Songs like Pseaumes de David, Livre 1: No. 17, Du fonds de ma pensee by Jan Pieterszoon Sweelinck
Based on a tempo of (+/- 10%) and a similar genre
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Claudio Monteverdi
Versicle/Response: Deus in adjutorium/Do...
135 bpm • D# Maj • 01:59 • -14db
11% Popularity • 24% Danceability • 20% Energy • 7% Liveness
23% Instrumentalness • 11% Positiveness
11% Popularity • 24% Danceability • 20% Energy • 7% Liveness
23% Instrumentalness • 11% Positiveness
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Thomas Morley
The Second Dirge Anthem: Man That Is Bor...
135 bpm • G# min • 05:31 • -21.31db
11% Popularity • 16% Danceability • 7% Energy • 11% Liveness
64% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 7% Energy • 11% Liveness
64% Instrumentalness • 4% Positiveness
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Pierre Passereau
ll est bel et bon, commere, mon mary: Il...
135 bpm • C min • 01:01 • -18db
22% Popularity • 52% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
22% Popularity • 52% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Jan Pieterszoon Sweelinck
Pseaumes de David, Livre 1: No. 17, Du f...
135 bpm • F# Maj • 04:32 • -23.28db
8% Popularity • 19% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 19% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Anton Bruckner
Tantum ergo, WAB 43
135 bpm • A Maj • 01:35 • -21.58db
26% Popularity • 22% Danceability • 18% Energy • 7% Liveness
98% Instrumentalness • 5% Positiveness
26% Popularity • 22% Danceability • 18% Energy • 7% Liveness
98% Instrumentalness • 5% Positiveness
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Carlo Gesualdo
Qual fora, donna, un dolce Ohime
135 bpm • F min • 02:51 • -23.41db
18% Popularity • 18% Danceability • 9% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
18% Popularity • 18% Danceability • 9% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
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George Frideric Handel
Israel in Egypt, HWV 54, Pt 3. "Moses' S...
135 bpm • D# Maj • 01:15 • -20.38db
16% Popularity • 21% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
16% Popularity • 21% Danceability • 6% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Thomas Tomkins
Burial Sentences: I Am the Resurrection ...
134 bpm • C# min • 07:51 • -24db
12% Popularity • 16% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 16% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Johannes Ockeghem
Missa L'homme arme: Kyrie (Missa L' homm...
134 bpm • B Maj • 02:20 • -27.64db
10% Popularity • 16% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
10% Popularity • 16% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Jan Pieterszoon Sweelinck
Erbarm dich mein, o Herre Gott, SwWV 303...
136 bpm • G# min • 01:56 • -19.86db
2% Popularity • 22% Danceability • 15% Energy • 11% Liveness
96% Instrumentalness • 35% Positiveness
2% Popularity • 22% Danceability • 15% Energy • 11% Liveness
96% Instrumentalness • 35% Positiveness
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Sébastien de Brossard
Elevatio O miraculum!
134 bpm • A# Maj • 01:55 • -24.53db
9% Popularity • 16% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 16% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Guillaume Dufay
Isorhythmic Motets: Nuper rosarum flores
136 bpm • D min • 05:44 • -20db
13% Popularity • 18% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 18% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Heinrich Schütz
Ich bin die Auferstehung und das Leben, ...
134 bpm • D min • 03:36 • -19.66db
19% Popularity • 21% Danceability • 11% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
19% Popularity • 21% Danceability • 11% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
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Giuseppe Sarti
Now the Powers of Heaven
136 bpm • G min • 05:41 • -20.19db
8% Popularity • 20% Danceability • 20% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
8% Popularity • 20% Danceability • 20% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
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François-Lupien Grenet
Le Triomphe de l'Harmonie: Nous jouisson...
134 bpm • C# min • 01:01 • -23.67db
11% Popularity • 27% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
11% Popularity • 27% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Jan Pieterszoon Sweelinck
Ballo del Granduca
134 bpm • B Maj • 04:33 • -15.77db
1% Popularity • 35% Danceability • 41% Energy • 5% Liveness
7% Instrumentalness • 82% Positiveness
1% Popularity • 35% Danceability • 41% Energy • 5% Liveness
7% Instrumentalness • 82% Positiveness
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Johannes Ockeghem
Missa Prolationum: Kyrie I
133 bpm • F Maj • 01:15 • -20db
33% Popularity • 17% Danceability • 14% Energy • 10% Liveness
51% Instrumentalness • 4% Positiveness
33% Popularity • 17% Danceability • 14% Energy • 10% Liveness
51% Instrumentalness • 4% Positiveness
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Georg Philipp Telemann
Laudate Jehovam omnes gentes (Psalm 117)...
