Songs like Princesita by Alfredo Kraus
Based on a tempo of (+/- 10%) and a similar genre
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Wolfgang Amadeus Mozart
Mozart: Così fan tutte, K. 588, Act 1: ...
124 bpm • G Maj • 03:28 • -19.52db
5% Popularity • 50% Danceability • 7% Energy • 32% Liveness
0% Instrumentalness • 29% Positiveness
5% Popularity • 50% Danceability • 7% Energy • 32% Liveness
0% Instrumentalness • 29% Positiveness
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Alfredo Kraus
Islas Canarias
124 bpm • C Maj • 02:33 • -14.87db
5% Popularity • 35% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
5% Popularity • 35% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Ana Maria Iriarte
La gran via: Chotis del elíseo
124 bpm • C Maj • 03:46 • -13.89db
19% Popularity • 60% Danceability • 26% Energy • 10% Liveness
62% Instrumentalness • 43% Positiveness
19% Popularity • 60% Danceability • 26% Energy • 10% Liveness
62% Instrumentalness • 43% Positiveness
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Amadeo Vives
Bohemios: Coro de Bohemios
124 bpm • G# Maj • 02:46 • -13.4db
20% Popularity • 51% Danceability • 36% Energy • 30% Liveness
0% Instrumentalness • 35% Positiveness
20% Popularity • 51% Danceability • 36% Energy • 30% Liveness
0% Instrumentalness • 35% Positiveness
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Pablo Sorozábal
Agua, azucarillos y aguardiente: Coro de...
124 bpm • C# Maj • 02:07 • -10.77db
15% Popularity • 53% Danceability • 37% Energy • 13% Liveness
5% Instrumentalness • 15% Positiveness
15% Popularity • 53% Danceability • 37% Energy • 13% Liveness
5% Instrumentalness • 15% Positiveness
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Jose Serrano
Le alegria del battallon: Cancion de la ...
124 bpm • G Maj • 01:48 • -24db
9% Popularity • 49% Danceability • 16% Energy • 10% Liveness
2% Instrumentalness • 43% Positiveness
9% Popularity • 49% Danceability • 16% Energy • 10% Liveness
2% Instrumentalness • 43% Positiveness
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Guadalupe Pineda
Habanera (L'amour Est un Oiseau Rebelle)...
125 bpm • D Maj • 03:46 • -11.54db
11% Popularity • 46% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
11% Popularity • 46% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Ofelia Nieto
Dúo de Maruxa y Pablo, Pt. 1
125 bpm • F Maj • 04:31 • -9.89db
8% Popularity • 43% Danceability • 37% Energy • 13% Liveness
6% Instrumentalness • 34% Positiveness
8% Popularity • 43% Danceability • 37% Energy • 13% Liveness
6% Instrumentalness • 34% Positiveness
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Castillo
Katiuska
125 bpm • E Maj • 04:02 • -11.54db
2% Popularity • 44% Danceability • 11% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
2% Popularity • 44% Danceability • 11% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
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Amadeo Vives
Doña Francisquita, Act I: Canción del ...
124 bpm • D Maj • 04:31 • -15.47db
5% Popularity • 41% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
5% Popularity • 41% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Così fan tutte, K. 588, Act 2: ...
122 bpm • C Maj • 01:46 • -11.92db
4% Popularity • 39% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
4% Popularity • 39% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Coros Cantores De Madrid
La Rosa del Azafrán: "Moniquito, Carmel...
126 bpm • F Maj • 02:40 • -9.16db
11% Popularity • 53% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 81% Positiveness
11% Popularity • 53% Danceability • 42% Energy • 24% Liveness
0% Instrumentalness • 81% Positiveness
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Ataúlfo Argenta
Bohemios
122 bpm • A# Maj • 01:55 • -11db
13% Popularity • 33% Danceability • 24% Energy • 30% Liveness
96% Instrumentalness • 31% Positiveness
13% Popularity • 33% Danceability • 24% Energy • 30% Liveness
96% Instrumentalness • 31% Positiveness
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Alfredo Kraus
Lamento Borincano
122 bpm • A Maj • 04:01 • -14.8db
4% Popularity • 31% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
4% Popularity • 31% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Tarridas
Islas Canarias
126 bpm • G Maj • 02:31 • -12.65db
2% Popularity • 37% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
2% Popularity • 37% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Miguel Fleta
El Trust De Los Tenorios - Te Quiero Mor...
