Songs like Promenade of the Condemned by Yoann Laulan
Based on a tempo of (+/- 10%) and a similar genre
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Yoann Laulan
Promenade of the Condemned
80 bpm • F min • 06:18 • -19.58db
27% Popularity • 41% Danceability • 36% Energy • 43% Liveness
93% Instrumentalness • 9% Positiveness
27% Popularity • 41% Danceability • 36% Energy • 43% Liveness
93% Instrumentalness • 9% Positiveness
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Ian Taylor
Nightfall
80 bpm • D min • 03:46 • -14.47db
32% Popularity • 50% Danceability • 33% Energy • 21% Liveness
92% Instrumentalness • 19% Positiveness
32% Popularity • 50% Danceability • 33% Energy • 21% Liveness
92% Instrumentalness • 19% Positiveness
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Gareth Coker
Dash Through Their Home
80 bpm • A min • 03:30 • -17.73db
24% Popularity • 44% Danceability • 26% Energy • 15% Liveness
94% Instrumentalness • 11% Positiveness
24% Popularity • 44% Danceability • 26% Energy • 15% Liveness
94% Instrumentalness • 11% Positiveness
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scntfc
The Beach, 7am
80 bpm • A min • 04:57 • -14db
32% Popularity • 25% Danceability • 24% Energy • 16% Liveness
92% Instrumentalness • 6% Positiveness
32% Popularity • 25% Danceability • 24% Energy • 16% Liveness
92% Instrumentalness • 6% Positiveness
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Tettix
Rotten Legacy (Final Boss)
80 bpm • C# Maj • 01:27 • -10.42db
17% Popularity • 44% Danceability • 69% Energy • 11% Liveness
93% Instrumentalness • 56% Positiveness
17% Popularity • 44% Danceability • 69% Energy • 11% Liveness
93% Instrumentalness • 56% Positiveness
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Lucas Pope
Escape
80 bpm • C Maj • 02:41 • -17.97db
30% Popularity • 60% Danceability • 15% Energy • 12% Liveness
94% Instrumentalness • 51% Positiveness
30% Popularity • 60% Danceability • 15% Energy • 12% Liveness
94% Instrumentalness • 51% Positiveness
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Yoann Laulan
Ossuary
80 bpm • A# min • 04:45 • -23.83db
19% Popularity • 40% Danceability • 30% Energy • 11% Liveness
88% Instrumentalness • 10% Positiveness
19% Popularity • 40% Danceability • 30% Energy • 11% Liveness
88% Instrumentalness • 10% Positiveness
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Malcolm Robinson
Schala's Theme
80 bpm • A# min • 03:22 • -10.62db
30% Popularity • 46% Danceability • 49% Energy • 18% Liveness
62% Instrumentalness • 41% Positiveness
30% Popularity • 46% Danceability • 49% Energy • 18% Liveness
62% Instrumentalness • 41% Positiveness
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Clark Aboud
Exordium
80 bpm • F min • 03:24 • -16.82db
25% Popularity • 41% Danceability • 24% Energy • 12% Liveness
88% Instrumentalness • 18% Positiveness
25% Popularity • 41% Danceability • 24% Energy • 12% Liveness
88% Instrumentalness • 18% Positiveness
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Andrew Prahlow
The First Seekers
80 bpm • F# min • 01:34 • -11.51db
28% Popularity • 20% Danceability • 53% Energy • 15% Liveness
89% Instrumentalness • 4% Positiveness
28% Popularity • 20% Danceability • 53% Energy • 15% Liveness
89% Instrumentalness • 4% Positiveness
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Gareth Coker
Restoring the Light, Facing the Dark
80 bpm • E min • 02:28 • -11.29db
40% Popularity • 31% Danceability • 70% Energy • 12% Liveness
85% Instrumentalness • 7% Positiveness
40% Popularity • 31% Danceability • 70% Energy • 12% Liveness
85% Instrumentalness • 7% Positiveness
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Lucas Pope
Escape (Grand Cover)
80 bpm • C Maj • 02:11 • -16.48db
25% Popularity • 45% Danceability • 20% Energy • 31% Liveness
94% Instrumentalness • 40% Positiveness
25% Popularity • 45% Danceability • 20% Energy • 31% Liveness
94% Instrumentalness • 40% Positiveness
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Yoann Laulan
Bank
80 bpm • C Maj • 05:48 • -13.78db
18% Popularity • 65% Danceability • 47% Energy • 9% Liveness
85% Instrumentalness • 26% Positiveness
