Songs like Procession by Mad Parish
Based on a tempo of (+/- 10%) and a similar genre
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Therewolf Media
One Shall Stand
126 bpm • C Maj • 03:56 • -3.74db
14% Popularity • 47% Danceability • 85% Energy • 7% Liveness
77% Instrumentalness • 23% Positiveness
14% Popularity • 47% Danceability • 85% Energy • 7% Liveness
77% Instrumentalness • 23% Positiveness
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Mad Parish
Procession
126 bpm • D# min • 02:16 • -4.78db
0% Popularity • 40% Danceability • 88% Energy • 7% Liveness
64% Instrumentalness • 25% Positiveness
0% Popularity • 40% Danceability • 88% Energy • 7% Liveness
64% Instrumentalness • 25% Positiveness
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Scold´s Bridle
Angel Maker
126 bpm • D Maj • 04:15 • -13.16db
16% Popularity • 65% Danceability • 57% Energy • 23% Liveness
0% Instrumentalness • 58% Positiveness
16% Popularity • 65% Danceability • 57% Energy • 23% Liveness
0% Instrumentalness • 58% Positiveness
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Tyler Bryant & the Shakedown
Snake Oil
126 bpm • C Maj • 03:57 • -5.7db
35% Popularity • 55% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 32% Positiveness
35% Popularity • 55% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 32% Positiveness
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SUPER BEE
Super Spreader
126 bpm • B Maj • 03:06 • -5.9db
25% Popularity • 46% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
25% Popularity • 46% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Applehead Greg Minier
No More Words
125 bpm • C# Maj • 04:03 • -5.94db
11% Popularity • 57% Danceability • 91% Energy • 28% Liveness
1% Instrumentalness • 68% Positiveness
11% Popularity • 57% Danceability • 91% Energy • 28% Liveness
1% Instrumentalness • 68% Positiveness
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Reign In Revenge
Incurable
125 bpm • D Maj • 05:08 • -11.08db
8% Popularity • 30% Danceability • 69% Energy • 8% Liveness
3% Instrumentalness • 4% Positiveness
8% Popularity • 30% Danceability • 69% Energy • 8% Liveness
3% Instrumentalness • 4% Positiveness
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Quiet Storm
Riptide
125 bpm • C# Maj • 04:01 • -5.64db
14% Popularity • 56% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
14% Popularity • 56% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Confirmation Bias
Residence In You
125 bpm • E Maj • 10:52 • -6.17db
16% Popularity • 52% Danceability • 75% Energy • 31% Liveness
68% Instrumentalness • 24% Positiveness
16% Popularity • 52% Danceability • 75% Energy • 31% Liveness
68% Instrumentalness • 24% Positiveness
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Jesse Howard
Competing With Reality Show
125 bpm • D Maj • 04:28 • -5.21db
19% Popularity • 44% Danceability • 98% Energy • 32% Liveness
4% Instrumentalness • 25% Positiveness
19% Popularity • 44% Danceability • 98% Energy • 32% Liveness
4% Instrumentalness • 25% Positiveness
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Primal Sinner
Red Horn Calls
125 bpm • G# min • 04:55 • -10.26db
15% Popularity • 54% Danceability • 87% Energy • 22% Liveness
53% Instrumentalness • 46% Positiveness
15% Popularity • 54% Danceability • 87% Energy • 22% Liveness
53% Instrumentalness • 46% Positiveness
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Augustine Maurice
The Mayday
128 bpm • G Maj • 04:11 • -7.13db
21% Popularity • 49% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
21% Popularity • 49% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Michael Adams
Hypocrite
128 bpm • D Maj • 03:52 • -4.64db
12% Popularity • 60% Danceability • 89% Energy • 31% Liveness