127 bpm • D Maj • 02:17 • -11.99db
2% Popularity • 54% Danceability • 20% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
2% Popularity • 54% Danceability • 20% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Così fan tutte, K. 588, Act 1: ...
126 bpm • D Maj • 03:31 • -13.73db
6% Popularity • 52% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
6% Popularity • 52% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Gioachino Rossini
Rossini : La Cenerentola : Act 2 "Non pi...
127 bpm • E Maj • 03:11 • -18db
18% Popularity • 43% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
18% Popularity • 43% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Amadeo Vives
Doña Francisquita, Act I: Cuando un Hom...
121 bpm • G# Maj • 03:54 • -16.28db
6% Popularity • 46% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
6% Popularity • 46% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Alfredo Kraus
Islas Canarias
122 bpm • G Maj • 02:33 • -11.71db
12% Popularity • 35% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
12% Popularity • 35% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Utrera
Aquellos Ojos Verdes
121 bpm • G Maj • 03:20 • -16.12db
2% Popularity • 36% Danceability • 29% Energy • 27% Liveness
0% Instrumentalness • 46% Positiveness
2% Popularity • 36% Danceability • 29% Energy • 27% Liveness
0% Instrumentalness • 46% Positiveness
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Teresa Berganza
La Chulapona: "Como Soy Chulapona"
121 bpm • G Maj • 02:58 • -14.56db
9% Popularity • 55% Danceability • 32% Energy • 47% Liveness
0% Instrumentalness • 35% Positiveness
9% Popularity • 55% Danceability • 32% Energy • 47% Liveness
0% Instrumentalness • 35% Positiveness
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Ana Maria Iriarte
La gran via: Introducción y polca de la...
121 bpm • C Maj • 02:38 • -16db
22% Popularity • 58% Danceability • 34% Energy • 10% Liveness
81% Instrumentalness • 31% Positiveness
22% Popularity • 58% Danceability • 34% Energy • 10% Liveness
81% Instrumentalness • 31% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Così fan tutte, K. 588, Act 2: ...
128 bpm • D Maj • 01:57 • -21.06db
3% Popularity • 71% Danceability • 24% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
3% Popularity • 71% Danceability • 24% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
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Leo Nucci
La mia canzone al vento
120 bpm • C Maj • 02:31 • -12.53db
15% Popularity • 40% Danceability • 25% Energy • 18% Liveness
1% Instrumentalness • 67% Positiveness
15% Popularity • 40% Danceability • 25% Energy • 18% Liveness
1% Instrumentalness • 67% Positiveness
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Renata Tebaldi
Un Bel Di Vedremo (Madame Butterfly)
128 bpm • C# Maj • 04:52 • -10.89db
30% Popularity • 31% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
30% Popularity • 31% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Orquesta Sinfónica Española
Fiel Espada Triunfadora
120 bpm • B Maj • 02:45 • -14.12db
12% Popularity • 42% Danceability • 9% Energy • 9% Liveness
91% Instrumentalness • 38% Positiveness
12% Popularity • 42% Danceability • 9% Energy • 9% Liveness
91% Instrumentalness • 38% Positiveness
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Coro Cantores de Madrid
Los Gavilanes: "Amigos, siempre amigos"
129 bpm • A Maj • 01:54 • -11.86db
13% Popularity • 51% Danceability • 24% Energy • 34% Liveness
17% Instrumentalness • 36% Positiveness
13% Popularity • 51% Danceability • 24% Energy • 34% Liveness
17% Instrumentalness • 36% Positiveness
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Mario del Monaco
Un ballo in Maschera / Ma se mé forza p...
129 bpm • G# Maj • 04:57 • -12.78db
4% Popularity • 32% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
4% Popularity • 32% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Così fan tutte, K. 588, Act 2: ...
128 bpm • D# Maj • 03:12 • -39.79db
5% Popularity • 17% Danceability • 1% Energy • 6% Liveness
0% Instrumentalness • 5% Positiveness
5% Popularity • 17% Danceability • 1% Energy • 6% Liveness
0% Instrumentalness • 5% Positiveness
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Tomás Bretón
La Verbena de la Paloma, Act I: Couplets...
