Songs like pretty kids by mehro
Based on a tempo of (+/- 10%) and a similar genre
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mehro
pretty kids
158 bpm • G Maj • 02:39 • -7.14db
37% Popularity • 73% Danceability • 69% Energy • 12% Liveness
2% Instrumentalness • 86% Positiveness
37% Popularity • 73% Danceability • 69% Energy • 12% Liveness
2% Instrumentalness • 86% Positiveness
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Manchester Orchestra
The Gold - Phoebe Bridgers Version
158 bpm • A# Maj • 03:53 • -12.18db
73% Popularity • 30% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
73% Popularity • 30% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Freyr
I'm Here
157 bpm • D Maj • 02:12 • -13db
57% Popularity • 59% Danceability • 42% Energy • 5% Liveness
72% Instrumentalness • 81% Positiveness
57% Popularity • 59% Danceability • 42% Energy • 5% Liveness
72% Instrumentalness • 81% Positiveness
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Suki Waterhouse
To Love
157 bpm • D Maj • 03:56 • -4.45db
61% Popularity • 28% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
61% Popularity • 28% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Taylor Swift
Down Bad
160 bpm • B Maj • 04:21 • -10.38db
86% Popularity • 55% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
86% Popularity • 55% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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BØRNS
Clouds
160 bpm • B Maj • 03:10 • -6.47db
60% Popularity • 64% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
60% Popularity • 64% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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mehro
exploding
158 bpm • F min • 03:18 • -9db
58% Popularity • 73% Danceability • 60% Energy • 27% Liveness
32% Instrumentalness • 79% Positiveness
58% Popularity • 73% Danceability • 60% Energy • 27% Liveness
32% Instrumentalness • 79% Positiveness
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girl in red
October Passed Me By
156 bpm • C Maj • 02:45 • -13.09db
66% Popularity • 44% Danceability • 37% Energy • 10% Liveness
8% Instrumentalness • 20% Positiveness
66% Popularity • 44% Danceability • 37% Energy • 10% Liveness
8% Instrumentalness • 20% Positiveness
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Them & I
lover's grip
155 bpm • D Maj • 02:09 • -17.96db
60% Popularity • 57% Danceability • 23% Energy • 38% Liveness
76% Instrumentalness • 52% Positiveness
60% Popularity • 57% Danceability • 23% Energy • 38% Liveness
76% Instrumentalness • 52% Positiveness
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Sky McCreery
Burden
161 bpm • G Maj • 02:25 • -13.81db
39% Popularity • 59% Danceability • 38% Energy • 11% Liveness
11% Instrumentalness • 15% Positiveness
39% Popularity • 59% Danceability • 38% Energy • 11% Liveness
11% Instrumentalness • 15% Positiveness
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Taylor Swift
So Long, London
160 bpm • A Maj • 04:22 • -11.42db
85% Popularity • 47% Danceability • 54% Energy • 8% Liveness
1% Instrumentalness • 29% Positiveness
85% Popularity • 47% Danceability • 54% Energy • 8% Liveness
1% Instrumentalness • 29% Positiveness
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Andrew Belle
You're the Sea
161 bpm • C# min • 02:54 • -9.08db
46% Popularity • 57% Danceability • 62% Energy • 11% Liveness
12% Instrumentalness • 53% Positiveness
46% Popularity • 57% Danceability • 62% Energy • 11% Liveness
12% Instrumentalness • 53% Positiveness
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Zeph
Forever & Always
155 bpm • G# min • 04:09 • -24db
58% Popularity • 50% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 35% Positiveness
58% Popularity • 50% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 35% Positiveness
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Flower Face
Cat's Cradle
155 bpm • G min • 03:50 • -10.95db
49% Popularity • 44% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
49% Popularity • 44% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
