Songs like Psyche: Act V Scene 3: Finale: Chantons les Plaisirs charmants (Chorus) by Jean-Baptiste Lully
Based on a tempo of (+/- 10%) and a similar genre
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Christoph Graupner
Bassoon Concerto in C Minor: II. Vivace
116 bpm • B min • 06:44 • -20db
21% Popularity • 49% Danceability • 14% Energy • 11% Liveness
55% Instrumentalness • 49% Positiveness
21% Popularity • 49% Danceability • 14% Energy • 11% Liveness
55% Instrumentalness • 49% Positiveness
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Arcangelo Corelli
Violin Sonata in A Major, Op. 5 No. 6: I...
116 bpm • G Maj • 01:06 • -19db
49% Popularity • 58% Danceability • 34% Energy • 10% Liveness
19% Instrumentalness • 67% Positiveness
49% Popularity • 58% Danceability • 34% Energy • 10% Liveness
19% Instrumentalness • 67% Positiveness
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Michel Blavet
Concerto in A Minor for Flute and String...
116 bpm • G# min • 05:38 • -19db
29% Popularity • 44% Danceability • 15% Energy • 9% Liveness
6% Instrumentalness • 60% Positiveness
29% Popularity • 44% Danceability • 15% Energy • 9% Liveness
6% Instrumentalness • 60% Positiveness
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Jean-Baptiste Lully
Acis & Galatée: Ouverture (Prologue)
115 bpm • F min • 03:04 • -19.18db
6% Popularity • 37% Danceability • 15% Energy • 60% Liveness
8% Instrumentalness • 31% Positiveness
6% Popularity • 37% Danceability • 15% Energy • 60% Liveness
8% Instrumentalness • 31% Positiveness
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Ottorino Respighi
Gli uccelli (The Birds), P. 154: V. Il c...
117 bpm • A Maj • 04:22 • -20.39db
42% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
42% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
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Jan Dismas Zelenka
Dixit Dominus, ZWV 66: Dixit Dominus - A...
115 bpm • F# Maj • 02:02 • -17db
31% Popularity • 38% Danceability • 30% Energy • 14% Liveness
90% Instrumentalness • 51% Positiveness
31% Popularity • 38% Danceability • 30% Energy • 14% Liveness
90% Instrumentalness • 51% Positiveness
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Matthew Locke
The Tempest: Galliard
117 bpm • F# min • 01:18 • -15.35db
28% Popularity • 48% Danceability • 20% Energy • 18% Liveness
43% Instrumentalness • 63% Positiveness
28% Popularity • 48% Danceability • 20% Energy • 18% Liveness
43% Instrumentalness • 63% Positiveness
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Arcangelo Corelli
Sonata in D Major, No. 1: III. Allegro
117 bpm • G# Maj • 01:05 • -15.54db
59% Popularity • 41% Danceability • 36% Energy • 11% Liveness
7% Instrumentalness • 44% Positiveness
59% Popularity • 41% Danceability • 36% Energy • 11% Liveness
7% Instrumentalness • 44% Positiveness
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Benedetto Marcello
Concerto in E Minor: II. Vivace
117 bpm • D# min • 01:41 • -18.41db
44% Popularity • 60% Danceability • 26% Energy • 8% Liveness
63% Instrumentalness • 86% Positiveness
44% Popularity • 60% Danceability • 26% Energy • 8% Liveness
63% Instrumentalness • 86% Positiveness
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Jean-Baptiste Lully
Dies irae, LWV 64/1: Dies irae dies illa
115 bpm • F min • 01:07 • -13db
17% Popularity • 25% Danceability • 33% Energy • 32% Liveness
16% Instrumentalness • 48% Positiveness
17% Popularity • 25% Danceability • 33% Energy • 32% Liveness
16% Instrumentalness • 48% Positiveness
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Henry Purcell
Amphitryon, or The Two Sosias, Z.572: Ho...
115 bpm • E Maj • 02:15 • -16db
25% Popularity • 53% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
25% Popularity • 53% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
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Cologne Chamber Orchestra
Concerto For 4 Harpsichords In A Minor, ...
114 bpm • A min • 03:23 • -17db
50% Popularity • 51% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
50% Popularity • 51% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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George Frideric Handel
Solomon, HWV 67 / Act III: Sinfonia "The...