18% Popularity • 65% Danceability • 47% Energy • 9% Liveness
85% Instrumentalness • 26% Positiveness
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岡部啓一
The Color of Depression
80 bpm • D Maj • 03:17 • -22.46db
37% Popularity • 26% Danceability • 34% Energy • 11% Liveness
98% Instrumentalness • 16% Positiveness
37% Popularity • 26% Danceability • 34% Energy • 11% Liveness
98% Instrumentalness • 16% Positiveness
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Yuka Kitamura
Aldia, Scholar of the First Sin
80 bpm • D min • 03:30 • -19.47db
30% Popularity • 34% Danceability • 16% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
30% Popularity • 34% Danceability • 16% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Lifeformed
From Far Shores
79 bpm • C# min • 02:56 • -13.59db
28% Popularity • 18% Danceability • 62% Energy • 5% Liveness
85% Instrumentalness • 7% Positiveness
28% Popularity • 18% Danceability • 62% Energy • 5% Liveness
85% Instrumentalness • 7% Positiveness
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Gareth Coker
Escaping the Ruins
80 bpm • C Maj • 02:19 • -13db
35% Popularity • 31% Danceability • 57% Energy • 10% Liveness
94% Instrumentalness • 11% Positiveness
35% Popularity • 31% Danceability • 57% Energy • 10% Liveness
94% Instrumentalness • 11% Positiveness
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Lucas Pope
The End
80 bpm • C Maj • 01:44 • -20.95db
30% Popularity • 75% Danceability • 10% Energy • 10% Liveness
77% Instrumentalness • 38% Positiveness
30% Popularity • 75% Danceability • 10% Energy • 10% Liveness
77% Instrumentalness • 38% Positiveness
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Yoann Laulan
Guardian's Haven
80 bpm • G min • 03:45 • -11.07db
19% Popularity • 32% Danceability • 56% Energy • 18% Liveness
92% Instrumentalness • 15% Positiveness
19% Popularity • 32% Danceability • 56% Energy • 18% Liveness
92% Instrumentalness • 15% Positiveness
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Chris Christodoulou
Monsoon 2.0
79 bpm • C min • 01:32 • -11db
37% Popularity • 24% Danceability • 64% Energy • 31% Liveness
71% Instrumentalness • 34% Positiveness
37% Popularity • 24% Danceability • 64% Energy • 31% Liveness
71% Instrumentalness • 34% Positiveness
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Black Salt Games
The Restless Town
79 bpm • B min • 03:43 • -15.28db
26% Popularity • 30% Danceability • 25% Energy • 14% Liveness
85% Instrumentalness • 26% Positiveness
26% Popularity • 30% Danceability • 25% Energy • 14% Liveness
85% Instrumentalness • 26% Positiveness
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Akiyuki Morimoto
A Single Bloom in an Eternity
81 bpm • D Maj • 04:10 • -11.07db
30% Popularity • 25% Danceability • 67% Energy • 12% Liveness
49% Instrumentalness • 8% Positiveness
30% Popularity • 25% Danceability • 67% Energy • 12% Liveness
49% Instrumentalness • 8% Positiveness
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Gareth Coker
Escaping the Sandworm
80 bpm • E min • 02:08 • -13.95db
32% Popularity • 31% Danceability • 48% Energy • 12% Liveness
94% Instrumentalness • 55% Positiveness
32% Popularity • 31% Danceability • 48% Energy • 12% Liveness
94% Instrumentalness • 55% Positiveness
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Jonah Senzel
Deathcard Cabin (Reprise)
81 bpm • G Maj • 03:21 • -27.17db
34% Popularity • 43% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 49% Positiveness
34% Popularity • 43% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 49% Positiveness
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Yoann Laulan
ClockTower (Geared Up Rework)
80 bpm • G min • 09:24 • -13.03db
15% Popularity • 27% Danceability • 58% Energy • 13% Liveness
88% Instrumentalness • 18% Positiveness
15% Popularity • 27% Danceability • 58% Energy • 13% Liveness
88% Instrumentalness • 18% Positiveness
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Theophany
Final Hours
81 bpm • G# Maj • 02:37 • -17db
31% Popularity • 13% Danceability • 42% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
