Songs like Public Enemy Number One by Max Romeo
Based on a tempo of (+/- 10%) and a similar genre
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DubXanne
Message in a Bottle - Dub
141 bpm • A Maj • 04:09 • -9db
34% Popularity • 74% Danceability • 71% Energy • 12% Liveness
2% Instrumentalness • 79% Positiveness
34% Popularity • 74% Danceability • 71% Energy • 12% Liveness
2% Instrumentalness • 79% Positiveness
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Max Romeo
One Step Forward
141 bpm • A# min • 03:39 • -5db
51% Popularity • 84% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 98% Positiveness
51% Popularity • 84% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 98% Positiveness
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Phil Pratt
Strange Things (Extended Mix) – Ronnie...
141 bpm • F Maj • 06:22 • -11db
22% Popularity • 89% Danceability • 42% Energy • 13% Liveness
23% Instrumentalness • 38% Positiveness
22% Popularity • 89% Danceability • 42% Energy • 13% Liveness
23% Instrumentalness • 38% Positiveness
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The Viceroys
Love Is a Key
141 bpm • F# min • 03:24 • -10.64db
41% Popularity • 88% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
41% Popularity • 88% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Micah Shemaiah
Jamaica Jamaica
141 bpm • G# min • 02:59 • -6.97db
36% Popularity • 81% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
36% Popularity • 81% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
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Pablo Moses
Ready, Aim, Fire - 2016 Remastered
141 bpm • C# Maj • 04:27 • -8db
23% Popularity • 80% Danceability • 44% Energy • 17% Liveness
38% Instrumentalness • 87% Positiveness
23% Popularity • 80% Danceability • 44% Energy • 17% Liveness
38% Instrumentalness • 87% Positiveness
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Steel Pulse
Steppin' Out
140 bpm • F min • 04:05 • -9.85db
43% Popularity • 87% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
43% Popularity • 87% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Max Romeo
Public Enemy No. 1
141 bpm • G Maj • 03:16 • -10.85db
24% Popularity • 89% Danceability • 48% Energy • 9% Liveness
2% Instrumentalness • 95% Positiveness
24% Popularity • 89% Danceability • 48% Energy • 9% Liveness
2% Instrumentalness • 95% Positiveness
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Lacksley Castell
Leaving
140 bpm • A# Maj • 04:04 • -13db
31% Popularity • 89% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
31% Popularity • 89% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Jah9
Steamers a Bubble
140 bpm • F min • 04:17 • -8db
45% Popularity • 75% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
45% Popularity • 75% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Sylford Walker
Burn Babylon
140 bpm • F# min • 03:20 • -12db
39% Popularity • 76% Danceability • 38% Energy • 39% Liveness
22% Instrumentalness • 62% Positiveness
39% Popularity • 76% Danceability • 38% Energy • 39% Liveness
22% Instrumentalness • 62% Positiveness
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Pablo Moses
Ready, Aim, Fire
141 bpm • C# Maj • 04:32 • -6db
39% Popularity • 80% Danceability • 53% Energy • 36% Liveness
13% Instrumentalness • 77% Positiveness
39% Popularity • 80% Danceability • 53% Energy • 36% Liveness
13% Instrumentalness • 77% Positiveness
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Big Youth
Hit the Road Jack
142 bpm • A# min • 03:10 • -9.96db
35% Popularity • 60% Danceability • 71% Energy • 50% Liveness
0% Instrumentalness • 77% Positiveness
35% Popularity • 60% Danceability • 71% Energy • 50% Liveness
0% Instrumentalness • 77% Positiveness
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Bob Andy
Rasta Reggae Music
140 bpm • C# Maj • 04:50 • -7.05db
35% Popularity • 79% Danceability • 54% Energy • 6% Liveness
1% Instrumentalness • 91% Positiveness
35% Popularity • 79% Danceability • 54% Energy • 6% Liveness
1% Instrumentalness • 91% Positiveness
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Max Romeo
Final Warning
140 bpm • A min • 03:42 • -8.36db
30% Popularity • 81% Danceability • 76% Energy • 16% Liveness
2% Instrumentalness • 86% Positiveness
30% Popularity • 81% Danceability • 76% Energy • 16% Liveness
2% Instrumentalness • 86% Positiveness
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Jah9
Avocado
140 bpm • C Maj • 03:45 • -5.35db
30% Popularity • 69% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
30% Popularity • 69% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Third World
Feel A Little Better
140 bpm • A min • 03:50 • -13.39db
42% Popularity • 86% Danceability • 51% Energy • 4% Liveness
0% Instrumentalness • 95% Positiveness
42% Popularity • 86% Danceability • 51% Energy • 4% Liveness
0% Instrumentalness • 95% Positiveness
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Pablo Moses
Music Is My Desire - 2010 Remastered Ver...