118 bpm • A Maj • 03:08 • -17.43db
48% Popularity • 61% Danceability • 32% Energy • 27% Liveness
93% Instrumentalness • 89% Positiveness
48% Popularity • 61% Danceability • 32% Energy • 27% Liveness
93% Instrumentalness • 89% Positiveness
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William Boyce
Symphony No. 4 in F Major, Op. 2, "Sheph...
118 bpm • E Maj • 01:40 • -25db
38% Popularity • 33% Danceability • 3% Energy • 11% Liveness
86% Instrumentalness • 46% Positiveness
38% Popularity • 33% Danceability • 3% Energy • 11% Liveness
86% Instrumentalness • 46% Positiveness
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Francesco Onofrio Manfredini
Concerto Grosso in F Major, Op. 3, No. 1...
114 bpm • C Maj • 02:05 • -19.59db
48% Popularity • 48% Danceability • 27% Energy • 14% Liveness
84% Instrumentalness • 55% Positiveness
48% Popularity • 48% Danceability • 27% Energy • 14% Liveness
84% Instrumentalness • 55% Positiveness
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Jean-Baptiste Lully
Le Bourgeois Gentilhomme, LWV 43: Ouvert...
117 bpm • F min • 02:59 • -16db
17% Popularity • 40% Danceability • 25% Energy • 9% Liveness
53% Instrumentalness • 40% Positiveness
17% Popularity • 40% Danceability • 25% Energy • 9% Liveness
53% Instrumentalness • 40% Positiveness
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Henry Purcell
King Arthur, Z. 628, "The British Worthy...
114 bpm • C# min • 01:25 • -24.82db
48% Popularity • 36% Danceability • 1% Energy • 17% Liveness
44% Instrumentalness • 22% Positiveness
48% Popularity • 36% Danceability • 1% Energy • 17% Liveness
44% Instrumentalness • 22% Positiveness
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Slovak Chamber Orchestra
Orchestral Suite No. 2 in B Minor, BWV 1...
118 bpm • B min • 02:45 • -19.03db
37% Popularity • 52% Danceability • 20% Energy • 32% Liveness
25% Instrumentalness • 63% Positiveness
37% Popularity • 52% Danceability • 20% Energy • 32% Liveness
25% Instrumentalness • 63% Positiveness
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George Frideric Handel
Suite in G minor: VII. Rigaudon (Arr. A....
118 bpm • C min • 01:36 • -22db
48% Popularity • 60% Danceability • 9% Energy • 22% Liveness
90% Instrumentalness • 60% Positiveness
48% Popularity • 60% Danceability • 9% Energy • 22% Liveness
90% Instrumentalness • 60% Positiveness
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Jean-Philippe Rameau
Les Indes galantes, RCT 44, Nouvelle ent...
114 bpm • C# Maj • 05:45 • -14.52db
16% Popularity • 29% Danceability • 23% Energy • 11% Liveness
77% Instrumentalness • 28% Positiveness
16% Popularity • 29% Danceability • 23% Energy • 11% Liveness
77% Instrumentalness • 28% Positiveness
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Alessandro Marcello
Concerto Per Oboe, Archi E Continuo In R...
118 bpm • C# min • 03:26 • -24db
23% Popularity • 53% Danceability • 16% Energy • 8% Liveness
71% Instrumentalness • 75% Positiveness
23% Popularity • 53% Danceability • 16% Energy • 8% Liveness
71% Instrumentalness • 75% Positiveness
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Jean-Baptiste Lully
Les plaisirs: Air pour le Vieillard et s...
118 bpm • C# Maj • 02:22 • -26db
17% Popularity • 42% Danceability • 4% Energy • 8% Liveness
8% Instrumentalness • 56% Positiveness
17% Popularity • 42% Danceability • 4% Energy • 8% Liveness
8% Instrumentalness • 56% Positiveness
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Giovanni Battista Pergolesi
Pergolesi: Confitebor: VI. Gloria Patri
114 bpm • C# min • 01:07 • -14db
36% Popularity • 17% Danceability • 19% Energy • 19% Liveness
0% Instrumentalness • 3% Positiveness
36% Popularity • 17% Danceability • 19% Energy • 19% Liveness
0% Instrumentalness • 3% Positiveness
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Christoph Willibald Gluck
Iphigénie en Tauride, Wq. 46 (Excerpts)...