31% Popularity • 13% Danceability • 42% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
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Black Salt Games
Main Theme
81 bpm • A min • 02:20 • -16.14db
28% Popularity • 22% Danceability • 27% Energy • 24% Liveness
89% Instrumentalness • 14% Positiveness
28% Popularity • 22% Danceability • 27% Energy • 24% Liveness
89% Instrumentalness • 14% Positiveness
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Yuka Kitamura
Darkeater Midir
81 bpm • C min • 04:16 • -9db
38% Popularity • 9% Danceability • 55% Energy • 8% Liveness
94% Instrumentalness • 16% Positiveness
38% Popularity • 9% Danceability • 55% Energy • 8% Liveness
94% Instrumentalness • 16% Positiveness
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Clark Aboud
Slay the Spire
79 bpm • D# min • 02:13 • -16.34db
24% Popularity • 21% Danceability • 18% Energy • 9% Liveness
95% Instrumentalness • 10% Positiveness
24% Popularity • 21% Danceability • 18% Energy • 9% Liveness
95% Instrumentalness • 10% Positiveness
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Rutger Zuydervelt
Gameplay 7
81 bpm • C Maj • 01:53 • -16.27db
19% Popularity • 63% Danceability • 14% Energy • 9% Liveness
92% Instrumentalness • 23% Positiveness
19% Popularity • 63% Danceability • 14% Energy • 9% Liveness
92% Instrumentalness • 23% Positiveness
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Joel Schoch
Sail, My Friend!
78 bpm • F Maj • 03:21 • -20.24db
25% Popularity • 18% Danceability • 21% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
25% Popularity • 18% Danceability • 21% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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DM DOKURO
void
82 bpm • E Maj • 06:48 • -15.52db
34% Popularity • 18% Danceability • 17% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
34% Popularity • 18% Danceability • 17% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Arnaud Roy
Celluloid
82 bpm • G min • 03:56 • -13.17db
13% Popularity • 48% Danceability • 22% Energy • 9% Liveness
69% Instrumentalness • 9% Positiveness
13% Popularity • 48% Danceability • 22% Energy • 9% Liveness
69% Instrumentalness • 9% Positiveness
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Simon Chylinski
In Bloom
82 bpm • C min • 02:09 • -24.97db
39% Popularity • 27% Danceability • 9% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
39% Popularity • 27% Danceability • 9% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
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Clark Aboud
The Ending
82 bpm • B Maj • 03:43 • -14.33db
16% Popularity • 10% Danceability • 29% Energy • 34% Liveness
80% Instrumentalness • 4% Positiveness
16% Popularity • 10% Danceability • 29% Energy • 34% Liveness
80% Instrumentalness • 4% Positiveness
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David Fenn
Village of Rynoka
82 bpm • E min • 04:12 • -13.68db
36% Popularity • 29% Danceability • 37% Energy • 11% Liveness
91% Instrumentalness • 24% Positiveness
36% Popularity • 29% Danceability • 37% Energy • 11% Liveness
91% Instrumentalness • 24% Positiveness
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Yasunori Nishiki
The Cliftlands
82 bpm • G min • 03:03 • -18.49db
33% Popularity • 47% Danceability • 18% Energy • 9% Liveness
96% Instrumentalness • 34% Positiveness
33% Popularity • 47% Danceability • 18% Energy • 9% Liveness
96% Instrumentalness • 34% Positiveness
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SIE Sound Team
Flamelurker
78 bpm • D Maj • 04:20 • -10db
31% Popularity • 9% Danceability • 62% Energy • 8% Liveness
94% Instrumentalness • 14% Positiveness
31% Popularity • 9% Danceability • 62% Energy • 8% Liveness
94% Instrumentalness • 14% Positiveness
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Gareth Coker
Fleeing Kuro
82 bpm • A min • 03:48 • -9.14db
32% Popularity • 48% Danceability • 81% Energy • 19% Liveness
89% Instrumentalness • 45% Positiveness
32% Popularity • 48% Danceability • 81% Energy • 19% Liveness
89% Instrumentalness • 45% Positiveness
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Joel Schoch
Rain. Storm. Thunder.