2% Instrumentalness • 54% Positiveness
12% Popularity • 60% Danceability • 89% Energy • 31% Liveness
2% Instrumentalness • 54% Positiveness
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Distorted Reflection
Cassandra
128 bpm • G min • 04:51 • -4.66db
8% Popularity • 31% Danceability • 92% Energy • 11% Liveness
1% Instrumentalness • 25% Positiveness
8% Popularity • 31% Danceability • 92% Energy • 11% Liveness
1% Instrumentalness • 25% Positiveness
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Monolith NZ
Warhead
128 bpm • F Maj • 04:44 • -6.47db
9% Popularity • 37% Danceability • 93% Energy • 31% Liveness
6% Instrumentalness • 42% Positiveness
9% Popularity • 37% Danceability • 93% Energy • 31% Liveness
6% Instrumentalness • 42% Positiveness
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The Star Prairie Project
Where Did We All Come From
128 bpm • D Maj • 03:36 • -4.55db
39% Popularity • 26% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
39% Popularity • 26% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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SUPER BEE
Misery Crush
124 bpm • C# Maj • 03:16 • -6.17db
13% Popularity • 51% Danceability • 71% Energy • 15% Liveness
8% Instrumentalness • 72% Positiveness
13% Popularity • 51% Danceability • 71% Energy • 15% Liveness
8% Instrumentalness • 72% Positiveness
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Augustine Maurice
Lose Again
124 bpm • C min • 04:01 • -6.66db
21% Popularity • 53% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
21% Popularity • 53% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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Woyote
Digital Dream
124 bpm • C# Maj • 04:17 • -3.4db
19% Popularity • 50% Danceability • 97% Energy • 22% Liveness
72% Instrumentalness • 40% Positiveness
19% Popularity • 50% Danceability • 97% Energy • 22% Liveness
72% Instrumentalness • 40% Positiveness
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WakeUpCall
Twinkle Falling Star
124 bpm • F# Maj • 03:27 • -5.45db
14% Popularity • 53% Danceability • 93% Energy • 5% Liveness
0% Instrumentalness • 63% Positiveness
14% Popularity • 53% Danceability • 93% Energy • 5% Liveness
0% Instrumentalness • 63% Positiveness
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DemonScar
Same Old Show
128 bpm • C Maj • 03:32 • -6.7db
21% Popularity • 44% Danceability • 93% Energy • 37% Liveness
80% Instrumentalness • 28% Positiveness
21% Popularity • 44% Danceability • 93% Energy • 37% Liveness
80% Instrumentalness • 28% Positiveness
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Kiselev.jr
Obsession
128 bpm • G Maj • 06:06 • -5.55db
29% Popularity • 50% Danceability • 80% Energy • 62% Liveness
75% Instrumentalness • 9% Positiveness
29% Popularity • 50% Danceability • 80% Energy • 62% Liveness
75% Instrumentalness • 9% Positiveness
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Victor Gann
Black Gold
124 bpm • F# min • 04:50 • -5.47db
0% Popularity • 35% Danceability • 74% Energy • 31% Liveness
86% Instrumentalness • 46% Positiveness
0% Popularity • 35% Danceability • 74% Energy • 31% Liveness
86% Instrumentalness • 46% Positiveness
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Hellway Patrol
Runnin´ Wild
129 bpm • C# Maj • 03:40 • -6db
10% Popularity • 26% Danceability • 96% Energy • 37% Liveness
0% Instrumentalness • 26% Positiveness
10% Popularity • 26% Danceability • 96% Energy • 37% Liveness
0% Instrumentalness • 26% Positiveness
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Mystery
You Think You Know
129 bpm • C# Maj • 03:53 • -2.58db
7% Popularity • 53% Danceability • 90% Energy • 28% Liveness
0% Instrumentalness • 56% Positiveness
