Songs like Prologue by The 'Martin Guerre' Orchestra
Based on a tempo of (+/- 10%) and a similar genre
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The 'Martin Guerre' Orchestra
Prologue
68 bpm • B Maj • 03:22 • -20.58db
6% Popularity • 14% Danceability • 3% Energy • 17% Liveness
64% Instrumentalness • 4% Positiveness
6% Popularity • 14% Danceability • 3% Energy • 17% Liveness
64% Instrumentalness • 4% Positiveness
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Matthew Morrison
Il Mondo Era Vuoto
67 bpm • D# Maj • 03:57 • -13db
19% Popularity • 18% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
19% Popularity • 18% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Reece Shearsmith
A Place On The Parade
67 bpm • G# Maj • 03:46 • -13db
9% Popularity • 41% Danceability • 30% Energy • 67% Liveness
0% Instrumentalness • 44% Positiveness
9% Popularity • 41% Danceability • 30% Energy • 67% Liveness
0% Instrumentalness • 44% Positiveness
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Keith McDaniel
Over The Wall I
67 bpm • F min • 01:28 • -18db
13% Popularity • 42% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 42% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Brent Carver
How Can I Call This Home?
69 bpm • D Maj • 02:51 • -11db
20% Popularity • 47% Danceability • 34% Energy • 26% Liveness
0% Instrumentalness • 45% Positiveness
20% Popularity • 47% Danceability • 34% Energy • 26% Liveness
0% Instrumentalness • 45% Positiveness
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Stephen Bogardus
The Knight of the Mirrors
70 bpm • A# Maj • 02:02 • -12.26db
18% Popularity • 55% Danceability • 29% Energy • 24% Liveness
0% Instrumentalness • 44% Positiveness
18% Popularity • 55% Danceability • 29% Energy • 24% Liveness
0% Instrumentalness • 44% Positiveness
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Sheila Hancock
Here Within These Walls - Reprise
70 bpm • G# Maj • 01:37 • -12.94db
24% Popularity • 39% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
24% Popularity • 39% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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The Pirates Of Penzance
Away! Away! My Heart's on Fire
70 bpm • B min • 01:29 • -11.38db
18% Popularity • 55% Danceability • 47% Energy • 35% Liveness
0% Instrumentalness • 48% Positiveness
18% Popularity • 55% Danceability • 47% Energy • 35% Liveness
0% Instrumentalness • 48% Positiveness
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Jerry Herman
Look over There
70 bpm • F min • 02:54 • -14.9db
13% Popularity • 46% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
13% Popularity • 46% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Original Broadway Cast of 'Joseph and the Amazing Technicolor Dreamcoat'
Joseph's Dreams
71 bpm • A# Maj • 02:33 • -17.56db
15% Popularity • 48% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
15% Popularity • 48% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
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Simon Stride, Emma Carew
Emma's Reasons
71 bpm • F# Maj • 01:40 • -15.3db
25% Popularity • 40% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
25% Popularity • 40% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Christian Borle
Where Are You? - Original Broadway Cast ...
