Songs like Project Earth by Tilman Sillescu
Based on a tempo of (+/- 10%) and a similar genre
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Tilman Sillescu
What a Glorious View
132 bpm • D Maj • 02:25 • -13.93db
9% Popularity • 42% Danceability • 38% Energy • 11% Liveness
93% Instrumentalness • 11% Positiveness
9% Popularity • 42% Danceability • 38% Energy • 11% Liveness
93% Instrumentalness • 11% Positiveness
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Greg Edmonson
The City's Secret
131 bpm • F min • 03:32 • -20.08db
22% Popularity • 20% Danceability • 25% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
22% Popularity • 20% Danceability • 25% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Stephen Rippy
Last Name Crane, Icabod
133 bpm • F Maj • 03:12 • -10.62db
17% Popularity • 32% Danceability • 33% Energy • 9% Liveness
36% Instrumentalness • 5% Positiveness
17% Popularity • 32% Danceability • 33% Energy • 9% Liveness
36% Instrumentalness • 5% Positiveness
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Sarah Schachner
Assassin's Creed Origins Main Theme
131 bpm • G# Maj • 03:15 • -12.38db
45% Popularity • 16% Danceability • 53% Energy • 9% Liveness
87% Instrumentalness • 9% Positiveness
45% Popularity • 16% Danceability • 53% Energy • 9% Liveness
87% Instrumentalness • 9% Positiveness
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Trailerhead
Mercurial
133 bpm • F min • 04:15 • -9.23db
17% Popularity • 37% Danceability • 93% Energy • 11% Liveness
88% Instrumentalness • 19% Positiveness
17% Popularity • 37% Danceability • 93% Energy • 11% Liveness
88% Instrumentalness • 19% Positiveness
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Globus
A Thousand Deaths (Instrumental)
133 bpm • G# Maj • 03:48 • -7db
33% Popularity • 53% Danceability • 90% Energy • 21% Liveness
82% Instrumentalness • 67% Positiveness
33% Popularity • 53% Danceability • 90% Energy • 21% Liveness
82% Instrumentalness • 67% Positiveness
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Tilman Sillescu
Every Ending Needs a Beginning
132 bpm • F# min • 01:57 • -12.42db
10% Popularity • 41% Danceability • 58% Energy • 16% Liveness
100% Instrumentalness • 44% Positiveness
10% Popularity • 41% Danceability • 58% Energy • 16% Liveness
100% Instrumentalness • 44% Positiveness
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Jason Hayes
Orgrimmar
134 bpm • F Maj • 02:15 • -14.91db
35% Popularity • 33% Danceability • 48% Energy • 13% Liveness
88% Instrumentalness • 31% Positiveness
35% Popularity • 33% Danceability • 48% Energy • 13% Liveness
88% Instrumentalness • 31% Positiveness
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Lorne Balfe
Temple Secrets
130 bpm • F min • 01:41 • -14.09db
25% Popularity • 33% Danceability • 29% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
25% Popularity • 33% Danceability • 29% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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John Paesano
A Trail of Hope
130 bpm • F min • 02:44 • -15.73db
26% Popularity • 45% Danceability • 34% Energy • 10% Liveness
94% Instrumentalness • 6% Positiveness
26% Popularity • 45% Danceability • 34% Energy • 10% Liveness
94% Instrumentalness • 6% Positiveness
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Lena Raine
Attack on Tarir
134 bpm • D min • 03:29 • -18.5db
22% Popularity • 53% Danceability • 30% Energy • 11% Liveness
92% Instrumentalness • 27% Positiveness
22% Popularity • 53% Danceability • 30% Energy • 11% Liveness
92% Instrumentalness • 27% Positiveness
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Brian Tyler
The High Seas
130 bpm • C Maj • 02:44 • -11.18db
