Songs like P.S. I Love You by John Powell
Based on a tempo of (+/- 10%) and a similar genre
► Preview
Sarah Class
Journey of the King Fish
79 bpm • D# Maj • 03:05 • -11db
29% Popularity • 17% Danceability • 28% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
29% Popularity • 17% Danceability • 28% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
William Ross
Hometown Hero
79 bpm • G# Maj • 01:59 • -21.2db
45% Popularity • 15% Danceability • 6% Energy • 13% Liveness
79% Instrumentalness • 4% Positiveness
45% Popularity • 15% Danceability • 6% Energy • 13% Liveness
79% Instrumentalness • 4% Positiveness
► Preview
John Powell
Toothless: Smitten. (Arr. for Piano Solo...
79 bpm • B min • 03:09 • -28.34db
23% Popularity • 36% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
23% Popularity • 36% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
► Preview
Alexandre Desplat
Extremely Loud and Incredibly Close
79 bpm • A min • 01:57 • -31.11db
54% Popularity • 47% Danceability • 1% Energy • 6% Liveness
89% Instrumentalness • 7% Positiveness
54% Popularity • 47% Danceability • 1% Energy • 6% Liveness
89% Instrumentalness • 7% Positiveness
► Preview
Anne Dudley
Rachel's Theme
79 bpm • E min • 01:28 • -16db
52% Popularity • 13% Danceability • 17% Energy • 8% Liveness
59% Instrumentalness • 8% Positiveness
52% Popularity • 13% Danceability • 17% Energy • 8% Liveness
59% Instrumentalness • 8% Positiveness
► Preview
Brian Tyler
Loss Of A Twin
79 bpm • D min • 01:53 • -28db
41% Popularity • 7% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
41% Popularity • 7% Danceability • 2% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Stephen Warbeck
Pelagia's Song
79 bpm • C Maj • 04:04 • -16.38db
38% Popularity • 14% Danceability • 22% Energy • 32% Liveness
89% Instrumentalness • 6% Positiveness
38% Popularity • 14% Danceability • 22% Energy • 32% Liveness
89% Instrumentalness • 6% Positiveness
► Preview
Gabriel Yared
Ada Plays
79 bpm • D Maj • 03:18 • -21.92db
31% Popularity • 25% Danceability • 4% Energy • 13% Liveness
94% Instrumentalness • 6% Positiveness
31% Popularity • 25% Danceability • 4% Energy • 13% Liveness
94% Instrumentalness • 6% Positiveness
► Preview
William Ross
Will Grows Up
79 bpm • D# Maj • 08:57 • -18db
28% Popularity • 10% Danceability • 12% Energy • 27% Liveness
69% Instrumentalness • 4% Positiveness
28% Popularity • 10% Danceability • 12% Energy • 27% Liveness
69% Instrumentalness • 4% Positiveness
► Preview
John Powell
P.S. I Love You
79 bpm • C Maj • 01:23 • -28.16db
45% Popularity • 46% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 39% Positiveness
45% Popularity • 46% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 39% Positiveness
► Preview
Anne Dudley
The Endless River
79 bpm • C# min • 02:04 • -16db
46% Popularity • 20% Danceability • 17% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
46% Popularity • 20% Danceability • 17% Energy • 11% Liveness
85% Instrumentalness • 4% Positiveness
► Preview
Volker Bertelmann
Salvation
78 bpm • F Maj • 05:25 • -17db
28% Popularity • 8% Danceability • 22% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
28% Popularity • 8% Danceability • 22% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
The Chamber Orchestra Of London
Damaged
79 bpm • E min • 05:23 • -20.19db
26% Popularity • 11% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 6% Positiveness
26% Popularity • 11% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 6% Positiveness
► Preview
Mark Mancina
Wine Glass Suite
78 bpm • F Maj • 03:10 • -22.21db
21% Popularity • 25% Danceability • 5% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
21% Popularity • 25% Danceability • 5% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Adrian Johnston
Brideshead Revisited: No. 24, Always Sum...
