Songs like Problem Child by The Damned
Based on a tempo of (+/- 10%) and a similar genre
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Joy Division
She's Lost Control - 2007 Remaster
144 bpm • B min • 03:57 • -7.63db
57% Popularity • 48% Danceability • 85% Energy • 8% Liveness
3% Instrumentalness • 74% Positiveness
57% Popularity • 48% Danceability • 85% Energy • 8% Liveness
3% Instrumentalness • 74% Positiveness
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The Stranglers
Sometimes - 1996 Remaster
144 bpm • A min • 04:53 • -8db
32% Popularity • 48% Danceability • 84% Energy • 22% Liveness
5% Instrumentalness • 86% Positiveness
32% Popularity • 48% Danceability • 84% Energy • 22% Liveness
5% Instrumentalness • 86% Positiveness
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Echo & the Bunnymen
Villiers Terrace
144 bpm • C Maj • 03:12 • -8db
29% Popularity • 38% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
29% Popularity • 38% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Killing Joke
Wardance - 2005 Digital Remaster
145 bpm • B min • 03:45 • -8.09db
32% Popularity • 39% Danceability • 98% Energy • 37% Liveness
76% Instrumentalness • 43% Positiveness
32% Popularity • 39% Danceability • 98% Energy • 37% Liveness
76% Instrumentalness • 43% Positiveness
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Gang Of Four
Return the Gift
143 bpm • D Maj • 03:05 • -7.3db
31% Popularity • 76% Danceability • 56% Energy • 11% Liveness
5% Instrumentalness • 94% Positiveness
31% Popularity • 76% Danceability • 56% Energy • 11% Liveness
5% Instrumentalness • 94% Positiveness
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Skids
Into The Valley
145 bpm • G Maj • 03:19 • -12.7db
44% Popularity • 33% Danceability • 71% Energy • 11% Liveness
1% Instrumentalness • 65% Positiveness
44% Popularity • 33% Danceability • 71% Energy • 11% Liveness
1% Instrumentalness • 65% Positiveness
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New York Dolls
Vietnamese Baby
143 bpm • C Maj • 03:38 • -11.25db
29% Popularity • 39% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
29% Popularity • 39% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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The Chameleons
In Shreds
145 bpm • B min • 04:09 • -7.11db
30% Popularity • 32% Danceability • 91% Energy • 12% Liveness
2% Instrumentalness • 26% Positiveness
30% Popularity • 32% Danceability • 91% Energy • 12% Liveness
2% Instrumentalness • 26% Positiveness
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Television
See No Evil
145 bpm • G Maj • 03:52 • -7.94db
46% Popularity • 40% Danceability • 78% Energy • 9% Liveness
7% Instrumentalness • 81% Positiveness
46% Popularity • 40% Danceability • 78% Energy • 9% Liveness
7% Instrumentalness • 81% Positiveness
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The Professionals
Just Another Dream
143 bpm • C Maj • 03:03 • -10.63db
18% Popularity • 29% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 44% Positiveness
18% Popularity • 29% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 44% Positiveness
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The Clash
Clampdown - Remastered
145 bpm • D Maj • 03:49 • -7.61db
49% Popularity • 68% Danceability • 72% Energy • 32% Liveness
0% Instrumentalness • 88% Positiveness
49% Popularity • 68% Danceability • 72% Energy • 32% Liveness
0% Instrumentalness • 88% Positiveness
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The Damned
Ignite
145 bpm • G Maj • 04:52 • -6.33db
32% Popularity • 37% Danceability • 98% Energy • 93% Liveness
7% Instrumentalness • 18% Positiveness
32% Popularity • 37% Danceability • 98% Energy • 93% Liveness
7% Instrumentalness • 18% Positiveness
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New York Dolls
Pills
143 bpm • A Maj • 02:47 • -9.93db
39% Popularity • 39% Danceability • 91% Energy • 40% Liveness
0% Instrumentalness • 84% Positiveness
39% Popularity • 39% Danceability • 91% Energy • 40% Liveness
0% Instrumentalness • 84% Positiveness
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Joy Division
Shadowplay - 2007 Remaster
145 bpm • A Maj • 03:53 • -7.86db
57% Popularity • 43% Danceability • 76% Energy • 12% Liveness
76% Instrumentalness • 12% Positiveness
57% Popularity • 43% Danceability • 76% Energy • 12% Liveness
76% Instrumentalness • 12% Positiveness
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Johnny Thunders
Leave Me Alone
142 bpm • A Maj • 02:47 • -10.24db
22% Popularity • 31% Danceability • 94% Energy • 38% Liveness
7% Instrumentalness • 25% Positiveness
22% Popularity • 31% Danceability • 94% Energy • 38% Liveness
7% Instrumentalness • 25% Positiveness
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MC5
Kick Out the Jams
146 bpm • D Maj • 02:40 • -3.49db
45% Popularity • 32% Danceability • 92% Energy • 37% Liveness
0% Instrumentalness • 72% Positiveness
45% Popularity • 32% Danceability • 92% Energy • 37% Liveness
0% Instrumentalness • 72% Positiveness
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Richard Hell
Down at the Rock and Roll Club - 2017 Re...
