Songs like Prologue: Once Upon a December by Nicole Scimeca
Based on a tempo of (+/- 10%) and a similar genre
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25th Annual Putnam County Spelling Bee Original Cast
The Spelling Rules / My Favorite Moment ...
169 bpm • D Maj • 01:41 • -9.16db
30% Popularity • 53% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
30% Popularity • 53% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Company of SpongeBob SquarePants, The New Musical
Tomorrow Is
168 bpm • D Maj • 03:30 • -6.09db
34% Popularity • 22% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
34% Popularity • 22% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Lynn Ahrens
Biggest Blame Fool - Original Broadway C...
170 bpm • A# Maj • 03:55 • -9.08db
36% Popularity • 53% Danceability • 68% Energy • 28% Liveness
0% Instrumentalness • 52% Positiveness
36% Popularity • 53% Danceability • 68% Energy • 28% Liveness
0% Instrumentalness • 52% Positiveness
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Ben Fankhauser
King Of New York
168 bpm • C Maj • 04:09 • -8.16db
50% Popularity • 66% Danceability • 56% Energy • 23% Liveness
0% Instrumentalness • 72% Positiveness
50% Popularity • 66% Danceability • 56% Energy • 23% Liveness
0% Instrumentalness • 72% Positiveness
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Michael McGrath
Finland/Fisch Schlapping Dance - Origina...
170 bpm • A# Maj • 01:01 • -6db
35% Popularity • 45% Danceability • 61% Energy • 58% Liveness
0% Instrumentalness • 97% Positiveness
35% Popularity • 45% Danceability • 61% Energy • 58% Liveness
0% Instrumentalness • 97% Positiveness
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Andrew Rannells
Tomorrow Is a Latter Day
170 bpm • G Maj • 06:01 • -10.03db
42% Popularity • 42% Danceability • 59% Energy • 23% Liveness
0% Instrumentalness • 46% Positiveness
42% Popularity • 42% Danceability • 59% Energy • 23% Liveness
0% Instrumentalness • 46% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
The 25th Annual Putnam County Spelling B...
170 bpm • C Maj • 04:44 • -9db
33% Popularity • 52% Danceability • 34% Energy • 37% Liveness
0% Instrumentalness • 60% Positiveness
33% Popularity • 52% Danceability • 34% Energy • 37% Liveness
0% Instrumentalness • 60% Positiveness
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Caroline O'Connor
Land of Yesterday
170 bpm • E min • 03:35 • -8.09db
42% Popularity • 46% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
42% Popularity • 46% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
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Ensemble
Facade - Reprise 4
170 bpm • D min • 01:04 • -12.33db
24% Popularity • 28% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
24% Popularity • 28% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Ryan Breslin
King Of New York (Full Song With Dance B...
168 bpm • C Maj • 04:55 • -8.29db
36% Popularity • 65% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
36% Popularity • 65% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
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Rachelle Rak
Doctor's Orders
170 bpm • G Maj • 03:10 • -5.27db
28% Popularity • 54% Danceability • 66% Energy • 48% Liveness
0% Instrumentalness • 66% Positiveness
28% Popularity • 54% Danceability • 66% Energy • 48% Liveness
0% Instrumentalness • 66% Positiveness
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The Original Broadway Cast Of School Of Rock
Act 2, Scene 8: Dewey's Bedroom
170 bpm • A# Maj • 05:08 • -6.56db
29% Popularity • 43% Danceability • 35% Energy • 20% Liveness
0% Instrumentalness • 36% Positiveness
29% Popularity • 43% Danceability • 35% Energy • 20% Liveness
0% Instrumentalness • 36% Positiveness
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Joel Hatch
Welcome To The Rock
168 bpm • G Maj • 03:41 • -5db
50% Popularity • 66% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
50% Popularity • 66% Danceability • 67% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
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Christy Altomare
Crossing a Bridge
171 bpm • G min • 02:10 • -11.71db
40% Popularity • 24% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
40% Popularity • 24% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Original Cast of Firebringer
Chorn
171 bpm • C Maj • 02:06 • -8.35db
26% Popularity • 18% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
26% Popularity • 18% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Zachary Levi
Tonight at Eight
171 bpm • F# min • 01:45 • -8.94db
31% Popularity • 52% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 93% Positiveness
31% Popularity • 52% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 93% Positiveness
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Alice Ripley
I Miss the Mountains
172 bpm • C Maj • 03:46 • -16.9db
34% Popularity • 31% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
34% Popularity • 31% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Kara Lindsay
Watch What Happens
172 bpm • A Maj • 03:06 • -11.3db
51% Popularity • 64% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
51% Popularity • 64% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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The Original Broadway Cast Of School Of Rock
If Only You Would Listen - Alternate Ver...