78 bpm • A# Maj • 02:29 • -25db
36% Popularity • 34% Danceability • 9% Energy • 14% Liveness
92% Instrumentalness • 10% Positiveness
36% Popularity • 34% Danceability • 9% Energy • 14% Liveness
92% Instrumentalness • 10% Positiveness
► Preview
John Powell
Legend Has It / Cliffside Playtime
80 bpm • G min • 04:21 • -30.67db
40% Popularity • 8% Danceability • 3% Energy • 6% Liveness
80% Instrumentalness • 4% Positiveness
40% Popularity • 8% Danceability • 3% Energy • 6% Liveness
80% Instrumentalness • 4% Positiveness
► Preview
Juggernoud1
He Sleeps
80 bpm • G Maj • 02:48 • -27.54db
37% Popularity • 46% Danceability • 2% Energy • 11% Liveness
84% Instrumentalness • 26% Positiveness
37% Popularity • 46% Danceability • 2% Energy • 11% Liveness
84% Instrumentalness • 26% Positiveness
► Preview
Trevor Rabin
The Guardian Suite - Score
80 bpm • G Maj • 07:39 • -14db
31% Popularity • 14% Danceability • 27% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
31% Popularity • 14% Danceability • 27% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
► Preview
Marc Streitenfeld
Walter's Burial
78 bpm • G min • 03:04 • -22db
48% Popularity • 7% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
48% Popularity • 7% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
► Preview
Roque Baños
The White Whale Chant
78 bpm • G# Maj • 04:38 • -16.13db
36% Popularity • 7% Danceability • 17% Energy • 11% Liveness
34% Instrumentalness • 4% Positiveness
36% Popularity • 7% Danceability • 17% Energy • 11% Liveness
34% Instrumentalness • 4% Positiveness
► Preview
Mark Knopfler
Once Upon A Time / Storybook Love
80 bpm • G Maj • 03:59 • -22.42db
45% Popularity • 26% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
45% Popularity • 26% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
John Powell
The Hidden World (4m16b)
80 bpm • C min • 05:14 • -16.7db
4% Popularity • 12% Danceability • 29% Energy • 9% Liveness
54% Instrumentalness • 4% Positiveness
4% Popularity • 12% Danceability • 29% Energy • 9% Liveness
54% Instrumentalness • 4% Positiveness
► Preview
Nicholas Hooper
A Journey to Hogwarts
78 bpm • A min • 02:52 • -22db
47% Popularity • 9% Danceability • 14% Energy • 36% Liveness
93% Instrumentalness • 3% Positiveness
47% Popularity • 9% Danceability • 14% Energy • 36% Liveness
93% Instrumentalness • 3% Positiveness
► Preview
Guy Farley
Maria - Theme
80 bpm • F Maj • 01:29 • -15db
53% Popularity • 8% Danceability • 26% Energy • 10% Liveness
93% Instrumentalness • 10% Positiveness
53% Popularity • 8% Danceability • 26% Energy • 10% Liveness
93% Instrumentalness • 10% Positiveness
► Preview
The Chamber Orchestra Of London
Preparation
80 bpm • A min • 03:27 • -14db
35% Popularity • 41% Danceability • 28% Energy • 13% Liveness
83% Instrumentalness • 17% Positiveness
35% Popularity • 41% Danceability • 28% Energy • 13% Liveness
83% Instrumentalness • 17% Positiveness
► Preview
Jan A.P. Kaczmarek
The Park - Finding Neverland/Soundtrack ...