137 bpm • A Maj • 05:03 • -20.09db
12% Popularity • 22% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
12% Popularity • 22% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Thomas Morley
The Third Dirge Anthem: I Heard a Voice ...
133 bpm • G# min • 01:56 • -27.88db
35% Popularity • 16% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
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Antonín Dvořák
Mass in D Major, Op. 86, B. 153: VI. Agn...
137 bpm • G Maj • 05:03 • -27.39db
9% Popularity • 17% Danceability • 4% Energy • 13% Liveness
2% Instrumentalness • 4% Positiveness
9% Popularity • 17% Danceability • 4% Energy • 13% Liveness
2% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Auf Christi Himmelfahrt allein, BWV 128:...
137 bpm • F# Maj • 01:14 • -13.74db
13% Popularity • 20% Danceability • 18% Energy • 15% Liveness
96% Instrumentalness • 16% Positiveness
13% Popularity • 20% Danceability • 18% Energy • 15% Liveness
96% Instrumentalness • 16% Positiveness
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Josef Rheinberger
Hymnen, Op. 140: I. Tribulationes
133 bpm • F Maj • 03:27 • -24.18db
9% Popularity • 18% Danceability • 11% Energy • 8% Liveness
31% Instrumentalness • 4% Positiveness
9% Popularity • 18% Danceability • 11% Energy • 8% Liveness
31% Instrumentalness • 4% Positiveness
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Giulio Segni Da Modena
Ricercar 5
132 bpm • A# min • 02:07 • -19.74db
8% Popularity • 21% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 15% Positiveness
8% Popularity • 21% Danceability • 10% Energy • 10% Liveness
94% Instrumentalness • 15% Positiveness
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Johann Caspar Kerll
Missa pro defunctis: II. Kyrie
138 bpm • F Maj • 02:01 • -18.24db
22% Popularity • 15% Danceability • 14% Energy • 12% Liveness
83% Instrumentalness • 4% Positiveness
22% Popularity • 15% Danceability • 14% Energy • 12% Liveness
83% Instrumentalness • 4% Positiveness
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Orlande de Lassus
La nuict froide & sombre
132 bpm • C# min • 02:29 • -35.07db
10% Popularity • 16% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 16% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Heinrich Schütz
Herr, nun lässest du deinen Diener in F...
138 bpm • A min • 03:18 • -21.46db
18% Popularity • 19% Danceability • 12% Energy • 11% Liveness
53% Instrumentalness • 9% Positiveness
18% Popularity • 19% Danceability • 12% Energy • 11% Liveness
53% Instrumentalness • 9% Positiveness
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John Stanley
Organ Voluntary in D Major, Op. 6 No. 5:...
132 bpm • D Maj • 01:50 • -32db
17% Popularity • 16% Danceability • 1% Energy • 30% Liveness
86% Instrumentalness • 32% Positiveness
17% Popularity • 16% Danceability • 1% Energy • 30% Liveness
86% Instrumentalness • 32% Positiveness
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Frantisek Tuma
Stabat Mater in G Minor: V. Vidit suum
132 bpm • E min • 01:05 • -25.23db
15% Popularity • 22% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 22% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Michael Haydn
Missa Sanctae Crucis, MH 56: Sanctus
132 bpm • D# Maj • 01:23 • -19.76db
27% Popularity • 22% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
27% Popularity • 22% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
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Sebastián de Vivanco
Canon perpetuo
132 bpm • A# min • 01:35 • -30db
9% Popularity • 21% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 11% Positiveness
9% Popularity • 21% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 11% Positiveness
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Orlande de Lassus
In monte oliveti
138 bpm • C min • 03:58 • -26.4db
11% Popularity • 15% Danceability • 5% Energy • 7% Liveness
68% Instrumentalness • 4% Positiveness
11% Popularity • 15% Danceability • 5% Energy • 7% Liveness
68% Instrumentalness • 4% Positiveness
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Oxford Camerata
Ego Flos Campi
139 bpm • F# Maj • 06:00 • -27.83db
13% Popularity • 15% Danceability • 4% Energy • 10% Liveness
9% Instrumentalness • 4% Positiveness
13% Popularity • 15% Danceability • 4% Energy • 10% Liveness
9% Instrumentalness • 4% Positiveness
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Jan Pieterszoon Sweelinck
Venite exsultemus Domino
131 bpm • C Maj • 02:15 • -22.35db
8% Popularity • 25% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
8% Popularity • 25% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Antonio Lotti
Dixit Dominus (Soloists, Chorus)
138 bpm • G# Maj • 01:54 • -16.98db
8% Popularity • 53% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
8% Popularity • 53% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Johann Sebastian Bach
Christ lag in Todesbanden, BWV 277 - 2
139 bpm • C# min • 02:17 • -26.07db
8% Popularity • 21% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 21% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Niccolò Jommelli
Missa pro Defunctis in E-Flat Major, Hoc...
