Songs like Princess Mononoke Theme Song by Sasha Lazard
Based on a tempo of (+/- 10%) and a similar genre
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The Tolkien Ensemble
Galadriel's Song of Eldamar
97 bpm • B min • 06:24 • -11.67db
14% Popularity • 23% Danceability • 32% Energy • 12% Liveness
50% Instrumentalness • 5% Positiveness
14% Popularity • 23% Danceability • 32% Energy • 12% Liveness
50% Instrumentalness • 5% Positiveness
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Eleanor Tomlinson
The House Carpenter
97 bpm • B min • 05:26 • -9.09db
19% Popularity • 33% Danceability • 27% Energy • 20% Liveness
0% Instrumentalness • 35% Positiveness
19% Popularity • 33% Danceability • 27% Energy • 20% Liveness
0% Instrumentalness • 35% Positiveness
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Sasha Lazard
Princess Mononoke Theme Song
97 bpm • B min • 01:33 • -15db
32% Popularity • 32% Danceability • 15% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
32% Popularity • 32% Danceability • 15% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
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Future World Music
Eternal Love
97 bpm • G min • 01:59 • -7.06db
41% Popularity • 16% Danceability • 48% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
41% Popularity • 16% Danceability • 48% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Moya Brennan
Tell Me Now (What You See)
98 bpm • C Maj • 04:34 • -16db
42% Popularity • 16% Danceability • 36% Energy • 8% Liveness
12% Instrumentalness • 4% Positiveness
42% Popularity • 16% Danceability • 36% Energy • 8% Liveness
12% Instrumentalness • 4% Positiveness
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Eminence Symphony Orchestra
Princess Mononoke Suite
96 bpm • C# Maj • 10:12 • -18db
16% Popularity • 22% Danceability • 13% Energy • 42% Liveness
89% Instrumentalness • 5% Positiveness
16% Popularity • 22% Danceability • 13% Energy • 42% Liveness
89% Instrumentalness • 5% Positiveness
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Mairead Nesbitt
Within the Blue Suite - 1st Movement
96 bpm • A min • 02:14 • -14.86db
26% Popularity • 33% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
26% Popularity • 33% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Samantha Ballard
Kaze no Ne / Morning Sky
99 bpm • D min • 03:46 • -14db
22% Popularity • 34% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
22% Popularity • 34% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Sasha Lazard
Awakening
98 bpm • C# Maj • 04:47 • -8.34db
11% Popularity • 64% Danceability • 66% Energy • 9% Liveness
2% Instrumentalness • 77% Positiveness
11% Popularity • 64% Danceability • 66% Energy • 9% Liveness
2% Instrumentalness • 77% Positiveness
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Cécile Corbel
Sweet Amaryllis
99 bpm • D min • 03:19 • -11.21db
17% Popularity • 60% Danceability • 33% Energy • 15% Liveness
1% Instrumentalness • 35% Positiveness
17% Popularity • 60% Danceability • 33% Energy • 15% Liveness
1% Instrumentalness • 35% Positiveness
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Michael Maas
Earth
95 bpm • A# Maj • 02:28 • -13.08db
17% Popularity • 40% Danceability • 35% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
17% Popularity • 40% Danceability • 35% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Les Friction
Come Back to Me
99 bpm • G# Maj • 03:52 • -10.51db
19% Popularity • 27% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
19% Popularity • 27% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Heather Dale
Kingsword
95 bpm • C min • 04:23 • -6.27db
23% Popularity • 34% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 36% Positiveness
23% Popularity • 34% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 36% Positiveness
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Kariina
The Hero Within (Song)
95 bpm • B min • 02:56 • -12.3db
16% Popularity • 41% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
16% Popularity • 41% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Sasha Lazard
The Sexiest Mistake
96 bpm • B min • 04:56 • -10.62db
1% Popularity • 44% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
1% Popularity • 44% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Mikutan
Sakura Nagashi (English Ver.)