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Pop Goes Ambient
Riptide
154 bpm • C# Maj • 03:13 • -13.9db
44% Popularity • 50% Danceability • 40% Energy • 15% Liveness
5% Instrumentalness • 18% Positiveness
44% Popularity • 50% Danceability • 40% Energy • 15% Liveness
5% Instrumentalness • 18% Positiveness
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Suki Waterhouse
Nostalgia
154 bpm • F# Maj • 03:57 • -8db
58% Popularity • 52% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
58% Popularity • 52% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Hazlett
Oh Downhill
154 bpm • C Maj • 03:59 • -14db
49% Popularity • 57% Danceability • 33% Energy • 11% Liveness
4% Instrumentalness • 28% Positiveness
49% Popularity • 57% Danceability • 33% Energy • 11% Liveness
4% Instrumentalness • 28% Positiveness
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Andrew Belle
You're the Sea (Hushed)
162 bpm • C Maj • 03:24 • -11.67db
37% Popularity • 61% Danceability • 22% Energy • 11% Liveness
31% Instrumentalness • 32% Positiveness
37% Popularity • 61% Danceability • 22% Energy • 11% Liveness
31% Instrumentalness • 32% Positiveness
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Matt Maltese
Krystal
154 bpm • D# Maj • 03:40 • -8.06db
67% Popularity • 52% Danceability • 51% Energy • 12% Liveness
78% Instrumentalness • 37% Positiveness
67% Popularity • 52% Danceability • 51% Energy • 12% Liveness
78% Instrumentalness • 37% Positiveness
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Alfie Jukes
orange juice - Edit
153 bpm • B Maj • 03:10 • -13.56db
7% Popularity • 55% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
7% Popularity • 55% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Flower Face
Sugar Water
163 bpm • C Maj • 03:18 • -5db
45% Popularity • 49% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
45% Popularity • 49% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 83% Positiveness
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Jolé
Picture Perfect
152 bpm • G Maj • 02:54 • -13.04db
52% Popularity • 41% Danceability • 30% Energy • 21% Liveness
7% Instrumentalness • 38% Positiveness
52% Popularity • 41% Danceability • 30% Energy • 21% Liveness
7% Instrumentalness • 38% Positiveness
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Hazlett
My Skin
164 bpm • G# Maj • 03:36 • -10.6db
59% Popularity • 56% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
59% Popularity • 56% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Bebe Stockwell
Love Me Back
152 bpm • G min • 02:28 • -14.54db
52% Popularity • 49% Danceability • 22% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
52% Popularity • 49% Danceability • 22% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
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girl in red
.
152 bpm • A# Maj • 02:46 • -7db
67% Popularity • 45% Danceability • 91% Energy • 14% Liveness
83% Instrumentalness • 32% Positiveness
67% Popularity • 45% Danceability • 91% Energy • 14% Liveness
83% Instrumentalness • 32% Positiveness
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Chance Peña
Long Lost Lover
165 bpm • C Maj • 02:11 • -24.04db
50% Popularity • 41% Danceability • 13% Energy • 53% Liveness
0% Instrumentalness • 29% Positiveness
50% Popularity • 41% Danceability • 13% Energy • 53% Liveness
0% Instrumentalness • 29% Positiveness
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Georgi Krastev
Living in the Darkness
165 bpm • A min • 02:12 • -16.3db
42% Popularity • 43% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 29% Positiveness
42% Popularity • 43% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 29% Positiveness
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Jovanni Cardenas
Hate Me
165 bpm • C# Maj • 02:39 • -13.22db
29% Popularity • 64% Danceability • 40% Energy • 16% Liveness
1% Instrumentalness • 54% Positiveness
29% Popularity • 64% Danceability • 40% Energy • 16% Liveness
1% Instrumentalness • 54% Positiveness
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Noah Henderson
floorboards.