80 bpm • C Maj • 01:07 • -16.85db
36% Popularity • 18% Danceability • 16% Energy • 16% Liveness
69% Instrumentalness • 19% Positiveness
36% Popularity • 18% Danceability • 16% Energy • 16% Liveness
69% Instrumentalness • 19% Positiveness
► Preview
Johannes Bornlöf
Let's Run Away Together
80 bpm • G Maj • 02:57 • -19db
44% Popularity • 28% Danceability • 15% Energy • 8% Liveness
82% Instrumentalness • 6% Positiveness
44% Popularity • 28% Danceability • 15% Energy • 8% Liveness
82% Instrumentalness • 6% Positiveness
► Preview
John Powell
Holly Gets Fired
80 bpm • D# Maj • 00:44 • -18.47db
21% Popularity • 33% Danceability • 30% Energy • 11% Liveness
94% Instrumentalness • 38% Positiveness
21% Popularity • 33% Danceability • 30% Energy • 11% Liveness
94% Instrumentalness • 38% Positiveness
► Preview
Nicholas Hooper
Dumbledore's Army
80 bpm • G Maj • 02:40 • -21db
53% Popularity • 34% Danceability • 12% Energy • 16% Liveness
79% Instrumentalness • 21% Positiveness
53% Popularity • 34% Danceability • 12% Energy • 16% Liveness
79% Instrumentalness • 21% Positiveness
► Preview
Justin Hurwitz
Engagement Party
80 bpm • D# Maj • 01:27 • -22.61db
61% Popularity • 40% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 33% Positiveness
61% Popularity • 40% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 33% Positiveness
► Preview
Rael Jones
Precious to Me
80 bpm • E min • 01:49 • -27.77db
39% Popularity • 19% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
39% Popularity • 19% Danceability • 6% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Anne Dudley
Where the Land Meets the Sea
80 bpm • D Maj • 02:52 • -12.43db
13% Popularity • 18% Danceability • 23% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
13% Popularity • 18% Danceability • 23% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
The Chamber Orchestra Of London
A Dangerous Path
80 bpm • G min • 03:12 • -19.4db
30% Popularity • 13% Danceability • 16% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
30% Popularity • 13% Danceability • 16% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
John Powell
Once There Were Dragons (Arr. for Piano ...
81 bpm • C Maj • 06:03 • -21.41db
28% Popularity • 36% Danceability • 10% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
28% Popularity • 36% Danceability • 10% Energy • 12% Liveness
86% Instrumentalness • 7% Positiveness
► Preview
Fernando Velázquez
The Best Holiday Season Ever
77 bpm • D# Maj • 02:27 • -22db
25% Popularity • 20% Danceability • 5% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
25% Popularity • 20% Danceability • 5% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Geoff Zanelli
Storybook
77 bpm • A min • 01:22 • -20.87db
51% Popularity • 44% Danceability • 12% Energy • 9% Liveness
92% Instrumentalness • 37% Positiveness
51% Popularity • 44% Danceability • 12% Energy • 9% Liveness
92% Instrumentalness • 37% Positiveness
► Preview
David Arnold
City of Lovers
81 bpm • F Maj • 03:30 • -23db
33% Popularity • 13% Danceability • 3% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
33% Popularity • 13% Danceability • 3% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
► Preview
Michael Giacchino
There's No Place Like Home
81 bpm • D Maj • 02:35 • -18.8db
32% Popularity • 12% Danceability • 6% Energy • 9% Liveness
86% Instrumentalness • 5% Positiveness
32% Popularity • 12% Danceability • 6% Energy • 9% Liveness
86% Instrumentalness • 5% Positiveness
► Preview
John Lunn
One Hundred Years Of Downton
81 bpm • A min • 05:13 • -17db
32% Popularity • 16% Danceability • 21% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
32% Popularity • 16% Danceability • 21% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
► Preview
Sharon Farber
Mathilda
81 bpm • D min • 02:48 • -18.15db