142 bpm • B min • 03:42 • -4db
20% Popularity • 49% Danceability • 94% Energy • 36% Liveness
0% Instrumentalness • 74% Positiveness
20% Popularity • 49% Danceability • 94% Energy • 36% Liveness
0% Instrumentalness • 74% Positiveness
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Bauhaus
Stigmata Martyr
142 bpm • B min • 03:41 • -13.57db
46% Popularity • 48% Danceability • 44% Energy • 42% Liveness
2% Instrumentalness • 32% Positiveness
46% Popularity • 48% Danceability • 44% Energy • 42% Liveness
2% Instrumentalness • 32% Positiveness
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U.K. Subs
Down On The Farm - Endangered Species
142 bpm • D Maj • 03:24 • -9db
21% Popularity • 25% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
21% Popularity • 25% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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The Stranglers
(Get A) Grip [on Yourself] - 1996 Remast...
142 bpm • G Maj • 03:59 • -9db
39% Popularity • 52% Danceability • 85% Energy • 11% Liveness
11% Instrumentalness • 78% Positiveness
39% Popularity • 52% Danceability • 85% Energy • 11% Liveness
11% Instrumentalness • 78% Positiveness
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Siouxsie and the Banshees
Hong Kong Garden
147 bpm • C Maj • 02:55 • -8.96db
57% Popularity • 61% Danceability • 72% Energy • 17% Liveness
8% Instrumentalness • 71% Positiveness
57% Popularity • 61% Danceability • 72% Energy • 17% Liveness
8% Instrumentalness • 71% Positiveness
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The Ruts
Backbiter
141 bpm • E Maj • 03:02 • -13.8db
14% Popularity • 60% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
14% Popularity • 60% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
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The Damned
Therapy
147 bpm • A Maj • 06:11 • -7.39db
17% Popularity • 42% Danceability • 91% Energy • 32% Liveness
40% Instrumentalness • 37% Positiveness
17% Popularity • 42% Danceability • 91% Energy • 32% Liveness
40% Instrumentalness • 37% Positiveness
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New York Dolls
Looking For A Kiss
141 bpm • A Maj • 03:18 • -12.69db
41% Popularity • 47% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 82% Positiveness
41% Popularity • 47% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 82% Positiveness
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U.K. Subs
Warhead
141 bpm • E min • 03:21 • -6.63db
30% Popularity • 47% Danceability • 82% Energy • 10% Liveness
83% Instrumentalness • 39% Positiveness
30% Popularity • 47% Danceability • 82% Energy • 10% Liveness
83% Instrumentalness • 39% Positiveness
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Mission Of Burma
That's When I Reach for My Revolver
147 bpm • E Maj • 03:53 • -6db
43% Popularity • 30% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
43% Popularity • 30% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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Alternative TV
Action Time Vision
147 bpm • C Maj • 02:34 • -6.74db
24% Popularity • 65% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
24% Popularity • 65% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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The Clash
London's Burning - Remastered
147 bpm • G Maj • 02:11 • -6.08db
44% Popularity • 56% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
44% Popularity • 56% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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The Damned
Under the Floor Again
147 bpm • D Maj • 05:03 • -7.79db
20% Popularity • 27% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 12% Positiveness
20% Popularity • 27% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 12% Positiveness
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Joy Division
Leaders of Men - 2010 Remaster
141 bpm • C Maj • 02:35 • -11db
41% Popularity • 52% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