172 bpm • F Maj • 03:34 • -5.92db
26% Popularity • 32% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
26% Popularity • 32% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Fiddler on the Roof 2016 Broadway Cast
Tradition
172 bpm • C Maj • 07:05 • -9db
30% Popularity • 53% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
30% Popularity • 53% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Sally Dexter
It's A Fine Life
172 bpm • G# Maj • 03:38 • -14db
29% Popularity • 50% Danceability • 22% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
29% Popularity • 50% Danceability • 22% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
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Brooklyn Nelson
A Little Bit of You
172 bpm • E Maj • 01:56 • -9.07db
37% Popularity • 51% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
37% Popularity • 51% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Meryl Streep
The Lady's Improving
172 bpm • D# Maj • 02:39 • -6.26db
30% Popularity • 38% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
30% Popularity • 38% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 51% Positiveness
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Nicole Scimeca
Prologue: Once Upon a December
173 bpm • A min • 01:45 • -12.41db
42% Popularity • 20% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
42% Popularity • 20% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
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Steven Booth
Hey, Good-Lookin'
172 bpm • C Maj • 03:12 • -5db
30% Popularity • 56% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
30% Popularity • 56% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 75% Positiveness
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Ryan Foust
A Letter From Charlie Bucket
164 bpm • E Maj • 03:23 • -14.62db
26% Popularity • 55% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
26% Popularity • 55% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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James Saxon
Boy For Sale
173 bpm • A min • 02:04 • -20.83db
27% Popularity • 18% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
27% Popularity • 18% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Full Company
Price and Son Theme / The Most Beautiful...
174 bpm • G Maj • 06:20 • -8db
29% Popularity • 44% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
29% Popularity • 44% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Bring It On: The Musical - Original Broadway Cast
I Got You
174 bpm • F Maj • 02:56 • -4db
41% Popularity • 44% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 65% Positiveness
41% Popularity • 44% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 65% Positiveness
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13 Original Broadway Cast
13 / Becoming a Man
164 bpm • C min • 06:48 • -4db
27% Popularity • 47% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
27% Popularity • 47% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Tim Curry
I'm All Alone - Original Broadway Cast R...
174 bpm • C Maj • 03:19 • -9db
30% Popularity • 27% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
30% Popularity • 27% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Kate Shindle
I Will Prevail
163 bpm • F# min • 03:39 • -10.51db
34% Popularity • 32% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 36% Positiveness
34% Popularity • 32% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 36% Positiveness
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Laurie Davidson
Mr. Mistoffelees
162 bpm • C min • 04:41 • -10.13db
30% Popularity • 46% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 41% Positiveness
30% Popularity • 46% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 41% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
I Speak Six Languages
176 bpm • G Maj • 02:29 • -7.1db
38% Popularity • 54% Danceability • 38% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
38% Popularity • 54% Danceability • 38% Energy • 33% Liveness
0% Instrumentalness • 64% Positiveness
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Stuart Zagnit
Here On Who - Original Broadway Cast Rec...
162 bpm • A min • 06:00 • -12.7db
33% Popularity • 47% Danceability • 28% Energy • 51% Liveness
0% Instrumentalness • 42% Positiveness
33% Popularity • 47% Danceability • 28% Energy • 51% Liveness
0% Instrumentalness • 42% Positiveness
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Caroline O'Connor
The Countess and the Common Man
162 bpm • G Maj • 03:01 • -11.65db
36% Popularity • 43% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
36% Popularity • 43% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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The Original Broadway Cast Of School Of Rock
Time to Play
162 bpm • G# Maj • 03:35 • -4db
34% Popularity • 70% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
34% Popularity • 70% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Sutton Foster
Gimme Gimme
176 bpm • B Maj • 03:34 • -10.7db
39% Popularity • 33% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
39% Popularity • 33% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Stephen Schwartz
Wonderful
177 bpm • F Maj • 04:57 • -11.23db
35% Popularity • 41% Danceability • 22% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
35% Popularity • 41% Danceability • 22% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
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Jessie Mueller
Opening Up
161 bpm • D Maj • 02:34 • -5.24db
52% Popularity • 58% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
52% Popularity • 58% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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The Space Tour Cast
Harry Freakin' Potter
161 bpm • C# Maj • 02:36 • -8.58db
30% Popularity • 40% Danceability • 79% Energy • 87% Liveness
0% Instrumentalness • 50% Positiveness
30% Popularity • 40% Danceability • 79% Energy • 87% Liveness
0% Instrumentalness • 50% Positiveness
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Anna Kendrick
On the Steps of the Palace
178 bpm • D# Maj • 03:14 • -13.95db
43% Popularity • 44% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
43% Popularity • 44% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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David Shiner
Havin' A Hunch - Original Broadway Cast ...