114 bpm • A min • 01:34 • -31db
48% Popularity • 17% Danceability • 2% Energy • 8% Liveness
36% Instrumentalness • 4% Positiveness
48% Popularity • 17% Danceability • 2% Energy • 8% Liveness
36% Instrumentalness • 4% Positiveness
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George Frideric Handel
Suite in G minor: IV. Bourree II (Arr. A...
114 bpm • C min • 01:27 • -25.2db
46% Popularity • 50% Danceability • 14% Energy • 22% Liveness
96% Instrumentalness • 79% Positiveness
46% Popularity • 50% Danceability • 14% Energy • 22% Liveness
96% Instrumentalness • 79% Positiveness
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Jean-Philippe Rameau
Les sauvages
118 bpm • G min • 01:23 • -20.31db
44% Popularity • 46% Danceability • 34% Energy • 11% Liveness
88% Instrumentalness • 86% Positiveness
44% Popularity • 46% Danceability • 34% Energy • 11% Liveness
88% Instrumentalness • 86% Positiveness
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Claudio Monteverdi
Chiome d'oro, SV 143
119 bpm • C Maj • 01:25 • -23db
43% Popularity • 46% Danceability • 8% Energy • 15% Liveness
82% Instrumentalness • 77% Positiveness
43% Popularity • 46% Danceability • 8% Energy • 15% Liveness
82% Instrumentalness • 77% Positiveness
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Jean-Baptiste Lully
Phaeton: Acte I, Scène 1, Heureuse une ...
119 bpm • A# min • 02:24 • -14.63db
3% Popularity • 27% Danceability • 22% Energy • 45% Liveness
0% Instrumentalness • 11% Positiveness
3% Popularity • 27% Danceability • 22% Energy • 45% Liveness
0% Instrumentalness • 11% Positiveness
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Henry Purcell
The Fairy Queen, Z. 629: Prelude
113 bpm • F# min • 01:42 • -13db
37% Popularity • 35% Danceability • 39% Energy • 19% Liveness
34% Instrumentalness • 76% Positiveness
37% Popularity • 35% Danceability • 39% Energy • 19% Liveness
34% Instrumentalness • 76% Positiveness
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Marin Marais
Pièces de viole, Livre II No. 40: La po...
119 bpm • C# min • 01:34 • -16.77db
23% Popularity • 39% Danceability • 19% Energy • 11% Liveness
82% Instrumentalness • 62% Positiveness
23% Popularity • 39% Danceability • 19% Energy • 11% Liveness
82% Instrumentalness • 62% Positiveness
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Pietro Locatelli
Concerto Grosso in D Major, Op. 1, No. 5...
119 bpm • D Maj • 01:17 • -15db
53% Popularity • 40% Danceability • 12% Energy • 12% Liveness
10% Instrumentalness • 60% Positiveness
53% Popularity • 40% Danceability • 12% Energy • 12% Liveness
10% Instrumentalness • 60% Positiveness
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Johann Sebastian Bach
Weinen, Klagen, Sorgen, Zagen, BWV 12: S...
119 bpm • E min • 02:30 • -23db
45% Popularity • 19% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 7% Positiveness
45% Popularity • 19% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 7% Positiveness
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Karoly Botvay
Sinfonia in C major, RV 112: I. Allegro
119 bpm • G Maj • 01:56 • -22db
59% Popularity • 43% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
59% Popularity • 43% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
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Jean-Baptiste Lully
Armide Opera In 5 Acts With Prologue: Pa...
119 bpm • F# min • 03:58 • -17db
23% Popularity • 39% Danceability • 13% Energy • 31% Liveness
2% Instrumentalness • 33% Positiveness
23% Popularity • 39% Danceability • 13% Energy • 31% Liveness
2% Instrumentalness • 33% Positiveness
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Henry Purcell
Circe, Z. 575: Magicians' Dance
113 bpm • A Maj • 01:34 • -35.82db
39% Popularity • 52% Danceability • 0% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
39% Popularity • 52% Danceability • 0% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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Marin Marais
La Sonnerie de Sainte-Geneviève du mont...