82 bpm • D Maj • 01:19 • -23.83db
18% Popularity • 11% Danceability • 62% Energy • 13% Liveness
87% Instrumentalness • 3% Positiveness
18% Popularity • 11% Danceability • 62% Energy • 13% Liveness
87% Instrumentalness • 3% Positiveness
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Never Alone
Prelude and Main Titles
83 bpm • C Maj • 03:09 • -22.32db
8% Popularity • 19% Danceability • 24% Energy • 19% Liveness
85% Instrumentalness • 7% Positiveness
8% Popularity • 19% Danceability • 24% Energy • 19% Liveness
85% Instrumentalness • 7% Positiveness
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Andrew Prahlow
Castaways
83 bpm • E min • 02:25 • -18.94db
40% Popularity • 21% Danceability • 26% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
40% Popularity • 21% Danceability • 26% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Yuka Kitamura
Firelink Shrine
77 bpm • F min • 03:06 • -23db
40% Popularity • 7% Danceability • 13% Energy • 11% Liveness
67% Instrumentalness • 4% Positiveness
40% Popularity • 7% Danceability • 13% Energy • 11% Liveness
67% Instrumentalness • 4% Positiveness
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Yoann Laulan
The Mausoleum
83 bpm • G# Maj • 02:37 • -30.08db
18% Popularity • 14% Danceability • 7% Energy • 19% Liveness
99% Instrumentalness • 4% Positiveness
18% Popularity • 14% Danceability • 7% Energy • 19% Liveness
99% Instrumentalness • 4% Positiveness
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Gareth Coker
Escaping a Foul Presence
83 bpm • G# Maj • 02:05 • -16.81db
34% Popularity • 39% Danceability • 32% Energy • 10% Liveness
86% Instrumentalness • 6% Positiveness
34% Popularity • 39% Danceability • 32% Energy • 10% Liveness
86% Instrumentalness • 6% Positiveness
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Berlinist
Meridian
83 bpm • D min • 01:02 • -34.18db
39% Popularity • 16% Danceability • 1% Energy • 6% Liveness
90% Instrumentalness • 4% Positiveness
39% Popularity • 16% Danceability • 1% Energy • 6% Liveness
90% Instrumentalness • 4% Positiveness
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Michael Salvatori
View from Orbit
83 bpm • G# Maj • 02:18 • -14.63db
33% Popularity • 32% Danceability • 17% Energy • 17% Liveness
97% Instrumentalness • 9% Positiveness
33% Popularity • 32% Danceability • 17% Energy • 17% Liveness
97% Instrumentalness • 9% Positiveness
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T’s MUSIC
Theme of the Celestials
77 bpm • C# min • 02:47 • -13db
34% Popularity • 44% Danceability • 51% Energy • 18% Liveness
80% Instrumentalness • 59% Positiveness
34% Popularity • 44% Danceability • 51% Energy • 18% Liveness
80% Instrumentalness • 59% Positiveness
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Keith Power
Ghosts of Void
77 bpm • C# Maj • 04:07 • -18.66db
31% Popularity • 16% Danceability • 20% Energy • 10% Liveness
93% Instrumentalness • 11% Positiveness
31% Popularity • 16% Danceability • 20% Energy • 10% Liveness
93% Instrumentalness • 11% Positiveness
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Darren Korb
On the Coast
77 bpm • F Maj • 03:20 • -15.13db