142 bpm • B min • 05:28 • -6db
25% Popularity • 78% Danceability • 78% Energy • 12% Liveness
4% Instrumentalness • 95% Positiveness
25% Popularity • 78% Danceability • 78% Energy • 12% Liveness
4% Instrumentalness • 95% Positiveness
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DJ Vadim
Judgement - Daddy Vad Remix
140 bpm • C# min • 06:13 • -7.77db
4% Popularity • 89% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
4% Popularity • 89% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Stand High Patrol
Unemployed
140 bpm • B min • 04:12 • -8.67db
37% Popularity • 88% Danceability • 42% Energy • 6% Liveness
3% Instrumentalness • 93% Positiveness
37% Popularity • 88% Danceability • 42% Energy • 6% Liveness
3% Instrumentalness • 93% Positiveness
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The Viceroys
Memories
140 bpm • D min • 03:27 • -5db
46% Popularity • 83% Danceability • 68% Energy • 4% Liveness
1% Instrumentalness • 93% Positiveness
46% Popularity • 83% Danceability • 68% Energy • 4% Liveness
1% Instrumentalness • 93% Positiveness
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Max Romeo
Three Blind Mice
140 bpm • E Maj • 03:41 • -4.65db
23% Popularity • 81% Danceability • 71% Energy • 64% Liveness
0% Instrumentalness • 93% Positiveness
23% Popularity • 81% Danceability • 71% Energy • 64% Liveness
0% Instrumentalness • 93% Positiveness
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Julian Marley
Boom Draw
142 bpm • G min • 05:39 • -4db
54% Popularity • 92% Danceability • 74% Energy • 38% Liveness
0% Instrumentalness • 94% Positiveness
54% Popularity • 92% Danceability • 74% Energy • 38% Liveness
0% Instrumentalness • 94% Positiveness
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Rod Anton
Holy city
140 bpm • C# min • 04:04 • -6.62db
16% Popularity • 80% Danceability • 73% Energy • 3% Liveness
0% Instrumentalness • 88% Positiveness
16% Popularity • 80% Danceability • 73% Energy • 3% Liveness
0% Instrumentalness • 88% Positiveness
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DJ Vadim
Judgement
140 bpm • C# min • 06:00 • -5.22db
6% Popularity • 84% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
6% Popularity • 84% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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Stand High Patrol
Sailing in Rough Seas
140 bpm • F min • 03:43 • -14.31db
34% Popularity • 91% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
34% Popularity • 91% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Dub Dynasty
Blessed Ithiopia
140 bpm • C Maj • 03:39 • -7.92db
34% Popularity • 72% Danceability • 71% Energy • 53% Liveness
0% Instrumentalness • 36% Positiveness
34% Popularity • 72% Danceability • 71% Energy • 53% Liveness
0% Instrumentalness • 36% Positiveness
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Max Romeo
Tell Jahsee
140 bpm • A min • 04:04 • -5.02db
21% Popularity • 88% Danceability • 79% Energy • 34% Liveness
0% Instrumentalness • 89% Positiveness
21% Popularity • 88% Danceability • 79% Energy • 34% Liveness
0% Instrumentalness • 89% Positiveness
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Paolo Baldini DubFiles
Thank You Jah
140 bpm • B Maj • 03:51 • -7.63db
25% Popularity • 84% Danceability • 69% Energy • 42% Liveness
0% Instrumentalness • 72% Positiveness
25% Popularity • 84% Danceability • 69% Energy • 42% Liveness
0% Instrumentalness • 72% Positiveness
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Earl 16
Walls of the City
140 bpm • G# min • 03:52 • -10.8db
18% Popularity • 82% Danceability • 51% Energy • 28% Liveness
0% Instrumentalness • 92% Positiveness
18% Popularity • 82% Danceability • 51% Energy • 28% Liveness
0% Instrumentalness • 92% Positiveness
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Dj Bestixxx
Africa
140 bpm • G Maj • 01:21 • -8.35db
48% Popularity • 83% Danceability • 65% Energy • 8% Liveness
43% Instrumentalness • 81% Positiveness
48% Popularity • 83% Danceability • 65% Energy • 8% Liveness
43% Instrumentalness • 81% Positiveness
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The Gladiators
Rich Man Poor Man
140 bpm • G Maj • 03:44 • -8.35db
49% Popularity • 81% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
49% Popularity • 81% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Pupajim
International Farmer