119 bpm • G# min • 07:48 • -17.22db
13% Popularity • 43% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
13% Popularity • 43% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Gioachino Rossini
Petite messe solennelle: Kyrie
120 bpm • C Maj • 06:17 • -29db
29% Popularity • 18% Danceability • 4% Energy • 19% Liveness
80% Instrumentalness • 4% Positiveness
29% Popularity • 18% Danceability • 4% Energy • 19% Liveness
80% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
St. Matthew Passion, BWV 244: Pt. II: Ar...
112 bpm • A# min • 05:54 • -28db
43% Popularity • 21% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
43% Popularity • 21% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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William Boyce
Symphony No. 1 in B-Flat Major, Op. 2, "...
120 bpm • A Maj • 02:06 • -24db
43% Popularity • 49% Danceability • 16% Energy • 12% Liveness
93% Instrumentalness • 82% Positiveness
43% Popularity • 49% Danceability • 16% Energy • 12% Liveness
93% Instrumentalness • 82% Positiveness
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Frederick the Great
Flute Sonata in E Minor: II. Allegro ass...
120 bpm • D# min • 02:49 • -25db
31% Popularity • 53% Danceability • 5% Energy • 12% Liveness
87% Instrumentalness • 51% Positiveness
31% Popularity • 53% Danceability • 5% Energy • 12% Liveness
87% Instrumentalness • 51% Positiveness
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George Frideric Handel
Concerto Grosso in B-Flat Major, Op. 3, ...
120 bpm • G min • 01:24 • -17.94db
47% Popularity • 61% Danceability • 36% Energy • 8% Liveness
59% Instrumentalness • 80% Positiveness
47% Popularity • 61% Danceability • 36% Energy • 8% Liveness
59% Instrumentalness • 80% Positiveness
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Johann Gottlieb Graun
Concerto a violono e viola da gamba in C...
120 bpm • B min • 07:53 • -18.2db
21% Popularity • 50% Danceability • 23% Energy • 7% Liveness
89% Instrumentalness • 55% Positiveness
21% Popularity • 50% Danceability • 23% Energy • 7% Liveness
89% Instrumentalness • 55% Positiveness
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Domenico Scarlatti
Keyboard Sonata in C Major, Kk. 159
120 bpm • C Maj • 02:23 • -27db
52% Popularity • 57% Danceability • 20% Energy • 10% Liveness
82% Instrumentalness • 71% Positiveness
52% Popularity • 57% Danceability • 20% Energy • 10% Liveness
82% Instrumentalness • 71% Positiveness
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Gabriel Fauré
Pelléas et Mélisande, Op. 80: 3. Sicil...
111 bpm • G min • 03:54 • -30db
38% Popularity • 18% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
38% Popularity • 18% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Karoly Botvay
Sinfonia in C major, RV 112: II. Andante
112 bpm • C min • 01:52 • -24db
58% Popularity • 25% Danceability • 6% Energy • 11% Liveness
96% Instrumentalness • 10% Positiveness
58% Popularity • 25% Danceability • 6% Energy • 11% Liveness
96% Instrumentalness • 10% Positiveness
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Jean-Baptiste Lully
Les plaisirs: Gavotte pour les Suisses
121 bpm • A Maj • 01:11 • -34.79db
41% Popularity • 50% Danceability • 0% Energy • 9% Liveness
11% Instrumentalness • 22% Positiveness
41% Popularity • 50% Danceability • 0% Energy • 9% Liveness
11% Instrumentalness • 22% Positiveness
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François Couperin
Pièces de Clavecin, Livre II, 6e ordre:...
111 bpm • A# Maj • 01:40 • -25.59db
48% Popularity • 19% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 35% Positiveness
48% Popularity • 19% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 35% Positiveness
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Jan Dismas Zelenka
Dixit Dominus, ZWV 66: Judicabit - After...
121 bpm • F# min • 01:00 • -15.36db
29% Popularity • 35% Danceability • 34% Energy • 12% Liveness
61% Instrumentalness • 49% Positiveness
29% Popularity • 35% Danceability • 34% Energy • 12% Liveness
61% Instrumentalness • 49% Positiveness
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Louis-Nicolas Clérambault
Simphonia V: Chaconne in D Major
121 bpm • C# Maj • 05:39 • -23db
17% Popularity • 31% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
17% Popularity • 31% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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William Boyce
Symphony No. 3 in C Major, Op. 2, "The C...