119 bpm • A# Maj • 03:35 • -21db
15% Popularity • 50% Danceability • 11% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
15% Popularity • 50% Danceability • 11% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
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Coro De Camara Del Orfeon Donostiarra
Chotis (¡Ay, Madrileña Chulapa!)
119 bpm • C Maj • 03:29 • -16.59db
14% Popularity • 45% Danceability • 25% Energy • 34% Liveness
0% Instrumentalness • 28% Positiveness
14% Popularity • 45% Danceability • 25% Energy • 34% Liveness
0% Instrumentalness • 28% Positiveness
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Leo Nucci
Miniera
119 bpm • A Maj • 03:36 • -12db
35% Popularity • 40% Danceability • 21% Energy • 13% Liveness
1% Instrumentalness • 29% Positiveness
35% Popularity • 40% Danceability • 21% Energy • 13% Liveness
1% Instrumentalness • 29% Positiveness
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Teresa Berganza
La Chulapona: "Ay, Madrleña Chulapa!"
118 bpm • C Maj • 03:31 • -14.79db
9% Popularity • 45% Danceability • 27% Energy • 30% Liveness
1% Instrumentalness • 24% Positiveness
9% Popularity • 45% Danceability • 27% Energy • 30% Liveness
1% Instrumentalness • 24% Positiveness
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Mario del Monaco
Notturno d'amore
130 bpm • G Maj • 03:48 • -10db
12% Popularity • 33% Danceability • 34% Energy • 11% Liveness
4% Instrumentalness • 30% Positiveness
12% Popularity • 33% Danceability • 34% Energy • 11% Liveness
4% Instrumentalness • 30% Positiveness
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Renata Tebaldi
Verdi: La Forza del Destino: La Vergine ...
130 bpm • G Maj • 03:47 • -20db
20% Popularity • 22% Danceability • 17% Energy • 30% Liveness
82% Instrumentalness • 13% Positiveness
20% Popularity • 22% Danceability • 17% Energy • 30% Liveness
82% Instrumentalness • 13% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Così fan tutte, K. 588, Act 1: ...
119 bpm • A# Maj • 02:52 • -21.74db
5% Popularity • 36% Danceability • 6% Energy • 41% Liveness
0% Instrumentalness • 27% Positiveness
5% Popularity • 36% Danceability • 6% Energy • 41% Liveness
0% Instrumentalness • 27% Positiveness
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Miguel Fleta
Dona Francisquita - Duo De La Beltrana Y...
130 bpm • D Maj • 02:54 • -12.13db
0% Popularity • 46% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
0% Popularity • 46% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Giuseppe Verdi
Rigoletto, Act I: Della mia bella incogn...
118 bpm • G# min • 01:51 • -32.02db
12% Popularity • 42% Danceability • 1% Energy • 12% Liveness
1% Instrumentalness • 47% Positiveness
12% Popularity • 42% Danceability • 1% Energy • 12% Liveness
1% Instrumentalness • 47% Positiveness
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Teresa Berganza
7 Canciones Populares Españolas: El pan...
118 bpm • B min • 01:10 • -25.04db
29% Popularity • 41% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
29% Popularity • 41% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Ana Maria Iriarte
El Año Pasado por Agua: "Zortzico y Cho...
118 bpm • G Maj • 07:02 • -11.47db
8% Popularity • 52% Danceability • 20% Energy • 34% Liveness
0% Instrumentalness • 34% Positiveness
8% Popularity • 52% Danceability • 20% Energy • 34% Liveness
0% Instrumentalness • 34% Positiveness
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Agustín Lara
Granada - Remastered
131 bpm • E Maj • 04:29 • -8.86db
7% Popularity • 28% Danceability • 36% Energy • 9% Liveness
2% Instrumentalness • 38% Positiveness
7% Popularity • 28% Danceability • 36% Energy • 9% Liveness
2% Instrumentalness • 38% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Così fan tutte, K. 588, Act 1: ...
118 bpm • G Maj • 02:03 • -15.55db
11% Popularity • 53% Danceability • 24% Energy • 31% Liveness
0% Instrumentalness • 47% Positiveness
11% Popularity • 53% Danceability • 24% Energy • 31% Liveness
0% Instrumentalness • 47% Positiveness
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Francisco Asenjo Barbieri
El Barberillo de Lavapies: Entrada de Pa...