7% Popularity • 53% Danceability • 90% Energy • 28% Liveness
0% Instrumentalness • 56% Positiveness
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Street Fighter
Nordic Noise (A Decade Of Noise)
129 bpm • A min • 03:44 • -4.62db
20% Popularity • 43% Danceability • 97% Energy • 68% Liveness
2% Instrumentalness • 27% Positiveness
20% Popularity • 43% Danceability • 97% Energy • 68% Liveness
2% Instrumentalness • 27% Positiveness
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Fabiano Negri
No One Gets Here Alive '24
129 bpm • A Maj • 03:29 • -5.73db
14% Popularity • 35% Danceability • 83% Energy • 12% Liveness
1% Instrumentalness • 21% Positiveness
14% Popularity • 35% Danceability • 83% Energy • 12% Liveness
1% Instrumentalness • 21% Positiveness
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JÖKERZWŸLD
DEBBIE GOES DOWN
123 bpm • G# min • 03:09 • -7.55db
21% Popularity • 54% Danceability • 92% Energy • 29% Liveness
89% Instrumentalness • 53% Positiveness
21% Popularity • 54% Danceability • 92% Energy • 29% Liveness
89% Instrumentalness • 53% Positiveness
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Michael Adams
Silence Wall
130 bpm • D Maj • 04:28 • -4.55db
12% Popularity • 56% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
12% Popularity • 56% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Juan Jose Hernandez
Guitars Roaring
122 bpm • E min • 01:36 • -5.35db
13% Popularity • 51% Danceability • 80% Energy • 58% Liveness
0% Instrumentalness • 69% Positiveness
13% Popularity • 51% Danceability • 80% Energy • 58% Liveness
0% Instrumentalness • 69% Positiveness
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Theodore Malthus
Supernova
122 bpm • B min • 04:45 • -12.42db
27% Popularity • 34% Danceability • 82% Energy • 39% Liveness
0% Instrumentalness • 17% Positiveness
27% Popularity • 34% Danceability • 82% Energy • 39% Liveness
0% Instrumentalness • 17% Positiveness
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Oscar Benson
Death World
130 bpm • D Maj • 05:29 • -5.9db
26% Popularity • 39% Danceability • 91% Energy • 5% Liveness
5% Instrumentalness • 38% Positiveness
26% Popularity • 39% Danceability • 91% Energy • 5% Liveness
5% Instrumentalness • 38% Positiveness
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The Wounded Sons
Lose All Control
130 bpm • C min • 03:49 • -3.18db
13% Popularity • 55% Danceability • 93% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
13% Popularity • 55% Danceability • 93% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
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Kheops One
The fire in your eyes
130 bpm • G Maj • 03:01 • -5.28db
14% Popularity • 24% Danceability • 62% Energy • 31% Liveness
82% Instrumentalness • 37% Positiveness
14% Popularity • 24% Danceability • 62% Energy • 31% Liveness
82% Instrumentalness • 37% Positiveness
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Acid Row
Do You Love Enough?
130 bpm • F min • 04:35 • -5db
16% Popularity • 39% Danceability • 94% Energy • 19% Liveness
3% Instrumentalness • 28% Positiveness
16% Popularity • 39% Danceability • 94% Energy • 19% Liveness
3% Instrumentalness • 28% Positiveness
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Medusa Touch
The Loser
130 bpm • G Maj • 03:57 • -4.25db
12% Popularity • 52% Danceability • 99% Energy • 11% Liveness
52% Instrumentalness • 25% Positiveness
12% Popularity • 52% Danceability • 99% Energy • 11% Liveness
52% Instrumentalness • 25% Positiveness
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JNX
Only Human
130 bpm • C Maj • 06:35 • -9.67db
7% Popularity • 39% Danceability • 77% Energy • 25% Liveness
23% Instrumentalness • 27% Positiveness
7% Popularity • 39% Danceability • 77% Energy • 25% Liveness
