Songs like prologue by Sarah Kang
Based on a tempo of (+/- 10%) and a similar genre
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Sarah Kang
Summer Cold
144 bpm • C# Maj • 03:15 • -6.27db
32% Popularity • 79% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
32% Popularity • 79% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Ebony Loren
Phone Static
144 bpm • G# min • 03:02 • -6.95db
32% Popularity • 68% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
32% Popularity • 68% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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92914
Neverland
144 bpm • E Maj • 03:12 • -12.05db
33% Popularity • 69% Danceability • 43% Energy • 10% Liveness
26% Instrumentalness • 77% Positiveness
33% Popularity • 69% Danceability • 43% Energy • 10% Liveness
26% Instrumentalness • 77% Positiveness
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Clavita
me you
144 bpm • F# Maj • 03:03 • -9.85db
31% Popularity • 48% Danceability • 38% Energy • 37% Liveness
0% Instrumentalness • 47% Positiveness
31% Popularity • 48% Danceability • 38% Energy • 37% Liveness
0% Instrumentalness • 47% Positiveness
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Michael Carreon
Love of My Life
144 bpm • A Maj • 03:31 • -7.22db
32% Popularity • 66% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
32% Popularity • 66% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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brb.
honeymoon
143 bpm • C# Maj • 02:47 • -10db
56% Popularity • 71% Danceability • 64% Energy • 23% Liveness
2% Instrumentalness • 87% Positiveness
56% Popularity • 71% Danceability • 64% Energy • 23% Liveness
2% Instrumentalness • 87% Positiveness
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Sarah Kang
prologue
144 bpm • A min • 03:20 • -8.28db
31% Popularity • 78% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
31% Popularity • 78% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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fcj
roundabout
145 bpm • C# Maj • 02:12 • -6.78db
54% Popularity • 78% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
54% Popularity • 78% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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YAØ
Hostage
145 bpm • A# min • 03:09 • -13.17db
45% Popularity • 56% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
45% Popularity • 56% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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grentperez
When We Were Younger
143 bpm • F# min • 03:54 • -9.79db
50% Popularity • 70% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
50% Popularity • 70% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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John OFA Rhee
NO THING
142 bpm • F Maj • 03:11 • -11.05db
32% Popularity • 88% Danceability • 44% Energy • 10% Liveness
2% Instrumentalness • 88% Positiveness
32% Popularity • 88% Danceability • 44% Energy • 10% Liveness
2% Instrumentalness • 88% Positiveness
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Luke Chiang
May I Ask
146 bpm • D Maj • 03:50 • -9.22db
65% Popularity • 72% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
65% Popularity • 72% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Sarah Kang
Roses on Valentine's Day
142 bpm • G min • 03:03 • -6.54db
34% Popularity • 67% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
34% Popularity • 67% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Rocco
spin you round
146 bpm • C# Maj • 02:06 • -15.81db
62% Popularity • 66% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 39% Positiveness
62% Popularity • 66% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 39% Positiveness
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92914
Okinawa
148 bpm • F Maj • 05:48 • -18.47db
50% Popularity • 74% Danceability • 17% Energy • 66% Liveness
16% Instrumentalness • 38% Positiveness
50% Popularity • 74% Danceability • 17% Energy • 66% Liveness
16% Instrumentalness • 38% Positiveness
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hongjoin
You're My Everything
140 bpm • B min • 03:32 • -7.58db
33% Popularity • 72% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
33% Popularity • 72% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Rangga Jones
End of The Day
140 bpm • D Maj • 02:37 • -8.93db
51% Popularity • 81% Danceability • 45% Energy • 31% Liveness
0% Instrumentalness • 69% Positiveness
51% Popularity • 81% Danceability • 45% Energy • 31% Liveness
0% Instrumentalness • 69% Positiveness
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Bruno Major
Tell Her
140 bpm • B Maj • 02:43 • -11.46db
51% Popularity • 70% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
51% Popularity • 70% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Sarah Kang
handbook
142 bpm • C min • 03:15 • -9.31db
35% Popularity • 47% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
35% Popularity • 47% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
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Rocco
Third Avenue
140 bpm • G Maj • 02:51 • -17.62db
53% Popularity • 29% Danceability • 18% Energy • 22% Liveness
0% Instrumentalness • 16% Positiveness
53% Popularity • 29% Danceability • 18% Energy • 22% Liveness
0% Instrumentalness • 16% Positiveness
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corner club
