentalness • 34% Positiveness
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Andy Yu
Tennis
145 bpm • E Maj • 02:57 • -12.45db
15% Popularity • 92% Danceability • 43% Energy • 14% Liveness
1% Instrumentalness • 87% Positiveness
15% Popularity • 92% Danceability • 43% Energy • 14% Liveness
1% Instrumentalness • 87% Positiveness
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mxmtoon
i feel like chet (khai dreams edit)
145 bpm • G# min • 02:53 • -11.2db
31% Popularity • 67% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
31% Popularity • 67% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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ROLE MODEL
doyouseeit
145 bpm • G Maj • 02:29 • -6db
36% Popularity • 68% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
36% Popularity • 68% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Breakup Shoes
Self-Improvement
145 bpm • F# Maj • 03:41 • -9.59db
18% Popularity • 53% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
18% Popularity • 53% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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George Walter
Fall In Love Again
147 bpm • B Maj • 04:34 • -11.76db
28% Popularity • 62% Danceability • 52% Energy • 13% Liveness
58% Instrumentalness • 59% Positiveness
28% Popularity • 62% Danceability • 52% Energy • 13% Liveness
58% Instrumentalness • 59% Positiveness
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DYSN
It Felt Like the World
148 bpm • E Maj • 01:48 • -4.39db
27% Popularity • 41% Danceability • 84% Energy • 32% Liveness
4% Instrumentalness • 48% Positiveness
27% Popularity • 41% Danceability • 84% Energy • 32% Liveness
4% Instrumentalness • 48% Positiveness
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DWLLRS
Things We Don't Talk About
144 bpm • G Maj • 03:28 • -6db
26% Popularity • 45% Danceability • 76% Energy • 56% Liveness
0% Instrumentalness • 37% Positiveness
26% Popularity • 45% Danceability • 76% Energy • 56% Liveness
0% Instrumentalness • 37% Positiveness
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Zachary Knowles
cherry wine
148 bpm • C# min • 03:08 • -11db
38% Popularity • 60% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
38% Popularity • 60% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Alexander 23
When I Die
148 bpm • A Maj • 02:37 • -7.54db
30% Popularity • 53% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
30% Popularity • 53% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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Carter Vail
Tigers on Trains
148 bpm • E Maj • 04:33 • -12.17db
24% Popularity • 53% Danceability • 46% Energy • 10% Liveness
5% Instrumentalness • 25% Positiveness
24% Popularity • 53% Danceability • 46% Energy • 10% Liveness
5% Instrumentalness • 25% Positiveness
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teak
Cheerios & Chocolate Milk
148 bpm • B min • 03:34 • -6.46db
33% Popularity • 67% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
33% Popularity • 67% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Bennett Coast
Deep End
148 bpm • A# Maj • 03:05 • -11.03db
40% Popularity • 56% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
40% Popularity • 56% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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The Beamish Brothers
Nostalgia
144 bpm • G Maj • 03:41 • -8.38db
25% Popularity • 59% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
25% Popularity • 59% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
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Melt
Stupid in Love
143 bpm • A Maj • 04:34 • -8.7db
39% Popularity • 54% Danceability • 36% Energy • 13% Liveness
2% Instrumentalness • 52% Positiveness
39% Popularity • 54% Danceability • 36% Energy • 13% Liveness
2% Instrumentalness • 52% Positiveness
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Calub
college hoodie
142 bpm • D# Maj • 03:14 • -11.29db
20% Popularity • 60% Danceability • 29% Energy • 15% Liveness
7% Instrumentalness • 66% Positiveness
20% Popularity • 60% Danceability • 29% Energy • 15% Liveness
7% Instrumentalness • 66% Positiveness
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Landon Conrath
Acetone - Acoustic
150 bpm • D Maj • 03:12 • -9.49db
16% Popularity • 48% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
