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Prince Naberious
Songs like
Prince Naberious
by
Johnny Klimek
Based on a tempo of (+/- 10%) and a similar genre
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Nicholas Britell
Minuet in B Minor
141 bpm • C Maj • 01:37 • -14db
44% Popularity • 54% Danceability • 20% Energy • 9% Liveness
87% Instrumentalness • 3% Positiveness
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Johnny Klimek
Why Are You Here?
141 bpm • G min • 01:30 • -24.41db
3% Popularity • 61% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
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Angelo Badalamenti
First Love Touch
140 bpm • F Maj • 03:54 • -15.35db
14% Popularity • 14% Danceability • 15% Energy • 47% Liveness
83% Instrumentalness • 3% Positiveness
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Alan Silvestri
Physical State of the Stars
140 bpm • G min • 03:18 • -23.27db
23% Popularity • 22% Danceability • 8% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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David Buckley
Hitting the Fan
140 bpm • A min • 04:15 • -17db
17% Popularity • 74% Danceability • 34% Energy • 12% Liveness
93% Instrumentalness • 49% Positiveness
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Craig Armstrong
All Lit Up
140 bpm • G Maj • 02:22 • -25.52db
25% Popularity • 29% Danceability • 10% Energy • 11% Liveness
37% Instrumentalness • 8% Positiveness
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Nicholas Britell
Clarinets and Strings
140 bpm • C Maj • 01:07 • -23db
43% Popularity • 32% Danceability • 7% Energy • 20% Liveness
88% Instrumentalness • 4% Positiveness
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Jean-Pierre Taïeb
Theme from "The Divide"
140 bpm • F min • 02:00 • -31.39db
27% Popularity • 42% Danceability • 4% Energy • 12% Liveness
94% Instrumentalness • 7% Positiveness
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Alphaville
Wishful Thinking (Mars Attax Mix) - 2023...
140 bpm • E min • 06:55 • -10.19db
4% Popularity • 60% Danceability • 89% Energy • 14% Liveness
50% Instrumentalness • 72% Positiveness
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Ilan Eshkeri
Reliquary: 1. Cantus Firmus - For Burber...
140 bpm • C Maj • 04:12 • -16db
19% Popularity • 47% Danceability • 25% Energy • 10% Liveness
85% Instrumentalness • 53% Positiveness
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Don Davis
Welcome To The Real World
142 bpm • C min • 02:28 • -31.07db
26% Popularity • 14% Danceability • 2% Energy • 8% Liveness
47% Instrumentalness • 4% Positiveness
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Steven Price
The Lions Theme
140 bpm • C# min • 04:40 • -18.84db
26% Popularity • 34% Danceability • 25% Energy • 11% Liveness
85% Instrumentalness • 10% Positiveness
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Bear McCreary
The Shape of Things to Come
140 bpm • A Maj • 02:55 • -13db
27% Popularity • 16% Danceability • 34% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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Ingo Ludwig Frenzel
Main Theme Title Sequence (Bonus Track)
140 bpm • F Maj • 02:05 • -21.47db
11% Popularity • 19% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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Michael Giacchino
Super 8 Suite
139 bpm • F Maj • 05:54 • -16.38db
21% Popularity • 16% Danceability • 12% Energy • 40% Liveness
81% Instrumentalness • 4% Positiveness
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Johannes Lehniger
Runaway
139 bpm • A Maj • 01:55 • -18.57db
35% Popularity • 31% Danceability • 15% Energy • 6% Liveness
70% Instrumentalness • 4% Positiveness
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Angelo Badalamenti
A Very Long Engagement (Une Long Dimanch...