23% Instrumentalness • 27% Positiveness
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Hannan
Drive
130 bpm • E Maj • 05:05 • -4.17db
8% Popularity • 54% Danceability • 93% Energy • 14% Liveness
1% Instrumentalness • 57% Positiveness
8% Popularity • 54% Danceability • 93% Energy • 14% Liveness
1% Instrumentalness • 57% Positiveness
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Neon Leviathan
March of the Dawn Defenders
122 bpm • D min • 03:40 • -9.23db
15% Popularity • 60% Danceability • 87% Energy • 13% Liveness
31% Instrumentalness • 43% Positiveness
15% Popularity • 60% Danceability • 87% Energy • 13% Liveness
31% Instrumentalness • 43% Positiveness
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Andrea Boccarusso
Stay In Line
130 bpm • A Maj • 05:26 • -6.26db
16% Popularity • 59% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
16% Popularity • 59% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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RØDEL
Unaware
130 bpm • F Maj • 04:08 • -5.57db
10% Popularity • 56% Danceability • 94% Energy • 19% Liveness
49% Instrumentalness • 68% Positiveness
10% Popularity • 56% Danceability • 94% Energy • 19% Liveness
49% Instrumentalness • 68% Positiveness
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Koudeta
Crashing Footfalls
130 bpm • G# Maj • 03:14 • -3.43db
9% Popularity • 53% Danceability • 94% Energy • 13% Liveness
8% Instrumentalness • 75% Positiveness
9% Popularity • 53% Danceability • 94% Energy • 13% Liveness
8% Instrumentalness • 75% Positiveness
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Colour of Bone
Break of Dawn
130 bpm • D Maj • 06:09 • -4.69db
13% Popularity • 53% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
13% Popularity • 53% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Evergrey
Falling From The Sun
130 bpm • A min • 04:15 • -4.17db
42% Popularity • 50% Danceability • 98% Energy • 10% Liveness
9% Instrumentalness • 26% Positiveness
42% Popularity • 50% Danceability • 98% Energy • 10% Liveness
9% Instrumentalness • 26% Positiveness
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Dr. Colossus
Can't Sleep, Clowns Will Eat Me
130 bpm • C# Maj • 04:20 • -4.48db
22% Popularity • 34% Danceability • 76% Energy • 10% Liveness
64% Instrumentalness • 32% Positiveness
22% Popularity • 34% Danceability • 76% Energy • 10% Liveness
64% Instrumentalness • 32% Positiveness
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Snakebite
Kill Wig Metal
130 bpm • A# min • 04:36 • -4.58db
19% Popularity • 57% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
19% Popularity • 57% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Warhound
Wheels of Terror
130 bpm • A Maj • 04:14 • -8.2db
18% Popularity • 63% Danceability • 79% Energy • 35% Liveness
62% Instrumentalness • 37% Positiveness
18% Popularity • 63% Danceability • 79% Energy • 35% Liveness
62% Instrumentalness • 37% Positiveness
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The Wounded Sons
The Way to Be
130 bpm • F# Maj • 04:24 • -2.94db
13% Popularity • 51% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
13% Popularity • 51% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Anemos
ELA
130 bpm • C# Maj • 04:40 • -6.37db
23% Popularity • 62% Danceability • 91% Energy • 94% Liveness
22% Instrumentalness • 60% Positiveness
23% Popularity • 62% Danceability • 91% Energy • 94% Liveness
22% Instrumentalness • 60% Positiveness
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Rhythm Therapy Band
None the Wiser
130 bpm • F Maj • 04:08 • -7.51db
14% Popularity • 51% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
14% Popularity • 51% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Scavenger
Watchout!