16% Popularity • 48% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Juniper
Angelina
150 bpm • D# Maj • 03:10 • -7db
31% Popularity • 70% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
31% Popularity • 70% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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DWLLRS
Iced Coffee
150 bpm • D# min • 03:04 • -6.57db
27% Popularity • 57% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
27% Popularity • 57% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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FIG
You're Kinda Perfect
150 bpm • C Maj • 02:26 • -10db
25% Popularity • 55% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
25% Popularity • 55% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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Coby Stayton
Love for Free
150 bpm • C min • 03:32 • -9.5db
8% Popularity • 73% Danceability • 60% Energy • 60% Liveness
0% Instrumentalness • 50% Positiveness
8% Popularity • 73% Danceability • 60% Energy • 60% Liveness
0% Instrumentalness • 50% Positiveness
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Max Leone
in case (there's a change of heart)
150 bpm • C Maj • 03:53 • -6db
16% Popularity • 31% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness
16% Popularity • 31% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness
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Jarren Blair
Space Jam
150 bpm • F min • 04:17 • -8db
21% Popularity • 47% Danceability • 58% Energy • 31% Liveness
0% Instrumentalness • 29% Positiveness
21% Popularity • 47% Danceability • 58% Energy • 31% Liveness
0% Instrumentalness • 29% Positiveness
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ROLE MODEL
gucci chair
150 bpm • C# min • 03:07 • -7.8db
34% Popularity • 37% Danceability • 47% Energy • 11% Liveness
2% Instrumentalness • 13% Positiveness
34% Popularity • 37% Danceability • 47% Energy • 11% Liveness
2% Instrumentalness • 13% Positiveness
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Tippy Balady
The Moon and Me
141 bpm • D# Maj • 03:50 • -11db
31% Popularity • 62% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
31% Popularity • 62% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Toddy Smith
Perfect Morning
141 bpm • B Maj • 02:34 • -8.47db
22% Popularity • 65% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
22% Popularity • 65% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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AJ Abdullah
Falling in Love
141 bpm • F Maj • 04:26 • -15.72db
24% Popularity • 46% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
24% Popularity • 46% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
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Max Leone
Malleable
150 bpm • G# min • 02:48 • -7db
32% Popularity • 69% Danceability • 47% Energy • 11% Liveness
1% Instrumentalness • 26% Positiveness
32% Popularity • 69% Danceability • 47% Energy • 11% Liveness
1% Instrumentalness • 26% Positiveness
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Charlie Burg
Fever
141 bpm • F# min • 03:27 • -9.35db
22% Popularity • 43% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
22% Popularity • 43% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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X Lovers
Sweatshirt
152 bpm • F Maj • 03:17 • -5.72db
32% Popularity • 69% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
32% Popularity • 69% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Ryan Woods
Pillow
140 bpm • G Maj • 02:53 • -5db
28% Popularity • 62% Danceability • 78% Energy • 18% Liveness
9% Instrumentalness • 40% Positiveness
28% Popularity • 62% Danceability • 78% Energy • 18% Liveness
9% Instrumentalness • 40% Positiveness
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sunshine blvd.
I Feel Great
152 bpm • D# Maj • 03:41 • -14.3db
15% Popularity • 54% Danceability • 36% Energy • 36% Liveness
0% Instrumentalness • 46% Positiveness
15% Popularity • 54% Danceability • 36% Energy • 36% Liveness
0% Instrumentalness • 46% Positiveness
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Noah Floersch
Girl from the City, Pt. 2
140 bpm • A min • 05:18 • -19.63db
23% Popularity • 32% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
23% Popularity • 32% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Lilacs.