142 bpm • G Maj • 03:22 • -5.93db
36% Popularity • 70% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 72% Positiveness
36% Popularity • 70% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 72% Positiveness
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Max Romeo
No Peace
140 bpm • A# min • 04:01 • -9.16db
6% Popularity • 84% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
6% Popularity • 84% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Triston Palma
Joker Smoker 12" Mix
142 bpm • A# min • 07:11 • -7db
31% Popularity • 59% Danceability • 46% Energy • 42% Liveness
0% Instrumentalness • 56% Positiveness
31% Popularity • 59% Danceability • 46% Energy • 42% Liveness
0% Instrumentalness • 56% Positiveness
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Althea And Donna
Sorry - Remastered 2001
140 bpm • C Maj • 03:57 • -7db
39% Popularity • 91% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
39% Popularity • 91% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Tanya Stephens
It's A Pity
140 bpm • G Maj • 04:14 • -6.87db
54% Popularity • 69% Danceability • 81% Energy • 2% Liveness
0% Instrumentalness • 89% Positiveness
54% Popularity • 69% Danceability • 81% Energy • 2% Liveness
0% Instrumentalness • 89% Positiveness
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Barrington Levy
Murderer
143 bpm • C Maj • 03:53 • -10.06db
63% Popularity • 87% Danceability • 55% Energy • 8% Liveness
27% Instrumentalness • 58% Positiveness
63% Popularity • 87% Danceability • 55% Energy • 8% Liveness
27% Instrumentalness • 58% Positiveness
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Junior Delgado
Sons of Slaves - 12" version
139 bpm • G# Maj • 06:40 • -7.63db
35% Popularity • 81% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
35% Popularity • 81% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Max Romeo
Fire Fe The Vatican
143 bpm • G Maj • 03:33 • -7.72db
17% Popularity • 77% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
17% Popularity • 77% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Pupajim
Mr. Bossman
139 bpm • G# min • 04:16 • -8.45db
34% Popularity • 90% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
34% Popularity • 90% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Triston Palma
Joker Smoker
140 bpm • A# min • 03:37 • -8.14db
33% Popularity • 70% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 63% Positiveness
33% Popularity • 70% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 63% Positiveness
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John Holt
Police In Helicopter
143 bpm • A min • 03:39 • -7.59db
60% Popularity • 68% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
60% Popularity • 68% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
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Pablo Moses
Proverbs Extractions
139 bpm • C Maj • 04:32 • -9.95db
33% Popularity • 81% Danceability • 46% Energy • 23% Liveness
3% Instrumentalness • 82% Positiveness
33% Popularity • 81% Danceability • 46% Energy • 23% Liveness
3% Instrumentalness • 82% Positiveness
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Dillinger
Rizla Skank
143 bpm • A min • 05:08 • -8.34db
31% Popularity • 64% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
31% Popularity • 64% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Wailing Souls
Jah Jah Give Us Life to Live
143 bpm • F Maj • 03:30 • -10.54db
50% Popularity • 83% Danceability • 55% Energy • 10% Liveness
14% Instrumentalness • 88% Positiveness
50% Popularity • 83% Danceability • 55% Energy • 10% Liveness
14% Instrumentalness • 88% Positiveness
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Stephen Marley
Lonely Avenue
144 bpm • D# min • 03:08 • -7db
48% Popularity • 59% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
48% Popularity • 59% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Israel Vibration
My Master's Will
144 bpm • C# Maj • 04:34 • -7db
54% Popularity • 86% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
54% Popularity • 86% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Jacob Miller
Tenement Yard
144 bpm • E Maj • 02:34 • -6.85db
56% Popularity • 88% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
56% Popularity • 88% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Hollie Cook
Sugar Water
144 bpm • B min • 03:48 • -8.82db