121 bpm • G# min • 01:49 • -27db
45% Popularity • 44% Danceability • 3% Energy • 15% Liveness
34% Instrumentalness • 52% Positiveness
45% Popularity • 44% Danceability • 3% Energy • 15% Liveness
34% Instrumentalness • 52% Positiveness
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Giovanni Battista Pergolesi
Pergolesi: Stabat Mater: III. O quam tri...
111 bpm • F# min • 01:58 • -17.75db
31% Popularity • 23% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
31% Popularity • 23% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Jean-Baptiste Lully
Les plaisirs: Bourree pour les Coutisans
121 bpm • B min • 00:48 • -26db
27% Popularity • 68% Danceability • 8% Energy • 7% Liveness
41% Instrumentalness • 25% Positiveness
27% Popularity • 68% Danceability • 8% Energy • 7% Liveness
41% Instrumentalness • 25% Positiveness
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Francesco Cavalli
Musiche sacre: No. 23, Canzon à 3
122 bpm • G# min • 05:31 • -18.68db
39% Popularity • 27% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
39% Popularity • 27% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Ottorino Respighi
Bach - 3 chorales, P. 167: No. 3. Andant...
110 bpm • D# Maj • 05:08 • -31.82db
52% Popularity • 16% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
52% Popularity • 16% Danceability • 1% Energy • 9% Liveness
84% Instrumentalness • 9% Positiveness
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Johann Joachim Quantz
Flute Concerto in A Minor, QV 5:238: III...
110 bpm • G min • 06:08 • -20db
23% Popularity • 54% Danceability • 14% Energy • 9% Liveness
34% Instrumentalness • 77% Positiveness
23% Popularity • 54% Danceability • 14% Energy • 9% Liveness
34% Instrumentalness • 77% Positiveness
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Johann Sebastian Bach
Concerto for Violin and Oboe in C Minor,...
110 bpm • B min • 03:30 • -15db
41% Popularity • 56% Danceability • 38% Energy • 9% Liveness
79% Instrumentalness • 80% Positiveness
41% Popularity • 56% Danceability • 38% Energy • 9% Liveness
79% Instrumentalness • 80% Positiveness
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Luc Beauséjour
The Well-Tempered Clavier, Book 1, BWV 8...
110 bpm • B min • 01:38 • -18db
39% Popularity • 28% Danceability • 55% Energy • 20% Liveness
98% Instrumentalness • 96% Positiveness
39% Popularity • 28% Danceability • 55% Energy • 20% Liveness
98% Instrumentalness • 96% Positiveness
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Jean-Baptiste Lully
Le Bourgeois Gentilhomme, LWV 43: L'entr...
111 bpm • C# Maj • 02:33 • -18.01db
12% Popularity • 35% Danceability • 23% Energy • 9% Liveness
95% Instrumentalness • 42% Positiveness
12% Popularity • 35% Danceability • 23% Energy • 9% Liveness
95% Instrumentalness • 42% Positiveness
► Preview
George Frideric Handel
Solomon HWV 67 / Act 3: The Arrival of t...
123 bpm • A Maj • 03:02 • -14.66db
21% Popularity • 43% Danceability • 31% Energy • 28% Liveness
69% Instrumentalness • 59% Positiveness
21% Popularity • 43% Danceability • 31% Energy • 28% Liveness
69% Instrumentalness • 59% Positiveness
► Preview
Janos Sebestyen
2 Part Invention In F Major, BWV 779: Tw...
123 bpm • F Maj • 00:52 • -20db
55% Popularity • 49% Danceability • 32% Energy • 11% Liveness
92% Instrumentalness • 98% Positiveness
55% Popularity • 49% Danceability • 32% Energy • 11% Liveness
92% Instrumentalness • 98% Positiveness
► Preview
Cologne Chamber Orchestra
Concerto For 4 Harpsichords In A Minor, ...
109 bpm • A min • 03:53 • -20db
44% Popularity • 48% Danceability • 36% Energy • 5% Liveness
0% Instrumentalness • 50% Positiveness
44% Popularity • 48% Danceability • 36% Energy • 5% Liveness
0% Instrumentalness • 50% Positiveness
► Preview
Charles Avison
Concerto Grosso No. 5 in D Minor (after ...
123 bpm • C# min • 02:47 • -20db
21% Popularity • 33% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
21% Popularity • 33% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Tomaso Albinoni
Oboe Concerto in G Minor, Op. 9, No. 8: ...