Lately I've Been Sad
140 bpm • A Maj • 03:02 • -15.93db
31% Popularity • 74% Danceability • 35% Energy • 41% Liveness
0% Instrumentalness • 65% Positiveness
31% Popularity • 74% Danceability • 35% Energy • 41% Liveness
0% Instrumentalness • 65% Positiveness
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Jesse Aicher
Last Night, 4 Years Ago
140 bpm • B Maj • 03:15 • -6.91db
21% Popularity • 63% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
21% Popularity • 63% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Saint Christopher
Downhill
140 bpm • F# Maj • 02:46 • -7.46db
18% Popularity • 72% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
18% Popularity • 72% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Kennen
1 2 365 4 Me
140 bpm • F# Maj • 02:54 • -5.88db
28% Popularity • 62% Danceability • 74% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
28% Popularity • 62% Danceability • 74% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
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Ben Chandler
Addicted 2 U
140 bpm • F Maj • 03:31 • -6db
23% Popularity • 73% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
23% Popularity • 73% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Sally Boy
just friends now
140 bpm • B min • 01:38 • -11db
20% Popularity • 80% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
20% Popularity • 80% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
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Matt DiMona
green tea ice cream
140 bpm • B Maj • 02:05 • -10.36db
34% Popularity • 59% Danceability • 43% Energy • 14% Liveness
32% Instrumentalness • 14% Positiveness
34% Popularity • 59% Danceability • 43% Energy • 14% Liveness
32% Instrumentalness • 14% Positiveness
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young friend
crying all the time
140 bpm • D Maj • 02:25 • -10db
16% Popularity • 74% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 29% Positiveness
16% Popularity • 74% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 29% Positiveness
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Alec Bailey
Molasses
140 bpm • A Maj • 03:07 • -11.44db
13% Popularity • 50% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
13% Popularity • 50% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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The Magnolias
Goodnight, I'm going to sleep
140 bpm • G Maj • 04:17 • -8.76db
17% Popularity • 46% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
17% Popularity • 46% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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asking for a friend
Summer Sky
139 bpm • F# Maj • 04:06 • -11db
26% Popularity • 46% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
26% Popularity • 46% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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DOUBLECAMP
Smoke and Mirrors - Stripped
139 bpm • F Maj • 02:58 • -8.23db
16% Popularity • 53% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
16% Popularity • 53% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Feyde
Stars
139 bpm • E Maj • 02:03 • -13.84db
26% Popularity • 46% Danceability • 44% Energy • 80% Liveness
0% Instrumentalness • 16% Positiveness
26% Popularity • 46% Danceability • 44% Energy • 80% Liveness
0% Instrumentalness • 16% Positiveness
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DYSN
The Place He's Only Dreamed Of
154 bpm • A Maj • 03:19 • -7db
14% Popularity • 29% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
14% Popularity • 29% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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ROLE MODEL
better the first time
154 bpm • C Maj • 03:09 • -3.51db
37% Popularity • 71% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
37% Popularity • 71% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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HARBOUR
With Love
154 bpm • D Maj • 03:37 • -4.33db
43% Popularity • 34% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
43% Popularity • 34% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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HAWAI
Circle K (Back To You)
154 bpm • G# min • 03:58 • -6.79db
25% Popularity • 49% Danceability • 66% Energy • 14% Liveness
4% Instrumentalness • 63% Positiveness
25% Popularity • 49% Danceability • 66% Energy • 14% Liveness
4% Instrumentalness • 63% Positiveness
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loren north
Push It Away
138 bpm • F# min • 03:34 • -10.47db
19% Popularity • 79% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
19% Popularity • 79% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
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Free Arlo
monday
138 bpm • G# Maj • 03:17 • -5.67db
33% Popularity • 86% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 98% Positiveness
33% Popularity • 86% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 98% Positiveness
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Ben Chandler
Out of My Head
138 bpm • E Maj • 02:15 • -3.45db
22% Popularity • 65% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
22% Popularity • 65% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Thomas Porter
BLUEBLUEBLUE
138 bpm • D Maj • 02:11 • -5.39db
28% Popularity • 70% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