162 bpm • C# Maj • 03:21 • -9.85db
30% Popularity • 57% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
30% Popularity • 57% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Lee MacDougall
Stop The World
179 bpm • E Maj • 02:20 • -8.12db
40% Popularity • 46% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
40% Popularity • 46% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Victoria Clark
"There's Music in You"
180 bpm • F Maj • 03:14 • -7.32db
26% Popularity • 23% Danceability • 32% Energy • 25% Liveness
0% Instrumentalness • 7% Positiveness
26% Popularity • 23% Danceability • 32% Energy • 25% Liveness
0% Instrumentalness • 7% Positiveness
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Wonderland Ensemble
Mad Tea Party
158 bpm • C min • 01:19 • -13.09db
24% Popularity • 60% Danceability • 58% Energy • 30% Liveness
0% Instrumentalness • 84% Positiveness
24% Popularity • 60% Danceability • 58% Energy • 30% Liveness
0% Instrumentalness • 84% Positiveness
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Christy Altomare
Quartet at the Ballet
180 bpm • G Maj • 03:45 • -11.08db
42% Popularity • 22% Danceability • 31% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
42% Popularity • 22% Danceability • 31% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
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Mike Faist
Tonight (Quintet)
158 bpm • A Maj • 03:28 • -13.24db
41% Popularity • 50% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
41% Popularity • 50% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 66% Positiveness
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Allison Williams
Finale Ultimo: Never Never Land (Reprise...
181 bpm • D Maj • 02:44 • -10.59db
9% Popularity • 34% Danceability • 23% Energy • 28% Liveness
0% Instrumentalness • 25% Positiveness
9% Popularity • 34% Danceability • 23% Energy • 28% Liveness
0% Instrumentalness • 25% Positiveness
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Soundtrack/Cast Album
Prologue / Little Shop Of Horrors
158 bpm • G Maj • 03:22 • -10.17db
41% Popularity • 68% Danceability • 55% Energy • 58% Liveness
0% Instrumentalness • 75% Positiveness
41% Popularity • 68% Danceability • 55% Energy • 58% Liveness
0% Instrumentalness • 75% Positiveness
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Allie Trimm
The Lamest Place in the World
182 bpm • E Maj • 03:02 • -5.48db
29% Popularity • 44% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
29% Popularity • 44% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Charlotte D'Amboise
The Music and the Mirror
156 bpm • E Maj • 06:50 • -8.02db
28% Popularity • 42% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 34% Positiveness
28% Popularity • 42% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 34% Positiveness
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Richard Fleeshman
You Could Drive a Person Crazy
183 bpm • D Maj • 02:52 • -15db
28% Popularity • 54% Danceability • 31% Energy • 73% Liveness
0% Instrumentalness • 82% Positiveness
28% Popularity • 54% Danceability • 31% Energy • 73% Liveness
0% Instrumentalness • 82% Positiveness
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Andrew Rannells
Two by Two
157 bpm • D# Maj • 04:31 • -10.08db
48% Popularity • 55% Danceability • 44% Energy • 34% Liveness
0% Instrumentalness • 61% Positiveness
48% Popularity • 55% Danceability • 44% Energy • 34% Liveness
0% Instrumentalness • 61% Positiveness
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Sutton Foster
Not for the Life of Me
184 bpm • D# Maj • 02:10 • -12db
33% Popularity • 42% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
33% Popularity • 42% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Aileen Quinn
I Think I'm Gonna Like It Here
155 bpm • A Maj • 03:34 • -15.53db
37% Popularity • 49% Danceability • 28% Energy • 42% Liveness
0% Instrumentalness • 47% Positiveness
37% Popularity • 49% Danceability • 28% Energy • 42% Liveness
0% Instrumentalness • 47% Positiveness
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Sawyer Nunes
The Pirates Of Kensington - Original Bro...