32% Popularity • 15% Danceability • 18% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
32% Popularity • 15% Danceability • 18% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Fernando Velázquez
Edith's Theme
81 bpm • G min • 01:56 • -14.8db
42% Popularity • 22% Danceability • 15% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
42% Popularity • 22% Danceability • 15% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
► Preview
Carlos Rafael Rivera
New York
77 bpm • F Maj • 01:09 • -23.96db
50% Popularity • 22% Danceability • 5% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
50% Popularity • 22% Danceability • 5% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Mark Mancina
Piano Lullaby
77 bpm • C Maj • 02:07 • -23.37db
22% Popularity • 46% Danceability • 4% Energy • 6% Liveness
88% Instrumentalness • 19% Positiveness
22% Popularity • 46% Danceability • 4% Energy • 6% Liveness
88% Instrumentalness • 19% Positiveness
► Preview
Michael Giacchino
Moving On
77 bpm • D Maj • 07:54 • -18.96db
37% Popularity • 19% Danceability • 4% Energy • 7% Liveness
83% Instrumentalness • 4% Positiveness
37% Popularity • 19% Danceability • 4% Energy • 7% Liveness
83% Instrumentalness • 4% Positiveness
► Preview
Max Richter
I will not forget you
77 bpm • C Maj • 03:55 • -16.68db
41% Popularity • 15% Danceability • 11% Energy • 9% Liveness
6% Instrumentalness • 3% Positiveness
41% Popularity • 15% Danceability • 11% Energy • 9% Liveness
6% Instrumentalness • 3% Positiveness
► Preview
La Brea String Section
A Time for us
77 bpm • A# min • 03:35 • -13.92db
35% Popularity • 7% Danceability • 24% Energy • 9% Liveness
76% Instrumentalness • 8% Positiveness
35% Popularity • 7% Danceability • 24% Energy • 9% Liveness
76% Instrumentalness • 8% Positiveness
► Preview
Bear McCreary
Faith
81 bpm • E min • 03:29 • -26.69db
35% Popularity • 8% Danceability • 5% Energy • 18% Liveness
99% Instrumentalness • 4% Positiveness
35% Popularity • 8% Danceability • 5% Energy • 18% Liveness
99% Instrumentalness • 4% Positiveness
► Preview
Gabriel Yared
Theresa
82 bpm • D min • 03:02 • -15.99db
30% Popularity • 19% Danceability • 19% Energy • 14% Liveness
94% Instrumentalness • 19% Positiveness
30% Popularity • 19% Danceability • 19% Energy • 14% Liveness
94% Instrumentalness • 19% Positiveness
► Preview
Clint Mansell
Together We Will Live Forever
76 bpm • G min • 05:01 • -25.5db
49% Popularity • 48% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 20% Positiveness
49% Popularity • 48% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 20% Positiveness
► Preview
Royal Philharmonic Orchestra
Star Wars: Attack of the Clones: Across ...
82 bpm • C min • 05:44 • -15db
20% Popularity • 12% Danceability • 23% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
20% Popularity • 12% Danceability • 23% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Samuel Sim
Blind Endeavours
82 bpm • G Maj • 03:15 • -19db
27% Popularity • 12% Danceability • 9% Energy • 35% Liveness
80% Instrumentalness • 4% Positiveness
27% Popularity • 12% Danceability • 9% Energy • 35% Liveness
80% Instrumentalness • 4% Positiveness
► Preview
Stephen Warbeck
The Letter
82 bpm • D Maj • 01:18 • -21.08db
45% Popularity • 17% Danceability • 17% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
45% Popularity • 17% Danceability • 17% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Ramin Djawadi
I Feel Alive
76 bpm • F min • 02:39 • -22db
33% Popularity • 7% Danceability • 7% Energy • 9% Liveness
98% Instrumentalness • 3% Positiveness
33% Popularity • 7% Danceability • 7% Energy • 9% Liveness
98% Instrumentalness • 3% Positiveness
► Preview
Maurizio Malagnini
We Will Be Memories
76 bpm • C Maj • 02:55 • -14.46db
23% Popularity • 22% Danceability • 23% Energy • 9% Liveness
92% Instrumentalness • 5% Positiveness