131 bpm • A Maj • 03:06 • -13.42db
14% Popularity • 53% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 77% Positiveness
14% Popularity • 53% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 77% Positiveness
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Alfredo Kraus
El Huesped del Sevillano: "Fiel Espada T...
117 bpm • E Maj • 02:41 • -8.84db
10% Popularity • 56% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
10% Popularity • 56% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Charles Gounod
Faust - opera in five acts (1989 Digital...
117 bpm • A# Maj • 03:20 • -15db
5% Popularity • 43% Danceability • 37% Energy • 13% Liveness
1% Instrumentalness • 29% Positiveness
5% Popularity • 43% Danceability • 37% Energy • 13% Liveness
1% Instrumentalness • 29% Positiveness
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Gioachino Rossini
"Non si da follia maggiore" (Fiorilla)
117 bpm • A Maj • 03:14 • -18.46db
11% Popularity • 48% Danceability • 11% Energy • 32% Liveness
0% Instrumentalness • 33% Positiveness
11% Popularity • 48% Danceability • 11% Energy • 32% Liveness
0% Instrumentalness • 33% Positiveness
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Jose Padilla Sanchez
Valencia
117 bpm • A Maj • 02:53 • -8.93db
8% Popularity • 45% Danceability • 53% Energy • 11% Liveness
7% Instrumentalness • 69% Positiveness
8% Popularity • 45% Danceability • 53% Energy • 11% Liveness
7% Instrumentalness • 69% Positiveness
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Choir and Orchestra of the Budapest State Opera
Pheasants' Chorus (I Pagliacci)
117 bpm • C Maj • 03:14 • -21db
8% Popularity • 39% Danceability • 11% Energy • 14% Liveness
17% Instrumentalness • 10% Positiveness
8% Popularity • 39% Danceability • 11% Energy • 14% Liveness
17% Instrumentalness • 10% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Così fan tutte, K. 588, Act 1: ...
131 bpm • C Maj • 02:22 • -13.87db
10% Popularity • 40% Danceability • 30% Energy • 18% Liveness
1% Instrumentalness • 56% Positiveness
10% Popularity • 40% Danceability • 30% Energy • 18% Liveness
1% Instrumentalness • 56% Positiveness
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Eldo di Lazzaro
Chitarra romana
132 bpm • D Maj • 03:11 • -18.02db
10% Popularity • 38% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
10% Popularity • 38% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Orquesta Sinfónica Española
Soldado de Napoles
117 bpm • C Maj • 01:51 • -16db
20% Popularity • 61% Danceability • 21% Energy • 10% Liveness
51% Instrumentalness • 70% Positiveness
20% Popularity • 61% Danceability • 21% Energy • 10% Liveness
51% Instrumentalness • 70% Positiveness
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Gioachino Rossini
Péchés de vieillesse / Vol. III: Tiran...
117 bpm • C Maj • 04:28 • -17.42db
37% Popularity • 43% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
37% Popularity • 43% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Pablo Sorozábal
La canción del olvido: Serenata soldado...
117 bpm • C Maj • 01:50 • -10.81db
16% Popularity • 47% Danceability • 42% Energy • 8% Liveness
42% Instrumentalness • 61% Positiveness
16% Popularity • 47% Danceability • 42% Energy • 8% Liveness
42% Instrumentalness • 61% Positiveness
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Rafael Frühbeck de Burgos
El Bateo: "Preludio" - El Bateo
132 bpm • D Maj • 03:19 • -9.9db
16% Popularity • 36% Danceability • 42% Energy • 10% Liveness
91% Instrumentalness • 53% Positiveness
16% Popularity • 36% Danceability • 42% Energy • 10% Liveness
91% Instrumentalness • 53% Positiveness
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Wolfgang Amadeus Mozart
Don Giovanni
118 bpm • D Maj • 06:25 • -15.68db
2% Popularity • 33% Danceability • 15% Energy • 13% Liveness
85% Instrumentalness • 30% Positiveness
2% Popularity • 33% Danceability • 15% Energy • 13% Liveness
85% Instrumentalness • 30% Positiveness
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Sebastián Iradier
La Paloma
132 bpm • C Maj • 03:32 • -13.37db
7% Popularity • 33% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
7% Popularity • 33% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Orquesta Sinfónica Española
Canto a Murcia
117 bpm • A Maj • 02:43 • -13db
17% Popularity • 43% Danceability • 31% Energy • 12% Liveness
89% Instrumentalness • 70% Positiveness
17% Popularity • 43% Danceability • 31% Energy • 12% Liveness
89% Instrumentalness • 70% Positiveness
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Carlos Munguia
Preludio. Orquesta - El Caserio
116 bpm • A Maj • 05:44 • -11.6db
8% Popularity • 34% Danceability • 37% Energy • 29% Liveness
70% Instrumentalness • 13% Positiveness
8% Popularity • 34% Danceability • 37% Energy • 29% Liveness
70% Instrumentalness • 13% Positiveness
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Pablo Luna
La Pícara Molinera: "Romanza" - Remaste...