35% Popularity • 7% Danceability • 23% Energy • 12% Liveness
49% Instrumentalness • 4% Positiveness
35% Popularity • 7% Danceability • 23% Energy • 12% Liveness
49% Instrumentalness • 4% Positiveness
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Jonah Senzel
The Angler
77 bpm • G Maj • 02:26 • -12.84db
29% Popularity • 29% Danceability • 44% Energy • 26% Liveness
96% Instrumentalness • 4% Positiveness
29% Popularity • 29% Danceability • 44% Energy • 26% Liveness
96% Instrumentalness • 4% Positiveness
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Theophany
Majora's Mask
83 bpm • F Maj • 02:52 • -9.52db
26% Popularity • 8% Danceability • 44% Energy • 31% Liveness
86% Instrumentalness • 4% Positiveness
26% Popularity • 8% Danceability • 44% Energy • 31% Liveness
86% Instrumentalness • 4% Positiveness
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James Hannigan
Postlude - Credits
84 bpm • E min • 03:30 • -13.59db
22% Popularity • 24% Danceability • 40% Energy • 24% Liveness
33% Instrumentalness • 4% Positiveness
22% Popularity • 24% Danceability • 40% Energy • 24% Liveness
33% Instrumentalness • 4% Positiveness
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Hyperduck Soundworks
Save Point Ambiance
84 bpm • C# Maj • 01:08 • -27.03db
21% Popularity • 24% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
21% Popularity • 24% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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David Fenn
The Gravedigger's Heart
84 bpm • C min • 01:08 • -22.3db
38% Popularity • 28% Danceability • 6% Energy • 10% Liveness
93% Instrumentalness • 37% Positiveness
38% Popularity • 28% Danceability • 6% Energy • 10% Liveness
93% Instrumentalness • 37% Positiveness
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Mickymar Productions Ltd
Gold, Red and Black
76 bpm • C min • 02:49 • -18.52db
18% Popularity • 41% Danceability • 14% Energy • 22% Liveness
96% Instrumentalness • 11% Positiveness
18% Popularity • 41% Danceability • 14% Energy • 22% Liveness
96% Instrumentalness • 11% Positiveness
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Joel Schoch
Sun. Down.
84 bpm • D# min • 03:40 • -18db
25% Popularity • 33% Danceability • 15% Energy • 8% Liveness
84% Instrumentalness • 19% Positiveness
25% Popularity • 33% Danceability • 15% Energy • 8% Liveness
84% Instrumentalness • 19% Positiveness
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Theophany
The Clockworks
76 bpm • D min • 03:15 • -16.76db
29% Popularity • 18% Danceability • 40% Energy • 26% Liveness
89% Instrumentalness • 43% Positiveness
29% Popularity • 18% Danceability • 40% Energy • 26% Liveness
89% Instrumentalness • 43% Positiveness
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T’s MUSIC
Theme of the Moon Tribe
84 bpm • G# min • 01:09 • -15.53db
30% Popularity • 18% Danceability • 27% Energy • 16% Liveness
100% Instrumentalness • 21% Positiveness
30% Popularity • 18% Danceability • 27% Energy • 16% Liveness
100% Instrumentalness • 21% Positiveness
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Yoann Laulan
Hand of the King
84 bpm • D# Maj • 06:21 • -13.73db
