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Pride
Songs like
Pride
by
Martin SjÖstedt
Based on a tempo of (+/- 10%) and a similar genre
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Eric Legnini Trio
Sugar Ray
122 bpm • F min • 03:46 • -14.56db
14% Popularity • 53% Danceability • 43% Energy • 26% Liveness
91% Instrumentalness • 57% Positiveness
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Peter Martin
That's What's Up
122 bpm • D min • 05:36 • -9.47db
14% Popularity • 63% Danceability • 41% Energy • 59% Liveness
1% Instrumentalness • 36% Positiveness
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Sultan Stevenson
To Be Seen
122 bpm • F min • 09:34 • -17.9db
8% Popularity • 47% Danceability • 18% Energy • 12% Liveness
91% Instrumentalness • 12% Positiveness
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Jessica Williams
Up The Entropy Slope
122 bpm • B min • 03:30 • -12.52db
17% Popularity • 57% Danceability • 43% Energy • 2% Liveness
21% Instrumentalness • 63% Positiveness
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Henning Ullén
Dragging
122 bpm • G Maj • 04:58 • -12.13db
14% Popularity • 47% Danceability • 39% Energy • 24% Liveness
18% Instrumentalness • 26% Positiveness
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Fredrik Lindborg
Merlin
122 bpm • G# Maj • 07:22 • -16.37db
1% Popularity • 35% Danceability • 9% Energy • 12% Liveness
24% Instrumentalness • 22% Positiveness
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Martin SjÖstedt
Pride
122 bpm • D# min • 10:02 • -7.69db
0% Popularity • 37% Danceability • 56% Energy • 7% Liveness
3% Instrumentalness • 41% Positiveness
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Alex Brown
24-7
121 bpm • G min • 05:29 • -11.33db
7% Popularity • 48% Danceability • 63% Energy • 10% Liveness
82% Instrumentalness • 47% Positiveness
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Nick Finzer
That Thing
123 bpm • C Maj • 04:39 • -12.96db
9% Popularity • 49% Danceability • 49% Energy • 14% Liveness
81% Instrumentalness • 46% Positiveness
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Noah Haidu
Days Of Wine And Roses
123 bpm • F Maj • 07:49 • -17.37db
21% Popularity • 59% Danceability • 28% Energy • 14% Liveness
43% Instrumentalness • 34% Positiveness
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Amanda Sedgwick
Rue Hamra
123 bpm • C min • 05:22 • -12.21db
0% Popularity • 61% Danceability • 27% Energy • 12% Liveness
67% Instrumentalness • 29% Positiveness
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Diego Rivera
Lovely
121 bpm • F Maj • 03:56 • -7.75db
9% Popularity • 61% Danceability • 53% Energy • 8% Liveness
78% Instrumentalness • 82% Positiveness
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Peter Hermesdorf Quartet
Chasse
121 bpm • C Maj • 05:20 • -9.04db
11% Popularity • 49% Danceability • 53% Energy • 11% Liveness
81% Instrumentalness • 64% Positiveness
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Christian Galvez
PURE
121 bpm • E min • 08:53 • -13.17db
11% Popularity • 45% Danceability • 41% Energy • 37% Liveness
53% Instrumentalness • 26% Positiveness
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Lynne Arriale Trio
Joy
123 bpm • A# Maj • 04:13 • -15.8db
19% Popularity • 51% Danceability • 41% Energy • 11% Liveness
90% Instrumentalness • 66% Positiveness
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Mike Clark
Morning Become Electra
123 bpm • F min • 07:06 • -11.34db
12% Popularity • 47% Danceability • 52% Energy • 5% Liveness
4% Instrumentalness • 54% Positiveness
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Flash Pig
Age of Bloom
123 bpm • E min • 03:14 • -14.78db
11% Popularity • 42% Danceability • 42% Energy • 10% Liveness
75% Instrumentalness • 52% Positiveness
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Brandon Sanders
Compton's Finest
121 bpm • A# min • 05:10 • -12.17db
10% Popularity • 73% Danceability • 33% Energy • 7% Liveness
12% Instrumentalness • 36% Positiveness
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Anders Bergcrantz
Maple Syrup
123 bpm • G min • 06:21 • -14.41db
10% Popularity • 53% Danceability • 30% Energy • 10% Liveness
28% Instrumentalness • 41% Positiveness
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Cheesy Jazzdaddy
Be by My Side
121 bpm • F Maj • 01:36 • -20.2db
10% Popularity • 57% Danceability • 12% Energy • 21% Liveness
90% Instrumentalness • 35% Positiveness
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Summer Camargo
Splanky
123 bpm • C# Maj • 08:27 • -9.88db
13% Popularity • 66% Danceability • 32% Energy • 11% Liveness
10% Instrumentalness • 44% Positiveness
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Sweet Lu Olutosin
Sweet Lu_ Olutosin-Sister Sadie's Blues ...