71 bpm • A Maj • 01:03 • -6db
28% Popularity • 30% Danceability • 52% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
28% Popularity • 30% Danceability • 52% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
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Rita McKenzie
I Hate Musicals
71 bpm • F# min • 02:15 • -9db
9% Popularity • 69% Danceability • 38% Energy • 25% Liveness
0% Instrumentalness • 65% Positiveness
9% Popularity • 69% Danceability • 38% Energy • 25% Liveness
0% Instrumentalness • 65% Positiveness
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Maury Yeston
We'll Meet Tomorrow
66 bpm • E Maj • 02:26 • -13.07db
23% Popularity • 26% Danceability • 30% Energy • 34% Liveness
0% Instrumentalness • 17% Positiveness
23% Popularity • 26% Danceability • 30% Energy • 34% Liveness
0% Instrumentalness • 17% Positiveness
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Michael Maguire
Second Attack / The Final Battle - Live
71 bpm • D# Maj • 01:52 • -16.27db
29% Popularity • 26% Danceability • 57% Energy • 34% Liveness
64% Instrumentalness • 31% Positiveness
29% Popularity • 26% Danceability • 57% Energy • 34% Liveness
64% Instrumentalness • 31% Positiveness
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David Burt
The Attack
72 bpm • D# Maj • 00:53 • -6.41db
33% Popularity • 48% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
33% Popularity • 48% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 73% Positiveness
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Harry Hadden-Paton
A Hymn to Him
64 bpm • D Maj • 03:03 • -8.68db
12% Popularity • 54% Danceability • 50% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
12% Popularity • 54% Danceability • 50% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
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The Mystery of Edwin Drood - The 2013 New Broadway Cast
Rosa's Confession
64 bpm • A min • 01:58 • -9.35db
15% Popularity • 51% Danceability • 44% Energy • 33% Liveness
0% Instrumentalness • 43% Positiveness
15% Popularity • 51% Danceability • 44% Energy • 33% Liveness
0% Instrumentalness • 43% Positiveness
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Jane Krakowski
A Trip to the Library
73 bpm • A Maj • 04:27 • -11.7db
25% Popularity • 63% Danceability • 31% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
25% Popularity • 63% Danceability • 31% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
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Maury Yeston
I Thought That I Could Live
72 bpm • F Maj • 04:04 • -9db
7% Popularity • 38% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
7% Popularity • 38% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Audra McDonald
President
73 bpm • A# Maj • 01:11 • -13.12db
18% Popularity • 48% Danceability • 32% Energy • 70% Liveness
0% Instrumentalness • 42% Positiveness
18% Popularity • 48% Danceability • 32% Energy • 70% Liveness
0% Instrumentalness • 42% Positiveness
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"Les Misérables Original London Cast" Ensemble
Wedding Chorale / Beggars At the Feast
73 bpm • E min • 02:16 • -8.18db
30% Popularity • 43% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
30% Popularity • 43% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Tom Hewitt
I'm Going Home
63 bpm • F Maj • 02:56 • -11.43db
14% Popularity • 46% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
14% Popularity • 46% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Tam Mutu
Who Is She?
73 bpm • C Maj • 02:44 • -10.79db
8% Popularity • 29% Danceability • 39% Energy • 32% Liveness
0% Instrumentalness • 26% Positiveness
8% Popularity • 29% Danceability • 39% Energy • 32% Liveness
0% Instrumentalness • 26% Positiveness
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Brent Carver
All the Wasted Time
62 bpm • A# Maj • 04:41 • -12.01db
24% Popularity • 40% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
24% Popularity • 40% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Maury Yeston
What a Remarkable Age This Is!
64 bpm • G min • 03:17 • -17.12db
21% Popularity • 57% Danceability • 24% Energy • 23% Liveness
0% Instrumentalness • 56% Positiveness
21% Popularity • 57% Danceability • 24% Energy • 23% Liveness
0% Instrumentalness • 56% Positiveness
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Scott Frankel
The Girl Who Has Everything
75 bpm • A# Maj • 02:49 • -11db
8% Popularity • 41% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
8% Popularity • 41% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Brent Barrett
The Grand Parade / Some Have, Some Have ...
75 bpm • C# Maj • 08:18 • -12db
9% Popularity • 34% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
9% Popularity • 34% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
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The Wild Party Orchestra
Jackie's Last Dance
62 bpm • E min • 02:31 • -15.06db
13% Popularity • 22% Danceability • 29% Energy • 92% Liveness
69% Instrumentalness • 8% Positiveness
13% Popularity • 22% Danceability • 29% Energy • 92% Liveness
69% Instrumentalness • 8% Positiveness
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Laura Osnes
Easy to Love - Reprise
75 bpm • G# min • 00:59 • -16.8db
24% Popularity • 30% Danceability • 15% Energy • 22% Liveness
0% Instrumentalness • 12% Positiveness
24% Popularity • 30% Danceability • 15% Energy • 22% Liveness
0% Instrumentalness • 12% Positiveness
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The Pirates Of Penzance
How Beautifully Blue the Sky
75 bpm • B Maj • 02:09 • -11.85db
20% Popularity • 44% Danceability • 52% Energy • 61% Liveness
0% Instrumentalness • 74% Positiveness
20% Popularity • 44% Danceability • 52% Energy • 61% Liveness
0% Instrumentalness • 74% Positiveness
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Iain Glen
Here Comes The Morning
62 bpm • F# Maj • 02:43 • -16.85db
8% Popularity • 27% Danceability • 20% Energy • 21% Liveness
0% Instrumentalness • 13% Positiveness
8% Popularity • 27% Danceability • 20% Energy • 21% Liveness
0% Instrumentalness • 13% Positiveness
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Ray Aranha
Interrogation: I'm trying to remember...