108 bpm • G min • 04:03 • -16.62db
34% Popularity • 57% Danceability • 26% Energy • 12% Liveness
94% Instrumentalness • 73% Positiveness
34% Popularity • 57% Danceability • 26% Energy • 12% Liveness
94% Instrumentalness • 73% Positiveness
► Preview
Jean-Baptiste Lully
La Nuit Ballet: Le Roi représentant le ...
111 bpm • F# min • 01:56 • -17.14db
23% Popularity • 40% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
23% Popularity • 40% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
► Preview
George Frideric Handel
Water Music Suite No. 1 in F Major, HWV ...
123 bpm • E Maj • 03:21 • -18db
26% Popularity • 41% Danceability • 28% Energy • 31% Liveness
92% Instrumentalness • 51% Positiveness
26% Popularity • 41% Danceability • 28% Energy • 31% Liveness
92% Instrumentalness • 51% Positiveness
► Preview
Johann Sebastian Bach
Bach, JS: Brandenburg Concerto No. 2 in ...
108 bpm • C# min • 03:45 • -21.53db
36% Popularity • 27% Danceability • 4% Energy • 11% Liveness
3% Instrumentalness • 12% Positiveness
36% Popularity • 27% Danceability • 4% Energy • 11% Liveness
3% Instrumentalness • 12% Positiveness
► Preview
Jean-Marie Leclair
Concerto 5 in A Minor, Op. 7: I. Vivace
124 bpm • C# min • 05:31 • -17db
32% Popularity • 44% Danceability • 21% Energy • 34% Liveness
1% Instrumentalness • 52% Positiveness
32% Popularity • 44% Danceability • 21% Energy • 34% Liveness
1% Instrumentalness • 52% Positiveness
► Preview
Johann David Heinichen
Concerto in G Minor - Oboe, Strings & B....
124 bpm • F# min • 04:32 • -18.62db
22% Popularity • 57% Danceability • 26% Energy • 18% Liveness
95% Instrumentalness • 75% Positiveness
22% Popularity • 57% Danceability • 26% Energy • 18% Liveness
95% Instrumentalness • 75% Positiveness
► Preview
Cologne Chamber Orchestra
Brandenburg Concerto No. 2 In F Major, B...
124 bpm • D min • 03:12 • -22db
47% Popularity • 24% Danceability • 6% Energy • 21% Liveness
1% Instrumentalness • 13% Positiveness
47% Popularity • 24% Danceability • 6% Energy • 21% Liveness
1% Instrumentalness • 13% Positiveness
► Preview
Jean-Baptiste Lully
Roland, Opera, LWV 65: Acte I, scene 6: ...
122 bpm • C Maj • 04:44 • -19.01db
25% Popularity • 34% Danceability • 10% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
25% Popularity • 34% Danceability • 10% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
► Preview
Arcangelo Corelli
Concerto Grosso In C Minor, Op. 6, No. 3...
108 bpm • F min • 01:29 • -22.94db
51% Popularity • 16% Danceability • 9% Energy • 37% Liveness
76% Instrumentalness • 8% Positiveness
51% Popularity • 16% Danceability • 9% Energy • 37% Liveness
76% Instrumentalness • 8% Positiveness
► Preview
Johann Sebastian Bach
Overture (Suite) No. 2 in B Minor, BWV 1...
125 bpm • A# min • 03:33 • -22.65db
43% Popularity • 45% Danceability • 4% Energy • 9% Liveness
68% Instrumentalness • 53% Positiveness
43% Popularity • 45% Danceability • 4% Energy • 9% Liveness
68% Instrumentalness • 53% Positiveness
► Preview
Giovanni Battista Pergolesi
Lo frate 'nnamorato: II. Andante
108 bpm • G min • 02:27 • -22db
45% Popularity • 19% Danceability • 6% Energy • 22% Liveness
81% Instrumentalness • 5% Positiveness
45% Popularity • 19% Danceability • 6% Energy • 22% Liveness
81% Instrumentalness • 5% Positiveness
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Tomaso Albinoni
Oboe Concerto in C Major, Op. 9, No. 5: ...