132 bpm • C# Maj • 03:36 • -8.76db
4% Popularity • 33% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
4% Popularity • 33% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
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Carlo Bergonzi
Puccini's Manon Lescaut - Donna Non Vidi...
116 bpm • A# Maj • 02:35 • -14.96db
26% Popularity • 21% Danceability • 28% Energy • 8% Liveness
4% Instrumentalness • 11% Positiveness
26% Popularity • 21% Danceability • 28% Energy • 8% Liveness
4% Instrumentalness • 11% Positiveness
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Vincenzo Bellini
La Sonnambula / Act 1: Viva! Viva Amina!
116 bpm • F# min • 01:06 • -30db
37% Popularity • 25% Danceability • 10% Energy • 16% Liveness
30% Instrumentalness • 5% Positiveness
37% Popularity • 25% Danceability • 10% Energy • 16% Liveness
30% Instrumentalness • 5% Positiveness
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Coro de la Orquesta Sinfónica de la Ópera de Minsk
Fausto: Coro de Soldados
116 bpm • F Maj • 02:51 • -13db
11% Popularity • 53% Danceability • 33% Energy • 17% Liveness
1% Instrumentalness • 28% Positiveness
11% Popularity • 53% Danceability • 33% Energy • 17% Liveness
1% Instrumentalness • 28% Positiveness
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Jose Serrano
Alma de Dios
134 bpm • D Maj • 04:15 • -11.63db
10% Popularity • 28% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
10% Popularity • 28% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Slovak Philharmonic Orquesta y Coros
Fausto: "Coro de los Soldados"
115 bpm • F Maj • 02:47 • -8db
12% Popularity • 52% Danceability • 63% Energy • 5% Liveness
6% Instrumentalness • 46% Positiveness
12% Popularity • 52% Danceability • 63% Energy • 5% Liveness
6% Instrumentalness • 46% Positiveness
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Anselmo Carreno
Preludio del Acto II
134 bpm • E Maj • 03:05 • -5db
9% Popularity • 39% Danceability • 36% Energy • 17% Liveness
86% Instrumentalness • 56% Positiveness
9% Popularity • 39% Danceability • 36% Energy • 17% Liveness
86% Instrumentalness • 56% Positiveness
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Renata Tebaldi
Libiamo Ne' Lieti Calici (Brindisi) - la...
134 bpm • A# Maj • 03:04 • -13db
34% Popularity • 40% Danceability • 34% Energy • 40% Liveness
0% Instrumentalness • 35% Positiveness
34% Popularity • 40% Danceability • 34% Energy • 40% Liveness
0% Instrumentalness • 35% Positiveness
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Mario del Monaco
Core 'ngrato
135 bpm • D# Maj • 02:51 • -11.09db
14% Popularity • 21% Danceability • 40% Energy • 29% Liveness
1% Instrumentalness • 20% Positiveness
14% Popularity • 21% Danceability • 40% Energy • 29% Liveness
1% Instrumentalness • 20% Positiveness
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Pablo Sorozábal
La gran vía: Introducción y polka de l...
114 bpm • C Maj • 02:45 • -10.78db
12% Popularity • 43% Danceability • 46% Energy • 9% Liveness
16% Instrumentalness • 48% Positiveness
12% Popularity • 43% Danceability • 46% Energy • 9% Liveness
16% Instrumentalness • 48% Positiveness
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Alfredo Kraus
L'elisir d'amore "Una Furtiva Lágrima"
135 bpm • A# min • 04:32 • -8db
14% Popularity • 29% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
14% Popularity • 29% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Gioachino Rossini
Tarantela - Remastered
135 bpm • D# min • 03:26 • -6.59db
8% Popularity • 44% Danceability • 70% Energy • 12% Liveness
14% Instrumentalness • 68% Positiveness
8% Popularity • 44% Danceability • 70% Energy • 12% Liveness
14% Instrumentalness • 68% Positiveness
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The Oscar's Orchestra
Coro de los Gitanos de Il Trovatore (De ...