123 bpm • C# Maj • 04:47 • -9.7db
28% Popularity • 61% Danceability • 34% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
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Martin SjÖstedt
Intervals
121 bpm • A# min • 09:32 • -14.92db
2% Popularity • 45% Danceability • 25% Energy • 8% Liveness
86% Instrumentalness • 22% Positiveness
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The Dam Jawn
Master Street
120 bpm • F min • 06:09 • -10.45db
12% Popularity • 56% Danceability • 40% Energy • 7% Liveness
2% Instrumentalness • 28% Positiveness
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Giuffre Zone
Emphasis
120 bpm • C# Maj • 04:29 • -17.31db
14% Popularity • 52% Danceability • 16% Energy • 60% Liveness
40% Instrumentalness • 8% Positiveness
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Kaira
In Memory of KG
120 bpm • A min • 05:01 • -13.72db
17% Popularity • 60% Danceability • 38% Energy • 12% Liveness
90% Instrumentalness • 47% Positiveness
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Ova Wunsch
Tempus
120 bpm • G# Maj • 05:29 • -9.6db
23% Popularity • 65% Danceability • 39% Energy • 8% Liveness
88% Instrumentalness • 64% Positiveness
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Pancho Molina
Bedstuy Facilities
124 bpm • A min • 05:28 • -15.28db
9% Popularity • 66% Danceability • 23% Energy • 11% Liveness
88% Instrumentalness • 33% Positiveness
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Elena Jazz
Harmonies in Freedom
120 bpm • C min • 01:30 • -10.1db
30% Popularity • 63% Danceability • 47% Energy • 8% Liveness
22% Instrumentalness • 59% Positiveness
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Michel Camilo
Aranjuez: 1. Allegro Con Spirito
124 bpm • G Maj • 05:58 • -12.92db
9% Popularity • 59% Danceability • 36% Energy • 8% Liveness
85% Instrumentalness • 60% Positiveness
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Martin SjÖstedt
What Now?
120 bpm • F min • 07:55 • -9.96db
0% Popularity • 57% Danceability • 39% Energy • 10% Liveness
91% Instrumentalness • 42% Positiveness
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John Hogman
Another Lonely Friday
120 bpm • A# min • 07:19 • -12.06db
0% Popularity • 73% Danceability • 59% Energy • 9% Liveness
79% Instrumentalness • 48% Positiveness
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Francesca Tandoi
Tin tin deo
120 bpm • C# Maj • 06:10 • -15.27db
9% Popularity • 44% Danceability • 44% Energy • 13% Liveness
81% Instrumentalness • 55% Positiveness
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Marco Vezzoso
A Me Me Piace O Blues
120 bpm • D min • 03:57 • -11.18db
24% Popularity • 70% Danceability • 23% Energy • 6% Liveness
86% Instrumentalness • 31% Positiveness
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Lawrence Fields
Vision
124 bpm • F Maj • 06:38 • -12.43db
9% Popularity • 42% Danceability • 44% Energy • 8% Liveness
90% Instrumentalness • 26% Positiveness
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Cory Weeds
Power Station
120 bpm • D min • 05:06 • -9.39db
8% Popularity • 50% Danceability • 48% Energy • 17% Liveness
73% Instrumentalness • 49% Positiveness
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Erlend Skomsvoll Trio
Ambivertilismer
124 bpm • F min • 06:19 • -19.1db
9% Popularity • 75% Danceability • 22% Energy • 11% Liveness
91% Instrumentalness • 73% Positiveness
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David Whitman
Strapped
124 bpm • G# Maj • 04:11 • -7.3db
19% Popularity • 52% Danceability • 56% Energy • 9% Liveness
92% Instrumentalness • 57% Positiveness
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Gabriel Latchin Trio
O Mito
124 bpm • C# Maj • 04:41 • -13.36db
8% Popularity • 53% Danceability • 38% Energy • 9% Liveness
89% Instrumentalness • 61% Positiveness
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Joe Locascio
Salience
120 bpm • F min • 04:42 • -15.03db
17% Popularity • 45% Danceability • 33% Energy • 7% Liveness
80% Instrumentalness • 22% Positiveness
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Erik Söderlind
Flamman
125 bpm • G Maj • 04:28 • -8.58db
1% Popularity • 63% Danceability • 52% Energy • 32% Liveness
82% Instrumentalness • 46% Positiveness
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Coffee Shop Jazz
Morning Jazz
125 bpm • A min • 01:41 • -18.21db
12% Popularity • 59% Danceability • 18% Energy • 16% Liveness
75% Instrumentalness • 19% Positiveness
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Piper Williamson
Never Again
119 bpm • G# Maj • 03:20 • -16.52db