108 bpm • C Maj • 03:29 • -17db
40% Popularity • 63% Danceability • 29% Energy • 12% Liveness
86% Instrumentalness • 87% Positiveness
40% Popularity • 63% Danceability • 29% Energy • 12% Liveness
86% Instrumentalness • 87% Positiveness
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George Frideric Handel
Acis and Galatea, HWV 49b: Sinfonia
125 bpm • A Maj • 03:15 • -32db
41% Popularity • 42% Danceability • 7% Energy • 31% Liveness
85% Instrumentalness • 61% Positiveness
41% Popularity • 42% Danceability • 7% Energy • 31% Liveness
85% Instrumentalness • 61% Positiveness
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Jean-Baptiste Lully
Atys, LWV 53, Prologue: Ouverture
122 bpm • F# min • 01:49 • -20db
18% Popularity • 35% Danceability • 12% Energy • 20% Liveness
23% Instrumentalness • 30% Positiveness
18% Popularity • 35% Danceability • 12% Energy • 20% Liveness
23% Instrumentalness • 30% Positiveness
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Arcangelo Corelli
Sonata in C Major, No. 3: IV. Allegro
125 bpm • B Maj • 01:02 • -15.61db
56% Popularity • 47% Danceability • 35% Energy • 27% Liveness
27% Instrumentalness • 90% Positiveness
56% Popularity • 47% Danceability • 35% Energy • 27% Liveness
27% Instrumentalness • 90% Positiveness
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Johann Sebastian Bach
Bach, JS: Brandenburg Concerto No. 6 in ...
125 bpm • A Maj • 05:30 • -21.21db
34% Popularity • 47% Danceability • 15% Energy • 11% Liveness
1% Instrumentalness • 81% Positiveness
34% Popularity • 47% Danceability • 15% Energy • 11% Liveness
1% Instrumentalness • 81% Positiveness
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Domenico Scarlatti
Keyboard Sonata in D Minor, Kk. 1
107 bpm • D min • 02:30 • -33db
49% Popularity • 50% Danceability • 6% Energy • 9% Liveness
92% Instrumentalness • 55% Positiveness
49% Popularity • 50% Danceability • 6% Energy • 9% Liveness
92% Instrumentalness • 55% Positiveness
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Karoly Botvay
Sinfonia for Strings in G major, RV 149:...
125 bpm • D Maj • 01:50 • -21db
59% Popularity • 44% Danceability • 23% Energy • 14% Liveness
97% Instrumentalness • 93% Positiveness
59% Popularity • 44% Danceability • 23% Energy • 14% Liveness
97% Instrumentalness • 93% Positiveness
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Carl Philipp Emanuel Bach
Cello Concerto No. 3 in A Major, Wq. 172...
107 bpm • E Maj • 05:25 • -20.23db
38% Popularity • 44% Danceability • 25% Energy • 15% Liveness
84% Instrumentalness • 49% Positiveness
38% Popularity • 44% Danceability • 25% Energy • 15% Liveness
84% Instrumentalness • 49% Positiveness
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Jean-Baptiste Lully
Armide: Passacaille
122 bpm • F min • 03:56 • -25db
14% Popularity • 25% Danceability • 7% Energy • 11% Liveness
48% Instrumentalness • 22% Positiveness
14% Popularity • 25% Danceability • 7% Energy • 11% Liveness
48% Instrumentalness • 22% Positiveness
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Heinrich Ignaz Franz von Biber
Harmonia artificioso-ariosa / Partia I: ...
107 bpm • C# min • 02:40 • -18db
18% Popularity • 27% Danceability • 19% Energy • 6% Liveness
32% Instrumentalness • 33% Positiveness
18% Popularity • 27% Danceability • 19% Energy • 6% Liveness
32% Instrumentalness • 33% Positiveness
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Johann Sebastian Bach
Concerto for Two Violins in D Minor, BWV...
108 bpm • C# min • 03:28 • -16db
45% Popularity • 60% Danceability • 47% Energy • 30% Liveness
0% Instrumentalness • 77% Positiveness
45% Popularity • 60% Danceability • 47% Energy • 30% Liveness
0% Instrumentalness • 77% Positiveness
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Henry Purcell
Come, Ye Sons of Art Away, Z. 323 "Ode f...
107 bpm • F Maj • 02:25 • -24.21db
26% Popularity • 58% Danceability • 12% Energy • 12% Liveness
91% Instrumentalness • 72% Positiveness
26% Popularity • 58% Danceability • 12% Energy • 12% Liveness
91% Instrumentalness • 72% Positiveness
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Janos Sebestyen
Prelude In D Minor, BWV 926 : Prelude In...
