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Promises Of Fertility
Songs like
Promises Of Fertility
by
Huerco S.
Based on a tempo of (+/- 10%) and a similar genre
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Huerco S.
Promises Of Fertility
62 bpm • G# Maj • 06:55 • -20db
26% Popularity • 26% Danceability • 28% Energy • 11% Liveness
84% Instrumentalness • 42% Positiveness
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Imaginary Softwoods
Remember Seeing It
61 bpm • C# Maj • 02:30 • -20.5db
25% Popularity • 51% Danceability • 27% Energy • 8% Liveness
88% Instrumentalness • 19% Positiveness
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Dedekind Cut
De-Civilization
63 bpm • G Maj • 03:35 • -20.94db
14% Popularity • 6% Danceability • 7% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
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Laurel Halo
Raw Silk Uncut Wood
63 bpm • D# min • 10:00 • -16.33db
30% Popularity • 6% Danceability • 19% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
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Susumu Yokota
Azukiiro No Kaori
61 bpm • D Maj • 02:39 • -18.71db
41% Popularity • 18% Danceability • 12% Energy • 8% Liveness
98% Instrumentalness • 7% Positiveness
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Jan Jelinek
Moiré - Strings
60 bpm • A# min • 06:25 • -19.22db
24% Popularity • 25% Danceability • 38% Energy • 11% Liveness
83% Instrumentalness • 22% Positiveness
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Huerco S.
4 Dilla (Make Em Nv)
62 bpm • A# min • 02:26 • -3.82db
1% Popularity • 21% Danceability • 97% Energy • 57% Liveness
6% Instrumentalness • 7% Positiveness
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Emily A. Sprague
Piano 2 (Mount Vision)
60 bpm • C# Maj • 03:41 • -21.71db
27% Popularity • 54% Danceability • 7% Energy • 18% Liveness
93% Instrumentalness • 3% Positiveness
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Dedekind Cut
☯
64 bpm • B min • 05:01 • -13.75db
7% Popularity • 24% Danceability • 55% Energy • 15% Liveness
94% Instrumentalness • 19% Positiveness
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Shuttle358
chessa
60 bpm • D Maj • 06:58 • -21.06db
16% Popularity • 10% Danceability • 7% Energy • 9% Liveness
44% Instrumentalness • 4% Positiveness
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Imaginary Softwoods
Cloud Damage
65 bpm • A# Maj • 02:21 • -9.56db
20% Popularity • 16% Danceability • 37% Energy • 23% Liveness
82% Instrumentalness • 7% Positiveness
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Sofie Birch
You Make Me Care More
65 bpm • E min • 01:29 • -20.27db
45% Popularity • 6% Danceability • 18% Energy • 10% Liveness
62% Instrumentalness • 21% Positiveness
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Huerco S.
Hopewell (Devil)
61 bpm • D# min • 00:47 • -16.57db
9% Popularity • 72% Danceability • 19% Energy • 11% Liveness
44% Instrumentalness • 54% Positiveness
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Gaussian Curve
Another Place
65 bpm • G# min • 04:17 • -18.58db
23% Popularity • 17% Danceability • 7% Energy • 12% Liveness
83% Instrumentalness • 4% Positiveness
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Visible Cloaks
Toi
65 bpm • C Maj • 05:50 • -19.81db
23% Popularity • 7% Danceability • 11% Energy • 34% Liveness
88% Instrumentalness • 4% Positiveness
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The Dead Texan
Glen's Goo
65 bpm • C# min • 04:07 • -16db
28% Popularity • 28% Danceability • 18% Energy • 7% Liveness
82% Instrumentalness • 4% Positiveness
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Pan-American
Lights On Water
66 bpm • G# Maj • 03:50 • -22.39db
31% Popularity • 16% Danceability • 9% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
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Terekke
220+g
58 bpm • G min • 02:33 • -26.9db
41% Popularity • 9% Danceability • 7% Energy • 8% Liveness
93% Instrumentalness • 5% Positiveness
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Taylor Deupree
wet
66 bpm • D Maj • 01:29 • -30.31db
49% Popularity • 33% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 27% Positiveness