95 bpm • F# min • 04:44 • -9.78db
24% Popularity • 22% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
24% Popularity • 22% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Raney Shockne
Once We Were
95 bpm • A Maj • 02:10 • -4db
33% Popularity • 75% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
33% Popularity • 75% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Jacob Narverud
Lunar Lullaby
94 bpm • D Maj • 04:44 • -26db
31% Popularity • 16% Danceability • 6% Energy • 38% Liveness
1% Instrumentalness • 4% Positiveness
31% Popularity • 16% Danceability • 6% Energy • 38% Liveness
1% Instrumentalness • 4% Positiveness
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Céline Roscheck
Celtic Battle Dance
100 bpm • E min • 04:24 • -5.77db
14% Popularity • 42% Danceability • 70% Energy • 12% Liveness
1% Instrumentalness • 61% Positiveness
14% Popularity • 42% Danceability • 70% Energy • 12% Liveness
1% Instrumentalness • 61% Positiveness
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Karl Jenkins
Saint Declan's Drone
100 bpm • A min • 03:58 • -10.91db
23% Popularity • 50% Danceability • 46% Energy • 8% Liveness
1% Instrumentalness • 42% Positiveness
23% Popularity • 50% Danceability • 46% Energy • 8% Liveness
1% Instrumentalness • 42% Positiveness
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Sasha Lazard
Lumiere
98 bpm • F min • 03:34 • -13.72db
3% Popularity • 55% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
3% Popularity • 55% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Michael Maas
Morpheus and the Dream
100 bpm • A min • 02:52 • -16.31db
12% Popularity • 38% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
12% Popularity • 38% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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梶浦 由記
fake wings
100 bpm • D min • 02:35 • -12.06db
31% Popularity • 61% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
31% Popularity • 61% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Olivia Orr
Mage Pride
100 bpm • C Maj • 04:03 • -11db
23% Popularity • 20% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
23% Popularity • 20% Danceability • 46% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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Steven Price
Ophelia
100 bpm • B min • 03:52 • -13.55db
31% Popularity • 42% Danceability • 38% Energy • 17% Liveness
81% Instrumentalness • 15% Positiveness
31% Popularity • 42% Danceability • 38% Energy • 17% Liveness
81% Instrumentalness • 15% Positiveness
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Christopher Tin
Kia Hora Te Marino
100 bpm • C Maj • 03:18 • -14.38db
35% Popularity • 47% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
35% Popularity • 47% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Sasha Lazard
Miles Away
100 bpm • D# Maj • 05:19 • -12.46db
3% Popularity • 53% Danceability • 38% Energy • 7% Liveness
1% Instrumentalness • 43% Positiveness
3% Popularity • 53% Danceability • 38% Energy • 7% Liveness
1% Instrumentalness • 43% Positiveness
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Ged Grimes
Across the Seven Realms
94 bpm • D Maj • 04:22 • -9db
29% Popularity • 60% Danceability • 38% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
29% Popularity • 60% Danceability • 38% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
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Michael Maas
Morpheus and the Dream - Candle Version
100 bpm • A min • 02:51 • -14.45db
21% Popularity • 41% Danceability • 23% Energy • 12% Liveness
1% Instrumentalness • 16% Positiveness
21% Popularity • 41% Danceability • 23% Energy • 12% Liveness
1% Instrumentalness • 16% Positiveness
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Howard Shore
The Houses of Healing
94 bpm • G Maj • 02:58 • -30.11db
48% Popularity • 14% Danceability • 3% Energy • 9% Liveness
82% Instrumentalness • 4% Positiveness
48% Popularity • 14% Danceability • 3% Energy • 9% Liveness
82% Instrumentalness • 4% Positiveness
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Cécile Corbel
Rain
100 bpm • C min • 01:09 • -18.28db
22% Popularity • 61% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
22% Popularity • 61% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Gareth Lumb
Calon Lan
101 bpm • G min • 04:56 • -17db
22% Popularity • 17% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
22% Popularity • 17% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Michael Maas feat. Felicia Farerre
Morpheus and the Dream
100 bpm • A min • 02:55 • -16.1db
14% Popularity • 28% Danceability • 27% Energy • 10% Liveness
50% Instrumentalness • 19% Positiveness
14% Popularity • 28% Danceability • 27% Energy • 10% Liveness
50% Instrumentalness • 19% Positiveness
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A.R. Rahman
Lothloren
101 bpm • A min • 04:03 • -9.5db
25% Popularity • 26% Danceability • 31% Energy • 28% Liveness