139 bpm • B min • 02:11 • -21.5db
15% Popularity • 15% Danceability • 8% Energy • 16% Liveness
51% Instrumentalness • 4% Positiveness
15% Popularity • 15% Danceability • 8% Energy • 16% Liveness
51% Instrumentalness • 4% Positiveness
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The Royal Wind Music
Galliard
139 bpm • F# Maj • 02:22 • -18.59db
23% Popularity • 30% Danceability • 15% Energy • 13% Liveness
93% Instrumentalness • 37% Positiveness
23% Popularity • 30% Danceability • 15% Energy • 13% Liveness
93% Instrumentalness • 37% Positiveness
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Jan Dismas Zelenka
The Lamentations of Jeremiah the Prophet...
131 bpm • C# Maj • 04:00 • -30.61db
14% Popularity • 34% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
14% Popularity • 34% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Jan Pieterszoon Sweelinck
De profundis
131 bpm • D min • 05:23 • -24.66db
2% Popularity • 20% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
2% Popularity • 20% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Anton Bruckner
Tota pulchra es, WAB 46
131 bpm • C Maj • 05:20 • -23.67db
12% Popularity • 18% Danceability • 4% Energy • 9% Liveness
4% Instrumentalness • 4% Positiveness
12% Popularity • 18% Danceability • 4% Energy • 9% Liveness
4% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Bach, JS: Matthäus-Passion, BWV 244, Pt...
131 bpm • G# min • 05:27 • -32.93db
9% Popularity • 19% Danceability • 1% Energy • 6% Liveness
87% Instrumentalness • 4% Positiveness
9% Popularity • 19% Danceability • 1% Energy • 6% Liveness
87% Instrumentalness • 4% Positiveness
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Jacob Clemens non Papa
Sanctus
130 bpm • D Maj • 02:31 • -29db
22% Popularity • 20% Danceability • 10% Energy • 6% Liveness
87% Instrumentalness • 4% Positiveness
22% Popularity • 20% Danceability • 10% Energy • 6% Liveness
87% Instrumentalness • 4% Positiveness
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Andrea Gabrieli
Gabrieli, A: Intonatione del primo tono
130 bpm • D min • 01:00 • -34.86db
19% Popularity • 22% Danceability • 2% Energy • 6% Liveness
89% Instrumentalness • 9% Positiveness
19% Popularity • 22% Danceability • 2% Energy • 6% Liveness
89% Instrumentalness • 9% Positiveness
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Niccolò Jommelli
Miserere in G Minor, HocJ C1.23: I. Mise...
140 bpm • B min • 01:35 • -23.52db
18% Popularity • 14% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
18% Popularity • 14% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 3% Positiveness
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Girolamo Frescobaldi
A miei pianti al fine un dì, F7.32
130 bpm • G Maj • 01:27 • -23.58db
23% Popularity • 46% Danceability • 12% Energy • 30% Liveness
90% Instrumentalness • 73% Positiveness
23% Popularity • 46% Danceability • 12% Energy • 30% Liveness
90% Instrumentalness • 73% Positiveness
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Anton Bruckner
Tantum ergo, WAB 42
140 bpm • D Maj • 02:42 • -23.22db
15% Popularity • 14% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
15% Popularity • 14% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
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Antonio de Cabezón
Diferencias sobre la Gallarda Milanesa (...