24% Popularity • 17% Danceability • 66% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
24% Popularity • 17% Danceability • 66% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
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Mudeth
Spinning Out of Orbit (Boss Beaten)
76 bpm • G# Maj • 02:26 • -23.73db
22% Popularity • 13% Danceability • 1% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
22% Popularity • 13% Danceability • 1% Energy • 12% Liveness
91% Instrumentalness • 3% Positiveness
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Jonathan Geer
Owlboy Main Title
84 bpm • G Maj • 01:17 • -13db
43% Popularity • 11% Danceability • 34% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
43% Popularity • 11% Danceability • 34% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
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TADAYOSHI MAKINO
Cornerstone of the New World - Astera
76 bpm • C Maj • 05:02 • -16.75db
33% Popularity • 27% Danceability • 23% Energy • 17% Liveness
76% Instrumentalness • 43% Positiveness
33% Popularity • 27% Danceability • 23% Energy • 17% Liveness
76% Instrumentalness • 43% Positiveness
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David Fenn
Beginner's Battle
85 bpm • E min • 02:10 • -10db
27% Popularity • 48% Danceability • 68% Energy • 56% Liveness
89% Instrumentalness • 54% Positiveness
27% Popularity • 48% Danceability • 68% Energy • 56% Liveness
89% Instrumentalness • 54% Positiveness
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Curtis Schweitzer
On the Beach at Night
75 bpm • A Maj • 04:16 • -18db
29% Popularity • 12% Danceability • 12% Energy • 13% Liveness
86% Instrumentalness • 6% Positiveness
29% Popularity • 12% Danceability • 12% Energy • 13% Liveness
86% Instrumentalness • 6% Positiveness
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Gareth Coker
Mora the Spider
75 bpm • G Maj • 05:57 • -16.26db
32% Popularity • 22% Danceability • 42% Energy • 13% Liveness
88% Instrumentalness • 14% Positiveness
32% Popularity • 22% Danceability • 42% Energy • 13% Liveness
88% Instrumentalness • 14% Positiveness
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Andrew Prahlow
The Uncertainty Principle
75 bpm • F# Maj • 03:27 • -21.05db
37% Popularity • 19% Danceability • 22% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
37% Popularity • 19% Danceability • 22% Energy • 11% Liveness
90% Instrumentalness • 3% Positiveness
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Clark Aboud
Mind Bloom
75 bpm • C# Maj • 02:04 • -13.76db
22% Popularity • 49% Danceability • 31% Energy • 20% Liveness
88% Instrumentalness • 7% Positiveness
22% Popularity • 49% Danceability • 31% Energy • 20% Liveness
88% Instrumentalness • 7% Positiveness
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Patrik Jarlestam
The Meadows - A Place To Rest
85 bpm • D min • 03:40 • -8db
40% Popularity • 16% Danceability • 40% Energy • 13% Liveness
81% Instrumentalness • 13% Positiveness
40% Popularity • 16% Danceability • 40% Energy • 13% Liveness
81% Instrumentalness • 13% Positiveness
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Yuka Kitamura
The Curse That Binds Us [Lorian, Elder ...