41% Popularity • 52% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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DEVO
Freedom of Choice
140 bpm • C Maj • 03:28 • -13db
39% Popularity • 84% Danceability • 87% Energy • 6% Liveness
1% Instrumentalness • 96% Positiveness
39% Popularity • 84% Danceability • 87% Energy • 6% Liveness
1% Instrumentalness • 96% Positiveness
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Lords Of The New Church
Pretty Baby Scream
141 bpm • A min • 05:03 • -6db
12% Popularity • 45% Danceability • 74% Energy • 33% Liveness
0% Instrumentalness • 21% Positiveness
12% Popularity • 45% Danceability • 74% Energy • 33% Liveness
0% Instrumentalness • 21% Positiveness
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The Cramps
The Crusher
148 bpm • A min • 01:47 • -9db
42% Popularity • 45% Danceability • 94% Energy • 35% Liveness
71% Instrumentalness • 56% Positiveness
42% Popularity • 45% Danceability • 94% Energy • 35% Liveness
71% Instrumentalness • 56% Positiveness
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New York Dolls
Puss 'N' Boots
148 bpm • C Maj • 03:07 • -8.88db
27% Popularity • 40% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
27% Popularity • 40% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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The Damned
Life Goes On
147 bpm • D Maj • 04:03 • -7.15db
46% Popularity • 53% Danceability • 80% Energy • 13% Liveness
2% Instrumentalness • 50% Positiveness
46% Popularity • 53% Danceability • 80% Energy • 13% Liveness
2% Instrumentalness • 50% Positiveness
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The Fall
Victoria
148 bpm • G Maj • 02:45 • -9db
40% Popularity • 49% Danceability • 79% Energy • 18% Liveness
17% Instrumentalness • 90% Positiveness
40% Popularity • 49% Danceability • 79% Energy • 18% Liveness
17% Instrumentalness • 90% Positiveness
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DEVO
Mongoloid
148 bpm • B min • 03:45 • -12.29db
39% Popularity • 56% Danceability • 47% Energy • 11% Liveness
16% Instrumentalness • 58% Positiveness
39% Popularity • 56% Danceability • 47% Energy • 11% Liveness
16% Instrumentalness • 58% Positiveness
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Lords Of The New Church
Black Girl White Girl
148 bpm • E Maj • 03:42 • -3.97db
15% Popularity • 27% Danceability • 92% Energy • 11% Liveness
2% Instrumentalness • 75% Positiveness
15% Popularity • 27% Danceability • 92% Energy • 11% Liveness
2% Instrumentalness • 75% Positiveness
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Johnny Thunders & The Heartbreakers
Born To Lose - Remastered
148 bpm • E Maj • 03:05 • -6.91db
18% Popularity • 39% Danceability • 92% Energy • 36% Liveness
0% Instrumentalness • 68% Positiveness
18% Popularity • 39% Danceability • 92% Energy • 36% Liveness
0% Instrumentalness • 68% Positiveness
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The Adverts
I Surrender
140 bpm • F# min • 03:02 • -2.97db
10% Popularity • 39% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
10% Popularity • 39% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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The Damned
I Just Can't Be Happy Today
148 bpm • D Maj • 03:43 • -8.81db
32% Popularity • 34% Danceability • 91% Energy • 28% Liveness
0% Instrumentalness • 43% Positiveness
32% Popularity • 34% Danceability • 91% Energy • 28% Liveness
0% Instrumentalness • 43% Positiveness
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Siouxsie and the Banshees
The Passenger
140 bpm • D min • 05:09 • -4.54db
59% Popularity • 46% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
59% Popularity • 46% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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The Ruts
Criminal Mind
140 bpm • E Maj • 01:33 • -11db
27% Popularity • 46% Danceability • 87% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