139 bpm • A min • 04:31 • -17db
14% Popularity • 16% Danceability • 15% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Adrian Johnston
Brideshead Revisited: No. 14, Desire
139 bpm • D min • 02:02 • -19.88db
13% Popularity • 29% Danceability • 19% Energy • 11% Liveness
88% Instrumentalness • 16% Positiveness
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Dario Marianelli
With My Own Eyes
139 bpm • D Maj • 04:40 • -19.93db
37% Popularity • 28% Danceability • 10% Energy • 22% Liveness
90% Instrumentalness • 6% Positiveness
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Mychael Danna
The Second Story
138 bpm • E min • 04:02 • -33db
24% Popularity • 15% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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Michael Giacchino
Oceanic 815
139 bpm • C Maj • 06:11 • -29.64db
25% Popularity • 14% Danceability • 5% Energy • 12% Liveness
58% Instrumentalness • 3% Positiveness
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Heather McIntosh
Compliance Theme
138 bpm • G min • 02:35 • -13.93db
15% Popularity • 53% Danceability • 31% Energy • 12% Liveness
87% Instrumentalness • 7% Positiveness
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Peter Gregson
A Little Chaos
138 bpm • D# Maj • 05:37 • -15.01db
46% Popularity • 45% Danceability • 22% Energy • 8% Liveness
84% Instrumentalness • 9% Positiveness
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Steve Jablonsky
The Battle Room
138 bpm • G min • 03:03 • -17db
43% Popularity • 38% Danceability • 31% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Dario Marianelli
District Line, East, One Stop.
144 bpm • E min • 03:52 • -21.27db
21% Popularity • 17% Danceability • 4% Energy • 6% Liveness
96% Instrumentalness • 8% Positiveness
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Johnny Klimek
Armee der Schatten
138 bpm • D# Maj • 03:28 • -13.33db
16% Popularity • 16% Danceability • 36% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
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Ilan Eshkeri
Mika And Kai
138 bpm • D min • 02:45 • -27.63db
48% Popularity • 15% Danceability • 3% Energy • 6% Liveness
73% Instrumentalness • 4% Positiveness
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Éric Serra
Leeloo
137 bpm • C# Maj • 04:55 • -23.53db
27% Popularity • 15% Danceability • 8% Energy • 11% Liveness
76% Instrumentalness • 4% Positiveness
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Peter Gregson
The Music Comes From the Heavens
138 bpm • A# Maj • 03:24 • -21.35db
23% Popularity • 17% Danceability • 6% Energy • 11% Liveness
62% Instrumentalness • 4% Positiveness
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Trevor Rabin
I Am The Clock (12 Monkeys Suite)
145 bpm • D min • 04:44 • -18db
22% Popularity • 47% Danceability • 30% Energy • 8% Liveness
47% Instrumentalness • 9% Positiveness
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Thomas Ross Fitzsimons
Apocalypse Practice
137 bpm • D Maj • 02:22 • -13.75db
30% Popularity • 54% Danceability • 58% Energy • 10% Liveness
96% Instrumentalness • 43% Positiveness
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Johnny Klimek
Hetzjagd
137 bpm • G Maj • 02:23 • -13.47db
19% Popularity • 62% Danceability • 76% Energy • 6% Liveness
92% Instrumentalness • 80% Positiveness
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Ólafur Arnalds
Suspects
145 bpm • D# min • 02:46 • -14.8db
26% Popularity • 19% Danceability • 30% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Rupert Gregson-Williams
Where Does That Leave Me?
136 bpm • D min • 01:39 • -23.21db
45% Popularity • 29% Danceability • 6% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Klaus Badelt
Professor Alexander Hartdegen
137 bpm • A min • 03:26 • -17db
30% Popularity • 27% Danceability • 22% Energy • 24% Liveness
52% Instrumentalness • 16% Positiveness
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Don Davis
Main Title / Trinity Infinity
136 bpm • E min • 03:54 • -18.01db
37% Popularity • 16% Danceability • 48% Energy • 17% Liveness
5% Instrumentalness • 4% Positiveness
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Marc Streitenfeld
Writing the Letter
136 bpm • C Maj • 02:00 • -25.14db
31% Popularity • 20% Danceability • 22% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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Mychael Danna
On Its Head
135 bpm • D# Maj • 01:34 • -18.36db
38% Popularity • 51% Danceability • 25% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
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Steven Price
Don't Let Go
135 bpm • G# min • 11:11 • -19.72db
23% Popularity • 16% Danceability • 17% Energy • 12% Liveness
94% Instrumentalness • 3% Positiveness
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Carter Burwell
The Little Dead Boy
135 bpm • A min • 01:46 • -21.63db
23% Popularity • 18% Danceability • 6% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Nicholas Britell
Hymn - Mvmt 3: Elegy
135 bpm • G min • 02:46 • -20.27db
40% Popularity • 15% Danceability • 14% Energy • 8% Liveness
98% Instrumentalness • 3% Positiveness
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Jan A.P. Kaczmarek
Forgotten Overture - Finding Neverland/S...