41% Popularity • 44% Danceability • 54% Energy • 24% Liveness
97% Instrumentalness • 12% Positiveness
41% Popularity • 44% Danceability • 54% Energy • 24% Liveness
97% Instrumentalness • 12% Positiveness
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Tilman Sillescu
Lords of the Sky
132 bpm • D# min • 02:17 • -6.93db
7% Popularity • 30% Danceability • 75% Energy • 12% Liveness
96% Instrumentalness • 40% Positiveness
7% Popularity • 30% Danceability • 75% Energy • 12% Liveness
96% Instrumentalness • 40% Positiveness
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Alexander Roeder
The Final Hour
130 bpm • C min • 01:51 • -12.37db
6% Popularity • 65% Danceability • 55% Energy • 18% Liveness
94% Instrumentalness • 46% Positiveness
6% Popularity • 65% Danceability • 55% Energy • 18% Liveness
94% Instrumentalness • 46% Positiveness
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Jack Naylor
Vader's Fist
130 bpm • G min • 01:56 • -11.89db
31% Popularity • 60% Danceability • 44% Energy • 18% Liveness
93% Instrumentalness • 5% Positiveness
31% Popularity • 60% Danceability • 44% Energy • 18% Liveness
93% Instrumentalness • 5% Positiveness
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Ari Pulkkinen
The Giant Dragon
130 bpm • C Maj • 02:56 • -6.93db
10% Popularity • 58% Danceability • 85% Energy • 10% Liveness
13% Instrumentalness • 52% Positiveness
10% Popularity • 58% Danceability • 85% Energy • 10% Liveness
13% Instrumentalness • 52% Positiveness
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Simon Poole
The Secret World
130 bpm • G min • 02:18 • -16.02db
15% Popularity • 47% Danceability • 27% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
15% Popularity • 47% Danceability • 27% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
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Chance Thomas
Horse Lords of Norcrofts
130 bpm • C# Maj • 02:50 • -13.16db
27% Popularity • 50% Danceability • 50% Energy • 10% Liveness
92% Instrumentalness • 27% Positiveness
27% Popularity • 50% Danceability • 50% Energy • 10% Liveness
92% Instrumentalness • 27% Positiveness
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Tilman Sillescu
Under Assault
132 bpm • B min • 02:01 • -12.53db
16% Popularity • 42% Danceability • 52% Energy • 12% Liveness
78% Instrumentalness • 23% Positiveness
16% Popularity • 42% Danceability • 52% Energy • 12% Liveness
78% Instrumentalness • 23% Positiveness
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Jason Graves
The Walls of Falcon's Reach
130 bpm • B min • 03:02 • -11.37db
10% Popularity • 62% Danceability • 48% Energy • 69% Liveness
72% Instrumentalness • 25% Positiveness
10% Popularity • 62% Danceability • 48% Energy • 69% Liveness
72% Instrumentalness • 25% Positiveness
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Ilan Eshkeri
47 Ronin
130 bpm • G Maj • 02:42 • -15.92db
48% Popularity • 42% Danceability • 43% Energy • 10% Liveness
91% Instrumentalness • 12% Positiveness
48% Popularity • 42% Danceability • 43% Energy • 10% Liveness
91% Instrumentalness • 12% Positiveness
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Royal Philharmonic Orchestra
The T-Rex
130 bpm • D min • 03:07 • -19.03db
21% Popularity • 59% Danceability • 30% Energy • 7% Liveness
50% Instrumentalness • 24% Positiveness
21% Popularity • 59% Danceability • 30% Energy • 7% Liveness
50% Instrumentalness • 24% Positiveness
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Chris Tilton
Chase by Chase Basis
130 bpm • D min • 02:28 • -17.23db
25% Popularity • 55% Danceability • 32% Energy • 10% Liveness
94% Instrumentalness • 39% Positiveness