27% Popularity • 46% Danceability • 87% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
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Killing Joke
Kings And Queens - 2007 Digital Remaster
140 bpm • G Maj • 04:37 • -8.3db
29% Popularity • 60% Danceability • 94% Energy • 7% Liveness
24% Instrumentalness • 50% Positiveness
29% Popularity • 60% Danceability • 94% Energy • 7% Liveness
24% Instrumentalness • 50% Positiveness
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Johnny Thunders & The Heartbreakers
Born to Lose
148 bpm • B Maj • 03:04 • -8db
43% Popularity • 40% Danceability • 89% Energy • 71% Liveness
0% Instrumentalness • 67% Positiveness
43% Popularity • 40% Danceability • 89% Energy • 71% Liveness
0% Instrumentalness • 67% Positiveness
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Joy Division
Novelty - 2020 Digital Remaster
148 bpm • E min • 04:03 • -9.06db
33% Popularity • 53% Danceability • 90% Energy • 14% Liveness
32% Instrumentalness • 48% Positiveness
33% Popularity • 53% Danceability • 90% Energy • 14% Liveness
32% Instrumentalness • 48% Positiveness
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Gang Of Four
5.45
140 bpm • E Maj • 03:43 • -9db
28% Popularity • 56% Danceability • 79% Energy • 6% Liveness
57% Instrumentalness • 80% Positiveness
28% Popularity • 56% Danceability • 79% Energy • 6% Liveness
57% Instrumentalness • 80% Positiveness
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Siouxsie and the Banshees
Spellbound
148 bpm • G Maj • 03:17 • -11.1db
60% Popularity • 42% Danceability • 85% Energy • 54% Liveness
0% Instrumentalness • 30% Positiveness
60% Popularity • 42% Danceability • 85% Energy • 54% Liveness
0% Instrumentalness • 30% Positiveness
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Echo & the Bunnymen
The Cutter
139 bpm • G Maj • 03:52 • -5db
51% Popularity • 47% Danceability • 96% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
51% Popularity • 47% Danceability • 96% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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Adam & The Ants
Car Trouble (Parts 1 & 2)
139 bpm • C Maj • 06:48 • -5db
26% Popularity • 61% Danceability • 86% Energy • 26% Liveness
2% Instrumentalness • 74% Positiveness
26% Popularity • 61% Danceability • 86% Energy • 26% Liveness
2% Instrumentalness • 74% Positiveness
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Johnny Thunders & The Heartbreakers
Chinese Rocks - Remastered
139 bpm • G Maj • 02:56 • -8.09db
32% Popularity • 43% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
32% Popularity • 43% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
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The Clash
Spanish Bombs - Remastered
149 bpm • B min • 03:18 • -7.9db
55% Popularity • 61% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 77% Positiveness
55% Popularity • 61% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 77% Positiveness
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Stiv Bators
Evil Boy
149 bpm • E Maj • 03:17 • -7.35db
19% Popularity • 36% Danceability • 98% Energy • 41% Liveness
0% Instrumentalness • 38% Positiveness
19% Popularity • 36% Danceability • 98% Energy • 41% Liveness
0% Instrumentalness • 38% Positiveness
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New York Dolls
Chatterbox
139 bpm • A Maj • 02:25 • -10db
35% Popularity • 35% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
35% Popularity • 35% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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The Jesus and Mary Chain
Head On
139 bpm • C Maj • 04:11 • -5db
46% Popularity • 56% Danceability • 87% Energy • 9% Liveness
24% Instrumentalness • 52% Positiveness
46% Popularity • 56% Danceability • 87% Energy • 9% Liveness
24% Instrumentalness • 52% Positiveness
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The Undertones
When Saturday Comes (Eden Studio Session...