135 bpm • A min • 03:31 • -19.03db
24% Popularity • 42% Danceability • 11% Energy • 6% Liveness
87% Instrumentalness • 12% Positiveness
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Clinton Shorter
District 9
135 bpm • C min • 06:28 • -13.04db
30% Popularity • 18% Danceability • 32% Energy • 13% Liveness
87% Instrumentalness • 6% Positiveness
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Éric Serra
A Bird In New York
148 bpm • G# Maj • 01:20 • -11.77db
29% Popularity • 16% Danceability • 30% Energy • 11% Liveness
66% Instrumentalness • 7% Positiveness
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Christopher Willis
My Own Story
134 bpm • A min • 01:46 • -14.87db
19% Popularity • 44% Danceability • 44% Energy • 6% Liveness
87% Instrumentalness • 11% Positiveness
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Johnny Klimek
My Dream Ended Here
134 bpm • F min • 03:13 • -14.32db
23% Popularity • 16% Danceability • 26% Energy • 6% Liveness
85% Instrumentalness • 4% Positiveness
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Angelo Milli
Seven Pounds
149 bpm • D min • 01:37 • -35.06db
27% Popularity • 44% Danceability • 0% Energy • 6% Liveness
95% Instrumentalness • 24% Positiveness
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Jeff Beal
More Courage
149 bpm • E min • 03:12 • -20.84db
16% Popularity • 12% Danceability • 18% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
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Mychael Danna
More
150 bpm • F Maj • 01:37 • -22db
40% Popularity • 61% Danceability • 14% Energy • 13% Liveness
95% Instrumentalness • 44% Positiveness
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Nicholas Britell
Antiphon
150 bpm • C min • 02:16 • -18.8db
45% Popularity • 49% Danceability • 37% Energy • 10% Liveness
81% Instrumentalness • 7% Positiveness
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Iva Davies
The Far Side of the World
132 bpm • C Maj • 09:19 • -19db
30% Popularity • 26% Danceability • 27% Energy • 25% Liveness
89% Instrumentalness • 13% Positiveness
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Marcel Dettmann
My Dream Ended Here - Marcel Dettmann Re...
133 bpm • F min • 06:15 • -17.19db
16% Popularity • 38% Danceability • 47% Energy • 15% Liveness
93% Instrumentalness • 45% Positiveness
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Johnny Klimek
Eine Frau in Berlin
133 bpm • F Maj • 03:48 • -11.93db
20% Popularity • 52% Danceability • 67% Energy • 7% Liveness
95% Instrumentalness • 33% Positiveness
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Amie Doherty
A Life Without Limitations
132 bpm • C# Maj • 01:15 • -14db
38% Popularity • 31% Danceability • 16% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Steve Jablonsky
My Name Is Lincoln
132 bpm • C Maj • 03:42 • -18.04db
54% Popularity • 16% Danceability • 40% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
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Clint Eastwood
Theme from Mystic River
131 bpm • F Maj • 05:03 • -25.89db
28% Popularity • 17% Danceability • 5% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
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Nicholas Britell
Succession - End Title Theme - Piano and...