28% Popularity • 70% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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MyKey
Kneepads
138 bpm • D Maj • 02:35 • -5.64db
34% Popularity • 77% Danceability • 61% Energy • 35% Liveness
0% Instrumentalness • 53% Positiveness
34% Popularity • 77% Danceability • 61% Energy • 35% Liveness
0% Instrumentalness • 53% Positiveness
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Rook Monroe
Pink and Purple
138 bpm • A Maj • 04:06 • -5.35db
17% Popularity • 68% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
17% Popularity • 68% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
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Cuva
Erase Yourself
155 bpm • E Maj • 03:47 • -8.92db
31% Popularity • 41% Danceability • 57% Energy • 9% Liveness
1% Instrumentalness • 5% Positiveness
31% Popularity • 41% Danceability • 57% Energy • 9% Liveness
1% Instrumentalness • 5% Positiveness
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Palmas
Bad Dream
155 bpm • B min • 03:06 • -7.28db
36% Popularity • 72% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
36% Popularity • 72% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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Max Leone
The Beach
155 bpm • A min • 02:45 • -6.55db
29% Popularity • 60% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
29% Popularity • 60% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
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asking for a friend
Asking For A Friend
137 bpm • A min • 02:36 • -11.69db
13% Popularity • 49% Danceability • 27% Energy • 34% Liveness
0% Instrumentalness • 32% Positiveness
13% Popularity • 49% Danceability • 27% Energy • 34% Liveness
0% Instrumentalness • 32% Positiveness
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Dori Valentine
Chlorine
155 bpm • A min • 03:29 • -7db
23% Popularity • 34% Danceability • 52% Energy • 33% Liveness
0% Instrumentalness • 16% Positiveness
23% Popularity • 34% Danceability • 52% Energy • 33% Liveness
0% Instrumentalness • 16% Positiveness
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Vacation Manor
If Only for Tonight - Midnight Version
137 bpm • D min • 04:42 • -8.77db
19% Popularity • 55% Danceability • 39% Energy • 34% Liveness
2% Instrumentalness • 35% Positiveness
19% Popularity • 55% Danceability • 39% Energy • 34% Liveness
2% Instrumentalness • 35% Positiveness
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John-Robert
Pelican
137 bpm • F# min • 02:37 • -7db
31% Popularity • 68% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 67% Positiveness
31% Popularity • 68% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 67% Positiveness
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MyKey
Tattoo
156 bpm • A Maj • 03:03 • -8.89db
17% Popularity • 65% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
17% Popularity • 65% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Ashes To Amber
ARIZONA THUNDER
156 bpm • A Maj • 02:41 • -10.67db
39% Popularity • 66% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 63% Positiveness
39% Popularity • 66% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 63% Positiveness
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Forrest Nolan
you make me feel alright
156 bpm • D# Maj • 02:58 • -10.49db
21% Popularity • 72% Danceability • 36% Energy • 5% Liveness
0% Instrumentalness • 77% Positiveness
21% Popularity • 72% Danceability • 36% Energy • 5% Liveness
0% Instrumentalness • 77% Positiveness
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Valley
There's Still A Light In The House - Chi...
156 bpm • E Maj • 02:39 • -11.9db
25% Popularity • 51% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
25% Popularity • 51% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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ROLE MODEL
for the people in the back
156 bpm • D# min • 02:34 • -4.43db
42% Popularity • 78% Danceability • 73% Energy • 38% Liveness
0% Instrumentalness • 83% Positiveness
42% Popularity • 78% Danceability • 73% Energy • 38% Liveness
0% Instrumentalness • 83% Positiveness
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Julius Black
Electric Blue
156 bpm • F Maj • 03:06 • -13.15db
19% Popularity • 48% Danceability • 42% Energy • 31% Liveness
0% Instrumentalness • 40% Positiveness
19% Popularity • 48% Danceability • 42% Energy • 31% Liveness
0% Instrumentalness • 40% Positiveness
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Peach Tree Rascals
Pockets
156 bpm • F# Maj • 03:00 • -11.01db
24% Popularity • 45% Danceability • 42% Energy • 16% Liveness
13% Instrumentalness • 76% Positiveness
24% Popularity • 45% Danceability • 42% Energy • 16% Liveness
13% Instrumentalness • 76% Positiveness
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Also Joe
Two Straws
156 bpm • E Maj • 03:13 • -9.97db
31% Popularity • 60% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 44% Positiveness
31% Popularity • 60% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 44% Positiveness
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OCTAVIO the Dweeb
Aftertaste
136 bpm • F# Maj • 03:06 • -5.41db
14% Popularity • 61% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
14% Popularity • 61% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Theo Kandel
How Could Anybody
136 bpm • G Maj • 04:01 • -8db
11% Popularity • 74% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
11% Popularity • 74% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Valley