130 bpm • E Maj • 02:25 • -17db
23% Popularity • 26% Danceability • 15% Energy • 10% Liveness
93% Instrumentalness • 34% Positiveness
23% Popularity • 26% Danceability • 15% Energy • 10% Liveness
93% Instrumentalness • 34% Positiveness
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Samuel Scheidt
Cantiones sacrae: Surrexit Christus hodi...
140 bpm • C# min • 01:26 • -19.32db
11% Popularity • 27% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
11% Popularity • 27% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Giovanni Gabrieli
Canzona Seconda (a 6), C196
129 bpm • A min • 04:06 • -25.69db
4% Popularity • 30% Danceability • 4% Energy • 25% Liveness
93% Instrumentalness • 15% Positiveness
4% Popularity • 30% Danceability • 4% Energy • 25% Liveness
93% Instrumentalness • 15% Positiveness
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Francesco Geminiani
Oboe Sonata No. 3: I. Adagio
129 bpm • D# min • 01:10 • -19.59db
26% Popularity • 24% Danceability • 6% Energy • 14% Liveness
97% Instrumentalness • 25% Positiveness
26% Popularity • 24% Danceability • 6% Energy • 14% Liveness
97% Instrumentalness • 25% Positiveness
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Claudio Monteverdi
Psalmus 147: Lauda Jerusalem
129 bpm • G min • 05:09 • -17.83db
8% Popularity • 21% Danceability • 25% Energy • 14% Liveness
4% Instrumentalness • 4% Positiveness
8% Popularity • 21% Danceability • 25% Energy • 14% Liveness
4% Instrumentalness • 4% Positiveness
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Gioachino Rossini
Petite messe solennelle: XI. Credo. Cred...
129 bpm • B Maj • 04:17 • -18.99db
8% Popularity • 26% Danceability • 13% Energy • 17% Liveness
8% Instrumentalness • 9% Positiveness
8% Popularity • 26% Danceability • 13% Energy • 17% Liveness
8% Instrumentalness • 9% Positiveness
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Charles Gounod
Mass in C Major, "Messe breve No. 7 aux ...
129 bpm • C Maj • 02:54 • -20db
9% Popularity • 20% Danceability • 11% Energy • 11% Liveness
9% Instrumentalness • 3% Positiveness
9% Popularity • 20% Danceability • 11% Energy • 11% Liveness
9% Instrumentalness • 3% Positiveness
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Jan Pieterszoon Sweelinck
Wir glauben all an einem Gott: Variation...
129 bpm • B Maj • 03:04 • -33.49db
3% Popularity • 17% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 12% Positiveness
3% Popularity • 17% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 12% Positiveness
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Johann Hermann Schein
Israelsbrünnlein: No. 3, Die mit Träne...
142 bpm • A min • 03:26 • -25.34db
8% Popularity • 18% Danceability • 4% Energy • 8% Liveness
68% Instrumentalness • 4% Positiveness
8% Popularity • 18% Danceability • 4% Energy • 8% Liveness
68% Instrumentalness • 4% Positiveness
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Michael Haydn
Missa Tempore Quadragesimae, MH 553: Agn...
141 bpm • F# min • 03:23 • -19db
20% Popularity • 22% Danceability • 9% Energy • 11% Liveness
7% Instrumentalness • 4% Positiveness
20% Popularity • 22% Danceability • 9% Energy • 11% Liveness
7% Instrumentalness • 4% Positiveness
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Luca Marenzio
Euridice, Prologo: Sinfonia a 5
129 bpm • F Maj • 01:37 • -27db
11% Popularity • 30% Danceability • 1% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
11% Popularity • 30% Danceability • 1% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Giacomo Carissimi
Jephte: Plorate filii Israel plorate (Ch...
129 bpm • F# Maj • 04:49 • -25db
9% Popularity • 17% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 17% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Jan Wanning
Vox clamantis in Deserto
142 bpm • A min • 01:54 • -17.28db
8% Popularity • 20% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
8% Popularity • 20% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
Johann Michael Bach
Herr, wenn ich nur dich habe
128 bpm • A# Maj • 03:14 • -24db
14% Popularity • 29% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
14% Popularity • 29% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
► Preview
Philippe Verdelot
Se mai provasti donna
128 bpm • G# min • 01:33 • -18.88db
20% Popularity • 23% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
20% Popularity • 23% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Jan Dismas Zelenka
Missa Paschalis, ZWV 7: Credo. Et incarn...