139 bpm • G Maj • 02:43 • -10.3db
25% Popularity • 58% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
25% Popularity • 58% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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The Cramps
Garbageman
139 bpm • B min • 03:37 • -9.5db
43% Popularity • 56% Danceability • 97% Energy • 17% Liveness
10% Instrumentalness • 39% Positiveness
43% Popularity • 56% Danceability • 97% Energy • 17% Liveness
10% Instrumentalness • 39% Positiveness
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Gang Of Four
At Home He's a Tourist
139 bpm • C Maj • 03:30 • -9db
36% Popularity • 65% Danceability • 52% Energy • 10% Liveness
13% Instrumentalness • 60% Positiveness
36% Popularity • 65% Danceability • 52% Energy • 10% Liveness
13% Instrumentalness • 60% Positiveness
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The Adverts
Television's Over
150 bpm • E Maj • 03:17 • -2db
13% Popularity • 35% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
13% Popularity • 35% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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New York Dolls
Bad Girl
149 bpm • E Maj • 03:03 • -10.78db
30% Popularity • 42% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 82% Positiveness
30% Popularity • 42% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 82% Positiveness
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The Gun Club
Run Through the Jungle - Remastered 2020
138 bpm • A Maj • 04:08 • -5db
30% Popularity • 44% Danceability • 95% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
30% Popularity • 44% Danceability • 95% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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X-Ray Spex
The Day the World Turned Dayglo
150 bpm • A Maj • 02:52 • -5db
36% Popularity • 52% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
36% Popularity • 52% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Wire
Mannequin - 2006 Remastered Version
150 bpm • B min • 02:37 • -9db
53% Popularity • 42% Danceability • 75% Energy • 25% Liveness
25% Instrumentalness • 86% Positiveness
53% Popularity • 42% Danceability • 75% Energy • 25% Liveness
25% Instrumentalness • 86% Positiveness
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The Damned
Machine Gun Etiquette
138 bpm • B min • 01:49 • -7.12db
35% Popularity • 22% Danceability • 94% Energy • 47% Liveness
0% Instrumentalness • 56% Positiveness
35% Popularity • 22% Danceability • 94% Energy • 47% Liveness
0% Instrumentalness • 56% Positiveness
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Richard Hell
Blank Generation - 2013 Remaster
138 bpm • B min • 02:47 • -4db
47% Popularity • 44% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
47% Popularity • 44% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Dead Moon
Graveyard
150 bpm • E min • 02:32 • -5.78db
29% Popularity • 36% Danceability • 96% Energy • 25% Liveness
0% Instrumentalness • 25% Positiveness
29% Popularity • 36% Danceability • 96% Energy • 25% Liveness
0% Instrumentalness • 25% Positiveness
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Killing Joke
Change - 2005 Digital Remaster
138 bpm • C min • 04:00 • -8db
33% Popularity • 71% Danceability • 68% Energy • 14% Liveness
54% Instrumentalness • 76% Positiveness
33% Popularity • 71% Danceability • 68% Energy • 14% Liveness
54% Instrumentalness • 76% Positiveness
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Adam & The Ants
Zerøx
150 bpm • A Maj • 03:46 • -5db
29% Popularity • 30% Danceability • 96% Energy • 25% Liveness
4% Instrumentalness • 41% Positiveness
29% Popularity • 30% Danceability • 96% Energy • 25% Liveness
4% Instrumentalness • 41% Positiveness
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X-Ray Spex
Warrior in Woolworths
150 bpm • D# Maj • 03:07 • -4.07db
29% Popularity • 41% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
29% Popularity • 41% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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The Damned
Love Song
138 bpm • A min • 02:21 • -8db
41% Popularity • 30% Danceability • 93% Energy • 52% Liveness
20% Instrumentalness • 19% Positiveness
41% Popularity • 30% Danceability • 93% Energy • 52% Liveness