0% Instrumentalness • 15% Positiveness
25% Popularity • 26% Danceability • 31% Energy • 28% Liveness
0% Instrumentalness • 15% Positiveness
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Marc Jungermann
Finding Alice - Original Version
93 bpm • G# Maj • 05:20 • -10.32db
12% Popularity • 45% Danceability • 51% Energy • 17% Liveness
57% Instrumentalness • 32% Positiveness
12% Popularity • 45% Danceability • 51% Energy • 17% Liveness
57% Instrumentalness • 32% Positiveness
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Blackmore's Night
Catherine Howard's Fate
101 bpm • C min • 02:34 • -12.55db
4% Popularity • 60% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
4% Popularity • 60% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Globus
The Promise
93 bpm • D min • 07:35 • -10.27db
28% Popularity • 43% Danceability • 48% Energy • 14% Liveness
10% Instrumentalness • 4% Positiveness
28% Popularity • 43% Danceability • 48% Energy • 14% Liveness
10% Instrumentalness • 4% Positiveness
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Heather Dale
For Guinevere
93 bpm • C Maj • 03:45 • -14.88db
19% Popularity • 41% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
19% Popularity • 41% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
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Katerina Stafford
Knights of Steam
102 bpm • F min • 03:44 • -14.51db
9% Popularity • 14% Danceability • 20% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
9% Popularity • 14% Danceability • 20% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
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Auri
Skeleton Tree
102 bpm • A Maj • 04:19 • -13.75db
33% Popularity • 48% Danceability • 51% Energy • 11% Liveness
24% Instrumentalness • 17% Positiveness
33% Popularity • 48% Danceability • 51% Energy • 11% Liveness
24% Instrumentalness • 17% Positiveness
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Sasha Lazard
The Look of Love
102 bpm • F min • 03:16 • -12.28db
1% Popularity • 66% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
1% Popularity • 66% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Annie Lennox
Into the West
92 bpm • C Maj • 05:47 • -22.04db
54% Popularity • 31% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
54% Popularity • 31% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Anúna
Siúil a Rúin
102 bpm • D Maj • 02:43 • -16.7db
35% Popularity • 35% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
35% Popularity • 35% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Heather Dale
Tarnished Silver
102 bpm • D Maj • 03:51 • -8.82db
15% Popularity • 44% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 11% Positiveness
15% Popularity • 44% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 11% Positiveness
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Kiriko
The Promise of the World (Movie Howl's M...
103 bpm • G Maj • 04:30 • -15.81db
24% Popularity • 26% Danceability • 12% Energy • 9% Liveness
75% Instrumentalness • 14% Positiveness
24% Popularity • 26% Danceability • 12% Energy • 9% Liveness
75% Instrumentalness • 14% Positiveness
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Howard Shore
Days of the Ring
91 bpm • G Maj • 11:09 • -20.15db
44% Popularity • 12% Danceability • 5% Energy • 10% Liveness
6% Instrumentalness • 4% Positiveness
44% Popularity • 12% Danceability • 5% Energy • 10% Liveness
6% Instrumentalness • 4% Positiveness
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Sasha Lazard
Stabat Reprise
92 bpm • B min • 01:28 • -12.17db
4% Popularity • 43% Danceability • 69% Energy • 6% Liveness
93% Instrumentalness • 4% Positiveness
4% Popularity • 43% Danceability • 69% Energy • 6% Liveness
93% Instrumentalness • 4% Positiveness
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Arkadiusz Reikowski
My Brother Rabbit: Dreams
91 bpm • C# Maj • 03:03 • -13.55db
24% Popularity • 36% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
24% Popularity • 36% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Miriam Stockley
Arcadia
91 bpm • F Maj • 04:35 • -10.59db
19% Popularity • 13% Danceability • 32% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
19% Popularity • 13% Danceability • 32% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
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David GarcÃa DÃaz
The Song of the Sea
91 bpm • B min • 02:47 • -14.3db
24% Popularity • 31% Danceability • 15% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
24% Popularity • 31% Danceability • 15% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
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Broceliande
Lay of Nimrodel
103 bpm • G Maj • 05:37 • -8.38db
17% Popularity • 53% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
17% Popularity • 53% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Bear McCreary
Outlander - The Skye Boat Song (Extended...
