Songs like Public Places by Daniella Mason
Based on a tempo of (+/- 10%) and a similar genre
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Jervis Campbell
On My Mind
100 bpm • G# Maj • 03:47 • -6db
37% Popularity • 65% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
37% Popularity • 65% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Hollyn
Everything and More
100 bpm • E min • 03:17 • -7.18db
27% Popularity • 66% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 29% Positiveness
27% Popularity • 66% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 29% Positiveness
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Ecclesia
Wake Us Up
100 bpm • C Maj • 04:12 • -8.81db
26% Popularity • 70% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
26% Popularity • 70% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Liz Vice
Brick by Brick
100 bpm • C# min • 04:59 • -10.52db
14% Popularity • 61% Danceability • 49% Energy • 72% Liveness
0% Instrumentalness • 6% Positiveness
14% Popularity • 61% Danceability • 49% Energy • 72% Liveness
0% Instrumentalness • 6% Positiveness
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Quiet Science
Bonfires
100 bpm • B Maj • 06:12 • -8.4db
17% Popularity • 36% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
17% Popularity • 36% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Daniella Mason
Public Places
100 bpm • G Maj • 03:36 • -4.81db
9% Popularity • 78% Danceability • 80% Energy • 10% Liveness
15% Instrumentalness • 56% Positiveness
9% Popularity • 78% Danceability • 80% Energy • 10% Liveness
15% Instrumentalness • 56% Positiveness
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Jessie Early
Living on Your Love
100 bpm • D min • 04:05 • -7.01db
15% Popularity • 62% Danceability • 62% Energy • 24% Liveness
1% Instrumentalness • 57% Positiveness
15% Popularity • 62% Danceability • 62% Energy • 24% Liveness
1% Instrumentalness • 57% Positiveness
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Citizens
All Right
100 bpm • G Maj • 04:48 • -12.64db
17% Popularity • 55% Danceability • 30% Energy • 10% Liveness
15% Instrumentalness • 20% Positiveness
17% Popularity • 55% Danceability • 30% Energy • 10% Liveness
15% Instrumentalness • 20% Positiveness
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Ecclesia
Higher Places
100 bpm • F# min • 03:33 • -9.36db
35% Popularity • 72% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
35% Popularity • 72% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
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Fleurie
Constellate
100 bpm • F# Maj • 03:18 • -9.16db
30% Popularity • 61% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
30% Popularity • 61% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Highlands Worship
Without Fear
100 bpm • F# Maj • 03:43 • -9.01db
22% Popularity • 42% Danceability • 46% Energy • 48% Liveness
0% Instrumentalness • 8% Positiveness
22% Popularity • 42% Danceability • 46% Energy • 48% Liveness
0% Instrumentalness • 8% Positiveness
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Daniella Mason
Butterflies
100 bpm • C Maj • 03:14 • -3.94db
3% Popularity • 76% Danceability • 68% Energy • 29% Liveness
0% Instrumentalness • 86% Positiveness
3% Popularity • 76% Danceability • 68% Energy • 29% Liveness
0% Instrumentalness • 86% Positiveness
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Lydia Laird
Nothing's Impossible
100 bpm • C# min • 03:47 • -7db
19% Popularity • 64% Danceability • 66% Energy • 32% Liveness
0% Instrumentalness • 20% Positiveness
19% Popularity • 64% Danceability • 66% Energy • 32% Liveness
0% Instrumentalness • 20% Positiveness
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Alice Pisano
Celebrate Life
99 bpm • G# Maj • 03:55 • -8db
24% Popularity • 44% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
24% Popularity • 44% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Ecclesia
Lavish
100 bpm • E min • 03:05 • -8db
30% Popularity • 68% Danceability • 67% Energy • 28% Liveness
0% Instrumentalness • 44% Positiveness
30% Popularity • 68% Danceability • 67% Energy • 28% Liveness
0% Instrumentalness • 44% Positiveness
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SVRCINA
All I Wanna Do
101 bpm • C# Maj • 03:24 • -7.1db
11% Popularity • 74% Danceability • 66% Energy • 11% Liveness
12% Instrumentalness • 19% Positiveness
11% Popularity • 74% Danceability • 66% Energy • 11% Liveness
12% Instrumentalness • 19% Positiveness
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Sansol the Artist
Be Enough
100 bpm • A Maj • 03:40 • -9.13db
2% Popularity • 55% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
2% Popularity • 55% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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South of Royal
Warrior