75 bpm • G# Maj • 02:02 • -19.05db
14% Popularity • 59% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
14% Popularity • 59% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Danny Burstein
Tevye's Monologue
75 bpm • F# Maj • 02:31 • -10.5db
22% Popularity • 58% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
22% Popularity • 58% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Katie Rose Clarke
Should I?
75 bpm • C min • 02:04 • -13.96db
9% Popularity • 30% Danceability • 20% Energy • 14% Liveness
1% Instrumentalness • 24% Positiveness
9% Popularity • 30% Danceability • 20% Energy • 14% Liveness
1% Instrumentalness • 24% Positiveness
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Broadway Cast Recording
Where Is The Life That Late I Led?
76 bpm • F Maj • 04:34 • -10.27db
15% Popularity • 43% Danceability • 38% Energy • 67% Liveness
0% Instrumentalness • 40% Positiveness
15% Popularity • 43% Danceability • 38% Energy • 67% Liveness
0% Instrumentalness • 40% Positiveness
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Peter Joback
Something - Reprise
76 bpm • C# Maj • 01:09 • -19db
13% Popularity • 22% Danceability • 6% Energy • 8% Liveness
5% Instrumentalness • 7% Positiveness
13% Popularity • 22% Danceability • 6% Energy • 8% Liveness
5% Instrumentalness • 7% Positiveness
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The Mystery of Edwin Drood - The 2013 New Broadway Cast
Perfect Strangers
76 bpm • A Maj • 02:30 • -11.8db
15% Popularity • 27% Danceability • 25% Energy • 29% Liveness
0% Instrumentalness • 42% Positiveness
15% Popularity • 27% Danceability • 25% Energy • 29% Liveness
0% Instrumentalness • 42% Positiveness
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Lee Remick
There Won't Be Trumpets
76 bpm • F Maj • 02:37 • -10.14db
20% Popularity • 44% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
20% Popularity • 44% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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Matthew Cammelle
Live With Somebody You Love
76 bpm • A Maj • 03:42 • -12db
14% Popularity • 24% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
14% Popularity • 24% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Katie Rose Clarke
I Oughta Go
77 bpm • F Maj • 01:35 • -11.04db
12% Popularity • 75% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
12% Popularity • 75% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Maury Yeston
Simple
77 bpm • A# Maj • 02:58 • -15.28db
12% Popularity • 44% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
12% Popularity • 44% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Chita Rivera
Do Miracles
77 bpm • C Maj • 03:23 • -19.72db
9% Popularity • 18% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
9% Popularity • 18% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Ty Taylor
Flying Home
78 bpm • B Maj • 05:07 • -11.2db
14% Popularity • 22% Danceability • 40% Energy • 26% Liveness
0% Instrumentalness • 25% Positiveness
14% Popularity • 22% Danceability • 40% Energy • 26% Liveness
0% Instrumentalness • 25% Positiveness
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William Finn
I Feel so Much Spring
78 bpm • A Maj • 03:47 • -5db
14% Popularity • 36% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
14% Popularity • 36% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Danny Burstein
Sabbath Prayer
78 bpm • A min • 02:31 • -11.1db
25% Popularity • 28% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
25% Popularity • 28% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
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Broadway Cast Recording
Kiss Me, Kate (Finale)
78 bpm • A# Maj • 00:56 • -7.32db
11% Popularity • 59% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
11% Popularity • 59% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 74% Positiveness
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Maury Yeston
Still
77 bpm • F Maj • 02:31 • -19.43db
21% Popularity • 24% Danceability • 18% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
21% Popularity • 24% Danceability • 18% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
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Christopher J. Hanke
I Believe In You (Reprise)
59 bpm • G Maj • 01:27 • -17.11db
18% Popularity • 31% Danceability • 6% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
18% Popularity • 31% Danceability • 6% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
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Jimmy Roberts
The Baby Song
78 bpm • A Maj • 01:26 • -16.91db
12% Popularity • 62% Danceability • 21% Energy • 29% Liveness
0% Instrumentalness • 48% Positiveness
12% Popularity • 62% Danceability • 21% Energy • 29% Liveness
0% Instrumentalness • 48% Positiveness
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Rebecca Caine
Love Montage: I Saw Him Once / In My Lif...