103 bpm • D Maj • 04:27 • -14.57db
40% Popularity • 29% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
40% Popularity • 29% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
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Sasha Lazard
Stabat Mater IXXI
92 bpm • F# min • 04:25 • -13.13db
12% Popularity • 48% Danceability • 57% Energy • 6% Liveness
70% Instrumentalness • 35% Positiveness
12% Popularity • 48% Danceability • 57% Energy • 6% Liveness
70% Instrumentalness • 35% Positiveness
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Joyce Moreno
run,wolf warrior run
91 bpm • C# min • 05:55 • -10.13db
21% Popularity • 36% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
21% Popularity • 36% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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CaraNua
Sirens of Evermore
90 bpm • A min • 02:51 • -18.19db
17% Popularity • 10% Danceability • 34% Energy • 23% Liveness
54% Instrumentalness • 4% Positiveness
17% Popularity • 10% Danceability • 34% Energy • 23% Liveness
54% Instrumentalness • 4% Positiveness
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Inon Zur
Shelaya
104 bpm • G# min • 03:52 • -14.55db
20% Popularity • 33% Danceability • 23% Energy • 10% Liveness
1% Instrumentalness • 8% Positiveness
20% Popularity • 33% Danceability • 23% Energy • 10% Liveness
1% Instrumentalness • 8% Positiveness
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C21fx
Blood Red Roses
90 bpm • C min • 03:28 • -13.78db
37% Popularity • 46% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
37% Popularity • 46% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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George Frideric Handel
Handel: Coronation Anthem - Zadok the Pr...
90 bpm • D Maj • 03:18 • -8.14db
14% Popularity • 35% Danceability • 59% Energy • 8% Liveness
8% Instrumentalness • 7% Positiveness
14% Popularity • 35% Danceability • 59% Energy • 8% Liveness
8% Instrumentalness • 7% Positiveness
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Fionnuala Gill
The Magic
90 bpm • C min • 03:58 • -11.48db
27% Popularity • 49% Danceability • 25% Energy • 10% Liveness
13% Instrumentalness • 25% Positiveness
27% Popularity • 49% Danceability • 25% Energy • 10% Liveness
13% Instrumentalness • 25% Positiveness
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Peter Crowley
The Forest of Wonders
90 bpm • A min • 05:08 • -9.13db
13% Popularity • 16% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
13% Popularity • 16% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Dave Volpe
Dragon Lullaby
105 bpm • A Maj • 03:30 • -24.12db
38% Popularity • 44% Danceability • 7% Energy • 6% Liveness
87% Instrumentalness • 10% Positiveness
38% Popularity • 44% Danceability • 7% Energy • 6% Liveness
87% Instrumentalness • 10% Positiveness
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Evetty
Into the Unknown (Intro)
90 bpm • C# Maj • 03:46 • -19.31db
32% Popularity • 44% Danceability • 10% Energy • 8% Liveness
36% Instrumentalness • 15% Positiveness
32% Popularity • 44% Danceability • 10% Energy • 8% Liveness
36% Instrumentalness • 15% Positiveness
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RMaster
Vampire Lullaby
90 bpm • E min • 03:32 • -11.04db
8% Popularity • 37% Danceability • 32% Energy • 12% Liveness
92% Instrumentalness • 26% Positiveness
8% Popularity • 37% Danceability • 32% Energy • 12% Liveness
92% Instrumentalness • 26% Positiveness
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Anúna
Greensleeves, Scarborough Fair
105 bpm • D min • 06:30 • -14.69db
14% Popularity • 23% Danceability • 22% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
14% Popularity • 23% Danceability • 22% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
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The Tolkien Ensemble
The Old Walking Song (I)
90 bpm • C# min • 04:21 • -13.17db
12% Popularity • 40% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
12% Popularity • 40% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Sasha Lazard
Tell Me Why
105 bpm • F Maj • 04:51 • -8.19db
3% Popularity • 58% Danceability • 83% Energy • 5% Liveness
15% Instrumentalness • 37% Positiveness
3% Popularity • 58% Danceability • 83% Energy • 5% Liveness
15% Instrumentalness • 37% Positiveness
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aeseaes
Drunken Sailor
105 bpm • G# Maj • 04:18 • -10.9db
30% Popularity • 42% Danceability • 39% Energy • 12% Liveness
26% Instrumentalness • 19% Positiveness
30% Popularity • 42% Danceability • 39% Energy • 12% Liveness
26% Instrumentalness • 19% Positiveness
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Donna Burke
Way in the Dark ("Implosion - Never Lose...