128 bpm • F# Maj • 01:22 • -31.09db
10% Popularity • 17% Danceability • 1% Energy • 9% Liveness
5% Instrumentalness • 4% Positiveness
10% Popularity • 17% Danceability • 1% Energy • 9% Liveness
5% Instrumentalness • 4% Positiveness
► Preview
Michael Haydn
Missa Quadragesimalis, MH 552: Benedictu...
128 bpm • G# min • 00:55 • -19.55db
20% Popularity • 23% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
20% Popularity • 23% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
► Preview
Anthony Holborne
Galliard Heigh Ho Holiday
143 bpm • G# Maj • 01:30 • -22.35db
24% Popularity • 43% Danceability • 9% Energy • 14% Liveness
93% Instrumentalness • 70% Positiveness
24% Popularity • 43% Danceability • 9% Energy • 14% Liveness
93% Instrumentalness • 70% Positiveness
► Preview
Jan Pieterszoon Sweelinck
Vide homo
127 bpm • B min • 04:57 • -25.43db
0% Popularity • 19% Danceability • 5% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
0% Popularity • 19% Danceability • 5% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Dietrich Buxtehude
Gott hilf mir, denn das Wasser geht mir ...
143 bpm • C min • 02:51 • -16db
14% Popularity • 20% Danceability • 17% Energy • 11% Liveness
31% Instrumentalness • 8% Positiveness
14% Popularity • 20% Danceability • 17% Energy • 11% Liveness
31% Instrumentalness • 8% Positiveness
► Preview
John A. Behnke
Aria On My Hope Is Built
144 bpm • C# Maj • 03:28 • -28.95db
8% Popularity • 15% Danceability • 11% Energy • 12% Liveness
77% Instrumentalness • 11% Positiveness
8% Popularity • 15% Danceability • 11% Energy • 12% Liveness
77% Instrumentalness • 11% Positiveness
► Preview
Girolamo Frescobaldi
Frescobaldi: Messa sopra l'aria della mo...
127 bpm • G min • 01:40 • -26db
27% Popularity • 18% Danceability • 11% Energy • 13% Liveness
92% Instrumentalness • 10% Positiveness
27% Popularity • 18% Danceability • 11% Energy • 13% Liveness
92% Instrumentalness • 10% Positiveness
► Preview
Marc-Antoine Charpentier
Sub tuum praesidium, H. 28
126 bpm • G min • 02:18 • -26db
11% Popularity • 24% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
11% Popularity • 24% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Johannes Brahms
Warum ist das Licht gegeben dem Mühseli...
126 bpm • F Maj • 01:16 • -19.41db
16% Popularity • 23% Danceability • 19% Energy • 9% Liveness
12% Instrumentalness • 5% Positiveness
16% Popularity • 23% Danceability • 19% Energy • 9% Liveness
12% Instrumentalness • 5% Positiveness
► Preview
Jan Pieterszoon Sweelinck
Malle Symen
126 bpm • G# min • 01:27 • -18.34db
1% Popularity • 36% Danceability • 28% Energy • 9% Liveness
98% Instrumentalness • 38% Positiveness
1% Popularity • 36% Danceability • 28% Energy • 9% Liveness
98% Instrumentalness • 38% Positiveness
► Preview
Dietrich Buxtehude
Herzlich Lieb hab' ich dich, O Herr, Bux...
126 bpm • C Maj • 06:51 • -20db
10% Popularity • 24% Danceability • 7% Energy • 9% Liveness
26% Instrumentalness • 7% Positiveness
10% Popularity • 24% Danceability • 7% Energy • 9% Liveness
26% Instrumentalness • 7% Positiveness
► Preview
Johann Kuhnau
Christ lag in Todesbanden: IVf. Rittorne...
126 bpm • C# min • 01:11 • -16.9db
16% Popularity • 17% Danceability • 11% Energy • 12% Liveness
34% Instrumentalness • 8% Positiveness
16% Popularity • 17% Danceability • 11% Energy • 12% Liveness
34% Instrumentalness • 8% Positiveness
► Preview
Georg Anton Kreusser
11. Aria: So stehet ein Berg Gottes
125 bpm • C Maj • 06:00 • -17.7db
7% Popularity • 39% Danceability • 21% Energy • 11% Liveness
2% Instrumentalness • 37% Positiveness
7% Popularity • 39% Danceability • 21% Energy • 11% Liveness
2% Instrumentalness • 37% Positiveness
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Calmus Ensemble
Jesu, Meine Freude BWV 227: Denn Das Ges...