78 bpm • A# Maj • 05:17 • -11.39db
35% Popularity • 19% Danceability • 26% Energy • 35% Liveness
4% Instrumentalness • 10% Positiveness
35% Popularity • 19% Danceability • 26% Energy • 35% Liveness
4% Instrumentalness • 10% Positiveness
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Brent Barrett
At the Grand Hotel / Table with a View
78 bpm • G# Maj • 03:05 • -14.53db
9% Popularity • 34% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
9% Popularity • 34% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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The Betty Blue Eyes Company
Finale Ultimo / Confessions
78 bpm • G Maj • 08:18 • -11.09db
7% Popularity • 51% Danceability • 38% Energy • 68% Liveness
0% Instrumentalness • 48% Positiveness
7% Popularity • 51% Danceability • 38% Energy • 68% Liveness
0% Instrumentalness • 48% Positiveness
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Maury Yeston
Dressed in Your Pyjamas in the Grand Sal...
78 bpm • G# Maj • 04:41 • -19.24db
20% Popularity • 44% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
20% Popularity • 44% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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And the World Goes 'Round Ensemble
Cabaret
79 bpm • B min • 03:23 • -21.24db
7% Popularity • 48% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
7% Popularity • 48% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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The Sound of Music Ensemble (1998)
Wedding Processional / Canticle
79 bpm • C Maj • 05:11 • -13.08db
12% Popularity • 30% Danceability • 22% Energy • 26% Liveness
1% Instrumentalness • 19% Positiveness
12% Popularity • 30% Danceability • 22% Energy • 26% Liveness
1% Instrumentalness • 19% Positiveness
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Roger Allam
Javert's Suicide: Soliloquy
79 bpm • F Maj • 03:39 • -10.31db
34% Popularity • 33% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
34% Popularity • 33% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Tonya Pinkins
Lot's Wife
79 bpm • F Maj • 05:14 • -12.83db
12% Popularity • 46% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
12% Popularity • 46% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Brent Carver
Her Name Is Aurora
79 bpm • G Maj • 04:33 • -19.72db
11% Popularity • 39% Danceability • 10% Energy • 36% Liveness
0% Instrumentalness • 32% Positiveness
11% Popularity • 39% Danceability • 10% Energy • 36% Liveness
0% Instrumentalness • 32% Positiveness
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Maury Yeston
Overture Delle Donne
78 bpm • C Maj • 04:15 • -11.72db
12% Popularity • 34% Danceability • 32% Energy • 60% Liveness
0% Instrumentalness • 39% Positiveness
12% Popularity • 34% Danceability • 32% Energy • 60% Liveness
0% Instrumentalness • 39% Positiveness
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Brent Barrett
Love Can't Happen
80 bpm • C# Maj • 02:50 • -11.76db
19% Popularity • 30% Danceability • 38% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
19% Popularity • 30% Danceability • 38% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
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Nicholas Rose
Wheels of a Dream (Reprise)
80 bpm • G# Maj • 02:43 • -12.68db
7% Popularity • 18% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
7% Popularity • 18% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Colm Wilkinson
Who Am I?
80 bpm • B Maj • 02:48 • -10.37db
37% Popularity • 39% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
37% Popularity • 39% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Kenneth Nelson
Metaphor
80 bpm • G Maj • 04:13 • -11.47db
0% Popularity • 32% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
0% Popularity • 32% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Liz Callaway
The Story Goes On
81 bpm • C Maj • 04:32 • -11.49db
13% Popularity • 27% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
13% Popularity • 27% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Ragtime Orchestra
Epilogue: Ragtime (Reprise) / Wheels of ...