131 bpm • C min • 01:29 • -15db
42% Popularity • 45% Danceability • 12% Energy • 12% Liveness
79% Instrumentalness • 16% Positiveness
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Henry Jackman
Safe Now
130 bpm • D min • 03:12 • -21db
45% Popularity • 16% Danceability • 1% Energy • 8% Liveness
81% Instrumentalness • 3% Positiveness
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Johnny Klimek
It's in My Mind
150 bpm • A# min • 04:21 • -13.68db
13% Popularity • 32% Danceability • 61% Energy • 10% Liveness
70% Instrumentalness • 9% Positiveness
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Ilan Eshkeri
Centurion
130 bpm • E min • 03:05 • -21db
44% Popularity • 30% Danceability • 22% Energy • 10% Liveness
73% Instrumentalness • 12% Positiveness
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Jamin Winans
Who You Were
130 bpm • A min • 03:02 • -19.31db
25% Popularity • 59% Danceability • 10% Energy • 12% Liveness
86% Instrumentalness • 16% Positiveness
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Michael Price
Status Symbols
130 bpm • D min • 02:33 • -20.13db
22% Popularity • 24% Danceability • 31% Energy • 11% Liveness
88% Instrumentalness • 11% Positiveness
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Clinton Shorter
Prawnkus
130 bpm • G# Maj • 04:00 • -22db
36% Popularity • 16% Danceability • 9% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
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Alan Silvestri
Two Loves
129 bpm • G min • 03:19 • -28.85db
21% Popularity • 22% Danceability • 2% Energy • 22% Liveness
36% Instrumentalness • 11% Positiveness
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Johnny Klimek
Opening - The Matrix Resurrections
150 bpm • C# Maj • 05:19 • -17.94db
19% Popularity • 22% Danceability • 36% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
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Jan A.P. Kaczmarek
Impossible Opening - Finding Neverland/S...
155 bpm • A min • 03:26 • -17.97db
28% Popularity • 28% Danceability • 19% Energy • 26% Liveness
82% Instrumentalness • 16% Positiveness
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Fernando Velázquez
Buffalo
129 bpm • G Maj • 02:08 • -21.93db
22% Popularity • 29% Danceability • 13% Energy • 12% Liveness
89% Instrumentalness • 14% Positiveness
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Reinhold Heil
The Auction
128 bpm • C min • 02:08 • -28.49db
7% Popularity • 34% Danceability • 19% Energy • 12% Liveness
91% Instrumentalness • 7% Positiveness
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Ilan Eshkeri
A Perfect Balance (Episode 1 - Volcanoes...
127 bpm • E min • 02:17 • -15db
20% Popularity • 21% Danceability • 25% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Nick Cave
Space Station
127 bpm • F Maj • 04:16 • -29db
41% Popularity • 28% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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Johnny Klimek
Nah
132 bpm • G# Maj • 01:32 • -19.12db
15% Popularity • 18% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Eclectic Youth
Back to the Matrix - Eclectic Youth Remi...
130 bpm • G Maj • 05:13 • -11.97db
13% Popularity • 72% Danceability • 72% Energy • 37% Liveness
89% Instrumentalness • 33% Positiveness
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Alan Silvestri
Essaouira Desert/ Main Title
157 bpm • D min • 05:21 • -21db
14% Popularity • 46% Danceability • 18% Energy • 18% Liveness
71% Instrumentalness • 14% Positiveness
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Craig Armstrong
Buchanan Mansion And Daisy Suite
126 bpm • C Maj • 03:53 • -23db
23% Popularity • 17% Danceability • 10% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
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Adam Taylor
Their First Time
126 bpm • C Maj • 01:35 • -21db
36% Popularity • 57% Danceability • 9% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
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David Arnold
Addicted to a Certain Lifestyle
125 bpm • A min • 03:50 • -21.65db
31% Popularity • 19% Danceability • 8% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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Johnny Klimek
Space Out
156 bpm • D min • 03:49 • -13.48db
22% Popularity • 34% Danceability • 31% Energy • 18% Liveness
95% Instrumentalness • 4% Positiveness
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Esther Silex
Temet - Esther Silex & Kotelett Remix
126 bpm • C min • 08:10 • -11.48db
10% Popularity • 68% Danceability • 68% Energy • 20% Liveness
86% Instrumentalness • 27% Positiveness
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Henry Jackman
Alternate Outcome
160 bpm • F Maj • 03:21 • -26.93db