25% Popularity • 55% Danceability • 32% Energy • 10% Liveness
94% Instrumentalness • 39% Positiveness
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Glenn Stafford
Hall of Storms
134 bpm • D min • 04:06 • -10.25db
12% Popularity • 23% Danceability • 48% Energy • 6% Liveness
69% Instrumentalness • 11% Positiveness
12% Popularity • 23% Danceability • 48% Energy • 6% Liveness
69% Instrumentalness • 11% Positiveness
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Tilman Sillescu
Project Earth
132 bpm • D min • 03:35 • -11.04db
14% Popularity • 18% Danceability • 49% Energy • 15% Liveness
98% Instrumentalness • 8% Positiveness
14% Popularity • 18% Danceability • 49% Energy • 15% Liveness
98% Instrumentalness • 8% Positiveness
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Cris Velasco
Against All Odds
130 bpm • G min • 02:39 • -14.02db
17% Popularity • 17% Danceability • 22% Energy • 12% Liveness
67% Instrumentalness • 4% Positiveness
17% Popularity • 17% Danceability • 22% Energy • 12% Liveness
67% Instrumentalness • 4% Positiveness
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Jamie Christopherson
The Enemy Warlord Appears
134 bpm • E min • 01:55 • -7.45db
30% Popularity • 44% Danceability • 73% Energy • 18% Liveness
94% Instrumentalness • 45% Positiveness
30% Popularity • 44% Danceability • 73% Energy • 18% Liveness
94% Instrumentalness • 45% Positiveness
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Garry Schyman
Babalon Ors
130 bpm • D Maj • 02:13 • -10.12db
11% Popularity • 28% Danceability • 74% Energy • 9% Liveness
2% Instrumentalness • 8% Positiveness
11% Popularity • 28% Danceability • 74% Energy • 9% Liveness
2% Instrumentalness • 8% Positiveness
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John Paesano
A Better Beginning
129 bpm • C Maj • 04:25 • -16.54db
36% Popularity • 19% Danceability • 25% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
36% Popularity • 19% Danceability • 25% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Trailerhead
Glory Seeker
135 bpm • D min • 03:21 • -8.26db
29% Popularity • 48% Danceability • 83% Energy • 12% Liveness
83% Instrumentalness • 16% Positiveness
29% Popularity • 48% Danceability • 83% Energy • 12% Liveness
83% Instrumentalness • 16% Positiveness
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Tilman Sillescu
Dystopian Nightmares
130 bpm • F# Maj • 02:07 • -17.44db
5% Popularity • 18% Danceability • 31% Energy • 21% Liveness
36% Instrumentalness • 3% Positiveness
5% Popularity • 18% Danceability • 31% Energy • 21% Liveness
36% Instrumentalness • 3% Positiveness
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Christopher Lennertz
Clearing Tobruk
135 bpm • D min • 02:05 • -16.11db
16% Popularity • 52% Danceability • 25% Energy • 8% Liveness
90% Instrumentalness • 28% Positiveness
16% Popularity • 52% Danceability • 25% Energy • 8% Liveness
90% Instrumentalness • 28% Positiveness
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Glenn Stafford
Enter the Nexus
135 bpm • A# min • 02:50 • -10.25db
14% Popularity • 39% Danceability • 66% Energy • 10% Liveness
80% Instrumentalness • 15% Positiveness
14% Popularity • 39% Danceability • 66% Energy • 10% Liveness
80% Instrumentalness • 15% Positiveness
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Lorne Balfe
Assassin's Creed III Main Theme (Wall of...
135 bpm • D min • 03:08 • -8db
19% Popularity • 34% Danceability • 70% Energy • 10% Liveness
88% Instrumentalness • 12% Positiveness
19% Popularity • 34% Danceability • 70% Energy • 10% Liveness
88% Instrumentalness • 12% Positiveness
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Steve Jablonsky
Let Us Quest!