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Shinichi Atobe
Free Access Zone 1
66 bpm • D Maj • 03:28 • -15.96db
15% Popularity • 69% Danceability • 24% Energy • 12% Liveness
82% Instrumentalness • 86% Positiveness
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Space Afrika
yyyyyy2222
66 bpm • A min • 05:30 • -22.95db
24% Popularity • 17% Danceability • 17% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
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Christina Vantzou
Percussion in Nonspace
66 bpm • C Maj • 01:38 • -22.68db
27% Popularity • 38% Danceability • 30% Energy • 16% Liveness
72% Instrumentalness • 11% Positiveness
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Deru
Pathologically Bored
66 bpm • D min • 03:54 • -17db
27% Popularity • 25% Danceability • 18% Energy • 30% Liveness
97% Instrumentalness • 5% Positiveness
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Emily A. Sprague
Water Memory 1
67 bpm • G min • 07:28 • -28.67db
34% Popularity • 7% Danceability • 6% Energy • 11% Liveness
96% Instrumentalness • 7% Positiveness
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Chihei Hatakeyama
Sad Ocean
67 bpm • A# Maj • 03:48 • -28.78db
33% Popularity • 11% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
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Galcher Lustwerk
Left In The Dark
67 bpm • A# Maj • 02:43 • -21.41db
28% Popularity • 14% Danceability • 16% Energy • 9% Liveness
86% Instrumentalness • 11% Positiveness
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Pauline Anna Strom
Freedom at the 45th Floor
67 bpm • E min • 04:34 • -15.11db
31% Popularity • 17% Danceability • 35% Energy • 23% Liveness
94% Instrumentalness • 4% Positiveness
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Huerco S.
Hear Me Out
67 bpm • D# min • 06:07 • -26db
24% Popularity • 30% Danceability • 14% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
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Steve Hauschildt
Time We Have
67 bpm • A min • 05:50 • -16db
27% Popularity • 19% Danceability • 32% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
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Dedekind Cut
Integra
67 bpm • B min • 04:24 • -17.02db
8% Popularity • 11% Danceability • 20% Energy • 4% Liveness
0% Instrumentalness • 4% Positiveness
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Celer
(06.23.17) From the Doorway Of the Beef ...
68 bpm • D min • 02:30 • -25.07db
27% Popularity • 9% Danceability • 22% Energy • 20% Liveness
19% Instrumentalness • 15% Positiveness
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Astrid Sonne
Moderato
57 bpm • F min • 03:57 • -14.98db
31% Popularity • 16% Danceability • 14% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Sarah Davachi
Waking
68 bpm • D# min • 03:19 • -25.5db
18% Popularity • 6% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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GAS
Königsforst 3
57 bpm • B Maj • 08:57 • -19.92db
20% Popularity • 6% Danceability • 21% Energy • 12% Liveness
96% Instrumentalness • 17% Positiveness
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Visible Cloaks
Atelier
68 bpm • G Maj • 06:47 • -25.76db
22% Popularity • 10% Danceability • 6% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
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Dedekind Cut
Virtues
68 bpm • C# Maj • 04:28 • -28.53db
17% Popularity • 17% Danceability • 13% Energy • 9% Liveness
86% Instrumentalness • 10% Positiveness
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Kara-Lis Coverdale
Splash 144
69 bpm • F min • 03:31 • -13.47db
10% Popularity • 18% Danceability • 32% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Vanessa Amara
And Promise
69 bpm • F# Maj • 01:49 • -22.34db
23% Popularity • 24% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Jordon Alexander
Doze On The Bullet Train
69 bpm • F Maj • 02:52 • -26.28db
29% Popularity • 20% Danceability • 33% Energy • 11% Liveness
86% Instrumentalness • 46% Positiveness
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Khotin
Levi's Synth
69 bpm • A# Maj • 09:31 • -15.7db