125 bpm • E Maj • 01:02 • -22.06db
11% Popularity • 24% Danceability • 10% Energy • 12% Liveness
9% Instrumentalness • 9% Positiveness
11% Popularity • 24% Danceability • 10% Energy • 12% Liveness
9% Instrumentalness • 9% Positiveness
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Cristobal de Morales
Officium defunctorum: Invitatorium: Anti...
125 bpm • F Maj • 03:10 • -25.36db
13% Popularity • 17% Danceability • 8% Energy • 11% Liveness
14% Instrumentalness • 5% Positiveness
13% Popularity • 17% Danceability • 8% Energy • 11% Liveness
14% Instrumentalness • 5% Positiveness
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Johann Christoph Bach
Der Gerechte, ob er gleich zu zeitlich s...
124 bpm • F Maj • 04:51 • -21.08db
10% Popularity • 28% Danceability • 8% Energy • 10% Liveness
3% Instrumentalness • 5% Positiveness
10% Popularity • 28% Danceability • 8% Energy • 10% Liveness
3% Instrumentalness • 5% Positiveness
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Dietrich Buxtehude
Jesu, meine Freude, BuxWV 60: VI. Gute N...
125 bpm • E min • 02:02 • -26.88db
16% Popularity • 28% Danceability • 3% Energy • 11% Liveness
8% Instrumentalness • 9% Positiveness
16% Popularity • 28% Danceability • 3% Energy • 11% Liveness
8% Instrumentalness • 9% Positiveness
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Élisabeth Jacquet de La Guerre
Violin Sonata No. 1 in D Minor: I. Adagi...
125 bpm • C# min • 02:51 • -18.24db
14% Popularity • 18% Danceability • 10% Energy • 8% Liveness
4% Instrumentalness • 5% Positiveness
14% Popularity • 18% Danceability • 10% Energy • 8% Liveness
4% Instrumentalness • 5% Positiveness
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The Royal Wind Music
All'Arm' all'Arme
124 bpm • G# Maj • 01:20 • -21.26db
16% Popularity • 30% Danceability • 9% Energy • 13% Liveness
98% Instrumentalness • 52% Positiveness
16% Popularity • 30% Danceability • 9% Energy • 13% Liveness
98% Instrumentalness • 52% Positiveness
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Jacques Arcadelt
Missa Noe Noe: II. Gloria
124 bpm • D min • 04:28 • -25.11db
9% Popularity • 18% Danceability • 8% Energy • 18% Liveness
84% Instrumentalness • 13% Positiveness
9% Popularity • 18% Danceability • 8% Energy • 18% Liveness
84% Instrumentalness • 13% Positiveness
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Arcangelo Corelli
Concerto in D Major, Op. 6 No. 1: IV. Al...
124 bpm • C Maj • 01:52 • -18.98db
11% Popularity • 21% Danceability • 15% Energy • 21% Liveness
5% Instrumentalness • 42% Positiveness
11% Popularity • 21% Danceability • 15% Energy • 21% Liveness
5% Instrumentalness • 42% Positiveness
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Jan Pieterszoon Sweelinck
Erbarm dich mein, o Herre Gott, SwWV 303...
124 bpm • G# min • 02:10 • -33.21db
2% Popularity • 20% Danceability • 3% Energy • 10% Liveness
99% Instrumentalness • 19% Positiveness
2% Popularity • 20% Danceability • 3% Energy • 10% Liveness
99% Instrumentalness • 19% Positiveness
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Johann Sebastian Bach
Singet dem Herrn ein neues Lied, BWV 225...
123 bpm • A Maj • 04:13 • -26.09db
5% Popularity • 25% Danceability • 8% Energy • 15% Liveness
6% Instrumentalness • 10% Positiveness
5% Popularity • 25% Danceability • 8% Energy • 15% Liveness
6% Instrumentalness • 10% Positiveness
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Johann Michael Bach
Ich weiss, dass mein Erlöser lebet
123 bpm • G Maj • 02:50 • -25.84db
13% Popularity • 18% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 18% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Jan Dismas Zelenka
The Lamentations of Jeremiah the Prophet...