37% Popularity • 81% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
37% Popularity • 81% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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Alpha Blondy
I Wish You Were Here
144 bpm • G Maj • 04:27 • -7.75db
67% Popularity • 79% Danceability • 57% Energy • 10% Liveness
1% Instrumentalness • 57% Positiveness
67% Popularity • 79% Danceability • 57% Energy • 10% Liveness
1% Instrumentalness • 57% Positiveness
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Mellow Mood
Dance Inna Babylon
144 bpm • A min • 03:36 • -5.88db
48% Popularity • 84% Danceability • 75% Energy • 24% Liveness
0% Instrumentalness • 91% Positiveness
48% Popularity • 84% Danceability • 75% Energy • 24% Liveness
0% Instrumentalness • 91% Positiveness
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The Viceroys
All I Need
144 bpm • A min • 03:20 • -5.66db
53% Popularity • 84% Danceability • 55% Energy • 3% Liveness
0% Instrumentalness • 85% Positiveness
53% Popularity • 84% Danceability • 55% Energy • 3% Liveness
0% Instrumentalness • 85% Positiveness
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Max Romeo
A Little Time For Jah
144 bpm • A# Maj • 05:00 • -4.27db
17% Popularity • 70% Danceability • 79% Energy • 28% Liveness
0% Instrumentalness • 62% Positiveness
17% Popularity • 70% Danceability • 79% Energy • 28% Liveness
0% Instrumentalness • 62% Positiveness
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Mo'Kalamity
We've got the power
144 bpm • G min • 04:23 • -8db
42% Popularity • 85% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
42% Popularity • 85% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Mikey Dread
Roots and Culture
144 bpm • F# min • 06:08 • -11.17db
45% Popularity • 74% Danceability • 51% Energy • 37% Liveness
2% Instrumentalness • 78% Positiveness
45% Popularity • 74% Danceability • 51% Energy • 37% Liveness
2% Instrumentalness • 78% Positiveness
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High Tone
Rub-a-Dub Anthem - Dub Axiom
138 bpm • C Maj • 04:59 • -7db
44% Popularity • 86% Danceability • 68% Energy • 73% Liveness
81% Instrumentalness • 50% Positiveness
44% Popularity • 86% Danceability • 68% Energy • 73% Liveness
81% Instrumentalness • 50% Positiveness
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Buju Banton
Murderer
138 bpm • C Maj • 03:56 • -8.33db
47% Popularity • 85% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
47% Popularity • 85% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Aswad
Not Guilty - Live
138 bpm • D min • 04:50 • -13.79db
24% Popularity • 75% Danceability • 62% Energy • 98% Liveness
0% Instrumentalness • 71% Positiveness
24% Popularity • 75% Danceability • 62% Energy • 98% Liveness
0% Instrumentalness • 71% Positiveness
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Max Romeo
Words from the Brave
138 bpm • A min • 03:25 • -5.67db
10% Popularity • 91% Danceability • 60% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 91% Danceability • 60% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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Damian Marley
There For You
138 bpm • A# min • 04:41 • -6.06db
55% Popularity • 60% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
55% Popularity • 60% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Groundation
Freedom Taking Over
144 bpm • F# min • 06:00 • -9.43db
25% Popularity • 77% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
25% Popularity • 77% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Yami Bolo
Free Mandela
138 bpm • D# min • 03:38 • -8.4db
24% Popularity • 85% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
24% Popularity • 85% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Peter Tosh
Legalize It
145 bpm • C Maj • 04:39 • -12db
59% Popularity • 71% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
59% Popularity • 71% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
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Wailing Souls
Act Of Affection
137 bpm • D Maj • 02:44 • -7.01db
54% Popularity • 82% Danceability • 61% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
54% Popularity • 82% Danceability • 61% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
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Max Romeo
Tacko
138 bpm • G Maj • 02:50 • -7.26db