151 bpm • F# Maj • 04:39 • -13.33db
50% Popularity • 29% Danceability • 20% Energy • 10% Liveness
3% Instrumentalness • 11% Positiveness
50% Popularity • 29% Danceability • 20% Energy • 10% Liveness
3% Instrumentalness • 11% Positiveness
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Zeph
miss me
151 bpm • F Maj • 02:02 • -10.28db
50% Popularity • 70% Danceability • 57% Energy • 9% Liveness
10% Instrumentalness • 81% Positiveness
50% Popularity • 70% Danceability • 57% Energy • 9% Liveness
10% Instrumentalness • 81% Positiveness
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flora cash
i'm tired
166 bpm • G min • 02:46 • -11.26db
38% Popularity • 56% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
38% Popularity • 56% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Lissom
Atrophy
151 bpm • A# min • 04:01 • -16.68db
33% Popularity • 22% Danceability • 14% Energy • 9% Liveness
16% Instrumentalness • 14% Positiveness
33% Popularity • 22% Danceability • 14% Energy • 9% Liveness
16% Instrumentalness • 14% Positiveness
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Luca Fogale
Bluebird
150 bpm • B min • 04:52 • -14db
45% Popularity • 48% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
45% Popularity • 48% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Seafret
Atlantis
166 bpm • G# min • 03:49 • -7.99db
85% Popularity • 40% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
85% Popularity • 40% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Vraell
Brother
150 bpm • F Maj • 03:19 • -17db
37% Popularity • 40% Danceability • 16% Energy • 15% Liveness
1% Instrumentalness • 12% Positiveness
37% Popularity • 40% Danceability • 16% Energy • 15% Liveness
1% Instrumentalness • 12% Positiveness
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Danny Knutelsky
Motion
150 bpm • G Maj • 02:28 • -16.87db
38% Popularity • 36% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
38% Popularity • 36% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Taylor Swift
Florida!!!
150 bpm • C Maj • 03:35 • -7.1db
84% Popularity • 52% Danceability • 57% Energy • 31% Liveness
0% Instrumentalness • 42% Positiveness
84% Popularity • 52% Danceability • 57% Energy • 31% Liveness
0% Instrumentalness • 42% Positiveness
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mehro
lightning
150 bpm • D# min • 03:08 • -8db
49% Popularity • 60% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
49% Popularity • 60% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Zeph
what does he have that i don't?
150 bpm • C# Maj • 01:31 • -16db
50% Popularity • 39% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
50% Popularity • 39% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Bonjr
i want you to help me live
150 bpm • E Maj • 02:41 • -13.01db
46% Popularity • 55% Danceability • 23% Energy • 8% Liveness
24% Instrumentalness • 33% Positiveness
46% Popularity • 55% Danceability • 23% Energy • 8% Liveness
24% Instrumentalness • 33% Positiveness
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Chance Peña
Drown
168 bpm • G# Maj • 03:17 • -7.08db
41% Popularity • 56% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
41% Popularity • 56% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
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Henry Morris
Taste of Metal
149 bpm • D min • 02:54 • -8.72db
55% Popularity • 57% Danceability • 61% Energy • 9% Liveness
65% Instrumentalness • 33% Positiveness
55% Popularity • 57% Danceability • 61% Energy • 9% Liveness
65% Instrumentalness • 33% Positiveness
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Alfie Jukes
Spiderwebs
150 bpm • G Maj • 02:33 • -9.39db
50% Popularity • 37% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
50% Popularity • 37% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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mehro
coastline
168 bpm • E Maj • 02:38 • -8.55db
35% Popularity • 58% Danceability • 46% Energy • 16% Liveness
1% Instrumentalness • 50% Positiveness
35% Popularity • 58% Danceability • 46% Energy • 16% Liveness
1% Instrumentalness • 50% Positiveness
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Stephen Dawes
What We Wanted
148 bpm • A Maj • 02:48 • -5.36db
15% Popularity • 53% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
15% Popularity • 53% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Kilu
visionless
148 bpm • A min • 03:03 • -17.28db
41% Popularity • 39% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
41% Popularity • 39% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Tom Rosenthal
It's Ok
148 bpm • G# min • 03:11 • -15.11db
68% Popularity • 56% Danceability • 11% Energy • 10% Liveness
23% Instrumentalness • 6% Positiveness
68% Popularity • 56% Danceability • 11% Energy • 10% Liveness
23% Instrumentalness • 6% Positiveness
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Lizzy McAlpine
ceilings
148 bpm • A Maj • 03:02 • -11.76db
84% Popularity • 52% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
84% Popularity • 52% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