135 bpm • E min • 04:29 • -13.33db
30% Popularity • 42% Danceability • 43% Energy • 9% Liveness
94% Instrumentalness • 16% Positiveness
30% Popularity • 42% Danceability • 43% Energy • 9% Liveness
94% Instrumentalness • 16% Positiveness
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Ari Pulkkinen
Brackenridge Goblins Workshop
135 bpm • D min • 03:12 • -12.11db
8% Popularity • 69% Danceability • 56% Energy • 10% Liveness
96% Instrumentalness • 86% Positiveness
8% Popularity • 69% Danceability • 56% Energy • 10% Liveness
96% Instrumentalness • 86% Positiveness
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Tilman Sillescu
Observe Your Neighbor
130 bpm • C Maj • 02:11 • -16.12db
6% Popularity • 50% Danceability • 39% Energy • 14% Liveness
82% Instrumentalness • 5% Positiveness
6% Popularity • 50% Danceability • 39% Energy • 14% Liveness
82% Instrumentalness • 5% Positiveness
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Soundcritters
Ride to Sunrise
135 bpm • C Maj • 01:56 • -12.34db
24% Popularity • 45% Danceability • 50% Energy • 25% Liveness
89% Instrumentalness • 17% Positiveness
24% Popularity • 45% Danceability • 50% Energy • 25% Liveness
89% Instrumentalness • 17% Positiveness
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Bill Brown
The Final Hour
135 bpm • G Maj • 04:08 • -16.31db
23% Popularity • 52% Danceability • 41% Energy • 7% Liveness
56% Instrumentalness • 11% Positiveness
23% Popularity • 52% Danceability • 41% Energy • 7% Liveness
56% Instrumentalness • 11% Positiveness
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Lorne Balfe
The Aquila
135 bpm • G min • 02:18 • -10.72db
22% Popularity • 40% Danceability • 73% Energy • 36% Liveness
96% Instrumentalness • 23% Positiveness
22% Popularity • 40% Danceability • 73% Energy • 36% Liveness
96% Instrumentalness • 23% Positiveness
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Marios Aristopoulos
King of the Gods
129 bpm • C# min • 04:53 • -17db
14% Popularity • 58% Danceability • 48% Energy • 10% Liveness
75% Instrumentalness • 18% Positiveness
14% Popularity • 58% Danceability • 48% Energy • 10% Liveness
75% Instrumentalness • 18% Positiveness
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Howard Shore
Roast Mutton
135 bpm • A min • 04:03 • -13.92db
29% Popularity • 22% Danceability • 29% Energy • 17% Liveness
91% Instrumentalness • 8% Positiveness
29% Popularity • 22% Danceability • 29% Energy • 17% Liveness
91% Instrumentalness • 8% Positiveness
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Tilman Sillescu
Intersection
130 bpm • C# Maj • 01:33 • -9.16db
7% Popularity • 57% Danceability • 53% Energy • 12% Liveness
56% Instrumentalness • 44% Positiveness
7% Popularity • 57% Danceability • 53% Energy • 12% Liveness
56% Instrumentalness • 44% Positiveness
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Markus Schmidt
Anybody Need Anything
135 bpm • A min • 01:03 • -15.77db
9% Popularity • 62% Danceability • 44% Energy • 16% Liveness
84% Instrumentalness • 96% Positiveness
9% Popularity • 62% Danceability • 44% Energy • 16% Liveness
84% Instrumentalness • 96% Positiveness
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Lucas King
The Old Republic
136 bpm • D min • 02:59 • -18.95db
19% Popularity • 16% Danceability • 14% Energy • 12% Liveness
84% Instrumentalness • 7% Positiveness
19% Popularity • 16% Danceability • 14% Energy • 12% Liveness
84% Instrumentalness • 7% Positiveness
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Lorne Balfe
Wild Instincts
135 bpm • D Maj • 02:44 • -12.3db
23% Popularity • 58% Danceability • 60% Energy • 9% Liveness
96% Instrumentalness • 18% Positiveness
23% Popularity • 58% Danceability • 60% Energy • 9% Liveness
96% Instrumentalness • 18% Positiveness
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Snorre Krogvold
Battlemaster
128 bpm • C min • 02:59 • -7.98db
10% Popularity • 42% Danceability • 78% Energy • 16% Liveness
6% Instrumentalness • 35% Positiveness
10% Popularity • 42% Danceability • 78% Energy • 16% Liveness
6% Instrumentalness • 35% Positiveness