20% Instrumentalness • 19% Positiveness
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The Ruts
In A Rut - Single Version
138 bpm • A Maj • 03:40 • -14.85db
29% Popularity • 57% Danceability • 49% Energy • 44% Liveness
0% Instrumentalness • 91% Positiveness
29% Popularity • 57% Danceability • 49% Energy • 44% Liveness
0% Instrumentalness • 91% Positiveness
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Dead Kennedys
Viva Las Vegas
151 bpm • A Maj • 02:42 • -5db
36% Popularity • 34% Danceability • 96% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
36% Popularity • 34% Danceability • 96% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
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The Clash
Death or Glory - Remastered
138 bpm • C Maj • 03:55 • -7.28db
49% Popularity • 68% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
49% Popularity • 68% Danceability • 84% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
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The Vibrators
You Broke My Heart
151 bpm • F Maj • 03:27 • -9.67db
16% Popularity • 46% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
16% Popularity • 46% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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New York Dolls
Frankenstein
138 bpm • B min • 05:58 • -10.15db
27% Popularity • 34% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 44% Positiveness
27% Popularity • 34% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 44% Positiveness
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Dead Moon
Walking on My Grave
137 bpm • C# Maj • 03:08 • -6.23db
37% Popularity • 63% Danceability • 71% Energy • 17% Liveness
9% Instrumentalness • 89% Positiveness
37% Popularity • 63% Danceability • 71% Energy • 17% Liveness
9% Instrumentalness • 89% Positiveness
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The Undertones
You've Got My Number (Why Don't You Use ...
151 bpm • E Maj • 02:40 • -6.98db
38% Popularity • 46% Danceability • 81% Energy • 21% Liveness
32% Instrumentalness • 88% Positiveness
38% Popularity • 46% Danceability • 81% Energy • 21% Liveness
32% Instrumentalness • 88% Positiveness
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Hüsker Dü
Never Talking to You Again
137 bpm • E min • 01:40 • -14.68db
36% Popularity • 40% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
36% Popularity • 40% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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The Boys
First Time
151 bpm • D Maj • 02:22 • -6.74db
29% Popularity • 41% Danceability • 75% Energy • 10% Liveness
72% Instrumentalness • 78% Positiveness
29% Popularity • 41% Danceability • 75% Energy • 10% Liveness
72% Instrumentalness • 78% Positiveness
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The Stranglers
No More Heroes - 1996 Remaster
151 bpm • C Maj • 03:27 • -8db
51% Popularity • 29% Danceability • 93% Energy • 34% Liveness
14% Instrumentalness • 84% Positiveness
51% Popularity • 29% Danceability • 93% Energy • 34% Liveness
14% Instrumentalness • 84% Positiveness
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Redd Kross
Annette's Got the Hits
137 bpm • A min • 01:08 • -5.38db
37% Popularity • 63% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
37% Popularity • 63% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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T.S.O.L.
Blackmagic
137 bpm • B Maj • 02:33 • -6.56db
32% Popularity • 50% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
32% Popularity • 50% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
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Stiv Bators
A Million Miles Away
137 bpm • G Maj • 03:45 • -6.92db
26% Popularity • 48% Danceability • 94% Energy • 85% Liveness
0% Instrumentalness • 61% Positiveness
26% Popularity • 48% Danceability • 94% Energy • 85% Liveness
0% Instrumentalness • 61% Positiveness
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Joy Division
Isolation - 2007 Remaster
152 bpm • C Maj • 02:55 • -8.12db
49% Popularity • 54% Danceability • 78% Energy • 9% Liveness
1% Instrumentalness • 70% Positiveness
49% Popularity • 54% Danceability • 78% Energy • 9% Liveness
1% Instrumentalness • 70% Positiveness