24% Popularity • 92% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
24% Popularity • 92% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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Morgan Heritage
Mount Zion Medley
138 bpm • A# min • 05:57 • -13.1db
50% Popularity • 64% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
50% Popularity • 64% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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Jah Mason
Mi Chalwa
145 bpm • D min • 03:08 • -5.19db
33% Popularity • 82% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
33% Popularity • 82% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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Capleton
Jah Jah City
137 bpm • A# min • 03:22 • -8.59db
45% Popularity • 57% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
45% Popularity • 57% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Peter Tosh
Johnny B. Goode - 2002 Remaster
145 bpm • E min • 04:04 • -5.76db
63% Popularity • 75% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
63% Popularity • 75% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Wailing Souls
Jah Give Us Life
145 bpm • D min • 03:52 • -12.17db
54% Popularity • 76% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
54% Popularity • 76% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Pupajim
Business of War
137 bpm • A# min • 04:08 • -15.92db
47% Popularity • 94% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
47% Popularity • 94% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Hempress Sativa
Rock It Ina Dance
137 bpm • B min • 04:09 • -4.55db
36% Popularity • 82% Danceability • 74% Energy • 35% Liveness
0% Instrumentalness • 53% Positiveness
36% Popularity • 82% Danceability • 74% Energy • 35% Liveness
0% Instrumentalness • 53% Positiveness
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Bob Andy
Feeling Soul
145 bpm • C Maj • 02:12 • -18.59db
52% Popularity • 71% Danceability • 22% Energy • 13% Liveness
58% Instrumentalness • 84% Positiveness
52% Popularity • 71% Danceability • 22% Energy • 13% Liveness
58% Instrumentalness • 84% Positiveness
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Sylford Walker
Babylonians
137 bpm • F# min • 03:05 • -7.18db
30% Popularity • 89% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
30% Popularity • 89% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Groundation
Blues Away
146 bpm • B min • 04:54 • -11.84db
27% Popularity • 79% Danceability • 42% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
27% Popularity • 79% Danceability • 42% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
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Joe Higgs
There's A Reward
146 bpm • G Maj • 04:11 • -11.2db
30% Popularity • 81% Danceability • 40% Energy • 13% Liveness
1% Instrumentalness • 87% Positiveness
30% Popularity • 81% Danceability • 40% Energy • 13% Liveness
1% Instrumentalness • 87% Positiveness
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Augustus Pablo
Skanking Easy
146 bpm • D# min • 02:39 • -10.36db
41% Popularity • 87% Danceability • 54% Energy • 10% Liveness
92% Instrumentalness • 78% Positiveness
41% Popularity • 87% Danceability • 54% Energy • 10% Liveness
92% Instrumentalness • 78% Positiveness
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10 Ft. Ganja Plant
Chalwa
137 bpm • D min • 04:37 • -2.86db
44% Popularity • 79% Danceability • 75% Energy • 4% Liveness
87% Instrumentalness • 92% Positiveness
44% Popularity • 79% Danceability • 75% Energy • 4% Liveness
87% Instrumentalness • 92% Positiveness
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Matthew McAnuff
A Little Way Different
136 bpm • E min • 03:48 • -8db
29% Popularity • 83% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
29% Popularity • 83% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Jo Mersa Marley
Burn It Down
146 bpm • G min • 04:07 • -4.62db
44% Popularity • 71% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
44% Popularity • 71% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Eek-A-Mouse
Penni-Walli
146 bpm • A# min • 03:51 • -15.17db
38% Popularity • 80% Danceability • 38% Energy • 6% Liveness
9% Instrumentalness • 85% Positiveness
38% Popularity • 80% Danceability • 38% Energy • 6% Liveness
9% Instrumentalness • 85% Positiveness