22% Popularity • 36% Danceability • 8% Energy • 6% Liveness
78% Instrumentalness • 16% Positiveness
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Chris Tilton
A New Day In The Old Town
160 bpm • C min • 01:44 • -22.27db
33% Popularity • 56% Danceability • 17% Energy • 18% Liveness
94% Instrumentalness • 22% Positiveness
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Jeff Beal
I've Known Everything
123 bpm • C min • 04:39 • -16.49db
29% Popularity • 40% Danceability • 22% Energy • 12% Liveness
86% Instrumentalness • 3% Positiveness
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Dario Marianelli
The Call Within
123 bpm • D min • 03:42 • -15.35db
31% Popularity • 17% Danceability • 16% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
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Junkie XL
Let Them Up
123 bpm • C Maj • 02:36 • -11.11db
29% Popularity • 17% Danceability • 46% Energy • 13% Liveness
95% Instrumentalness • 7% Positiveness
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Moderna
Bullet Time - Moderna Remix
130 bpm • G Maj • 06:25 • -13.04db
13% Popularity • 72% Danceability • 50% Energy • 10% Liveness
80% Instrumentalness • 25% Positiveness
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Nicholas Britell
Opening Music
123 bpm • A min • 03:04 • -23.12db
16% Popularity • 38% Danceability • 13% Energy • 12% Liveness
71% Instrumentalness • 5% Positiveness
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Craig Armstrong
Let's Go To Town
162 bpm • F Maj • 04:35 • -18.72db
16% Popularity • 50% Danceability • 24% Energy • 26% Liveness
84% Instrumentalness • 45% Positiveness
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Bear McCreary
Da Vinci's Demons Main Title Theme
122 bpm • C min • 01:08 • -12db
33% Popularity • 37% Danceability • 52% Energy • 11% Liveness
74% Instrumentalness • 4% Positiveness
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David Arnold
The Woman
122 bpm • A min • 02:31 • -22.24db
33% Popularity • 38% Danceability • 10% Energy • 11% Liveness
94% Instrumentalness • 11% Positiveness
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Steven Price
Tiangong
122 bpm • D min • 06:28 • -16.96db
25% Popularity • 17% Danceability • 27% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
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Psychic Health
Choice - Psychic Health Remix
128 bpm • G# Maj • 05:26 • -13.77db
10% Popularity • 77% Danceability • 65% Energy • 9% Liveness
73% Instrumentalness • 11% Positiveness
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Jed Kurzel
The Covenant
121 bpm • C# Maj • 03:25 • -21.33db
31% Popularity • 21% Danceability • 14% Energy • 7% Liveness
85% Instrumentalness • 3% Positiveness
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Clint Mansell
Critical Mass
121 bpm • B Maj • 02:18 • -17.25db
7% Popularity • 52% Danceability • 20% Energy • 10% Liveness
96% Instrumentalness • 17% Positiveness
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Reinhold Heil
Jane Saves Bullock
121 bpm • C min • 01:26 • -24.55db
11% Popularity • 23% Danceability • 11% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
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Michael Giacchino
London Calling
121 bpm • F min • 02:10 • -26.23db
38% Popularity • 29% Danceability • 4% Energy • 6% Liveness
93% Instrumentalness • 6% Positiveness
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Steven Price
Shenzou
121 bpm • C# min • 06:11 • -12.01db
38% Popularity • 30% Danceability • 50% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
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Nico Muhly
Cycling Holiday
121 bpm • G min • 01:40 • -17db
19% Popularity • 32% Danceability • 14% Energy • 12% Liveness
93% Instrumentalness • 6% Positiveness
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Alessandro Adriani
Opening - The Matrix Resurrections - Ale...
128 bpm • F# Maj • 06:16 • -11.01db
15% Popularity • 57% Danceability • 69% Energy • 13% Liveness
91% Instrumentalness • 17% Positiveness
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Johnny Klimek
Doppelspieler
165 bpm • D min • 05:24 • -14.71db
21% Popularity • 46% Danceability • 39% Energy • 11% Liveness
86% Instrumentalness • 14% Positiveness
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Rupert Gregson-Williams
Margaret and Townsend
165 bpm • D min • 03:13 • -21.86db
30% Popularity • 9% Danceability • 11% Energy • 7% Liveness
98% Instrumentalness • 3% Positiveness
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Amelia Warner
The Book
120 bpm • A min • 03:24 • -15db
21% Popularity • 18% Danceability • 26% Energy • 5% Liveness
87% Instrumentalness • 4% Positiveness
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Prince Naberious