130 bpm • A# min • 04:42 • -5.15db
8% Popularity • 47% Danceability • 98% Energy • 16% Liveness
8% Instrumentalness • 20% Positiveness
8% Popularity • 47% Danceability • 98% Energy • 16% Liveness
8% Instrumentalness • 20% Positiveness
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Leader Of Down
Cat's Eye Night
130 bpm • C# min • 03:08 • -6.07db
9% Popularity • 51% Danceability • 93% Energy • 38% Liveness
0% Instrumentalness • 49% Positiveness
9% Popularity • 51% Danceability • 93% Energy • 38% Liveness
0% Instrumentalness • 49% Positiveness
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Black Inside
Chain Made of Rage
130 bpm • A Maj • 04:02 • -4.21db
8% Popularity • 55% Danceability • 96% Energy • 43% Liveness
0% Instrumentalness • 25% Positiveness
8% Popularity • 55% Danceability • 96% Energy • 43% Liveness
0% Instrumentalness • 25% Positiveness
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This Calling
The Flag Of Apocalypse
130 bpm • D min • 03:34 • -1.8db
12% Popularity • 28% Danceability • 97% Energy • 37% Liveness
0% Instrumentalness • 37% Positiveness
12% Popularity • 28% Danceability • 97% Energy • 37% Liveness
0% Instrumentalness • 37% Positiveness
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Access Denied
Fuck
130 bpm • F min • 03:43 • -2.89db
15% Popularity • 60% Danceability • 98% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
15% Popularity • 60% Danceability • 98% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Lords of Salem
Monster Girl
130 bpm • F Maj • 03:09 • -6.19db
12% Popularity • 59% Danceability • 92% Energy • 9% Liveness
63% Instrumentalness • 44% Positiveness
12% Popularity • 59% Danceability • 92% Energy • 9% Liveness
63% Instrumentalness • 44% Positiveness
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Night King
Inferno
130 bpm • C Maj • 04:43 • -6.85db
16% Popularity • 49% Danceability • 94% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
16% Popularity • 49% Danceability • 94% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
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Emergency Rule
Snake Eyes
130 bpm • F min • 05:58 • -3.49db
16% Popularity • 55% Danceability • 95% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
16% Popularity • 55% Danceability • 95% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Provoke the Truth
Standing On A Mountain
130 bpm • G Maj • 04:17 • -9.74db
10% Popularity • 48% Danceability • 82% Energy • 34% Liveness
82% Instrumentalness • 32% Positiveness
10% Popularity • 48% Danceability • 82% Energy • 34% Liveness
82% Instrumentalness • 32% Positiveness
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Primal Sinner
Rage for Freedom
130 bpm • F# min • 05:03 • -10.69db
12% Popularity • 55% Danceability • 79% Energy • 10% Liveness
5% Instrumentalness • 61% Positiveness
12% Popularity • 55% Danceability • 79% Energy • 10% Liveness
5% Instrumentalness • 61% Positiveness
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Legacy sweden
On the mountain (the tale of HÃ¥rga)
122 bpm • A min • 03:37 • -5.85db
11% Popularity • 48% Danceability • 95% Energy • 30% Liveness
1% Instrumentalness • 48% Positiveness
11% Popularity • 48% Danceability • 95% Energy • 30% Liveness
1% Instrumentalness • 48% Positiveness
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Viola Chesterton
You Can't Hate My Love
122 bpm • G# Maj • 04:28 • -6.53db
31% Popularity • 37% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 32% Positiveness
31% Popularity • 37% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 32% Positiveness
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The Naked High
Hot Poison
131 bpm • A# min • 03:13 • -3.01db
15% Popularity • 29% Danceability • 97% Energy • 39% Liveness
0% Instrumentalness • 66% Positiveness
15% Popularity • 29% Danceability • 97% Energy • 39% Liveness
0% Instrumentalness • 66% Positiveness
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Mad Parish
Dawn of the Unforgiven
122 bpm • C# Maj • 06:31 • -6.62db
0% Popularity • 37% Danceability • 81% Energy • 9% Liveness
1% Instrumentalness • 44% Positiveness
0% Popularity • 37% Danceability • 81% Energy • 9% Liveness
1% Instrumentalness • 44% Positiveness
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The Preacher
Media Crimes
131 bpm • F# Maj • 04:07 • -5.76db
12% Popularity • 50% Danceability • 93% Energy • 5% Liveness
0% Instrumentalness • 39% Positiveness
12% Popularity • 50% Danceability • 93% Energy • 5% Liveness
0% Instrumentalness • 39% Positiveness
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Velvetene
They Come For Your Money