ok time
140 bpm • A# Maj • 02:26 • -7.07db
37% Popularity • 82% Danceability • 50% Energy • 6% Liveness
3% Instrumentalness • 90% Positiveness
37% Popularity • 82% Danceability • 50% Energy • 6% Liveness
3% Instrumentalness • 90% Positiveness
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Hojean
Destiny
140 bpm • A Maj • 02:06 • -6.17db
56% Popularity • 65% Danceability • 65% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
56% Popularity • 65% Danceability • 65% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
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Rangga Jones
Make Me Wanna
140 bpm • F# min • 02:19 • -9db
48% Popularity • 71% Danceability • 52% Energy • 33% Liveness
0% Instrumentalness • 55% Positiveness
48% Popularity • 71% Danceability • 52% Energy • 33% Liveness
0% Instrumentalness • 55% Positiveness
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siopaolo
the space between us
140 bpm • A Maj • 04:13 • -9.69db
56% Popularity • 72% Danceability • 29% Energy • 36% Liveness
0% Instrumentalness • 35% Positiveness
56% Popularity • 72% Danceability • 29% Energy • 36% Liveness
0% Instrumentalness • 35% Positiveness
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Sarah Kang
All Over Again
141 bpm • A Maj • 02:58 • -10.25db
46% Popularity • 54% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
46% Popularity • 54% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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eaJ
la trains
140 bpm • C# min • 01:20 • -10.09db
53% Popularity • 55% Danceability • 43% Energy • 37% Liveness
0% Instrumentalness • 43% Positiveness
53% Popularity • 55% Danceability • 43% Energy • 37% Liveness
0% Instrumentalness • 43% Positiveness
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moon tang
Dear Moon
149 bpm • G# Maj • 03:15 • -14.56db
39% Popularity • 39% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
39% Popularity • 39% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Ebony Loren
Retrograde
139 bpm • B Maj • 03:36 • -11.27db
23% Popularity • 53% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
23% Popularity • 53% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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hyejin
I'VE SEEN THIS MOVIE BEFORE
150 bpm • G Maj • 03:29 • -6.38db
42% Popularity • 49% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
42% Popularity • 49% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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HYBS
Good Care
150 bpm • B min • 03:14 • -8.17db
59% Popularity • 77% Danceability • 53% Energy • 10% Liveness
14% Instrumentalness • 74% Positiveness
59% Popularity • 77% Danceability • 53% Energy • 10% Liveness
14% Instrumentalness • 74% Positiveness
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Sarah Kang
once in a moon
148 bpm • C# Maj • 04:05 • -11.7db
54% Popularity • 39% Danceability • 28% Energy • 35% Liveness
0% Instrumentalness • 31% Positiveness
54% Popularity • 39% Danceability • 28% Energy • 35% Liveness
0% Instrumentalness • 31% Positiveness
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eaJ
50 proof
138 bpm • F Maj • 02:01 • -12.15db
47% Popularity • 38% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
47% Popularity • 38% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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slchld
my insecurities not yours
139 bpm • F# Maj • 04:02 • -6.52db
40% Popularity • 37% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
40% Popularity • 37% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Galdive
Stay
150 bpm • B min • 03:38 • -6.41db
52% Popularity • 72% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 65% Positiveness
52% Popularity • 72% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 65% Positiveness
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Jesse Barrera
Obvious
150 bpm • B min • 03:05 • -6.97db
55% Popularity • 65% Danceability • 38% Energy • 35% Liveness
0% Instrumentalness • 63% Positiveness
55% Popularity • 65% Danceability • 38% Energy • 35% Liveness
0% Instrumentalness • 63% Positiveness
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Emi Choi
Stranger's Sweater
138 bpm • C Maj • 03:31 • -13db
40% Popularity • 70% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
40% Popularity • 70% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Sarah Kang
now i know
148 bpm • C# Maj • 04:23 • -13.91db
45% Popularity • 46% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
45% Popularity • 46% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Gentle Bones
dear me,
138 bpm • B Maj • 02:45 • -8.85db
52% Popularity • 63% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
52% Popularity • 63% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
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John OFA Rhee
FRIDAY NIGHTS
138 bpm • F# min • 04:20 • -11.2db
35% Popularity • 82% Danceability • 35% Energy • 32% Liveness
0% Instrumentalness • 40% Positiveness
35% Popularity • 82% Danceability • 35% Energy • 32% Liveness
0% Instrumentalness • 40% Positiveness
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Albert Posis
Serendipity
138 bpm • F# Maj • 02:24 • -6.89db
53% Popularity • 73% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
53% Popularity • 73% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Sam Wills