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Skids
The Saints Are Coming
152 bpm • F min • 02:37 • -11db
37% Popularity • 42% Danceability • 75% Energy • 15% Liveness
1% Instrumentalness • 77% Positiveness
37% Popularity • 42% Danceability • 75% Energy • 15% Liveness
1% Instrumentalness • 77% Positiveness
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The Clash
Brand New Cadillac - Remastered
152 bpm • A Maj • 02:08 • -7db
57% Popularity • 52% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
57% Popularity • 52% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Redd Kross
Annette's Got the Hits
137 bpm • A min • 01:11 • -10db
29% Popularity • 62% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
29% Popularity • 62% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Richard Hell
Love Comes in Spurts - 2013 Remaster
152 bpm • D Maj • 02:04 • -4db
34% Popularity • 49% Danceability • 98% Energy • 35% Liveness
0% Instrumentalness • 58% Positiveness
34% Popularity • 49% Danceability • 98% Energy • 35% Liveness
0% Instrumentalness • 58% Positiveness
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Killing Joke
Eighties - 2007 Digital Remaster
152 bpm • D# Maj • 03:59 • -8.84db
56% Popularity • 39% Danceability • 96% Energy • 34% Liveness
2% Instrumentalness • 35% Positiveness
56% Popularity • 39% Danceability • 96% Energy • 34% Liveness
2% Instrumentalness • 35% Positiveness
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The Damned
Dr Jekyll and Mr Hyde
136 bpm • B Maj • 04:31 • -8.93db
23% Popularity • 58% Danceability • 82% Energy • 37% Liveness
19% Instrumentalness • 20% Positiveness
23% Popularity • 58% Danceability • 82% Energy • 37% Liveness
19% Instrumentalness • 20% Positiveness
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X
White Girl
136 bpm • G Maj • 03:27 • -6.71db
20% Popularity • 35% Danceability • 64% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
20% Popularity • 35% Danceability • 64% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
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Hüsker Dü
Sorry Somehow
152 bpm • A min • 04:29 • -12db
32% Popularity • 39% Danceability • 83% Energy • 23% Liveness
16% Instrumentalness • 41% Positiveness
32% Popularity • 39% Danceability • 83% Energy • 23% Liveness
16% Instrumentalness • 41% Positiveness
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The Clash
All the Young Punks (New Boots and Contr...
152 bpm • B Maj • 04:58 • -5.91db
35% Popularity • 53% Danceability • 90% Energy • 57% Liveness
0% Instrumentalness • 67% Positiveness
35% Popularity • 53% Danceability • 90% Energy • 57% Liveness
0% Instrumentalness • 67% Positiveness
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Bauhaus
In the Flat Field
152 bpm • C Maj • 05:00 • -9db
43% Popularity • 39% Danceability • 81% Energy • 12% Liveness
21% Instrumentalness • 56% Positiveness
43% Popularity • 39% Danceability • 81% Energy • 12% Liveness
21% Instrumentalness • 56% Positiveness
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T.S.O.L.
Code Blue
136 bpm • G Maj • 02:08 • -3db
47% Popularity • 19% Danceability • 98% Energy • 40% Liveness
0% Instrumentalness • 34% Positiveness
47% Popularity • 19% Danceability • 98% Energy • 40% Liveness
0% Instrumentalness • 34% Positiveness
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Killing Joke
Night Time - 2007 Digital Remaster
136 bpm • D Maj • 04:56 • -9.37db
32% Popularity • 47% Danceability • 97% Energy • 11% Liveness
68% Instrumentalness • 20% Positiveness
32% Popularity • 47% Danceability • 97% Energy • 11% Liveness
68% Instrumentalness • 20% Positiveness
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Skids
Sweet Suburbia
152 bpm • C Maj • 02:32 • -12.72db
27% Popularity • 61% Danceability • 72% Energy • 40% Liveness
0% Instrumentalness • 92% Positiveness
27% Popularity • 61% Danceability • 72% Energy • 40% Liveness
0% Instrumentalness • 92% Positiveness
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Siouxsie and the Banshees
Helter Skelter
152 bpm • A Maj • 03:47 • -6.05db
33% Popularity • 34% Danceability • 92% Energy • 8% Liveness
90% Instrumentalness • 14% Positiveness
33% Popularity • 34% Danceability • 92% Energy • 8% Liveness
90% Instrumentalness • 14% Positiveness