A Phone Call In Amsterdam - Acoustic
136 bpm • A Maj • 04:27 • -12db
24% Popularity • 40% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
24% Popularity • 40% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
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Charlie Burg
Eight
136 bpm • C# min • 03:34 • -9.8db
20% Popularity • 64% Danceability • 56% Energy • 40% Liveness
0% Instrumentalness • 35% Positiveness
20% Popularity • 64% Danceability • 56% Energy • 40% Liveness
0% Instrumentalness • 35% Positiveness
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gabriel black
king of the nosebleeds
157 bpm • A# Maj • 02:42 • -6.78db
31% Popularity • 55% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
31% Popularity • 55% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Alec Bailey
Chernobyl
158 bpm • E Maj • 03:43 • -13db
23% Popularity • 38% Danceability • 47% Energy • 10% Liveness
17% Instrumentalness • 6% Positiveness
23% Popularity • 38% Danceability • 47% Energy • 10% Liveness
17% Instrumentalness • 6% Positiveness
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seth arlan
with you
135 bpm • A Maj • 03:28 • -15.97db
39% Popularity • 74% Danceability • 24% Energy • 10% Liveness
4% Instrumentalness • 16% Positiveness
39% Popularity • 74% Danceability • 24% Energy • 10% Liveness
4% Instrumentalness • 16% Positiveness
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j solomon
Hazel Eyes
135 bpm • G Maj • 03:46 • -18db
32% Popularity • 62% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
32% Popularity • 62% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Adam Melchor
I CHOOSE YOU
135 bpm • B Maj • 03:37 • -4.9db
42% Popularity • 56% Danceability • 71% Energy • 39% Liveness
0% Instrumentalness • 47% Positiveness
42% Popularity • 56% Danceability • 71% Energy • 39% Liveness
0% Instrumentalness • 47% Positiveness
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HOAX
western medicine
135 bpm • C# min • 04:18 • -5.12db
23% Popularity • 50% Danceability • 80% Energy • 32% Liveness
2% Instrumentalness • 57% Positiveness
23% Popularity • 50% Danceability • 80% Energy • 32% Liveness
2% Instrumentalness • 57% Positiveness
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Joël Lobban
Vent (Stripped)
135 bpm • F# min • 02:36 • -8.39db
20% Popularity • 54% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
20% Popularity • 54% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Koko Love
Crushes
135 bpm • C Maj • 02:31 • -5.7db
33% Popularity • 70% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
33% Popularity • 70% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
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Micah Marcos
Trace
135 bpm • C# min • 02:51 • -11db
32% Popularity • 80% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
32% Popularity • 80% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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ROLE MODEL
alive
158 bpm • F# min • 03:02 • -5.45db
35% Popularity • 54% Danceability • 67% Energy • 40% Liveness
0% Instrumentalness • 30% Positiveness
35% Popularity • 54% Danceability • 67% Energy • 40% Liveness
0% Instrumentalness • 30% Positiveness
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asking for a friend
Phantasm
134 bpm • B Maj • 03:34 • -10.02db
11% Popularity • 34% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
11% Popularity • 34% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Rachel Bobbitt
Beneath Our Feet (Exit Music)
134 bpm • A Maj • 03:43 • -8.5db
15% Popularity • 57% Danceability • 92% Energy • 57% Liveness
0% Instrumentalness • 76% Positiveness
15% Popularity • 57% Danceability • 92% Energy • 57% Liveness
0% Instrumentalness • 76% Positiveness
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carobae
dance around
159 bpm • A# Maj • 02:27 • -7db
35% Popularity • 51% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
35% Popularity • 51% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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14 Stories
Hear Me Out
134 bpm • F Maj • 04:46 • -8.04db
22% Popularity • 71% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
22% Popularity • 71% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Aidan Bissett
Worst Girls of All Time
159 bpm • F# Maj • 02:53 • -5.97db
23% Popularity • 45% Danceability • 45% Energy • 39% Liveness
0% Instrumentalness • 60% Positiveness
23% Popularity • 45% Danceability • 45% Energy • 39% Liveness
0% Instrumentalness • 60% Positiveness
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Lance Redeker
Truman
160 bpm • C Maj • 03:28 • -7.31db
30% Popularity • 58% Danceability • 72% Energy • 41% Liveness
0% Instrumentalness • 80% Positiveness
30% Popularity • 58% Danceability • 72% Energy • 41% Liveness
0% Instrumentalness • 80% Positiveness
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Betcha
Lucy Lucy
133 bpm • D# Maj • 03:34 • -4.31db
39% Popularity • 50% Danceability • 79% Energy • 33% Liveness
0% Instrumentalness • 44% Positiveness
39% Popularity • 50% Danceability • 79% Energy • 33% Liveness
0% Instrumentalness • 44% Positiveness
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david hugo
Falling Hearts
133 bpm • D Maj • 03:19 • -12.91db
25% Popularity • 78% Danceability • 31% Energy • 29% Liveness
0% Instrumentalness • 24% Positiveness
25% Popularity • 78% Danceability • 31% Energy • 29% Liveness
0% Instrumentalness • 24% Positiveness