135 bpm • G Maj • 02:59 • -14.95db
23% Popularity • 47% Danceability • 18% Energy • 5% Liveness
0% Instrumentalness • 36% Positiveness
23% Popularity • 47% Danceability • 18% Energy • 5% Liveness
0% Instrumentalness • 36% Positiveness
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Salvatore Cardillo
Core 'ngrato (orch. G. Chiaramello)
136 bpm • C# Maj • 03:13 • -21db
20% Popularity • 25% Danceability • 11% Energy • 14% Liveness
5% Instrumentalness • 6% Positiveness
20% Popularity • 25% Danceability • 11% Energy • 14% Liveness
5% Instrumentalness • 6% Positiveness
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Orfeon Donostiarra
El Barber: 6 Prelidio Acto III
136 bpm • A Maj • 06:16 • -10.1db
9% Popularity • 50% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
9% Popularity • 50% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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Pablo Sorozábal
La Taberna del Puerto, Act II, Scene 2: ...
114 bpm • A# Maj • 04:14 • -21.61db
10% Popularity • 40% Danceability • 7% Energy • 31% Liveness
0% Instrumentalness • 23% Positiveness
10% Popularity • 40% Danceability • 7% Energy • 31% Liveness
0% Instrumentalness • 23% Positiveness
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Tito Schipa
Marechiare
136 bpm • C# Maj • 02:32 • -12db
10% Popularity • 52% Danceability • 20% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
10% Popularity • 52% Danceability • 20% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
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Alfredo Kraus
Estrellita
135 bpm • A min • 04:04 • -10.02db
3% Popularity • 23% Danceability • 27% Energy • 17% Liveness
0% Instrumentalness • 10% Positiveness
3% Popularity • 23% Danceability • 27% Energy • 17% Liveness
0% Instrumentalness • 10% Positiveness
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Guadalupe Pineda
Voi Che Sapete - W. Amadeus Mozart
112 bpm • A# Maj • 02:57 • -10.01db
10% Popularity • 42% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
10% Popularity • 42% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
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Agnes Baltsa
Carmen (Act I, Sequedille)
112 bpm • D Maj • 02:04 • -14.83db
21% Popularity • 44% Danceability • 19% Energy • 69% Liveness
0% Instrumentalness • 21% Positiveness
21% Popularity • 44% Danceability • 19% Energy • 69% Liveness
0% Instrumentalness • 21% Positiveness
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Orquesta Sinfónica Española
La Boda de Luis Alonso
112 bpm • A Maj • 03:21 • -13.76db
14% Popularity • 47% Danceability • 28% Energy • 53% Liveness
88% Instrumentalness • 63% Positiveness
14% Popularity • 47% Danceability • 28% Energy • 53% Liveness
88% Instrumentalness • 63% Positiveness
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Charles Gounod
Gounod: Roméo et Juliette, Act 1: Réci...
112 bpm • D Maj • 03:29 • -24.8db
3% Popularity • 42% Danceability • 9% Energy • 48% Liveness
0% Instrumentalness • 19% Positiveness
3% Popularity • 42% Danceability • 9% Energy • 48% Liveness
0% Instrumentalness • 19% Positiveness
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Jose Serrano
El trust de los tenorios
111 bpm • D Maj • 02:27 • -10.83db
7% Popularity • 44% Danceability • 31% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
7% Popularity • 44% Danceability • 31% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
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Alfredo Kraus
Tarantela
137 bpm • D# min • 03:24 • -8.73db
4% Popularity • 55% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
4% Popularity • 55% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Victoria de los Ángeles
Op 34, N. 2: "Auf Flügeln des Gesanges"
138 bpm • G# Maj • 02:42 • -16db
15% Popularity • 37% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
15% Popularity • 37% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Grever
Júrame
111 bpm • E Maj • 04:18 • -13.77db
3% Popularity • 36% Danceability • 18% Energy • 32% Liveness
0% Instrumentalness • 34% Positiveness
3% Popularity • 36% Danceability • 18% Energy • 32% Liveness
0% Instrumentalness • 34% Positiveness
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Amadeo Vives
Doña Francisquita, Act III: Yo No Fui S...