81 bpm • F# Maj • 03:52 • -10.37db
20% Popularity • 38% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
20% Popularity • 38% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Maria Friedman
Words, Words, Words
81 bpm • G# Maj • 04:48 • -19db
14% Popularity • 59% Danceability • 19% Energy • 88% Liveness
0% Instrumentalness • 22% Positiveness
14% Popularity • 59% Danceability • 19% Energy • 88% Liveness
0% Instrumentalness • 22% Positiveness
► Preview
Original Broadway Cast Of 'Passion'
I Read
81 bpm • G# Maj • 05:27 • -20db
13% Popularity • 42% Danceability • 8% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
13% Popularity • 42% Danceability • 8% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Stephen Bogardus
We're Only Thinking of Him
81 bpm • F min • 01:16 • -15.89db
20% Popularity • 55% Danceability • 16% Energy • 36% Liveness
0% Instrumentalness • 75% Positiveness
20% Popularity • 55% Danceability • 16% Energy • 36% Liveness
0% Instrumentalness • 75% Positiveness
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Matt Rawle
Martin Guerre
81 bpm • D Maj • 02:55 • -15.12db
14% Popularity • 47% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
14% Popularity • 47% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 44% Positiveness
► Preview
Gregory Bradley
Oliver's Escape
81 bpm • C# min • 00:56 • -20.94db
19% Popularity • 47% Danceability • 24% Energy • 30% Liveness
45% Instrumentalness • 27% Positiveness
19% Popularity • 47% Danceability • 24% Energy • 30% Liveness
45% Instrumentalness • 27% Positiveness
► Preview
Marin Mazzie
Till We Reach That Day
81 bpm • G# Maj • 04:11 • -10.95db
23% Popularity • 23% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
23% Popularity • 23% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
► Preview
David Burns
Impossible
81 bpm • C# Maj • 02:32 • -16.7db
1% Popularity • 62% Danceability • 19% Energy • 40% Liveness
0% Instrumentalness • 38% Positiveness
1% Popularity • 62% Danceability • 19% Energy • 40% Liveness
0% Instrumentalness • 38% Positiveness
► Preview
John Cameron Mitchell
Winter's on the Wing
81 bpm • G Maj • 02:33 • -12.48db
25% Popularity • 46% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
25% Popularity • 46% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
► Preview
Barbara Bryne
Gossip
81 bpm • B min • 01:01 • -12.21db
22% Popularity • 60% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
22% Popularity • 60% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
► Preview
Brent Carver
She's A Woman
81 bpm • C Maj • 02:40 • -18db
15% Popularity • 30% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
15% Popularity • 30% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Broadway Cast Recording
So In Love (Reprise)
82 bpm • G Maj • 03:32 • -12.21db
12% Popularity • 20% Danceability • 23% Energy • 20% Liveness
4% Instrumentalness • 6% Positiveness
12% Popularity • 20% Danceability • 23% Energy • 20% Liveness
4% Instrumentalness • 6% Positiveness
► Preview
Peter Friedman
A Shtetl Iz Amereke
81 bpm • C Maj • 01:16 • -8.95db
21% Popularity • 50% Danceability • 32% Energy • 63% Liveness
0% Instrumentalness • 51% Positiveness
21% Popularity • 50% Danceability • 32% Energy • 63% Liveness
0% Instrumentalness • 51% Positiveness
► Preview
Lawrence Clayton
On a Stormy Night
82 bpm • C min • 01:03 • -24.86db
19% Popularity • 49% Danceability • 13% Energy • 42% Liveness
0% Instrumentalness • 52% Positiveness
19% Popularity • 49% Danceability • 13% Energy • 42% Liveness
0% Instrumentalness • 52% Positiveness
► Preview
Leanne Cope
The Man I Love
81 bpm • G# min • 01:59 • -17db
17% Popularity • 24% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
17% Popularity • 24% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Douglas Sills
They Seek Him Here
82 bpm • G Maj • 03:01 • -12.87db
17% Popularity • 50% Danceability • 25% Energy • 44% Liveness
0% Instrumentalness • 40% Positiveness
17% Popularity • 50% Danceability • 25% Energy • 44% Liveness
0% Instrumentalness • 40% Positiveness
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Carole Bayer Sager
Don't Wish Too Hard - The Boy From Oz/Or...