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Vlad Holiday
Phonograph
148 bpm • F# min • 03:24 • -6db
40% Popularity • 49% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
40% Popularity • 49% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Carlie Hanson
608
148 bpm • B min • 03:24 • -8.76db
42% Popularity • 61% Danceability • 51% Energy • 34% Liveness
0% Instrumentalness • 49% Positiveness
42% Popularity • 61% Danceability • 51% Energy • 34% Liveness
0% Instrumentalness • 49% Positiveness
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Oliver Riot
Tingle
148 bpm • F# min • 02:51 • -7.8db
24% Popularity • 28% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
24% Popularity • 28% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
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Imaginary Future
Feels Like We Only Go Backwards
147 bpm • E min • 02:39 • -15.31db
44% Popularity • 50% Danceability • 14% Energy • 22% Liveness
0% Instrumentalness • 37% Positiveness
44% Popularity • 50% Danceability • 14% Energy • 22% Liveness
0% Instrumentalness • 37% Positiveness
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FINNEAS
I Lost a Friend
169 bpm • B Maj • 03:57 • -11.92db
63% Popularity • 44% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
63% Popularity • 44% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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mehro
perfume (Sweater Beats Remix)
147 bpm • B min • 02:24 • -7.09db
32% Popularity • 60% Danceability • 57% Energy • 57% Liveness
0% Instrumentalness • 26% Positiveness
32% Popularity • 60% Danceability • 57% Energy • 57% Liveness
0% Instrumentalness • 26% Positiveness
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Lana Del Rey
Paris, Texas
170 bpm • C min • 03:26 • -17.62db
76% Popularity • 32% Danceability • 10% Energy • 11% Liveness
5% Instrumentalness • 18% Positiveness
76% Popularity • 32% Danceability • 10% Energy • 11% Liveness
5% Instrumentalness • 18% Positiveness
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Emmrose
Electric Nights
170 bpm • C Maj • 03:41 • -5.65db
18% Popularity • 42% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 12% Positiveness
18% Popularity • 42% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 12% Positiveness
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New West
Main Character
147 bpm • D# Maj • 02:56 • -7.74db
37% Popularity • 42% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
37% Popularity • 42% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Mallrat
Wish On An Eyelash
170 bpm • B min • 00:58 • -10.6db
43% Popularity • 24% Danceability • 29% Energy • 11% Liveness
2% Instrumentalness • 35% Positiveness
43% Popularity • 24% Danceability • 29% Energy • 11% Liveness
2% Instrumentalness • 35% Positiveness
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Novo Amor
Alps
147 bpm • D# Maj • 03:14 • -10.38db
65% Popularity • 35% Danceability • 31% Energy • 20% Liveness
3% Instrumentalness • 14% Positiveness
65% Popularity • 35% Danceability • 31% Energy • 20% Liveness
3% Instrumentalness • 14% Positiveness
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Zeph
Ways to Go
170 bpm • D Maj • 02:07 • -17db
45% Popularity • 53% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
45% Popularity • 53% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Daniel Leggs
stay in my dreams
170 bpm • A# Maj • 02:55 • -14.34db
34% Popularity • 39% Danceability • 32% Energy • 16% Liveness
87% Instrumentalness • 13% Positiveness
34% Popularity • 39% Danceability • 32% Energy • 16% Liveness
87% Instrumentalness • 13% Positiveness
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Roland Faunte
Lake
146 bpm • F# Maj • 04:56 • -9.32db
37% Popularity • 59% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
37% Popularity • 59% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Andrew Belle
Sky's Still Blue
172 bpm • F# min • 04:04 • -5.42db
48% Popularity • 43% Danceability • 79% Energy • 11% Liveness
2% Instrumentalness • 22% Positiveness
48% Popularity • 43% Danceability • 79% Energy • 11% Liveness
2% Instrumentalness • 22% Positiveness
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Georgi Krastev
Winter Morning
145 bpm • A Maj • 03:06 • -16.05db
29% Popularity • 50% Danceability • 24% Energy • 11% Liveness
91% Instrumentalness • 35% Positiveness
29% Popularity • 50% Danceability • 24% Energy • 11% Liveness
91% Instrumentalness • 35% Positiveness
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Portair
Afterglow
145 bpm • E min • 03:10 • -11.71db
40% Popularity • 35% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
40% Popularity • 35% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Conan Gray
Astronomy
145 bpm • E min • 04:03 • -8.57db
74% Popularity • 47% Danceability • 34% Energy • 30% Liveness
0% Instrumentalness • 15% Positiveness
74% Popularity • 47% Danceability • 34% Energy • 30% Liveness
0% Instrumentalness • 15% Positiveness
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Wasia Project
Is This What Love Is?