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Greg Edmonson
Sir Francis Drake
128 bpm • G min • 01:07 • -16.44db
25% Popularity • 32% Danceability • 23% Energy • 11% Liveness
75% Instrumentalness • 34% Positiveness
25% Popularity • 32% Danceability • 23% Energy • 11% Liveness
75% Instrumentalness • 34% Positiveness
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Tilman Sillescu
Unsafe Haven
135 bpm • C Maj • 01:56 • -10.87db
7% Popularity • 48% Danceability • 72% Energy • 11% Liveness
86% Instrumentalness • 29% Positiveness
7% Popularity • 48% Danceability • 72% Energy • 11% Liveness
86% Instrumentalness • 29% Positiveness
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Alexander Roeder
Sheltered
135 bpm • C Maj • 03:06 • -12.73db
13% Popularity • 30% Danceability • 49% Energy • 13% Liveness
95% Instrumentalness • 12% Positiveness
13% Popularity • 30% Danceability • 49% Energy • 13% Liveness
95% Instrumentalness • 12% Positiveness
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Steve Jablonsky
Battle On Land And Sea
136 bpm • C Maj • 02:49 • -11.04db
22% Popularity • 34% Danceability • 84% Energy • 41% Liveness
72% Instrumentalness • 11% Positiveness
22% Popularity • 34% Danceability • 84% Energy • 41% Liveness
72% Instrumentalness • 11% Positiveness
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Jeff van Dyck
Outer Demons
128 bpm • C# Maj • 03:19 • -11db
11% Popularity • 59% Danceability • 62% Energy • 17% Liveness
95% Instrumentalness • 17% Positiveness
11% Popularity • 59% Danceability • 62% Energy • 17% Liveness
95% Instrumentalness • 17% Positiveness
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Really Slow Motion
Dominus
137 bpm • A# Maj • 02:37 • -10.78db
19% Popularity • 40% Danceability • 48% Energy • 9% Liveness
94% Instrumentalness • 11% Positiveness
19% Popularity • 40% Danceability • 48% Energy • 9% Liveness
94% Instrumentalness • 11% Positiveness
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Cris Velasco & Sascha Dikiciyan
Wayne Manor
137 bpm • G min • 04:13 • -14.44db
7% Popularity • 39% Danceability • 52% Energy • 11% Liveness
89% Instrumentalness • 13% Positiveness
7% Popularity • 39% Danceability • 52% Energy • 11% Liveness
89% Instrumentalness • 13% Positiveness
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Jamie Christopherson
The beginning of Gracia
137 bpm • G min • 03:38 • -10db
13% Popularity • 46% Danceability • 61% Energy • 15% Liveness
98% Instrumentalness • 10% Positiveness
13% Popularity • 46% Danceability • 61% Energy • 15% Liveness
98% Instrumentalness • 10% Positiveness
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Tilman Sillescu
Drone Predators
134 bpm • A# Maj • 02:02 • -11.08db
6% Popularity • 58% Danceability • 69% Energy • 12% Liveness
87% Instrumentalness • 13% Positiveness
6% Popularity • 58% Danceability • 69% Energy • 12% Liveness
87% Instrumentalness • 13% Positiveness
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Jeremy Soule
Trolo's Complaint
127 bpm • B min • 02:20 • -13db
8% Popularity • 69% Danceability • 79% Energy • 12% Liveness
92% Instrumentalness • 46% Positiveness
8% Popularity • 69% Danceability • 79% Energy • 12% Liveness
92% Instrumentalness • 46% Positiveness
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Jason Hayes
Attack on Korhal
127 bpm • E min • 01:39 • -16.69db
21% Popularity • 36% Danceability • 26% Energy • 16% Liveness
97% Instrumentalness • 12% Positiveness
21% Popularity • 36% Danceability • 26% Energy • 16% Liveness
97% Instrumentalness • 12% Positiveness
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Adam Skorupa
Assassins Of Kings
126 bpm • C Maj • 02:06 • -11db
30% Popularity • 24% Danceability • 60% Energy • 9% Liveness
97% Instrumentalness • 3% Positiveness
30% Popularity • 24% Danceability • 60% Energy • 9% Liveness
97% Instrumentalness • 3% Positiveness
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Erik Ekholm
Crusader Of Glory
138 bpm • C# Maj • 02:31 • -7.03db
34% Popularity • 49% Danceability • 85% Energy • 12% Liveness
64% Instrumentalness • 20% Positiveness