75 bpm • D# min • 04:19 • -8db
30% Popularity • 35% Danceability • 68% Energy • 8% Liveness
92% Instrumentalness • 23% Positiveness
30% Popularity • 35% Danceability • 68% Energy • 8% Liveness
92% Instrumentalness • 23% Positiveness
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Mark Sparling
Snow, Lots of Snow (Short Hike)
75 bpm • E min • 04:33 • -17db
37% Popularity • 47% Danceability • 22% Energy • 9% Liveness
96% Instrumentalness • 9% Positiveness
37% Popularity • 47% Danceability • 22% Energy • 9% Liveness
96% Instrumentalness • 9% Positiveness
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Yoann Laulan
Black Bridge
75 bpm • G# Maj • 03:40 • -18.87db
22% Popularity • 56% Danceability • 36% Energy • 33% Liveness
94% Instrumentalness • 29% Positiveness
22% Popularity • 56% Danceability • 36% Energy • 33% Liveness
94% Instrumentalness • 29% Positiveness
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Berlinist
Karasu
85 bpm • E min • 05:10 • -15db
32% Popularity • 12% Danceability • 33% Energy • 9% Liveness
82% Instrumentalness • 4% Positiveness
32% Popularity • 12% Danceability • 33% Energy • 9% Liveness
82% Instrumentalness • 4% Positiveness
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Lucas Pope
Bargain
85 bpm • F Maj • 02:21 • -16.91db
25% Popularity • 21% Danceability • 13% Energy • 14% Liveness
93% Instrumentalness • 15% Positiveness
25% Popularity • 21% Danceability • 13% Energy • 14% Liveness
93% Instrumentalness • 15% Positiveness
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Carlos Viola
Por la Vía de las Procesiones Antiguas
86 bpm • B Maj • 02:23 • -15.12db
21% Popularity • 14% Danceability • 36% Energy • 18% Liveness
94% Instrumentalness • 4% Positiveness
21% Popularity • 14% Danceability • 36% Energy • 18% Liveness
94% Instrumentalness • 4% Positiveness
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Lifeformed
Transcendence
86 bpm • F min • 01:29 • -21.31db
40% Popularity • 21% Danceability • 26% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
40% Popularity • 21% Danceability • 26% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Theophany
Moon's Tear
86 bpm • D min • 07:31 • -10db
31% Popularity • 13% Danceability • 35% Energy • 31% Liveness
82% Instrumentalness • 7% Positiveness
31% Popularity • 13% Danceability • 35% Energy • 31% Liveness
82% Instrumentalness • 7% Positiveness
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Yoann Laulan
Heat of the Swamp
75 bpm • G Maj • 03:56 • -13.04db
14% Popularity • 42% Danceability • 61% Energy • 10% Liveness
77% Instrumentalness • 23% Positiveness
14% Popularity • 42% Danceability • 61% Energy • 10% Liveness
77% Instrumentalness • 23% Positiveness
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Andrew Prahlow
We Have Liftoff
86 bpm • B Maj • 01:12 • -10.3db
36% Popularity • 26% Danceability • 45% Energy • 12% Liveness
22% Instrumentalness • 31% Positiveness
36% Popularity • 26% Danceability • 45% Energy • 12% Liveness
22% Instrumentalness • 31% Positiveness
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Stuart Chatwood
The Hamlet
74 bpm • A Maj • 02:58 • -13db
36% Popularity • 16% Danceability • 30% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
36% Popularity • 16% Danceability • 30% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Yoko Shimomura
What Lies Within
74 bpm • E min • 05:27 • -11.53db
28% Popularity • 12% Danceability • 39% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
28% Popularity • 12% Danceability • 39% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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Sophus Alf Agerbæk-Larsen
Fathomless Tomb
73 bpm • G Maj • 09:04 • -22.41db
26% Popularity • 9% Danceability • 8% Energy • 6% Liveness
93% Instrumentalness • 3% Positiveness
26% Popularity • 9% Danceability • 8% Energy • 6% Liveness
93% Instrumentalness • 3% Positiveness
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Dabu
Vile Force of Darkness
73 bpm • E min • 05:17 • -15.32db
29% Popularity • 58% Danceability • 26% Energy • 14% Liveness
85% Instrumentalness • 4% Positiveness
29% Popularity • 58% Danceability • 26% Energy • 14% Liveness
85% Instrumentalness • 4% Positiveness
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Yoann Laulan
Prayer
75 bpm • C# Maj • 03:24 • -13.32db
17% Popularity • 39% Danceability • 30% Energy • 34% Liveness
89% Instrumentalness • 15% Positiveness