172 bpm • A min • 03:43 • -11.05db
59% Popularity • 44% Danceability • 62% Energy • 11% Liveness
60% Instrumentalness • 19% Positiveness
59% Popularity • 44% Danceability • 62% Energy • 11% Liveness
60% Instrumentalness • 19% Positiveness
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Henry Morris
Paradise
145 bpm • D Maj • 02:33 • -10.04db
53% Popularity • 52% Danceability • 56% Energy • 13% Liveness
94% Instrumentalness • 25% Positiveness
53% Popularity • 52% Danceability • 56% Energy • 13% Liveness
94% Instrumentalness • 25% Positiveness
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Edwin Raphael
Thinking About You
145 bpm • A Maj • 01:07 • -16db
64% Popularity • 36% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
64% Popularity • 36% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Stephen Sanchez
Emotional Vacation
145 bpm • B Maj • 03:31 • -7.82db
16% Popularity • 56% Danceability • 82% Energy • 33% Liveness
6% Instrumentalness • 58% Positiveness
16% Popularity • 56% Danceability • 82% Energy • 33% Liveness
6% Instrumentalness • 58% Positiveness
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Holden Miller
All I’ve Built
145 bpm • F Maj • 03:08 • -8db
44% Popularity • 66% Danceability • 69% Energy • 67% Liveness
1% Instrumentalness • 49% Positiveness
44% Popularity • 66% Danceability • 69% Energy • 67% Liveness
1% Instrumentalness • 49% Positiveness
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Patrick Watson
Sit Down Beside Me
145 bpm • D# min • 04:32 • -13.01db
52% Popularity • 31% Danceability • 33% Energy • 27% Liveness
58% Instrumentalness • 27% Positiveness
52% Popularity • 31% Danceability • 33% Energy • 27% Liveness
58% Instrumentalness • 27% Positiveness
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FINNEAS
Partners in Crime
173 bpm • G Maj • 03:43 • -12.71db
55% Popularity • 57% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
55% Popularity • 57% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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David Kushner
Mr. Forgettable
145 bpm • G# min • 03:07 • -9.23db
77% Popularity • 56% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
77% Popularity • 56% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
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Andrea Bejar
Sunlight
144 bpm • D Maj • 03:23 • -13.14db
41% Popularity • 31% Danceability • 22% Energy • 19% Liveness
0% Instrumentalness • 9% Positiveness
41% Popularity • 31% Danceability • 22% Energy • 19% Liveness
0% Instrumentalness • 9% Positiveness
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Luke Hemmings
Mum
144 bpm • D# Maj • 03:50 • -6.67db
53% Popularity • 33% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
53% Popularity • 33% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
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mehro
chance with you (Kina Remix)
144 bpm • C Maj • 03:15 • -10.95db
37% Popularity • 61% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
37% Popularity • 61% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Philip Brooks
spend some time alone inside my head
144 bpm • A Maj • 02:34 • -8.04db
42% Popularity • 49% Danceability • 63% Energy • 11% Liveness
8% Instrumentalness • 37% Positiveness
42% Popularity • 49% Danceability • 63% Energy • 11% Liveness
8% Instrumentalness • 37% Positiveness
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FINNEAS
Break My Heart Again
144 bpm • E min • 03:57 • -14.23db
69% Popularity • 40% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
69% Popularity • 40% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Novo Amor
Repeat Until Death
144 bpm • C# Maj • 03:54 • -11.74db
68% Popularity • 23% Danceability • 15% Energy • 15% Liveness
36% Instrumentalness • 9% Positiveness
68% Popularity • 23% Danceability • 15% Energy • 15% Liveness
36% Instrumentalness • 9% Positiveness
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Henry Morris
He Could Never Love You
174 bpm • D Maj • 03:35 • -10.93db
54% Popularity • 47% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
54% Popularity • 47% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Lonas
Quiver
143 bpm • E Maj • 04:11 • -11db
35% Popularity • 45% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
35% Popularity • 45% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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mehro
chance with you
144 bpm • E min • 03:35 • -8.13db