41% Popularity • 54% Danceability • 14% Energy • 12% Liveness
11% Instrumentalness • 18% Positiveness
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Petter Wettre
L'appel du Vide
119 bpm • G min • 06:44 • -8.81db
8% Popularity • 49% Danceability • 43% Energy • 9% Liveness
9% Instrumentalness • 45% Positiveness
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John Hogman
Lament
125 bpm • C Maj • 06:01 • -15.57db
0% Popularity • 49% Danceability • 13% Energy • 9% Liveness
90% Instrumentalness • 10% Positiveness
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Martin SjÖstedt
Tengtones
119 bpm • B min • 07:55 • -14.95db
1% Popularity • 45% Danceability • 23% Energy • 15% Liveness
94% Instrumentalness • 22% Positiveness
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David Whitman
Nees Plees
119 bpm • D# Maj • 05:37 • -6.58db
12% Popularity • 47% Danceability • 62% Energy • 16% Liveness
85% Instrumentalness • 64% Positiveness
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Bruce Forman Trio
On the Street Where You Live
119 bpm • A Maj • 05:40 • -17.9db
8% Popularity • 62% Danceability • 17% Energy • 10% Liveness
65% Instrumentalness • 16% Positiveness
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Susanne Alt
Bel Air Bop
119 bpm • D min • 05:34 • -8db
9% Popularity • 51% Danceability • 70% Energy • 23% Liveness
34% Instrumentalness • 42% Positiveness
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Keller-Lammen Quintet
Foggy
119 bpm • F min • 05:30 • -12.82db
12% Popularity • 48% Danceability • 26% Energy • 15% Liveness
3% Instrumentalness • 16% Positiveness
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Mandevilla
Pat Martino
126 bpm • F min • 04:12 • -12.63db
37% Popularity • 67% Danceability • 19% Energy • 19% Liveness
89% Instrumentalness • 57% Positiveness
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Shuteen Erdenebaatar
Saudade
118 bpm • C min • 07:28 • -12.83db
13% Popularity • 50% Danceability • 19% Energy • 11% Liveness
52% Instrumentalness • 18% Positiveness
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Juraj Stanik Trio
Chasin' Joe
118 bpm • C Maj • 03:36 • -15.29db
11% Popularity • 43% Danceability • 50% Energy • 19% Liveness
74% Instrumentalness • 51% Positiveness
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Bob Salmieri Bastarduna Quintet
Tabarin Olimpo (Instr. Vers)
126 bpm • D min • 03:15 • -10.28db
17% Popularity • 62% Danceability • 41% Energy • 33% Liveness
2% Instrumentalness • 41% Positiveness
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Baptiste Herbin
Vista Chinesa
118 bpm • F min • 07:03 • -6.14db
14% Popularity • 47% Danceability • 74% Energy • 22% Liveness
82% Instrumentalness • 36% Positiveness
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Jazzagenturen
They say it's spring
118 bpm • F min • 06:56 • -10.21db
11% Popularity • 61% Danceability • 36% Energy • 12% Liveness
8% Instrumentalness • 33% Positiveness
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The Mill Basin Band
Shaken Not Stirred - Sax Mix
118 bpm • A min • 02:19 • -9.36db
19% Popularity • 82% Danceability • 31% Energy • 10% Liveness
16% Instrumentalness • 51% Positiveness
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Tal Blumstein Trio
Sunday Morning
118 bpm • F min • 06:35 • -10.85db
7% Popularity • 52% Danceability • 53% Energy • 9% Liveness
52% Instrumentalness • 66% Positiveness
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Ellister van der Molen
Funky Burger
126 bpm • C# Maj • 03:50 • -7.84db
18% Popularity • 54% Danceability • 49% Energy • 6% Liveness
60% Instrumentalness • 47% Positiveness
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Håkan Broström
Time After Time
127 bpm • G# Maj • 03:22 • -14.17db
15% Popularity • 45% Danceability • 34% Energy • 11% Liveness
94% Instrumentalness • 47% Positiveness
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Jeppe Zacho
Selfexpress
118 bpm • G# Maj • 06:50 • -10.73db
13% Popularity • 44% Danceability • 64% Energy • 32% Liveness
82% Instrumentalness • 60% Positiveness
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Fredrik Lindborg
Decent Eye´s
127 bpm • G min • 05:13 • -19.35db
0% Popularity • 46% Danceability • 7% Energy • 14% Liveness
83% Instrumentalness • 37% Positiveness
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LSD (Lindborg/Sjöstedt/Daniel)
Jag Vill Vara Din Margareta
117 bpm • A# min • 04:17 • -14.69db
1% Popularity • 55% Danceability • 30% Energy • 10% Liveness
52% Instrumentalness • 56% Positiveness
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Holger Marjamaa
Holger's Tune