34% Popularity • 49% Danceability • 85% Energy • 12% Liveness
64% Instrumentalness • 20% Positiveness
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Richard Tsutomu Williams
Stormblessed
126 bpm • D min • 02:05 • -11.67db
27% Popularity • 22% Danceability • 49% Energy • 11% Liveness
33% Instrumentalness • 4% Positiveness
27% Popularity • 22% Danceability • 49% Energy • 11% Liveness
33% Instrumentalness • 4% Positiveness
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Tilman Sillescu
There is Light Below
134 bpm • A# Maj • 03:12 • -22.75db
8% Popularity • 21% Danceability • 9% Energy • 9% Liveness
91% Instrumentalness • 3% Positiveness
8% Popularity • 21% Danceability • 9% Energy • 9% Liveness
91% Instrumentalness • 3% Positiveness
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Glenn Stafford
Battlefield of Eternity
138 bpm • D# min • 03:04 • -9.3db
16% Popularity • 36% Danceability • 64% Energy • 12% Liveness
96% Instrumentalness • 16% Positiveness
16% Popularity • 36% Danceability • 64% Energy • 12% Liveness
96% Instrumentalness • 16% Positiveness
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Jason Hayes
A Call To Arms
138 bpm • G# Maj • 02:19 • -11.03db
39% Popularity • 15% Danceability • 23% Energy • 11% Liveness
72% Instrumentalness • 4% Positiveness
39% Popularity • 15% Danceability • 23% Energy • 11% Liveness
72% Instrumentalness • 4% Positiveness
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Christopher Lennertz
Stand Strong, Stand Together
126 bpm • G# Maj • 01:55 • -11db
31% Popularity • 17% Danceability • 44% Energy • 13% Liveness
90% Instrumentalness • 10% Positiveness
31% Popularity • 17% Danceability • 44% Energy • 13% Liveness
90% Instrumentalness • 10% Positiveness
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Cris Velasco
All for Nothing
139 bpm • A min • 02:22 • -10.95db
26% Popularity • 19% Danceability • 48% Energy • 13% Liveness
95% Instrumentalness • 9% Positiveness
26% Popularity • 19% Danceability • 48% Energy • 13% Liveness
95% Instrumentalness • 9% Positiveness
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Danny Elfman & Russell Shaw
Fable Theme
125 bpm • A# min • 03:27 • -15db
10% Popularity • 21% Danceability • 42% Energy • 9% Liveness
94% Instrumentalness • 14% Positiveness
10% Popularity • 21% Danceability • 42% Energy • 9% Liveness
94% Instrumentalness • 14% Positiveness
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Tilman Sillescu
Collateral Damage
136 bpm • D Maj • 01:59 • -13.28db
6% Popularity • 54% Danceability • 69% Energy • 13% Liveness
92% Instrumentalness • 6% Positiveness
6% Popularity • 54% Danceability • 69% Energy • 13% Liveness
92% Instrumentalness • 6% Positiveness
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Craig Armstrong
Favela Escape
139 bpm • C# min • 03:35 • -16db
23% Popularity • 66% Danceability • 50% Energy • 12% Liveness
82% Instrumentalness • 27% Positiveness
23% Popularity • 66% Danceability • 50% Energy • 12% Liveness
82% Instrumentalness • 27% Positiveness
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Jason Hayes
My Life for Aiur
126 bpm • C min • 02:15 • -12.71db
21% Popularity • 18% Danceability • 27% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
21% Popularity • 18% Danceability • 27% Energy • 7% Liveness
97% Instrumentalness • 4% Positiveness
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Doyle W. Donehoo
Hobson's Choice
125 bpm • D# min • 01:41 • -14.49db
7% Popularity • 39% Danceability • 32% Energy • 11% Liveness
93% Instrumentalness • 18% Positiveness
7% Popularity • 39% Danceability • 32% Energy • 11% Liveness
93% Instrumentalness • 18% Positiveness
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Tina Guo
Uncharted: Nate's Theme
125 bpm • C Maj • 03:11 • -11db
21% Popularity • 21% Danceability • 50% Energy • 14% Liveness
77% Instrumentalness • 5% Positiveness
21% Popularity • 21% Danceability • 50% Energy • 14% Liveness
77% Instrumentalness • 5% Positiveness
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Sam Hulick
I'm Proud Of You
139 bpm • A min • 01:17 • -13db