23% Popularity • 22% Danceability • 23% Energy • 9% Liveness
92% Instrumentalness • 5% Positiveness
► Preview
Gabriel Yared
To All The Ships At Sea
82 bpm • D min • 04:05 • -14.37db
22% Popularity • 19% Danceability • 22% Energy • 36% Liveness
95% Instrumentalness • 4% Positiveness
22% Popularity • 19% Danceability • 22% Energy • 36% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
John Powell
Stoick Saves Hiccup
82 bpm • C min • 02:18 • -15.88db
36% Popularity • 8% Danceability • 16% Energy • 13% Liveness
98% Instrumentalness • 4% Positiveness
36% Popularity • 8% Danceability • 16% Energy • 13% Liveness
98% Instrumentalness • 4% Positiveness
► Preview
Nicholas Hooper
Farewell Aragog
82 bpm • G Maj • 02:08 • -25db
46% Popularity • 12% Danceability • 3% Energy • 8% Liveness
6% Instrumentalness • 5% Positiveness
46% Popularity • 12% Danceability • 3% Energy • 8% Liveness
6% Instrumentalness • 5% Positiveness
► Preview
George Fenton
Empty Store
82 bpm • G Maj • 02:51 • -15.63db
32% Popularity • 37% Danceability • 6% Energy • 42% Liveness
76% Instrumentalness • 5% Positiveness
32% Popularity • 37% Danceability • 6% Energy • 42% Liveness
76% Instrumentalness • 5% Positiveness
► Preview
Rael Jones
Sunlit Kiss
76 bpm • C Maj • 03:41 • -28db
22% Popularity • 10% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
22% Popularity • 10% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Anne Dudley
Resurgam
82 bpm • F min • 03:24 • -13.24db
30% Popularity • 12% Danceability • 23% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
30% Popularity • 12% Danceability • 23% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Mychael Danna
Meadow
76 bpm • F Maj • 03:19 • -19.97db
15% Popularity • 8% Danceability • 13% Energy • 8% Liveness
77% Instrumentalness • 4% Positiveness
15% Popularity • 8% Danceability • 13% Energy • 8% Liveness
77% Instrumentalness • 4% Positiveness
► Preview
Stephen Warbeck
Princess of Nowhere
76 bpm • G min • 03:51 • -21.54db
28% Popularity • 18% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 5% Positiveness
28% Popularity • 18% Danceability • 8% Energy • 11% Liveness
89% Instrumentalness • 5% Positiveness
► Preview
Lennie Niehaus
Doe Eyes (Love Theme from the Bridges of...
82 bpm • C Maj • 05:00 • -21db
37% Popularity • 8% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
37% Popularity • 8% Danceability • 9% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Andrea Guerra
Cross tempo
82 bpm • G# Maj • 01:55 • -36db
48% Popularity • 19% Danceability • 0% Energy • 7% Liveness
74% Instrumentalness • 4% Positiveness
48% Popularity • 19% Danceability • 0% Energy • 7% Liveness
74% Instrumentalness • 4% Positiveness
► Preview
Kyle Eastwood
Madiba's Theme
82 bpm • E Maj • 01:17 • -20.1db
20% Popularity • 8% Danceability • 16% Energy • 8% Liveness
97% Instrumentalness • 9% Positiveness
20% Popularity • 8% Danceability • 16% Energy • 8% Liveness
97% Instrumentalness • 9% Positiveness
► Preview
The Chamber Orchestra Of London
Downton Abbey - The Suite
82 bpm • A min • 07:08 • -14db
44% Popularity • 14% Danceability • 28% Energy • 10% Liveness
89% Instrumentalness • 11% Positiveness
44% Popularity • 14% Danceability • 28% Energy • 10% Liveness
89% Instrumentalness • 11% Positiveness
► Preview
Panu Aaltio
Boys Decide to Stay
82 bpm • F min • 01:34 • -23.55db
46% Popularity • 28% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 12% Positiveness
46% Popularity • 28% Danceability • 1% Energy • 8% Liveness
97% Instrumentalness • 12% Positiveness
► Preview
Alan Silvestri
You Can't Sit Here
76 bpm • C Maj • 02:23 • -26db
36% Popularity • 7% Danceability • 3% Energy • 13% Liveness
85% Instrumentalness • 5% Positiveness
36% Popularity • 7% Danceability • 3% Energy • 13% Liveness
85% Instrumentalness • 5% Positiveness
► Preview
John Powell
Where's Hiccup?