105 bpm • E min • 05:14 • -12.34db
10% Popularity • 44% Danceability • 62% Energy • 11% Liveness
4% Instrumentalness • 7% Positiveness
10% Popularity • 44% Danceability • 62% Energy • 11% Liveness
4% Instrumentalness • 7% Positiveness
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Cécile Corbel
The Neglected Garden
89 bpm • G Maj • 04:13 • -9.83db
41% Popularity • 19% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 11% Positiveness
41% Popularity • 19% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 11% Positiveness
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Heather Dale
Come and Be Welcome
89 bpm • E Maj • 03:27 • -12db
36% Popularity • 74% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
36% Popularity • 74% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
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Paul Williams
Flying Dreams
89 bpm • C Maj • 03:22 • -16.03db
18% Popularity • 37% Danceability • 17% Energy • 9% Liveness
19% Instrumentalness • 20% Positiveness
18% Popularity • 37% Danceability • 17% Energy • 9% Liveness
19% Instrumentalness • 20% Positiveness
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Emeli Sandé
10,000 Enemies
89 bpm • F min • 03:41 • -12.72db
18% Popularity • 25% Danceability • 17% Energy • 36% Liveness
0% Instrumentalness • 12% Positiveness
18% Popularity • 25% Danceability • 17% Energy • 36% Liveness
0% Instrumentalness • 12% Positiveness
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George Kallis
The Strength to Light Our Way
89 bpm • C# Maj • 01:31 • -14.54db
36% Popularity • 22% Danceability • 21% Energy • 63% Liveness
26% Instrumentalness • 11% Positiveness
36% Popularity • 22% Danceability • 21% Energy • 63% Liveness
26% Instrumentalness • 11% Positiveness
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Nick Keir
The Old Walking Song (I)
89 bpm • C# min • 05:08 • -18.21db
17% Popularity • 43% Danceability • 13% Energy • 10% Liveness
2% Instrumentalness • 26% Positiveness
17% Popularity • 43% Danceability • 13% Energy • 10% Liveness
2% Instrumentalness • 26% Positiveness
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Cactus In A Scarf
The Bear and the Maiden Fair
89 bpm • C# min • 02:36 • -11.31db
23% Popularity • 46% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
23% Popularity • 46% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Harajuku Nation
The Legend of Korra Main Theme
106 bpm • D min • 01:03 • -23.38db
26% Popularity • 42% Danceability • 4% Energy • 10% Liveness
92% Instrumentalness • 44% Positiveness
26% Popularity • 42% Danceability • 4% Energy • 10% Liveness
92% Instrumentalness • 44% Positiveness
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Auri
I Hope Your World Is Kind
106 bpm • A min • 05:02 • -16db
40% Popularity • 55% Danceability • 16% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
40% Popularity • 55% Danceability • 16% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
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Anúna
Fill, Fill a Rún
89 bpm • F min • 05:24 • -19.01db
34% Popularity • 26% Danceability • 7% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
34% Popularity • 26% Danceability • 7% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
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Nick Phoenix
Mercy in Darkness
106 bpm • A Maj • 01:10 • -14.68db
36% Popularity • 19% Danceability • 25% Energy • 11% Liveness
92% Instrumentalness • 13% Positiveness
36% Popularity • 19% Danceability • 25% Energy • 11% Liveness
92% Instrumentalness • 13% Positiveness
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Joseph Loduca
Burial
88 bpm • F# min • 01:52 • -14.29db
17% Popularity • 13% Danceability • 22% Energy • 8% Liveness
49% Instrumentalness • 10% Positiveness
17% Popularity • 13% Danceability • 22% Energy • 8% Liveness
49% Instrumentalness • 10% Positiveness
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Felicia Farerre
Lament for the Lost Souls
88 bpm • D# min • 04:08 • -17.95db
21% Popularity • 11% Danceability • 27% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
21% Popularity • 11% Danceability • 27% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Frank Fitzpatrick
Ode to Innocence - Amplified Remix
88 bpm • A min • 03:06 • -13.41db
1% Popularity • 55% Danceability • 51% Energy • 13% Liveness
87% Instrumentalness • 27% Positiveness
1% Popularity • 55% Danceability • 51% Energy • 13% Liveness
87% Instrumentalness • 27% Positiveness
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Berlin Virtual Symphonics
Fanelia
107 bpm • B min • 03:15 • -8.47db