37% Popularity • 15% Danceability • 15% Energy • 10% Liveness
87% Instrumentalness • 5% Positiveness
37% Popularity • 15% Danceability • 15% Energy • 10% Liveness
87% Instrumentalness • 5% Positiveness
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Tilman Sillescu
We Will Carry You
136 bpm • E min • 02:17 • -15.37db
11% Popularity • 47% Danceability • 27% Energy • 10% Liveness
39% Instrumentalness • 5% Positiveness
11% Popularity • 47% Danceability • 27% Energy • 10% Liveness
39% Instrumentalness • 5% Positiveness
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Greg Edmonson
Nate's Theme 2.0
125 bpm • G Maj • 01:45 • -15db
41% Popularity • 29% Danceability • 39% Energy • 12% Liveness
92% Instrumentalness • 40% Positiveness
41% Popularity • 29% Danceability • 39% Energy • 12% Liveness
92% Instrumentalness • 40% Positiveness
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Jo Blankenburg
Meraki
125 bpm • C Maj • 03:23 • -11.68db
31% Popularity • 29% Danceability • 57% Energy • 11% Liveness
89% Instrumentalness • 12% Positiveness
31% Popularity • 29% Danceability • 57% Energy • 11% Liveness
89% Instrumentalness • 12% Positiveness
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Jason Hayes
The Golden Armada
125 bpm • B min • 02:23 • -10db
25% Popularity • 52% Danceability • 46% Energy • 6% Liveness
96% Instrumentalness • 14% Positiveness
25% Popularity • 52% Danceability • 46% Energy • 6% Liveness
96% Instrumentalness • 14% Positiveness
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Brian Tyler
The Fortune of Edward Kenway
125 bpm • C min • 01:57 • -13.1db
33% Popularity • 58% Danceability • 57% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
33% Popularity • 58% Danceability • 57% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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Steve Jablonsky
You're a Soldier Now
140 bpm • D min • 03:27 • -15db
38% Popularity • 32% Danceability • 53% Energy • 25% Liveness
82% Instrumentalness • 29% Positiveness
38% Popularity • 32% Danceability • 53% Energy • 25% Liveness
82% Instrumentalness • 29% Positiveness
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Tilman Sillescu
Walking Barefoot
136 bpm • F# min • 02:15 • -12.68db
15% Popularity • 38% Danceability • 42% Energy • 11% Liveness
95% Instrumentalness • 13% Positiveness
15% Popularity • 38% Danceability • 42% Energy • 11% Liveness
95% Instrumentalness • 13% Positiveness
► Preview
Greg Edmonson
Nate's Theme 3.0
125 bpm • E min • 01:47 • -12db
44% Popularity • 35% Danceability • 54% Energy • 11% Liveness
74% Instrumentalness • 21% Positiveness
44% Popularity • 35% Danceability • 54% Energy • 11% Liveness
74% Instrumentalness • 21% Positiveness
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Jamie Christopherson
March of Heroes
140 bpm • D min • 01:32 • -16.09db
36% Popularity • 41% Danceability • 41% Energy • 20% Liveness
93% Instrumentalness • 30% Positiveness
36% Popularity • 41% Danceability • 41% Energy • 20% Liveness
93% Instrumentalness • 30% Positiveness
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Marcin Przybyłowicz
Hearts Of Stone
140 bpm • G min • 02:53 • -12db
39% Popularity • 16% Danceability • 61% Energy • 11% Liveness
13% Instrumentalness • 6% Positiveness
39% Popularity • 16% Danceability • 61% Energy • 11% Liveness
13% Instrumentalness • 6% Positiveness
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Cris Velasco
Prelude To War
140 bpm • D# Maj • 02:58 • -13db
30% Popularity • 31% Danceability • 52% Energy • 5% Liveness
96% Instrumentalness • 10% Positiveness
30% Popularity • 31% Danceability • 52% Energy • 5% Liveness
96% Instrumentalness • 10% Positiveness
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Steve Jablonsky
Optimus vs. Megatron
140 bpm • D Maj • 03:59 • -15.33db
36% Popularity • 25% Danceability • 38% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
36% Popularity • 25% Danceability • 38% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
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Markus Schmidt
The Last Sanctuary