83 bpm • G Maj • 02:44 • -19.32db
45% Popularity • 13% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
45% Popularity • 13% Danceability • 8% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
► Preview
Carter Burwell
My Dear Anne
82 bpm • A min • 02:37 • -20.64db
41% Popularity • 14% Danceability • 4% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
41% Popularity • 14% Danceability • 4% Energy • 11% Liveness
84% Instrumentalness • 6% Positiveness
► Preview
Mychael Danna
Wish I Could Spend The Day With You
75 bpm • E Maj • 01:46 • -28.43db
49% Popularity • 15% Danceability • 2% Energy • 14% Liveness
98% Instrumentalness • 4% Positiveness
49% Popularity • 15% Danceability • 2% Energy • 14% Liveness
98% Instrumentalness • 4% Positiveness
► Preview
Zbigniew Preisner
Happily Ever After
83 bpm • E Maj • 02:25 • -15.66db
33% Popularity • 17% Danceability • 18% Energy • 12% Liveness
62% Instrumentalness • 6% Positiveness
33% Popularity • 17% Danceability • 18% Energy • 12% Liveness
62% Instrumentalness • 6% Positiveness
► Preview
Helen Jane Long
Embers
75 bpm • A# Maj • 04:06 • -19db
41% Popularity • 53% Danceability • 5% Energy • 15% Liveness
90% Instrumentalness • 14% Positiveness
41% Popularity • 53% Danceability • 5% Energy • 15% Liveness
90% Instrumentalness • 14% Positiveness
► Preview
Alan Silvestri
You're No Different
83 bpm • G Maj • 00:57 • -29db
45% Popularity • 26% Danceability • 3% Energy • 12% Liveness
97% Instrumentalness • 32% Positiveness
45% Popularity • 26% Danceability • 3% Energy • 12% Liveness
97% Instrumentalness • 32% Positiveness
► Preview
Harry Gregson-Williams
Fairytale
83 bpm • G# Maj • 01:26 • -18.77db
62% Popularity • 9% Danceability • 16% Energy • 46% Liveness
50% Instrumentalness • 10% Positiveness
62% Popularity • 9% Danceability • 16% Energy • 46% Liveness
50% Instrumentalness • 10% Positiveness
► Preview
Geoff Zanelli
Evelyn Goes It Alone
83 bpm • F# min • 02:33 • -25.17db
42% Popularity • 21% Danceability • 5% Energy • 15% Liveness
88% Instrumentalness • 11% Positiveness
42% Popularity • 21% Danceability • 5% Energy • 15% Liveness
88% Instrumentalness • 11% Positiveness
► Preview
Jóhann Jóhannsson
Cambridge, 1963
83 bpm • A# Maj • 01:41 • -16.91db
59% Popularity • 36% Danceability • 9% Energy • 10% Liveness
98% Instrumentalness • 65% Positiveness
59% Popularity • 36% Danceability • 9% Energy • 10% Liveness
98% Instrumentalness • 65% Positiveness
► Preview
Carter Burwell
Ride to Death
83 bpm • G Maj • 02:28 • -20.92db
30% Popularity • 27% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 15% Positiveness
30% Popularity • 27% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 15% Positiveness
► Preview
Trevor Rabin
Theme from "Armageddon"
75 bpm • A min • 03:08 • -11db
34% Popularity • 19% Danceability • 54% Energy • 10% Liveness
90% Instrumentalness • 18% Positiveness
34% Popularity • 19% Danceability • 54% Energy • 10% Liveness
90% Instrumentalness • 18% Positiveness
► Preview
Guy Farley
Miss Jackson
75 bpm • A# min • 02:15 • -37db
49% Popularity • 7% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 11% Positiveness
49% Popularity • 7% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 11% Positiveness
► Preview
Peter Gregson
End Roller
75 bpm • D# Maj • 03:21 • -37.36db
37% Popularity • 11% Danceability • 1% Energy • 9% Liveness
11% Instrumentalness • 6% Positiveness
37% Popularity • 11% Danceability • 1% Energy • 9% Liveness
11% Instrumentalness • 6% Positiveness
► Preview
Arvo Pärt
Spiegel im Spiegel, for Cello & Piano
84 bpm • F Maj • 09:33 • -39.22db
38% Popularity • 23% Danceability • 0% Energy • 5% Liveness
87% Instrumentalness • 4% Positiveness
38% Popularity • 23% Danceability • 0% Energy • 5% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
The Chamber Orchestra Of London
Violet
84 bpm • A min • 01:54 • -16db
33% Popularity • 13% Danceability • 14% Energy • 22% Liveness
93% Instrumentalness • 4% Positiveness
33% Popularity • 13% Danceability • 14% Energy • 22% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Ari Posner