17% Popularity • 26% Danceability • 34% Energy • 25% Liveness
82% Instrumentalness • 14% Positiveness
17% Popularity • 26% Danceability • 34% Energy • 25% Liveness
82% Instrumentalness • 14% Positiveness
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Sasha Lazard
Ode To Innocence
88 bpm • A min • 04:44 • -8db
22% Popularity • 56% Danceability • 70% Energy • 12% Liveness
68% Instrumentalness • 33% Positiveness
22% Popularity • 56% Danceability • 70% Energy • 12% Liveness
68% Instrumentalness • 33% Positiveness
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Meav Ni Mhaolchatha
Where the Sunbeams Play
108 bpm • G Maj • 02:14 • -8.76db
27% Popularity • 34% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
27% Popularity • 34% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Anne Dudley
I'd Pluck a Fair Rose
87 bpm • A min • 02:06 • -18.37db
38% Popularity • 31% Danceability • 10% Energy • 19% Liveness
0% Instrumentalness • 33% Positiveness
38% Popularity • 31% Danceability • 10% Energy • 19% Liveness
0% Instrumentalness • 33% Positiveness
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Merrigan
The Changeling
108 bpm • C Maj • 04:54 • -21db
17% Popularity • 37% Danceability • 6% Energy • 9% Liveness
70% Instrumentalness • 23% Positiveness
17% Popularity • 37% Danceability • 6% Energy • 9% Liveness
70% Instrumentalness • 23% Positiveness
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Oliva Orr
Destiny Of Love
87 bpm • F# min • 03:24 • -12.37db
24% Popularity • 15% Danceability • 33% Energy • 13% Liveness
7% Instrumentalness • 9% Positiveness
24% Popularity • 15% Danceability • 33% Energy • 13% Liveness
7% Instrumentalness • 9% Positiveness
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Kurt Bestor
The Melody Within
87 bpm • F Maj • 03:39 • -11.72db
27% Popularity • 27% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
27% Popularity • 27% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Sasha Lazard
Hiding Place
108 bpm • D min • 04:09 • -13.12db
3% Popularity • 56% Danceability • 31% Energy • 9% Liveness
38% Instrumentalness • 21% Positiveness
3% Popularity • 56% Danceability • 31% Energy • 9% Liveness
38% Instrumentalness • 21% Positiveness
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Phil Larson
I'm Gonna Fly
108 bpm • A Maj • 03:45 • -9.25db
22% Popularity • 18% Danceability • 66% Energy • 22% Liveness
64% Instrumentalness • 4% Positiveness
22% Popularity • 18% Danceability • 66% Energy • 22% Liveness
64% Instrumentalness • 4% Positiveness
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Nobuo Uematsu
Memoro De La Stono​~​Distant Worlds ...
87 bpm • A min • 08:41 • -11.44db
33% Popularity • 19% Danceability • 21% Energy • 28% Liveness
0% Instrumentalness • 7% Positiveness
33% Popularity • 19% Danceability • 21% Energy • 28% Liveness
0% Instrumentalness • 7% Positiveness
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Sirena
Scarborough Faire
108 bpm • F# min • 02:37 • -8.96db
18% Popularity • 29% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
18% Popularity • 29% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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PHILDEL
Winter Valley
87 bpm • A min • 04:14 • -14.37db
25% Popularity • 41% Danceability • 27% Energy • 8% Liveness
90% Instrumentalness • 16% Positiveness
25% Popularity • 41% Danceability • 27% Energy • 8% Liveness
90% Instrumentalness • 16% Positiveness
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Globus
Prelude (On Earth as in Heaven)
87 bpm • A# min • 05:25 • -9.93db
23% Popularity • 54% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
23% Popularity • 54% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Abel Korzeniowski
The Unquiet Grave
87 bpm • B min • 01:24 • -27.59db
26% Popularity • 39% Danceability • 11% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
26% Popularity • 39% Danceability • 11% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
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Laura Shigihara
Everything's Alright
109 bpm • C Maj • 03:25 • -15.34db
40% Popularity • 44% Danceability • 12% Energy • 12% Liveness
2% Instrumentalness • 24% Positiveness
40% Popularity • 44% Danceability • 12% Energy • 12% Liveness
2% Instrumentalness • 24% Positiveness
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Christopher Tin
Hymn Do Trójcy Świetęj
87 bpm • C Maj • 06:48 • -23.3db
22% Popularity • 18% Danceability • 8% Energy • 10% Liveness
13% Instrumentalness • 3% Positiveness
22% Popularity • 18% Danceability • 8% Energy • 10% Liveness
13% Instrumentalness • 3% Positiveness