124 bpm • G Maj • 02:18 • -13.05db
11% Popularity • 23% Danceability • 44% Energy • 11% Liveness
93% Instrumentalness • 21% Positiveness
11% Popularity • 23% Danceability • 44% Energy • 11% Liveness
93% Instrumentalness • 21% Positiveness
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Tilman Sillescu
No Escape
125 bpm • G Maj • 02:33 • -13db
15% Popularity • 46% Danceability • 57% Energy • 13% Liveness
92% Instrumentalness • 9% Positiveness
15% Popularity • 46% Danceability • 57% Energy • 13% Liveness
92% Instrumentalness • 9% Positiveness
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Doyle W. Donehoo
Game of Blades
140 bpm • C min • 03:15 • -9.91db
15% Popularity • 38% Danceability • 49% Energy • 10% Liveness
98% Instrumentalness • 19% Positiveness
15% Popularity • 38% Danceability • 49% Energy • 10% Liveness
98% Instrumentalness • 19% Positiveness
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Steven Price
Tiger Battle
140 bpm • G Maj • 06:17 • -11db
30% Popularity • 44% Danceability • 87% Energy • 35% Liveness
88% Instrumentalness • 10% Positiveness
30% Popularity • 44% Danceability • 87% Energy • 35% Liveness
88% Instrumentalness • 10% Positiveness
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Mikolai Stroinski
The Shrieker Contract
140 bpm • G min • 01:42 • -11.76db
39% Popularity • 51% Danceability • 88% Energy • 31% Liveness
3% Instrumentalness • 39% Positiveness
39% Popularity • 51% Danceability • 88% Energy • 31% Liveness
3% Instrumentalness • 39% Positiveness
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Lorne Balfe
Modern Assassin
140 bpm • C# Maj • 03:05 • -11.63db
28% Popularity • 68% Danceability • 78% Energy • 11% Liveness
85% Instrumentalness • 34% Positiveness
28% Popularity • 68% Danceability • 78% Energy • 11% Liveness
85% Instrumentalness • 34% Positiveness
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Alexander Roeder
This is Neurotransmission
125 bpm • D Maj • 02:07 • -15.71db
7% Popularity • 56% Danceability • 56% Energy • 21% Liveness
76% Instrumentalness • 9% Positiveness
7% Popularity • 56% Danceability • 56% Energy • 21% Liveness
76% Instrumentalness • 9% Positiveness
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Tilman Sillescu
Out of the Ashes
140 bpm • F min • 02:00 • -10.92db
6% Popularity • 39% Danceability • 57% Energy • 12% Liveness
95% Instrumentalness • 16% Positiveness
6% Popularity • 39% Danceability • 57% Energy • 12% Liveness
95% Instrumentalness • 16% Positiveness
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Doyle W. Donehoo
The Wages of Treason
140 bpm • D min • 03:19 • -13.6db
22% Popularity • 45% Danceability • 49% Energy • 11% Liveness
94% Instrumentalness • 26% Positiveness
22% Popularity • 45% Danceability • 49% Energy • 11% Liveness
94% Instrumentalness • 26% Positiveness
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Garry Schyman
Dante, Casarma Treloch
140 bpm • D Maj • 02:04 • -9.42db
18% Popularity • 46% Danceability • 88% Energy • 31% Liveness
2% Instrumentalness • 10% Positiveness
18% Popularity • 46% Danceability • 88% Energy • 31% Liveness
2% Instrumentalness • 10% Positiveness
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Brian Tyler
Take What Is Ours!
124 bpm • A min • 03:15 • -11db
31% Popularity • 29% Danceability • 51% Energy • 8% Liveness
87% Instrumentalness • 12% Positiveness
31% Popularity • 29% Danceability • 51% Energy • 8% Liveness
87% Instrumentalness • 12% Positiveness
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Steve Jablonsky
Decepticons
140 bpm • D Maj • 03:51 • -18db
37% Popularity • 32% Danceability • 40% Energy • 11% Liveness
89% Instrumentalness • 28% Positiveness
37% Popularity • 32% Danceability • 40% Energy • 11% Liveness
89% Instrumentalness • 28% Positiveness
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Jason Graves
Adventure Found Me
140 bpm • G Maj • 01:02 • -17.04db
35% Popularity • 39% Danceability • 32% Energy • 8% Liveness
14% Instrumentalness • 4% Positiveness
35% Popularity • 39% Danceability • 32% Energy • 8% Liveness
14% Instrumentalness • 4% Positiveness