123 bpm • E Maj • 04:33 • -29.95db
8% Popularity • 34% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 34% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Dietrich Buxtehude
Membra Jesu nostri, BuxWV 75: Cantata I....
122 bpm • B min • 01:33 • -15.96db
8% Popularity • 21% Danceability • 15% Energy • 14% Liveness
9% Instrumentalness • 5% Positiveness
8% Popularity • 21% Danceability • 15% Energy • 14% Liveness
9% Instrumentalness • 5% Positiveness
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Pierre de la Rue
Absalon fili mi
122 bpm • A# Maj • 05:00 • -27.7db
7% Popularity • 17% Danceability • 6% Energy • 7% Liveness
50% Instrumentalness • 3% Positiveness
7% Popularity • 17% Danceability • 6% Energy • 7% Liveness
50% Instrumentalness • 3% Positiveness
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Jordi Savall
Música Religiosa (Vol. I), I. Adoramus ...
122 bpm • E min • 01:22 • -28db
16% Popularity • 23% Danceability • 2% Energy • 9% Liveness
33% Instrumentalness • 4% Positiveness
16% Popularity • 23% Danceability • 2% Energy • 9% Liveness
33% Instrumentalness • 4% Positiveness
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Jacob Obrecht
Den haghel ende
151 bpm • A# Maj • 01:48 • -24.61db
13% Popularity • 34% Danceability • 2% Energy • 14% Liveness
81% Instrumentalness • 21% Positiveness
13% Popularity • 34% Danceability • 2% Energy • 14% Liveness
81% Instrumentalness • 21% Positiveness
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Heinrich Schütz
Die Himmel erzählen die Ehre Gottes, SW...
121 bpm • G# min • 05:01 • -17.9db
11% Popularity • 25% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
11% Popularity • 25% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Jan Dismas Zelenka
Missa Paschalis, ZWV 7: Kyrie. Kyrie ele...
121 bpm • C# Maj • 01:19 • -15.26db
23% Popularity • 31% Danceability • 26% Energy • 10% Liveness
74% Instrumentalness • 43% Positiveness
23% Popularity • 31% Danceability • 26% Energy • 10% Liveness
74% Instrumentalness • 43% Positiveness
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John Dowland
The King of Denmarks Galiard from Lachri...
120 bpm • D# Maj • 01:26 • -25.33db
23% Popularity • 50% Danceability • 6% Energy • 15% Liveness
75% Instrumentalness • 44% Positiveness
23% Popularity • 50% Danceability • 6% Energy • 15% Liveness
75% Instrumentalness • 44% Positiveness
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Dietrich Buxtehude
Membra Jesu nostri, BuxWV 75: IVa. Ad la...
122 bpm • C# min • 02:03 • -20.1db
11% Popularity • 32% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
11% Popularity • 32% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Johann Sebastian Bach
Der Herr denket an uns, BWV 196: Duet. D...
120 bpm • C# Maj • 01:52 • -24.62db
14% Popularity • 26% Danceability • 7% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
14% Popularity • 26% Danceability • 7% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
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Francisco Correa de Arauxo
Très glosas sobre el canto de la Inmacu...
120 bpm • B Maj • 03:51 • -17.07db
11% Popularity • 36% Danceability • 13% Energy • 26% Liveness
12% Instrumentalness • 23% Positiveness
11% Popularity • 36% Danceability • 13% Energy • 26% Liveness
12% Instrumentalness • 23% Positiveness
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Guillaume Dufay
Se la face ay pale
120 bpm • D# Maj • 02:28 • -18db
24% Popularity • 23% Danceability • 15% Energy • 13% Liveness
95% Instrumentalness • 46% Positiveness
24% Popularity • 23% Danceability • 15% Energy • 13% Liveness
95% Instrumentalness • 46% Positiveness
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Anónimo
Pasión: Vere Languóres. Alto Solo.
119 bpm • A Maj • 03:21 • -14.78db
14% Popularity • 37% Danceability • 15% Energy • 33% Liveness
0% Instrumentalness • 31% Positiveness
14% Popularity • 37% Danceability • 15% Energy • 33% Liveness
0% Instrumentalness • 31% Positiveness