131 bpm • E Maj • 04:53 • -10.99db
18% Popularity • 54% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
18% Popularity • 54% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
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The 501's
Emotional Vandalism
131 bpm • A min • 02:38 • -4.39db
10% Popularity • 48% Danceability • 94% Energy • 52% Liveness
0% Instrumentalness • 28% Positiveness
10% Popularity • 48% Danceability • 94% Energy • 52% Liveness
0% Instrumentalness • 28% Positiveness
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The Seep
Citylight (Demo)
131 bpm • C# min • 03:44 • -7.86db
16% Popularity • 39% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
16% Popularity • 39% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Peaceful Minds
Caught in the middle
121 bpm • G# min • 04:15 • -8.11db
10% Popularity • 45% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
10% Popularity • 45% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Bürner
Soulmate Killer
121 bpm • A# min • 03:07 • -3.35db
18% Popularity • 58% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
18% Popularity • 58% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Bad Janovich
Into The Storm
120 bpm • D min • 05:49 • -8.33db
7% Popularity • 51% Danceability • 77% Energy • 33% Liveness
14% Instrumentalness • 20% Positiveness
7% Popularity • 51% Danceability • 77% Energy • 33% Liveness
14% Instrumentalness • 20% Positiveness
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Bullring
You're Just What You're Fighting For
132 bpm • F# Maj • 04:01 • -2.98db
12% Popularity • 50% Danceability • 95% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
12% Popularity • 50% Danceability • 95% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
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Noiz Ritual
Abuse Me
120 bpm • C# min • 03:24 • -5.57db
11% Popularity • 60% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
11% Popularity • 60% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Sam Junni
The Sense of Evil
120 bpm • G# Maj • 05:01 • -4.79db
7% Popularity • 55% Danceability • 86% Energy • 18% Liveness
1% Instrumentalness • 65% Positiveness
7% Popularity • 55% Danceability • 86% Energy • 18% Liveness
1% Instrumentalness • 65% Positiveness
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Dragonfall
Hell or high water
120 bpm • F Maj • 05:33 • -6.08db
17% Popularity • 50% Danceability • 92% Energy • 36% Liveness
78% Instrumentalness • 37% Positiveness
17% Popularity • 50% Danceability • 92% Energy • 36% Liveness
78% Instrumentalness • 37% Positiveness
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System 77
Black Lagoon
120 bpm • E min • 05:58 • -9.92db
15% Popularity • 48% Danceability • 76% Energy • 11% Liveness
84% Instrumentalness • 44% Positiveness
15% Popularity • 48% Danceability • 76% Energy • 11% Liveness
84% Instrumentalness • 44% Positiveness
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Pink Stones
Our First Time
120 bpm • F Maj • 03:40 • -5db
13% Popularity • 44% Danceability • 88% Energy • 24% Liveness
0% Instrumentalness • 25% Positiveness
13% Popularity • 44% Danceability • 88% Energy • 24% Liveness
0% Instrumentalness • 25% Positiveness
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CHRIS HICKS PROJECT
Hixy Shred
120 bpm • A# min • 02:48 • -4.49db
23% Popularity • 50% Danceability • 100% Energy • 15% Liveness
92% Instrumentalness • 32% Positiveness
23% Popularity • 50% Danceability • 100% Energy • 15% Liveness
92% Instrumentalness • 32% Positiveness
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Free Spirits Rising
Defiant to the End
120 bpm • C Maj • 04:51 • -8.78db
10% Popularity • 44% Danceability • 79% Energy • 42% Liveness
1% Instrumentalness • 30% Positiveness
10% Popularity • 44% Danceability • 79% Energy • 42% Liveness
1% Instrumentalness • 30% Positiveness
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Eternal Drak
Oblivion Is Dishonor
120 bpm • C Maj • 03:05 • -6.16db
15% Popularity • 58% Danceability • 92% Energy • 22% Liveness
6% Instrumentalness • 36% Positiveness
15% Popularity • 58% Danceability • 92% Energy • 22% Liveness
6% Instrumentalness • 36% Positiveness
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Coyote V8
Bypass
120 bpm • A# min • 03:21 • -5.43db
10% Popularity • 64% Danceability • 91% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
10% Popularity • 64% Danceability • 91% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
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ExecutiveRock
Voodoo Dreams
120 bpm • D Maj • 04:06 • -4.76db
13% Popularity • 52% Danceability • 93% Energy • 14% Liveness