127 bpm • D# Maj • 03:35 • -10.45db
9% Popularity • 39% Danceability • 63% Energy • 12% Liveness
91% Instrumentalness • 56% Positiveness
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Makoto Ozone
The Park Hopper
117 bpm • D Maj • 06:27 • -13.33db
14% Popularity • 60% Danceability • 34% Energy • 10% Liveness
2% Instrumentalness • 72% Positiveness
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Hara Noda
Out
117 bpm • D# Maj • 04:19 • -8.44db
12% Popularity • 44% Danceability • 55% Energy • 10% Liveness
36% Instrumentalness • 31% Positiveness
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Double Bass Jazz
Pensativa Double Jazz
127 bpm • G# Maj • 02:12 • -26.75db
20% Popularity • 78% Danceability • 12% Energy • 12% Liveness
87% Instrumentalness • 66% Positiveness
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Triogram
Esau
117 bpm • C# Maj • 06:44 • -13.42db
14% Popularity • 48% Danceability • 38% Energy • 11% Liveness
91% Instrumentalness • 32% Positiveness
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Sadao Watanabe
ホワイル・ユーアー・アウェ�...
117 bpm • A# min • 04:40 • -10.63db
14% Popularity • 45% Danceability • 43% Energy • 12% Liveness
19% Instrumentalness • 46% Positiveness
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Johan Högman
Night and Day
117 bpm • G# Maj • 07:11 • -14.9db
0% Popularity • 52% Danceability • 39% Energy • 11% Liveness
38% Instrumentalness • 49% Positiveness
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Carl Bagge
Norwegian Wood (This Bird Has Flown)
127 bpm • F min • 05:38 • -12.99db
18% Popularity • 36% Danceability • 43% Energy • 8% Liveness
79% Instrumentalness • 51% Positiveness
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Gathering in Jazz
Spanish Breeze
128 bpm • A Maj • 03:58 • -12.35db
21% Popularity • 46% Danceability • 36% Energy • 9% Liveness
59% Instrumentalness • 23% Positiveness
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Erik Söderlind
Close Your Eyes
128 bpm • G Maj • 06:42 • -11.26db
3% Popularity • 59% Danceability • 42% Energy • 11% Liveness
92% Instrumentalness • 44% Positiveness
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Jan Harbeck Quartet
The Enchanter
116 bpm • G min • 04:47 • -15.79db
11% Popularity • 68% Danceability • 33% Energy • 11% Liveness
93% Instrumentalness • 46% Positiveness
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Fulsome X
Second Heaven
117 bpm • G Maj • 07:22 • -18.04db
7% Popularity • 61% Danceability • 4% Energy • 70% Liveness
73% Instrumentalness • 22% Positiveness
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Joe Alterman
Gone On and Get That Church
116 bpm • C Maj • 03:07 • -13.31db
11% Popularity • 61% Danceability • 46% Energy • 12% Liveness
87% Instrumentalness • 51% Positiveness
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Noah Haidu
Obsesión
116 bpm • D min • 08:42 • -16.88db
16% Popularity • 60% Danceability • 31% Energy • 10% Liveness
78% Instrumentalness • 50% Positiveness
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John Hogman
Frozen Dreams
128 bpm • A# min • 05:23 • -19.13db
0% Popularity • 53% Danceability • 19% Energy • 10% Liveness
34% Instrumentalness • 26% Positiveness
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Scott Colley
Leisureman Blues
128 bpm • G min • 04:08 • -11.37db
14% Popularity • 71% Danceability • 15% Energy • 12% Liveness
90% Instrumentalness • 36% Positiveness
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Cory Weeds
Blossoms In May
116 bpm • A min • 06:02 • -11.92db
8% Popularity • 38% Danceability • 21% Energy • 31% Liveness
82% Instrumentalness • 15% Positiveness
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Max Schultz
Sjösteds tolva
116 bpm • C# min • 04:45 • -14.82db
0% Popularity • 41% Danceability • 23% Energy • 10% Liveness
87% Instrumentalness • 9% Positiveness
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Se4sons
Pu Jazz
128 bpm • F# Maj • 04:11 • -10.13db
8% Popularity • 50% Danceability • 50% Energy • 34% Liveness
84% Instrumentalness • 51% Positiveness
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Doctor 3
Il tempo di morire
116 bpm • C min • 03:26 • -12.82db
19% Popularity • 55% Danceability • 40% Energy • 11% Liveness
93% Instrumentalness • 74% Positiveness
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Gathering in Jazz
Blakey
128 bpm • F min • 03:09 • -11.23db
24% Popularity • 72% Danceability • 25% Energy • 12% Liveness
26% Instrumentalness • 54% Positiveness
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Helen Sung
A Grand Night for Swinging - Intermissio...