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Israel Vibration
Natty Dread
136 bpm • G Maj • 04:16 • -6.18db
53% Popularity • 92% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
53% Popularity • 92% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Stephen Marley
No Cigarette Smoking (In My Room)
136 bpm • F# min • 03:40 • -5db
50% Popularity • 70% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
50% Popularity • 70% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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Youthie
Jungle Groove
136 bpm • C# Maj • 03:51 • -6.29db
50% Popularity • 83% Danceability • 65% Energy • 16% Liveness
88% Instrumentalness • 82% Positiveness
50% Popularity • 83% Danceability • 65% Energy • 16% Liveness
88% Instrumentalness • 82% Positiveness
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Matthew McAnuff
Be Careful
146 bpm • G# min • 03:54 • -6.94db
49% Popularity • 62% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
49% Popularity • 62% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Hempress Sativa
No Retreat
146 bpm • A# min • 03:59 • -5.09db
27% Popularity • 85% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
27% Popularity • 85% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Eek-A-Mouse
Hitler
136 bpm • D Maj • 03:34 • -17db
26% Popularity • 89% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
26% Popularity • 89% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Desmond Dekker & The Aces
(Poor Mi) Israelites
146 bpm • A# Maj • 02:36 • -9.33db
59% Popularity • 80% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
59% Popularity • 80% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
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Scientist
Your Teeth In My Neck
147 bpm • C# min • 04:41 • -19.58db
39% Popularity • 81% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 52% Positiveness
39% Popularity • 81% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 52% Positiveness
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I Kong
Just Like The Rainbow
136 bpm • C Maj • 04:17 • -8db
4% Popularity • 62% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
4% Popularity • 62% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Max Romeo
Three Blind Mice
135 bpm • C Maj • 02:56 • -6.85db
31% Popularity • 90% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 69% Positiveness
31% Popularity • 90% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 69% Positiveness
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Ken Boothe
Is It Because I'm Black?
147 bpm • A# min • 03:42 • -13.89db
41% Popularity • 74% Danceability • 44% Energy • 10% Liveness
3% Instrumentalness • 94% Positiveness
41% Popularity • 74% Danceability • 44% Energy • 10% Liveness
3% Instrumentalness • 94% Positiveness
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Eek-A-Mouse
Noah's Ark
135 bpm • B min • 03:24 • -7db
40% Popularity • 71% Danceability • 48% Energy • 24% Liveness
0% Instrumentalness • 59% Positiveness
40% Popularity • 71% Danceability • 48% Energy • 24% Liveness
0% Instrumentalness • 59% Positiveness
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Prince Far I
Throw Away Your Gun - 1991 Digital Remas...
147 bpm • A# min • 04:23 • -9db
35% Popularity • 79% Danceability • 54% Energy • 16% Liveness
3% Instrumentalness • 78% Positiveness
35% Popularity • 79% Danceability • 54% Energy • 16% Liveness
3% Instrumentalness • 78% Positiveness
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Rosalyn Sweat
Blackbird Singing
147 bpm • G Maj • 02:34 • -5.52db
45% Popularity • 79% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
45% Popularity • 79% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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Echo Ranks
Shinobi
135 bpm • F# min • 04:38 • -6.67db
15% Popularity • 76% Danceability • 66% Energy • 35% Liveness
0% Instrumentalness • 87% Positiveness
15% Popularity • 76% Danceability • 66% Energy • 35% Liveness
0% Instrumentalness • 87% Positiveness
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Max Romeo
Melt Away
135 bpm • C Maj • 06:04 • -7.81db
22% Popularity • 89% Danceability • 54% Energy • 8% Liveness
1% Instrumentalness • 90% Positiveness
22% Popularity • 89% Danceability • 54% Energy • 8% Liveness
1% Instrumentalness • 90% Positiveness