5% Instrumentalness • 30% Positiveness
13% Popularity • 52% Danceability • 93% Energy • 14% Liveness
5% Instrumentalness • 30% Positiveness
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Michael Adams
Alone
133 bpm • D Maj • 03:51 • -6.45db
12% Popularity • 59% Danceability • 87% Energy • 41% Liveness
0% Instrumentalness • 65% Positiveness
12% Popularity • 59% Danceability • 87% Energy • 41% Liveness
0% Instrumentalness • 65% Positiveness
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GHS
A Bitch Is a Bitch
133 bpm • A Maj • 04:03 • -5.8db
15% Popularity • 56% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
15% Popularity • 56% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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Breed
Titillated
133 bpm • G Maj • 03:39 • -4.19db
12% Popularity • 55% Danceability • 95% Energy • 25% Liveness
24% Instrumentalness • 56% Positiveness
12% Popularity • 55% Danceability • 95% Energy • 25% Liveness
24% Instrumentalness • 56% Positiveness
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The Waiting Rain
Another Mental Earthquake
119 bpm • D Maj • 03:15 • -5.82db
19% Popularity • 57% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
19% Popularity • 57% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
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Freaky Things
Nightmare
133 bpm • D min • 03:45 • -6.33db
17% Popularity • 46% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
17% Popularity • 46% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Six Sons After
Blingman
134 bpm • C Maj • 03:16 • -4.92db
12% Popularity • 49% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
12% Popularity • 49% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Michael Adams
Black Anxiety
133 bpm • F min • 04:09 • -5.23db
12% Popularity • 43% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
12% Popularity • 43% Danceability • 94% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
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Mad Parish
Without Chains
134 bpm • C# min • 03:48 • -5db
0% Popularity • 50% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
0% Popularity • 50% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Quasimodo
Stone In My Shoe
134 bpm • F# Maj • 04:25 • -3.94db
15% Popularity • 51% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
15% Popularity • 51% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 47% Positiveness
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Junkyard Drive
Pipe Down
134 bpm • A# min • 03:21 • -3.01db
15% Popularity • 43% Danceability • 97% Energy • 27% Liveness
0% Instrumentalness • 37% Positiveness
15% Popularity • 43% Danceability • 97% Energy • 27% Liveness
0% Instrumentalness • 37% Positiveness
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The Hourhand
Hobo and the Bull
118 bpm • G# min • 03:18 • -4.24db
9% Popularity • 32% Danceability • 90% Energy • 9% Liveness
1% Instrumentalness • 50% Positiveness
9% Popularity • 32% Danceability • 90% Energy • 9% Liveness
1% Instrumentalness • 50% Positiveness
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The Crypt
Mistress Of Fire
118 bpm • E min • 06:08 • -3.62db
9% Popularity • 25% Danceability • 89% Energy • 13% Liveness
40% Instrumentalness • 20% Positiveness
9% Popularity • 25% Danceability • 89% Energy • 13% Liveness
40% Instrumentalness • 20% Positiveness
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Michael Adams
Self
119 bpm • D Maj • 03:55 • -6.98db
12% Popularity • 64% Danceability • 82% Energy • 12% Liveness
1% Instrumentalness • 21% Positiveness
12% Popularity • 64% Danceability • 82% Energy • 12% Liveness
1% Instrumentalness • 21% Positiveness
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Mad Parish
To Build a Fire
134 bpm • D# min • 06:44 • -5.4db
0% Popularity • 50% Danceability • 86% Energy • 27% Liveness
0% Instrumentalness • 50% Positiveness
0% Popularity • 50% Danceability • 86% Energy • 27% Liveness
0% Instrumentalness • 50% Positiveness
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LOST LEGACY
Enough is Enough
118 bpm • A Maj • 05:16 • -3.21db
21% Popularity • 48% Danceability • 97% Energy • 29% Liveness
0% Instrumentalness • 33% Positiveness
21% Popularity • 48% Danceability • 97% Energy • 29% Liveness
0% Instrumentalness • 33% Positiveness
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The Wounded Sons
Want Some
135 bpm • F# min • 03:40 • -3.88db
17% Popularity • 59% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
17% Popularity • 59% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