Traingazing
138 bpm • B Maj • 03:34 • -10.06db
66% Popularity • 85% Danceability • 36% Energy • 14% Liveness
1% Instrumentalness • 56% Positiveness
66% Popularity • 85% Danceability • 36% Energy • 14% Liveness
1% Instrumentalness • 56% Positiveness
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eldon
Mliy
151 bpm • G Maj • 02:53 • -8.33db
32% Popularity • 37% Danceability • 41% Energy • 25% Liveness
0% Instrumentalness • 40% Positiveness
32% Popularity • 37% Danceability • 41% Energy • 25% Liveness
0% Instrumentalness • 40% Positiveness
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Sarah Kang
Fall for You
140 bpm • C# Maj • 02:55 • -7.93db
62% Popularity • 57% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
62% Popularity • 57% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Rahmania Astrini
pizza pepperoni
152 bpm • A Maj • 02:20 • -8.05db
36% Popularity • 72% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
36% Popularity • 72% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Hojean
far from here
152 bpm • F Maj • 03:14 • -8.69db
41% Popularity • 66% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
41% Popularity • 66% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Krista Monica
Old Fashion Love
136 bpm • G# Maj • 03:29 • -8.44db
35% Popularity • 57% Danceability • 45% Energy • 21% Liveness
0% Instrumentalness • 25% Positiveness
35% Popularity • 57% Danceability • 45% Energy • 21% Liveness
0% Instrumentalness • 25% Positiveness
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CLAUDIA
Your Gentleman
136 bpm • B min • 03:07 • -7.56db
42% Popularity • 78% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
42% Popularity • 78% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 92% Positiveness
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GSoul
Natural
153 bpm • E min • 02:24 • -9.85db
50% Popularity • 52% Danceability • 32% Energy • 34% Liveness
0% Instrumentalness • 24% Positiveness
50% Popularity • 52% Danceability • 32% Energy • 34% Liveness
0% Instrumentalness • 24% Positiveness
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Sarah Kang
You Are the Same, Today and Yesterday
140 bpm • C# Maj • 02:06 • -9.77db
30% Popularity • 57% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
30% Popularity • 57% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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The Millennial Club
summer nights
135 bpm • C# Maj • 03:33 • -8db
59% Popularity • 71% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
59% Popularity • 71% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Numcha
April's Loop
154 bpm • E Maj • 02:48 • -7.87db
44% Popularity • 71% Danceability • 35% Energy • 34% Liveness
16% Instrumentalness • 11% Positiveness
44% Popularity • 71% Danceability • 35% Energy • 34% Liveness
16% Instrumentalness • 11% Positiveness
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Micah Edwards
All for You
154 bpm • C min • 02:56 • -9.09db
55% Popularity • 51% Danceability • 35% Energy • 20% Liveness
65% Instrumentalness • 62% Positiveness
55% Popularity • 51% Danceability • 35% Energy • 20% Liveness
65% Instrumentalness • 62% Positiveness
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HOHYUN
Meant To Be
135 bpm • D Maj • 03:30 • -15.04db
22% Popularity • 45% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
22% Popularity • 45% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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LambC
Love like that
154 bpm • D Maj • 03:35 • -6.51db
49% Popularity • 76% Danceability • 41% Energy • 14% Liveness
1% Instrumentalness • 88% Positiveness
49% Popularity • 76% Danceability • 41% Energy • 14% Liveness
1% Instrumentalness • 88% Positiveness
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Sarah Kang
better than new
137 bpm • G Maj • 03:17 • -8.69db
29% Popularity • 41% Danceability • 52% Energy • 35% Liveness
0% Instrumentalness • 48% Positiveness
29% Popularity • 41% Danceability • 52% Energy • 35% Liveness
0% Instrumentalness • 48% Positiveness
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Michael Carreon
He Said She Said
134 bpm • G Maj • 02:57 • -11.54db
31% Popularity • 55% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
31% Popularity • 55% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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HONNE
free love
134 bpm • A Maj • 03:29 • -8.2db
58% Popularity • 71% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
58% Popularity • 71% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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grentperez
Old With You
133 bpm • A Maj • 03:26 • -7.2db
59% Popularity • 73% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
59% Popularity • 73% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Yoandri
It'll Be Ok
133 bpm • D Maj • 02:34 • -9.74db
41% Popularity • 45% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
41% Popularity • 45% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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HYBS
RIDE - Billbilly01 Remix
156 bpm • F Maj • 03:20 • -5.81db
43% Popularity • 73% Danceability • 46% Energy • 9% Liveness
1% Instrumentalness • 57% Positiveness
43% Popularity • 73% Danceability • 46% Energy • 9% Liveness
1% Instrumentalness • 57% Positiveness
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Sarah Kang