30% Popularity • 23% Danceability • 37% Energy • 10% Liveness
90% Instrumentalness • 16% Positiveness
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Tim Hecker
Chimeras
69 bpm • C# min • 03:13 • -15db
34% Popularity • 18% Danceability • 35% Energy • 61% Liveness
91% Instrumentalness • 10% Positiveness
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Fennesz
Onsay
69 bpm • D Maj • 01:08 • -20.4db
31% Popularity • 7% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 2% Positiveness
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Kornél Kovács
Szikra (Intro)
69 bpm • E min • 01:37 • -27.92db
31% Popularity • 22% Danceability • 4% Energy • 8% Liveness
96% Instrumentalness • 19% Positiveness
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Sarah Davachi
Gilded
69 bpm • E min • 03:30 • -21.18db
34% Popularity • 24% Danceability • 18% Energy • 10% Liveness
94% Instrumentalness • 3% Positiveness
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Pauline Anna Strom
Gossamer Silk
69 bpm • B min • 05:39 • -16db
16% Popularity • 19% Danceability • 26% Energy • 8% Liveness
81% Instrumentalness • 28% Positiveness
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Space Afrika
Uwëm/Creātiōn
69 bpm • G Maj • 05:21 • -20.69db
21% Popularity • 16% Danceability • 17% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
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Tim Hecker
Sketch 3
69 bpm • C Maj • 01:20 • -24db
45% Popularity • 33% Danceability • 9% Energy • 7% Liveness
95% Instrumentalness • 4% Positiveness
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Emily A. Sprague
Your Pond
70 bpm • C Maj • 06:03 • -25db
29% Popularity • 18% Danceability • 7% Energy • 6% Liveness
79% Instrumentalness • 6% Positiveness
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Yamaneko
Fragrance Transmission
70 bpm • C# min • 04:07 • -22.45db
24% Popularity • 51% Danceability • 4% Energy • 11% Liveness
95% Instrumentalness • 59% Positiveness
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Plaid
Zamami
70 bpm • A# min • 04:05 • -18db
29% Popularity • 28% Danceability • 19% Energy • 43% Liveness
92% Instrumentalness • 22% Positiveness
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Jefre Cantu-Ledesma
Joy
70 bpm • F Maj • 05:00 • -20.28db
16% Popularity • 17% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Sarah Davachi
Untitled, Live in Portland
70 bpm • G# Maj • 07:03 • -28.37db
24% Popularity • 22% Danceability • 2% Energy • 7% Liveness
94% Instrumentalness • 3% Positiveness
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Alessandro Cortini
Iniziare
70 bpm • B Maj • 05:42 • -17.3db
26% Popularity • 8% Danceability • 8% Energy • 54% Liveness
51% Instrumentalness • 10% Positiveness
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Tujiko Noriko
Rooftop
70 bpm • A# min • 04:45 • -27.67db
22% Popularity • 10% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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Jason Kolàr
Erratic Texting Behavior
70 bpm • E Maj • 04:35 • -19.5db
27% Popularity • 25% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
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Khotin
Welcome
70 bpm • C Maj • 01:15 • -11.19db
36% Popularity • 54% Danceability • 30% Energy • 19% Liveness
80% Instrumentalness • 16% Positiveness
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Dedekind Cut
Equity
70 bpm • E Maj • 04:15 • -38.77db
21% Popularity • 6% Danceability • 2% Energy • 6% Liveness
97% Instrumentalness • 4% Positiveness
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7038634357
Afterall
71 bpm • C Maj • 03:26 • -25.35db
21% Popularity • 39% Danceability • 3% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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PDP III
Channel 3
70 bpm • B Maj • 03:19 • -16.15db
1% Popularity • 6% Danceability • 16% Energy • 11% Liveness
77% Instrumentalness • 18% Positiveness
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Laurie Spiegel
The Unquestioned Answer
71 bpm • G# Maj • 06:30 • -26.15db
34% Popularity • 11% Danceability • 0% Energy • 10% Liveness
88% Instrumentalness • 17% Positiveness