17% Popularity • 39% Danceability • 30% Energy • 34% Liveness
89% Instrumentalness • 15% Positiveness
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Clark Aboud
The Unknown
73 bpm • C Maj • 01:07 • -20.53db
26% Popularity • 20% Danceability • 8% Energy • 9% Liveness
85% Instrumentalness • 3% Positiveness
26% Popularity • 20% Danceability • 8% Energy • 9% Liveness
85% Instrumentalness • 3% Positiveness
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Darren Korb
The House of Hades
88 bpm • C min • 04:52 • -7.61db
40% Popularity • 51% Danceability • 60% Energy • 9% Liveness
97% Instrumentalness • 28% Positiveness
40% Popularity • 51% Danceability • 60% Energy • 9% Liveness
97% Instrumentalness • 28% Positiveness
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Brooke Ferd
Faron Woods
88 bpm • C# Maj • 03:22 • -20.98db
31% Popularity • 49% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 33% Positiveness
31% Popularity • 49% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 33% Positiveness
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Daniel Licht
Ambients
89 bpm • E min • 02:10 • -25.31db
37% Popularity • 20% Danceability • 12% Energy • 28% Liveness
73% Instrumentalness • 9% Positiveness
37% Popularity • 20% Danceability • 12% Energy • 28% Liveness
73% Instrumentalness • 9% Positiveness
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Patrik Jarlestam
Flight Into Valheim
88 bpm • A Maj • 01:40 • -14.8db
27% Popularity • 9% Danceability • 32% Energy • 14% Liveness
93% Instrumentalness • 13% Positiveness
27% Popularity • 9% Danceability • 32% Energy • 14% Liveness
93% Instrumentalness • 13% Positiveness
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Yoann Laulan
Cemetery
75 bpm • C min • 05:02 • -17.5db
19% Popularity • 33% Danceability • 39% Energy • 8% Liveness
91% Instrumentalness • 16% Positiveness
19% Popularity • 33% Danceability • 39% Energy • 8% Liveness
91% Instrumentalness • 16% Positiveness
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Mudeth
The Thief (Cathedral)
89 bpm • C min • 03:49 • -12db
27% Popularity • 20% Danceability • 42% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
27% Popularity • 20% Danceability • 42% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
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Chris Christodoulou
25 3°N 91 7°E
90 bpm • F Maj • 04:16 • -10.81db
27% Popularity • 53% Danceability • 59% Energy • 8% Liveness
52% Instrumentalness • 31% Positiveness
27% Popularity • 53% Danceability • 59% Energy • 8% Liveness
52% Instrumentalness • 31% Positiveness
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Masakazu Sugimori
真実は告げる 2001
90 bpm • F Maj • 01:19 • -12.92db
32% Popularity • 45% Danceability • 40% Energy • 12% Liveness
54% Instrumentalness • 47% Positiveness
32% Popularity • 45% Danceability • 40% Energy • 12% Liveness
54% Instrumentalness • 47% Positiveness
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SIE Sound Team
Lullaby for Mergo
90 bpm • F min • 03:49 • -22.47db
37% Popularity • 72% Danceability • 9% Energy • 7% Liveness
58% Instrumentalness • 46% Positiveness
37% Popularity • 72% Danceability • 9% Energy • 7% Liveness
58% Instrumentalness • 46% Positiveness
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Curtis Schweitzer
Arctic Exploration 1
90 bpm • A min • 04:16 • -22.54db
13% Popularity • 48% Danceability • 14% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
13% Popularity • 48% Danceability • 14% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
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Yoann Laulan
Time for Your Medicine
90 bpm • G# Maj • 04:16 • -9.96db
22% Popularity • 13% Danceability • 80% Energy • 33% Liveness
76% Instrumentalness • 14% Positiveness
22% Popularity • 13% Danceability • 80% Energy • 33% Liveness
76% Instrumentalness • 14% Positiveness
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Dabu
First Year
90 bpm • A min • 04:59 • -16.62db
30% Popularity • 64% Danceability • 17% Energy • 5% Liveness
90% Instrumentalness • 28% Positiveness
30% Popularity • 64% Danceability • 17% Energy • 5% Liveness
90% Instrumentalness • 28% Positiveness
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Jonathan Van Den Wijngaarden
Consumed by Darkness
90 bpm • F Maj • 02:53 • -11db
20% Popularity • 51% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
20% Popularity • 51% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