Maybe the World is a Beautiful Place
152 bpm • F# Maj • 03:35 • -9.99db
29% Popularity • 41% Danceability • 35% Energy • 30% Liveness
0% Instrumentalness • 47% Positiveness
29% Popularity • 41% Danceability • 35% Energy • 30% Liveness
0% Instrumentalness • 47% Positiveness
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Faime
Sunrise
156 bpm • B Maj • 02:54 • -10.22db
41% Popularity • 62% Danceability • 40% Energy • 23% Liveness
0% Instrumentalness • 58% Positiveness
41% Popularity • 62% Danceability • 40% Energy • 23% Liveness
0% Instrumentalness • 58% Positiveness
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WNRDA
Don't Let Go
132 bpm • D# Maj • 02:48 • -7.18db
34% Popularity • 61% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
34% Popularity • 61% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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John OFA Rhee
DAYDREAM
157 bpm • G Maj • 03:43 • -11.86db
32% Popularity • 72% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
32% Popularity • 72% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
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Public Library Commute
Brand New
132 bpm • B Maj • 02:36 • -8db
55% Popularity • 81% Danceability • 68% Energy • 27% Liveness
3% Instrumentalness • 96% Positiveness
55% Popularity • 81% Danceability • 68% Energy • 27% Liveness
3% Instrumentalness • 96% Positiveness
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CLAUDIA
bad together
132 bpm • G# Maj • 02:50 • -8.67db
44% Popularity • 84% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
44% Popularity • 84% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
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Sarah Kang
isn't it enough
153 bpm • A# Maj • 03:42 • -12.36db
30% Popularity • 38% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
30% Popularity • 38% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Yayyoung
Hubba Bubba
132 bpm • B Maj • 02:47 • -6.32db
25% Popularity • 59% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
25% Popularity • 59% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Orion Song
Sanctuary
132 bpm • B Maj • 03:15 • -8.43db
15% Popularity • 55% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
15% Popularity • 55% Danceability • 51% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
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Rocco
Apples
132 bpm • D Maj • 02:09 • -15.53db
49% Popularity • 68% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
49% Popularity • 68% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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wave to earth
sunny days
158 bpm • G Maj • 04:08 • -8.45db
69% Popularity • 55% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
69% Popularity • 55% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Anthony Lazaro
The Things She Loved
131 bpm • F Maj • 02:28 • -8.78db
32% Popularity • 48% Danceability • 37% Energy • 36% Liveness
0% Instrumentalness • 35% Positiveness
32% Popularity • 48% Danceability • 37% Energy • 36% Liveness
0% Instrumentalness • 35% Positiveness
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Sarah Kang
We're All Gonna Die Anyway
134 bpm • F# min • 03:09 • -11.41db
33% Popularity • 72% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
33% Popularity • 72% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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PRYVT
blue salvia
130 bpm • C# Maj • 03:17 • -10.11db
58% Popularity • 55% Danceability • 45% Energy • 29% Liveness
69% Instrumentalness • 30% Positiveness
58% Popularity • 55% Danceability • 45% Energy • 29% Liveness
69% Instrumentalness • 30% Positiveness
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ZUHAIR
All That I Know
130 bpm • F# Maj • 03:48 • -9.93db
46% Popularity • 61% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
46% Popularity • 61% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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slchld
love me at my worst
130 bpm • F# Maj • 02:41 • -6db
44% Popularity • 59% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
44% Popularity • 59% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
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grentperez
(Only) About Love - Demo
130 bpm • C# min • 04:18 • -10.57db
63% Popularity • 71% Danceability • 51% Energy • 13% Liveness
12% Instrumentalness • 59% Positiveness
63% Popularity • 71% Danceability • 51% Energy • 13% Liveness
12% Instrumentalness • 59% Positiveness
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Ebony Loren
Mine
130 bpm • F# Maj • 03:08 • -19.23db
27% Popularity • 63% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
27% Popularity • 63% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Sarah Kang
Hopeless Romantic
155 bpm • A Maj • 04:31 • -12.47db
44% Popularity • 42% Danceability • 26% Energy • 32% Liveness
0% Instrumentalness • 27% Positiveness
44% Popularity • 42% Danceability • 26% Energy • 32% Liveness
0% Instrumentalness • 27% Positiveness
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Rocco
l-o-v-e
130 bpm • B Maj • 03:34 • -11.98db
56% Popularity • 66% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
56% Popularity • 66% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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brb.