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Benoît Pioulard
Zenava
71 bpm • D# min • 04:49 • -21.03db
15% Popularity • 12% Danceability • 15% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
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Jefre Cantu-Ledesma
Womb Night
71 bpm • A min • 01:05 • -27.51db
40% Popularity • 24% Danceability • 12% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
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Andy Stott
Time Away
71 bpm • A min • 06:24 • -25db
29% Popularity • 11% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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Kyle Bobby Dunn
Variations on a Theme by St-Dipshit
71 bpm • A Maj • 09:22 • -22.42db
29% Popularity • 14% Danceability • 8% Energy • 9% Liveness
93% Instrumentalness • 3% Positiveness
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Bibio
09:13
72 bpm • C# min • 07:03 • -26.22db
24% Popularity • 17% Danceability • 6% Energy • 10% Liveness
80% Instrumentalness • 4% Positiveness
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HTRK
Over The Rainbow
72 bpm • A# min • 04:28 • -25.8db
19% Popularity • 15% Danceability • 9% Energy • 11% Liveness
89% Instrumentalness • 24% Positiveness
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Slow Attack Ensemble
In Blue Unsure Dawn
72 bpm • E min • 03:51 • -16db
31% Popularity • 34% Danceability • 17% Energy • 7% Liveness
84% Instrumentalness • 18% Positiveness
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Leif
Mimosa
72 bpm • A min • 07:35 • -21.37db
18% Popularity • 15% Danceability • 25% Energy • 58% Liveness
91% Instrumentalness • 4% Positiveness
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Jefre Cantu-Ledesma
Body Within Body
72 bpm • D Maj • 02:27 • -21.07db
25% Popularity • 16% Danceability • 9% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Dylan Henner
Two Trains Came Through the Station at O...
72 bpm • C min • 04:52 • -18db
20% Popularity • 10% Danceability • 18% Energy • 28% Liveness
96% Instrumentalness • 3% Positiveness
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Steve Hauschildt
Cupid's Dart
72 bpm • C Maj • 01:39 • -15.21db
31% Popularity • 22% Danceability • 32% Energy • 9% Liveness
87% Instrumentalness • 5% Positiveness
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GAS
Pop 6
72 bpm • A# min • 09:18 • -16.44db
26% Popularity • 6% Danceability • 26% Energy • 17% Liveness
94% Instrumentalness • 16% Positiveness
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Slow Attack Ensemble
In Another Room
72 bpm • A min • 02:52 • -16db
36% Popularity • 24% Danceability • 15% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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Lionmilk
Pastel Memories
72 bpm • D# Maj • 05:37 • -10.68db
35% Popularity • 21% Danceability • 29% Energy • 19% Liveness
92% Instrumentalness • 4% Positiveness
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Pye Corner Audio
Approach
72 bpm • A# Maj • 02:20 • -26db
35% Popularity • 19% Danceability • 6% Energy • 8% Liveness
100% Instrumentalness • 5% Positiveness
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Bibio
CAPEL CELYN
72 bpm • D# min • 08:12 • -22.76db
26% Popularity • 22% Danceability • 20% Energy • 11% Liveness
86% Instrumentalness • 26% Positiveness
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Vanessa Amara
Piano I
72 bpm • G# Maj • 02:27 • -22.18db
20% Popularity • 24% Danceability • 9% Energy • 10% Liveness
83% Instrumentalness • 14% Positiveness
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Shuttle358
logical
72 bpm • D Maj • 03:02 • -29.7db
28% Popularity • 19% Danceability • 19% Energy • 9% Liveness
88% Instrumentalness • 15% Positiveness
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Chihei Hatakeyama
Sleeping And Listening On The Beach
72 bpm • D Maj • 07:30 • -32.5db
37% Popularity • 14% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Dedekind Cut
Conversations With Angels
73 bpm • F min • 08:33 • -22.64db
12% Popularity • 14% Danceability • 40% Energy • 11% Liveness
95% Instrumentalness • 15% Positiveness
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Rezzett