126 bpm • G min • 01:15 • -25.58db
65% Popularity • 35% Danceability • 18% Energy • 12% Liveness
90% Instrumentalness • 53% Positiveness
65% Popularity • 35% Danceability • 18% Energy • 12% Liveness
90% Instrumentalness • 53% Positiveness
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Giovanni Battista Sammartini
Symphony in F Major, J-C 36: III. Allegr...
126 bpm • E Maj • 01:37 • -18.06db
48% Popularity • 60% Danceability • 27% Energy • 15% Liveness
36% Instrumentalness • 76% Positiveness
48% Popularity • 60% Danceability • 27% Energy • 15% Liveness
36% Instrumentalness • 76% Positiveness
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Jean-Baptiste Lully
Dies irae, LWV 64/1: Confutatis maledict...
110 bpm • F min • 01:30 • -14.69db
5% Popularity • 27% Danceability • 33% Energy • 39% Liveness
0% Instrumentalness • 22% Positiveness
5% Popularity • 27% Danceability • 33% Energy • 39% Liveness
0% Instrumentalness • 22% Positiveness
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Michael Praetorius
Terpsichore*: Ballet
126 bpm • A# Maj • 02:04 • -35db
36% Popularity • 53% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 50% Positiveness
36% Popularity • 53% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 50% Positiveness
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George Frideric Handel
Handel: Water Music, Suite No. 3 in G Ma...
126 bpm • G min • 01:00 • -23.47db
46% Popularity • 55% Danceability • 4% Energy • 22% Liveness
71% Instrumentalness • 72% Positiveness
46% Popularity • 55% Danceability • 4% Energy • 22% Liveness
71% Instrumentalness • 72% Positiveness
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Tomaso Albinoni
Concerto a 5 in B flat, Op. 7, no.10 for...
107 bpm • A# Maj • 01:36 • -19db
50% Popularity • 59% Danceability • 17% Energy • 10% Liveness
9% Instrumentalness • 80% Positiveness
50% Popularity • 59% Danceability • 17% Energy • 10% Liveness
9% Instrumentalness • 80% Positiveness
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Luigi Boccherini
String Quintet in E Major, Op. 11 No. 5,...
126 bpm • A Maj • 03:29 • -30.98db
41% Popularity • 39% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
41% Popularity • 39% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Jacques Cordier
La Bocanne compliquée
107 bpm • E Maj • 01:07 • -19db
20% Popularity • 58% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
20% Popularity • 58% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Jean-Baptiste Lully
Armide, LWV 71, Acte cinquième, scène ...
123 bpm • F min • 08:40 • -18db
7% Popularity • 30% Danceability • 15% Energy • 12% Liveness
2% Instrumentalness • 26% Positiveness
7% Popularity • 30% Danceability • 15% Energy • 12% Liveness
2% Instrumentalness • 26% Positiveness
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Domenico Cimarosa
Concerto in C Minor: I. Introduzione - L...
126 bpm • C min • 03:10 • -19db
20% Popularity • 24% Danceability • 8% Energy • 24% Liveness
90% Instrumentalness • 16% Positiveness
20% Popularity • 24% Danceability • 8% Energy • 24% Liveness
90% Instrumentalness • 16% Positiveness
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Jean-Philippe Rameau
Les Indes galantes, RCT 44 / Entrée IV:...
107 bpm • G min • 02:00 • -17.61db
38% Popularity • 55% Danceability • 33% Energy • 15% Liveness
2% Instrumentalness • 64% Positiveness
38% Popularity • 55% Danceability • 33% Energy • 15% Liveness
2% Instrumentalness • 64% Positiveness
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Cologne Chamber Orchestra
Concerto For 2 Keyboards In C Minor, BWV...
107 bpm • F min • 04:29 • -20db
45% Popularity • 49% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
45% Popularity • 49% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Christophe Rousset
Rinaldo, HWV 7a: Ouverture
126 bpm • C# min • 03:54 • -25db
26% Popularity • 48% Danceability • 11% Energy • 11% Liveness
45% Instrumentalness • 54% Positiveness
26% Popularity • 48% Danceability • 11% Energy • 11% Liveness
45% Instrumentalness • 54% Positiveness