juice
130 bpm • B min • 03:15 • -10.5db
57% Popularity • 74% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
57% Popularity • 74% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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HOHYUN
Those Three Words
130 bpm • C min • 03:08 • -13.29db
31% Popularity • 66% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
31% Popularity • 66% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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thủy
playing tricks
130 bpm • E min • 03:04 • -8.21db
53% Popularity • 67% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
53% Popularity • 67% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
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Joseph Tilley
anybody for you
130 bpm • E Maj • 02:20 • -8.28db
38% Popularity • 82% Danceability • 52% Energy • 25% Liveness
0% Instrumentalness • 82% Positiveness
38% Popularity • 82% Danceability • 52% Energy • 25% Liveness
0% Instrumentalness • 82% Positiveness
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Sarah Kang
epilogue
156 bpm • A Maj • 03:59 • -9.67db
27% Popularity • 52% Danceability • 52% Energy • 9% Liveness
2% Instrumentalness • 22% Positiveness
27% Popularity • 52% Danceability • 52% Energy • 9% Liveness
2% Instrumentalness • 22% Positiveness
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wave to earth
pink
130 bpm • A Maj • 04:27 • -9db
61% Popularity • 59% Danceability • 52% Energy • 12% Liveness
74% Instrumentalness • 30% Positiveness
61% Popularity • 59% Danceability • 52% Energy • 12% Liveness
74% Instrumentalness • 30% Positiveness
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JAIE
Daylight
130 bpm • A Maj • 03:59 • -14.11db
46% Popularity • 69% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
46% Popularity • 69% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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grentperez
Dreams - Demo
130 bpm • F Maj • 05:14 • -12.7db
48% Popularity • 71% Danceability • 35% Energy • 46% Liveness
2% Instrumentalness • 40% Positiveness
48% Popularity • 71% Danceability • 35% Energy • 46% Liveness
2% Instrumentalness • 40% Positiveness
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Jesse Barrera
Still The One
130 bpm • A# Maj • 03:34 • -10.13db
55% Popularity • 72% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
55% Popularity • 72% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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keshi
LIMBO
130 bpm • G# Maj • 03:32 • -11.79db
76% Popularity • 58% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
76% Popularity • 58% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Milena
Saturn
130 bpm • D min • 03:05 • -11.87db
36% Popularity • 80% Danceability • 32% Energy • 10% Liveness
4% Instrumentalness • 30% Positiveness
36% Popularity • 80% Danceability • 32% Energy • 10% Liveness
4% Instrumentalness • 30% Positiveness
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asumuh
happy exists
130 bpm • F# Maj • 03:52 • -10.84db
42% Popularity • 58% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
42% Popularity • 58% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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JAWN
Figure Out
130 bpm • F min • 03:54 • -8.39db
33% Popularity • 55% Danceability • 62% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
33% Popularity • 55% Danceability • 62% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
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slchld
huge mood
130 bpm • D Maj • 03:02 • -5.77db
49% Popularity • 60% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
49% Popularity • 60% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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lullaboy
someone like u
130 bpm • G# Maj • 03:52 • -17.5db
52% Popularity • 59% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
52% Popularity • 59% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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keshi
WESTSIDE
160 bpm • D Maj • 03:04 • -10.72db
62% Popularity • 56% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
62% Popularity • 56% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Annie Dang
Won't Forget
130 bpm • A# Maj • 02:54 • -9.18db
28% Popularity • 56% Danceability • 28% Energy • 37% Liveness
0% Instrumentalness • 36% Positiveness
28% Popularity • 56% Danceability • 28% Energy • 37% Liveness
0% Instrumentalness • 36% Positiveness
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Jesse Barrera
Strawberry Soju
160 bpm • C# min • 02:51 • -6.28db
61% Popularity • 61% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 95% Positiveness
61% Popularity • 61% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 95% Positiveness