155 bpm • F Maj • 01:03 • -6.96db
24% Popularity • 69% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
24% Popularity • 69% Danceability • 63% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
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Derek Klena
In a Crowd of Thousands
185 bpm • E Maj • 03:45 • -13db
48% Popularity • 29% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
48% Popularity • 29% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Kate Shindle
Legally Blonde - Remix
154 bpm • A Maj • 04:59 • -9.84db
47% Popularity • 49% Danceability • 58% Energy • 4% Liveness
0% Instrumentalness • 46% Positiveness
47% Popularity • 49% Danceability • 58% Energy • 4% Liveness
0% Instrumentalness • 46% Positiveness
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Ariana DeBose
A Boy Like That / I Have a Love
154 bpm • E min • 05:25 • -15db
41% Popularity • 30% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 10% Positiveness
41% Popularity • 30% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 10% Positiveness
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Jason Gotay
Go
153 bpm • D Maj • 06:19 • -6.58db
26% Popularity • 36% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
26% Popularity • 36% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Company of The Prom: A New Musical
It's Time to Dance
153 bpm • C# Maj • 05:33 • -4.87db
36% Popularity • 41% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
36% Popularity • 41% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
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You're a Good Man, Charlie Brown Ensemble (1999)
Opening / You're a Good Man, Charlie Bro...
152 bpm • D Maj • 05:01 • -10.13db
30% Popularity • 49% Danceability • 50% Energy • 71% Liveness
0% Instrumentalness • 73% Positiveness
30% Popularity • 49% Danceability • 50% Energy • 71% Liveness
0% Instrumentalness • 73% Positiveness
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Soundtrack/Cast Album
Ya Never Know
152 bpm • A# Maj • 03:10 • -8.89db
36% Popularity • 68% Danceability • 40% Energy • 44% Liveness
0% Instrumentalness • 74% Positiveness
36% Popularity • 68% Danceability • 40% Energy • 44% Liveness
0% Instrumentalness • 74% Positiveness
► Preview
Grace McLean
Moscow
187 bpm • G# Maj • 04:27 • -10.16db
40% Popularity • 39% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
40% Popularity • 39% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
► Preview
Mackenzie Mauzy
Rapunzel's Song
150 bpm • C# min • 00:55 • -20db
32% Popularity • 20% Danceability • 9% Energy • 42% Liveness
94% Instrumentalness • 6% Positiveness
32% Popularity • 20% Danceability • 9% Energy • 42% Liveness
94% Instrumentalness • 6% Positiveness
► Preview
Adam Pascal
Fortune Favors The Brave
150 bpm • F Maj • 02:20 • -5db
35% Popularity • 46% Danceability • 85% Energy • 32% Liveness
0% Instrumentalness • 48% Positiveness
35% Popularity • 46% Danceability • 85% Energy • 32% Liveness
0% Instrumentalness • 48% Positiveness
► Preview
Alan Zachary
First Impressions
150 bpm • C Maj • 03:35 • -5.62db
31% Popularity • 74% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
31% Popularity • 74% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
► Preview
Ethan Slater
(Just a) Simple Sponge
150 bpm • C Maj • 03:56 • -5.64db
34% Popularity • 50% Danceability • 85% Energy • 41% Liveness
0% Instrumentalness • 56% Positiveness
34% Popularity • 50% Danceability • 85% Energy • 41% Liveness
0% Instrumentalness • 56% Positiveness
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Stephen Flaherty
It's Possible (McElligot's Pool) - Origi...
150 bpm • D Maj • 02:37 • -10.73db
33% Popularity • 49% Danceability • 42% Energy • 23% Liveness
0% Instrumentalness • 70% Positiveness
33% Popularity • 49% Danceability • 42% Energy • 23% Liveness
0% Instrumentalness • 70% Positiveness
► Preview
Hunter Foster
Follow Your Heart
149 bpm • D# Maj • 04:47 • -17.16db
31% Popularity • 48% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
31% Popularity • 48% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
► Preview
Silas Wyatt-Barke
Deliver Us (Reprise)
149 bpm • A min • 00:56 • -8.81db
28% Popularity • 49% Danceability • 30% Energy • 55% Liveness
0% Instrumentalness • 34% Positiveness
28% Popularity • 49% Danceability • 30% Energy • 55% Liveness
0% Instrumentalness • 34% Positiveness
► Preview
Ali Stroker
I Cain’t Say No
149 bpm • C Maj • 03:58 • -8.32db
30% Popularity • 56% Danceability • 37% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
30% Popularity • 56% Danceability • 37% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
► Preview
Charlotte D'Amboise
Spread a Little Sunshine
148 bpm • C min • 03:03 • -9.43db
33% Popularity • 36% Danceability • 34% Energy • 62% Liveness
0% Instrumentalness • 48% Positiveness
33% Popularity • 36% Danceability • 34% Energy • 62% Liveness
0% Instrumentalness • 48% Positiveness
► Preview
John Bolton
Meant to Be
148 bpm • F Maj • 01:40 • -10.5db
37% Popularity • 29% Danceability • 17% Energy • 22% Liveness