111 bpm • D Maj • 03:37 • -18.76db
3% Popularity • 42% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
3% Popularity • 42% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Ataúlfo Argenta
La Boda de Luis Alonso
111 bpm • E Maj • 05:29 • -12db
10% Popularity • 41% Danceability • 46% Energy • 15% Liveness
26% Instrumentalness • 65% Positiveness
10% Popularity • 41% Danceability • 46% Energy • 15% Liveness
26% Instrumentalness • 65% Positiveness
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Javier Camarena
Popurrí Agustín Lara
139 bpm • G Maj • 07:21 • -18db
8% Popularity • 43% Danceability • 13% Energy • 70% Liveness
0% Instrumentalness • 27% Positiveness
8% Popularity • 43% Danceability • 13% Energy • 70% Liveness
0% Instrumentalness • 27% Positiveness
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Alfredo Kraus
Siboney
112 bpm • C# Maj • 04:11 • -7.86db
4% Popularity • 40% Danceability • 49% Energy • 44% Liveness
0% Instrumentalness • 41% Positiveness
4% Popularity • 40% Danceability • 49% Energy • 44% Liveness
0% Instrumentalness • 41% Positiveness
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Rafael Sanchez Cestero
Adiós trigueña
111 bpm • D# Maj • 03:10 • -12.48db
16% Popularity • 28% Danceability • 31% Energy • 29% Liveness
2% Instrumentalness • 25% Positiveness
16% Popularity • 28% Danceability • 31% Energy • 29% Liveness
2% Instrumentalness • 25% Positiveness
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Rafael Frühbeck de Burgos
La Boda de Luis Alonso: "Intermedio"
111 bpm • A Maj • 05:29 • -9.89db
20% Popularity • 43% Danceability • 52% Energy • 36% Liveness
59% Instrumentalness • 69% Positiveness
20% Popularity • 43% Danceability • 52% Energy • 36% Liveness
59% Instrumentalness • 69% Positiveness
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Estrella Alsina
Luisa Fernanda, Acto iii: El cerandero
111 bpm • D Maj • 04:01 • -17.92db
7% Popularity • 48% Danceability • 14% Energy • 25% Liveness
0% Instrumentalness • 24% Positiveness
7% Popularity • 48% Danceability • 14% Energy • 25% Liveness
0% Instrumentalness • 24% Positiveness
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Tomás Bretón
La Dolorosa. Jota de la Dolores
110 bpm • A Maj • 06:12 • -8.8db
2% Popularity • 43% Danceability • 52% Energy • 6% Liveness
11% Instrumentalness • 60% Positiveness
2% Popularity • 43% Danceability • 52% Energy • 6% Liveness
11% Instrumentalness • 60% Positiveness
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Choir and Orchestra of the Budapest State Opera
Triumphal March & Chorus Act.2 (Aida)
140 bpm • D# Maj • 11:44 • -20.87db
11% Popularity • 32% Danceability • 8% Energy • 15% Liveness
48% Instrumentalness • 19% Positiveness
11% Popularity • 32% Danceability • 8% Energy • 15% Liveness
48% Instrumentalness • 19% Positiveness
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Alfredo Kraus
Canción del Vagabundo-Alma de Díos
110 bpm • D Maj • 04:16 • -16.18db
2% Popularity • 32% Danceability • 8% Energy • 39% Liveness
0% Instrumentalness • 32% Positiveness
2% Popularity • 32% Danceability • 8% Energy • 39% Liveness
0% Instrumentalness • 32% Positiveness
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Jose Serrano
El Trust de los Tenorios: Te quiero, Mor...
110 bpm • D Maj • 02:28 • -14db
8% Popularity • 40% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
8% Popularity • 40% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Rafael Frühbeck de Burgos
El Tambor de Granaderos: "Preludio"
140 bpm • D Maj • 05:17 • -13.83db
14% Popularity • 49% Danceability • 40% Energy • 43% Liveness
68% Instrumentalness • 55% Positiveness
14% Popularity • 49% Danceability • 40% Energy • 43% Liveness
68% Instrumentalness • 55% Positiveness
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Miguel Fleta
La Marsellesa
110 bpm • F Maj • 02:46 • -5.29db
11% Popularity • 48% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
11% Popularity • 48% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