82 bpm • G# Maj • 01:39 • -5.3db
8% Popularity • 53% Danceability • 62% Energy • 39% Liveness
0% Instrumentalness • 93% Positiveness
8% Popularity • 53% Danceability • 62% Energy • 39% Liveness
0% Instrumentalness • 93% Positiveness
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Jim Walton
Marry Me / A Quiet Thing
82 bpm • G# Maj • 04:04 • -23db
7% Popularity • 31% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 10% Positiveness
7% Popularity • 31% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 10% Positiveness
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Honk! Original Demo Cast
Act 1 Finale
82 bpm • G Maj • 04:21 • -15db
8% Popularity • 37% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
8% Popularity • 37% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Nunsense 30th Anniversary Cast
So You Want to Be a Nun
82 bpm • A Maj • 04:07 • -17db
10% Popularity • 63% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
10% Popularity • 63% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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John Babcock
Round-Shouldered Man
82 bpm • A Maj • 01:53 • -20.07db
20% Popularity • 34% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
20% Popularity • 34% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
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Mark Jacoby
New Music
82 bpm • F Maj • 04:03 • -11.74db
24% Popularity • 23% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 11% Positiveness
24% Popularity • 23% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 11% Positiveness
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Broadway Cast Recording
I Am Ashamed That Women Are So Simple
82 bpm • C# Maj • 02:10 • -11.69db
10% Popularity • 30% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
10% Popularity • 30% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Merle Louise
You Could Never Shame Me
82 bpm • A# Maj • 02:59 • -21.48db
8% Popularity • 37% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
8% Popularity • 37% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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LaChanze
Forever Yours
83 bpm • D# min • 04:36 • -16.23db
17% Popularity • 32% Danceability • 12% Energy • 19% Liveness
0% Instrumentalness • 16% Positiveness
17% Popularity • 32% Danceability • 12% Energy • 19% Liveness
0% Instrumentalness • 16% Positiveness
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Lisa O'Hare
Poor Monty
83 bpm • F min • 03:17 • -11db
22% Popularity • 41% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
22% Popularity • 41% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Rebecca Lock
When Will Someone Hear?
83 bpm • A Maj • 02:40 • -17.3db
12% Popularity • 44% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
12% Popularity • 44% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Brent Carver
Leo's Statement: It's hard to speak my h...
83 bpm • A Maj • 02:44 • -15.81db
22% Popularity • 30% Danceability • 12% Energy • 9% Liveness
2% Instrumentalness • 11% Positiveness
22% Popularity • 30% Danceability • 12% Energy • 9% Liveness
2% Instrumentalness • 11% Positiveness
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Marin Mazzie
Our Children
82 bpm • B min • 03:29 • -14.45db
20% Popularity • 31% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
20% Popularity • 31% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Maury Yeston
Nine
83 bpm • A Maj • 03:14 • -13.42db
8% Popularity • 33% Danceability • 19% Energy • 31% Liveness
0% Instrumentalness • 10% Positiveness
8% Popularity • 33% Danceability • 19% Energy • 31% Liveness
0% Instrumentalness • 10% Positiveness
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Sara Ramirez
Twice In Every Show - Original Broadway ...
83 bpm • A# Maj • 01:17 • -7.46db
34% Popularity • 51% Danceability • 33% Energy • 56% Liveness
0% Instrumentalness • 32% Positiveness
34% Popularity • 51% Danceability • 33% Energy • 56% Liveness
0% Instrumentalness • 32% Positiveness
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John Kander
Cabaret: Finale
83 bpm • D Maj • 03:43 • -15.4db
11% Popularity • 37% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
11% Popularity • 37% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Anne Hathaway
Fantine’s Arrest
83 bpm • F Maj • 01:59 • -15.68db
39% Popularity • 46% Danceability • 11% Energy • 43% Liveness
0% Instrumentalness • 20% Positiveness
39% Popularity • 46% Danceability • 11% Energy • 43% Liveness
0% Instrumentalness • 20% Positiveness