65% Popularity • 56% Danceability • 49% Energy • 15% Liveness
3% Instrumentalness • 38% Positiveness
65% Popularity • 56% Danceability • 49% Energy • 15% Liveness
3% Instrumentalness • 38% Positiveness
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Taylor Swift
The Smallest Man Who Ever Lived
142 bpm • A# Maj • 04:05 • -9db
80% Popularity • 48% Danceability • 41% Energy • 34% Liveness
0% Instrumentalness • 30% Positiveness
80% Popularity • 48% Danceability • 41% Energy • 34% Liveness
0% Instrumentalness • 30% Positiveness
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Matilda Mann
February
175 bpm • E Maj • 02:29 • -11.3db
42% Popularity • 31% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
42% Popularity • 31% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Novo Amor
Weather
144 bpm • F# Maj • 03:52 • -13.55db
60% Popularity • 53% Danceability • 24% Energy • 11% Liveness
4% Instrumentalness • 11% Positiveness
60% Popularity • 53% Danceability • 24% Energy • 11% Liveness
4% Instrumentalness • 11% Positiveness
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Tom Rosenthal
To You Alone
142 bpm • E min • 02:43 • -17db
56% Popularity • 63% Danceability • 31% Energy • 10% Liveness
88% Instrumentalness • 33% Positiveness
56% Popularity • 63% Danceability • 31% Energy • 10% Liveness
88% Instrumentalness • 33% Positiveness
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Aquilo
Just Asking
177 bpm • A min • 02:29 • -11db
46% Popularity • 27% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
46% Popularity • 27% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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mehro
the same
144 bpm • F min • 03:24 • -11db
51% Popularity • 58% Danceability • 50% Energy • 10% Liveness
18% Instrumentalness • 31% Positiveness
51% Popularity • 58% Danceability • 50% Energy • 10% Liveness
18% Instrumentalness • 31% Positiveness
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Cigarettes After Sex
Falling In Love
141 bpm • G Maj • 04:05 • -11.65db
74% Popularity • 47% Danceability • 27% Energy • 12% Liveness
2% Instrumentalness • 37% Positiveness
74% Popularity • 47% Danceability • 27% Energy • 12% Liveness
2% Instrumentalness • 37% Positiveness
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Hayd
Burning Out
140 bpm • G Maj • 03:51 • -9.03db
44% Popularity • 53% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
44% Popularity • 53% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Portair
Alaska
140 bpm • G min • 03:22 • -8.29db
38% Popularity • 37% Danceability • 39% Energy • 20% Liveness
0% Instrumentalness • 25% Positiveness
38% Popularity • 37% Danceability • 39% Energy • 20% Liveness
0% Instrumentalness • 25% Positiveness
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Novo Amor
Lucky for You
178 bpm • A# Maj • 02:16 • -12.16db
63% Popularity • 53% Danceability • 31% Energy • 10% Liveness
51% Instrumentalness • 73% Positiveness
63% Popularity • 53% Danceability • 31% Energy • 10% Liveness
51% Instrumentalness • 73% Positiveness
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Billie Eilish
TV
140 bpm • E min • 04:41 • -15.16db
83% Popularity • 41% Danceability • 24% Energy • 15% Liveness
1% Instrumentalness • 12% Positiveness
83% Popularity • 41% Danceability • 24% Energy • 15% Liveness
1% Instrumentalness • 12% Positiveness
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Tom Rosenthal
Have We Met Before?
140 bpm • G# Maj • 02:39 • -19db
52% Popularity • 49% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 25% Positiveness
52% Popularity • 49% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 25% Positiveness
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Lissom
Daylight
140 bpm • E Maj • 03:16 • -18db
51% Popularity • 37% Danceability • 9% Energy • 9% Liveness
3% Instrumentalness • 14% Positiveness
51% Popularity • 37% Danceability • 9% Energy • 9% Liveness
3% Instrumentalness • 14% Positiveness
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Zeph
how the hell did we end up here?
140 bpm • A# min • 01:25 • -9.8db
45% Popularity • 71% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
45% Popularity • 71% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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Sky McCreery
Loser
140 bpm • C# min • 02:06 • -7.39db
41% Popularity • 75% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
41% Popularity • 75% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