0% Instrumentalness • 21% Positiveness
37% Popularity • 29% Danceability • 17% Energy • 22% Liveness
0% Instrumentalness • 21% Positiveness
► Preview
John Riddle
Hans of the Southern Isles
147 bpm • G Maj • 01:35 • -16.54db
34% Popularity • 38% Danceability • 10% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
34% Popularity • 38% Danceability • 10% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
► Preview
Steven McRae
Skimbleshanks: The Railway Cat
147 bpm • E Maj • 04:00 • -6.61db
31% Popularity • 66% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
31% Popularity • 66% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
► Preview
Isaac Powell
Some Girls
147 bpm • D# Maj • 03:11 • -16db
26% Popularity • 38% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
26% Popularity • 38% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Ensemble
Facade
146 bpm • D min • 03:54 • -7.75db
32% Popularity • 44% Danceability • 48% Energy • 25% Liveness
0% Instrumentalness • 66% Positiveness
32% Popularity • 44% Danceability • 48% Energy • 25% Liveness
0% Instrumentalness • 66% Positiveness
► Preview
Karen Mason
Hail the Queen
146 bpm • C Maj • 01:58 • -12.07db
22% Popularity • 59% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
22% Popularity • 59% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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'Come From Away' Band
Screech Out
146 bpm • D Maj • 01:44 • -5db
37% Popularity • 58% Danceability • 87% Energy • 33% Liveness
75% Instrumentalness • 96% Positiveness
37% Popularity • 58% Danceability • 87% Energy • 33% Liveness
75% Instrumentalness • 96% Positiveness
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Erika Henningsen
I See Stars
146 bpm • A Maj • 03:48 • -4db
49% Popularity • 36% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
49% Popularity • 36% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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John Tartaglia
Freak Flag
145 bpm • A Maj • 03:51 • -7.09db
43% Popularity • 60% Danceability • 53% Energy • 40% Liveness
0% Instrumentalness • 58% Positiveness
43% Popularity • 60% Danceability • 53% Energy • 40% Liveness
0% Instrumentalness • 58% Positiveness
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Sophia Anne Caruso
Home
146 bpm • D Maj • 03:47 • -6.51db
50% Popularity • 41% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 19% Positiveness
50% Popularity • 41% Danceability • 62% Energy • 28% Liveness
0% Instrumentalness • 19% Positiveness
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Lynn Ahrens
Oh, The Thinks You Can Think - Original ...
145 bpm • C Maj • 03:51 • -9.81db
38% Popularity • 69% Danceability • 57% Energy • 29% Liveness
0% Instrumentalness • 86% Positiveness
38% Popularity • 69% Danceability • 57% Energy • 29% Liveness
0% Instrumentalness • 86% Positiveness
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Constantine Germanacos
Stay, I Pray You
197 bpm • D# min • 03:26 • -12.54db
45% Popularity • 18% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
45% Popularity • 18% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Roger Bart
Together Again
145 bpm • G Maj • 03:50 • -8.55db
28% Popularity • 65% Danceability • 54% Energy • 4% Liveness
0% Instrumentalness • 64% Positiveness
28% Popularity • 65% Danceability • 54% Energy • 4% Liveness
0% Instrumentalness • 64% Positiveness
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Katie Rowley Jones
The Life I Never Led
198 bpm • G Maj • 03:33 • -10db
33% Popularity • 33% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
33% Popularity • 33% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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The Original Broadway Cast Of School Of Rock
Queen of the Night
144 bpm • D Maj • 01:58 • -8.1db
28% Popularity • 61% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
28% Popularity • 61% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Marcy
Alto's Lament
144 bpm • C Maj • 03:18 • -6db
29% Popularity • 46% Danceability • 61% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
29% Popularity • 46% Danceability • 61% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
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Cast Recording
Role of A Lifetime
144 bpm • D min • 03:33 • -12.13db
30% Popularity • 47% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
30% Popularity • 47% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Keala Settle
The Negative
144 bpm • C# Maj • 02:27 • -7.25db
49% Popularity • 58% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 63% Positiveness
49% Popularity • 58% Danceability • 60% Energy • 29% Liveness
0% Instrumentalness • 63% Positiveness
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Sutton Foster
Forget About the Boy
200 bpm • D min • 03:23 • -9.6db
37% Popularity • 46% Danceability • 44% Energy • 46% Liveness
0% Instrumentalness • 77% Positiveness
37% Popularity • 46% Danceability • 44% Energy • 46% Liveness
0% Instrumentalness • 77% Positiveness