Yunus in Ekstasi
73 bpm • C min • 03:16 • -15.2db
20% Popularity • 21% Danceability • 16% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
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Kara-Lis Coverdale
Moments In Love
73 bpm • G# Maj • 10:17 • -27db
30% Popularity • 39% Danceability • 8% Energy • 8% Liveness
93% Instrumentalness • 16% Positiveness
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HTRK
Bio
73 bpm • C min • 01:20 • -27.88db
37% Popularity • 20% Danceability • 3% Energy • 10% Liveness
73% Instrumentalness • 6% Positiveness
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Leon Vynehall
Envelopes (Chapter VI)
74 bpm • G# Maj • 05:29 • -12.06db
30% Popularity • 16% Danceability • 34% Energy • 32% Liveness
77% Instrumentalness • 7% Positiveness
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Bochum Welt
At Dawn
74 bpm • C Maj • 01:15 • -30.31db
37% Popularity • 20% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 26% Positiveness
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Vanessa Amara
Leopards, Pt. 3
74 bpm • C# Maj • 02:29 • -20.38db
18% Popularity • 18% Danceability • 19% Energy • 9% Liveness
82% Instrumentalness • 5% Positiveness
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Slow Attack Ensemble
Everything Turns Black to Blue
74 bpm • A Maj • 04:00 • -20db
35% Popularity • 22% Danceability • 10% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
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Kara-Lis Coverdale
Moments In Love
73 bpm • C min • 09:23 • -28.43db
38% Popularity • 41% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 17% Positiveness
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Mark Pritchard
Sad Alron
74 bpm • C# min • 02:36 • -21db
32% Popularity • 16% Danceability • 18% Energy • 11% Liveness
99% Instrumentalness • 11% Positiveness
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Chihei Hatakeyama
Twilight Sea
75 bpm • E Maj • 06:05 • -26.23db
35% Popularity • 12% Danceability • 12% Energy • 11% Liveness
93% Instrumentalness • 28% Positiveness
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Deru
Drink It In
75 bpm • G Maj • 04:10 • -17.99db
23% Popularity • 30% Danceability • 16% Energy • 10% Liveness
86% Instrumentalness • 7% Positiveness
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Casino Versus Japan
Aquarium
75 bpm • C# Maj • 04:59 • -14.75db
31% Popularity • 61% Danceability • 37% Energy • 22% Liveness
95% Instrumentalness • 49% Positiveness
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Terekke
ambien
75 bpm • D# min • 01:50 • -29.93db
46% Popularity • 27% Danceability • 6% Energy • 10% Liveness
95% Instrumentalness • 14% Positiveness
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Kara-Lis Coverdale
Icon /c
75 bpm • C min • 03:52 • -12.63db
10% Popularity • 9% Danceability • 14% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Infinite Body
A Fool Persists
75 bpm • F# Maj • 01:58 • -16.4db
15% Popularity • 22% Danceability • 30% Energy • 13% Liveness
74% Instrumentalness • 4% Positiveness
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Roméo Poirier
Le bématiste
75 bpm • G# Maj • 03:27 • -15.3db
21% Popularity • 49% Danceability • 46% Energy • 20% Liveness
98% Instrumentalness • 18% Positiveness
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Visible Cloaks
Valve
76 bpm • F# Maj • 03:24 • -19db
16% Popularity • 32% Danceability • 3% Energy • 17% Liveness
1% Instrumentalness • 9% Positiveness
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Felicia Atkinson
Moderato Cantabile
76 bpm • F Maj • 07:58 • -20.49db
20% Popularity • 11% Danceability • 32% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Wilson Tanner
All Hands Bury the Dead
76 bpm • G# Maj • 04:12 • -26.13db
15% Popularity • 16% Danceability • 14% Energy • 12% Liveness
93% Instrumentalness • 10% Positiveness
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Steve Hauschildt
The Nature Remaining
76 bpm • G# min • 02:34 • -23.96db
33% Popularity • 17% Danceability • 11% Energy • 12% Liveness
88% Instrumentalness • 6% Positiveness
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Promises Of Fertility