No Regrets
84 bpm • G Maj • 01:44 • -21db
37% Popularity • 19% Danceability • 12% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
37% Popularity • 19% Danceability • 12% Energy • 14% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Jóhann Jóhannsson
A Normal Family
74 bpm • A min • 01:41 • -21.09db
49% Popularity • 10% Danceability • 18% Energy • 12% Liveness
76% Instrumentalness • 4% Positiveness
49% Popularity • 10% Danceability • 18% Energy • 12% Liveness
76% Instrumentalness • 4% Positiveness
► Preview
John Powell
Catechisms & Catheters
84 bpm • C min • 03:18 • -25.76db
7% Popularity • 10% Danceability • 9% Energy • 7% Liveness
92% Instrumentalness • 3% Positiveness
7% Popularity • 10% Danceability • 9% Energy • 7% Liveness
92% Instrumentalness • 3% Positiveness
► Preview
Nicholas Hooper
When Ginny Kissed Harry
84 bpm • E min • 02:38 • -28.26db
57% Popularity • 48% Danceability • 6% Energy • 4% Liveness
96% Instrumentalness • 8% Positiveness
57% Popularity • 48% Danceability • 6% Energy • 4% Liveness
96% Instrumentalness • 8% Positiveness
► Preview
Ramin Djawadi
Just Me and You
74 bpm • C min • 02:11 • -33.09db
27% Popularity • 24% Danceability • 1% Energy • 7% Liveness
42% Instrumentalness • 4% Positiveness
27% Popularity • 24% Danceability • 1% Energy • 7% Liveness
42% Instrumentalness • 4% Positiveness
► Preview
Anne Dudley
The Crossroads
84 bpm • D min • 02:05 • -17db
18% Popularity • 9% Danceability • 14% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness
18% Popularity • 9% Danceability • 14% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness
► Preview
George Fenton
A Sepulchre
74 bpm • A Maj • 02:56 • -28.09db
22% Popularity • 24% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
22% Popularity • 24% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Atli Örvarsson
The Hug
84 bpm • G Maj • 02:11 • -26db
25% Popularity • 14% Danceability • 4% Energy • 7% Liveness
83% Instrumentalness • 4% Positiveness
25% Popularity • 14% Danceability • 4% Energy • 7% Liveness
83% Instrumentalness • 4% Positiveness
► Preview
William Ross
A King's Sadness
84 bpm • C min • 02:00 • -36.4db
57% Popularity • 18% Danceability • 1% Energy • 6% Liveness
96% Instrumentalness • 4% Positiveness
57% Popularity • 18% Danceability • 1% Energy • 6% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Christopher Young
Little Wing - Score
74 bpm • A# Maj • 06:05 • -13db
12% Popularity • 10% Danceability • 18% Energy • 14% Liveness
48% Instrumentalness • 4% Positiveness
12% Popularity • 10% Danceability • 18% Energy • 14% Liveness
48% Instrumentalness • 4% Positiveness
► Preview
Nicholas Hooper
The Friends
74 bpm • C Maj • 02:00 • -26.45db
48% Popularity • 21% Danceability • 7% Energy • 11% Liveness
79% Instrumentalness • 4% Positiveness
48% Popularity • 21% Danceability • 7% Energy • 11% Liveness
79% Instrumentalness • 4% Positiveness
► Preview
Anne Dudley
Suite from Poldark
84 bpm • A min • 05:31 • -17db
33% Popularity • 12% Danceability • 18% Energy • 32% Liveness
76% Instrumentalness • 6% Positiveness
33% Popularity • 12% Danceability • 18% Energy • 32% Liveness
76% Instrumentalness • 6% Positiveness
► Preview
Thomas Bergersen
The Human Experience - Theme
84 bpm • C Maj • 02:48 • -16.27db
28% Popularity • 10% Danceability • 11% Energy • 10% Liveness
84% Instrumentalness • 7% Positiveness
28% Popularity • 10% Danceability • 11% Energy • 10% Liveness
84% Instrumentalness • 7% Positiveness
► Preview
Cliff Eidelman
One True Thing
74 bpm • A Maj • 02:20 • -31db
33% Popularity • 8% Danceability • 2% Energy • 7% Liveness
98% Instrumentalness • 10% Positiveness
33% Popularity • 8% Danceability • 2% Energy • 7% Liveness
98% Instrumentalness • 10% Positiveness
► Preview
Edward Shearmur
Paco
74 bpm • E Maj • 02:30 • -21.29db
11% Popularity • 48% Danceability • 4% Energy • 7% Liveness
95% Instrumentalness • 8% Positiveness
11% Popularity • 48% Danceability • 4% Energy • 7% Liveness
95% Instrumentalness • 8% Positiveness