116 bpm • G# Maj • 01:08 • -12.46db
17% Popularity • 55% Danceability • 46% Energy • 35% Liveness
35% Instrumentalness • 59% Positiveness
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David Whitman
Ode To Joe
116 bpm • D# Maj • 03:59 • -5.31db
10% Popularity • 51% Danceability • 73% Energy • 19% Liveness
44% Instrumentalness • 44% Positiveness
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Douglas Brown
The Last Thing I Heard Was a Bb
116 bpm • F min • 05:06 • -14.42db
11% Popularity • 46% Danceability • 40% Energy • 9% Liveness
88% Instrumentalness • 64% Positiveness
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Dayna Stephens
ESP
129 bpm • G min • 05:51 • -9.74db
14% Popularity • 46% Danceability • 46% Energy • 10% Liveness
23% Instrumentalness • 44% Positiveness
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Diego Rivera
Song Of The Underground Railroad
129 bpm • B min • 05:16 • -9.69db
8% Popularity • 38% Danceability • 77% Energy • 13% Liveness
51% Instrumentalness • 71% Positiveness
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William Carter Band
Sandu
129 bpm • D# min • 02:44 • -13.96db
19% Popularity • 60% Danceability • 35% Energy • 11% Liveness
91% Instrumentalness • 47% Positiveness
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Jordan Vanhemert
Blues for JT
115 bpm • C# Maj • 06:23 • -9.71db
7% Popularity • 61% Danceability • 57% Energy • 6% Liveness
66% Instrumentalness • 92% Positiveness
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Florian Fleischer
Norway on My Mind
115 bpm • D Maj • 05:40 • -26.32db
19% Popularity • 60% Danceability • 4% Energy • 10% Liveness
41% Instrumentalness • 30% Positiveness
► Preview
Erik Söderlind
The Nearness of You
115 bpm • F Maj • 05:27 • -18.68db
5% Popularity • 43% Danceability • 14% Energy • 11% Liveness
93% Instrumentalness • 14% Positiveness
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Jeff Hamilton
Catch Me If You Can
115 bpm • G Maj • 05:39 • -18db
12% Popularity • 50% Danceability • 26% Energy • 7% Liveness
93% Instrumentalness • 68% Positiveness
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Kari Antila
Wild Rooster
129 bpm • G min • 06:20 • -12.21db
10% Popularity • 52% Danceability • 42% Energy • 11% Liveness
92% Instrumentalness • 34% Positiveness
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Dayna Stephens
A New Spring
115 bpm • A Maj • 04:06 • -14.28db
13% Popularity • 34% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Sadao Watanabe
バタフライ
115 bpm • F Maj • 06:37 • -11.49db
16% Popularity • 48% Danceability • 50% Energy • 71% Liveness
23% Instrumentalness • 51% Positiveness
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LEX STONE
It's so easy to love you.
129 bpm • C# Maj • 02:14 • -15.5db
11% Popularity • 72% Danceability • 34% Energy • 12% Liveness
90% Instrumentalness • 38% Positiveness
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Martin SjÖstedt
Donna Lee
129 bpm • C# Maj • 06:51 • -12.74db
2% Popularity • 51% Danceability • 37% Energy • 4% Liveness
77% Instrumentalness • 50% Positiveness
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The Beginners
Fyra
115 bpm • A# min • 04:44 • -11.01db
0% Popularity • 52% Danceability • 49% Energy • 11% Liveness
26% Instrumentalness • 52% Positiveness
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Pride