99 bpm • F# min • 04:13 • -5.36db
12% Popularity • 58% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
12% Popularity • 58% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Daniella Mason
Technicolour
101 bpm • D# Maj • 03:45 • -4.47db
5% Popularity • 74% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
5% Popularity • 74% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Sandra McCracken
Reciprocate
99 bpm • C Maj • 03:17 • -9.39db
28% Popularity • 47% Danceability • 61% Energy • 8% Liveness
16% Instrumentalness • 23% Positiveness
28% Popularity • 47% Danceability • 61% Energy • 8% Liveness
16% Instrumentalness • 23% Positiveness
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Eagle Brook Music
Here and Expectant
102 bpm • A Maj • 03:09 • -4.75db
14% Popularity • 55% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
14% Popularity • 55% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Jervis Campbell
Testify
102 bpm • G Maj • 04:08 • -10.17db
39% Popularity • 60% Danceability • 62% Energy • 9% Liveness
1% Instrumentalness • 13% Positiveness
39% Popularity • 60% Danceability • 62% Energy • 9% Liveness
1% Instrumentalness • 13% Positiveness
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Nashville Life Music
All Power
102 bpm • A Maj • 03:46 • -9.04db
23% Popularity • 62% Danceability • 57% Energy • 9% Liveness
11% Instrumentalness • 22% Positiveness
23% Popularity • 62% Danceability • 57% Energy • 9% Liveness
11% Instrumentalness • 22% Positiveness
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Caleb Crino
Lead the Way
102 bpm • D Maj • 03:15 • -6.54db
20% Popularity • 70% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
20% Popularity • 70% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Switch
Obsession
102 bpm • G Maj • 03:12 • -5.45db
35% Popularity • 72% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
35% Popularity • 72% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Jess Ray
Did Not Our Hearts Burn
102 bpm • G min • 04:06 • -10.7db
21% Popularity • 59% Danceability • 39% Energy • 13% Liveness
1% Instrumentalness • 46% Positiveness
21% Popularity • 59% Danceability • 39% Energy • 13% Liveness
1% Instrumentalness • 46% Positiveness
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Land of Color
World's Got Nothing on You
98 bpm • A Maj • 03:14 • -7.75db
22% Popularity • 72% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
22% Popularity • 72% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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John Mark McMillan
Juggernaut
102 bpm • C# min • 03:54 • -5.63db
34% Popularity • 54% Danceability • 88% Energy • 36% Liveness
2% Instrumentalness • 29% Positiveness
34% Popularity • 54% Danceability • 88% Energy • 36% Liveness
2% Instrumentalness • 29% Positiveness
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The Royal Royal
God Who Saves
98 bpm • B Maj • 03:55 • -5.55db
15% Popularity • 55% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
15% Popularity • 55% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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South of Royal
All Hail the Power
102 bpm • C# min • 03:00 • -6.99db
15% Popularity • 64% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
15% Popularity • 64% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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Hollyn
Might as Well
103 bpm • F Maj • 04:20 • -4.76db
21% Popularity • 68% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
21% Popularity • 68% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Taylor Swift
My Boy Only Breaks His Favorite Toys
97 bpm • C Maj • 03:23 • -7.32db
84% Popularity • 60% Danceability • 58% Energy • 29% Liveness
0% Instrumentalness • 48% Positiveness
84% Popularity • 60% Danceability • 58% Energy • 29% Liveness
0% Instrumentalness • 48% Positiveness
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Pyramid Park
Never Let Me Down
97 bpm • C min • 03:09 • -5.67db
21% Popularity • 50% Danceability • 77% Energy • 14% Liveness
77% Instrumentalness • 25% Positiveness
21% Popularity • 50% Danceability • 77% Energy • 14% Liveness
77% Instrumentalness • 25% Positiveness
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Collington
Mountain
97 bpm • E Maj • 04:02 • -10.95db
41% Popularity • 52% Danceability • 49% Energy • 9% Liveness
2% Instrumentalness • 17% Positiveness
41% Popularity • 52% Danceability • 49% Energy • 9% Liveness
2% Instrumentalness • 17% Positiveness
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Love & The Outcome
Imperfect
97 bpm • E Maj • 02:40 • -5.93db
10% Popularity • 69% Danceability • 66% Energy • 38% Liveness
0% Instrumentalness • 24% Positiveness
10% Popularity • 69% Danceability • 66% Energy • 38% Liveness
0% Instrumentalness • 24% Positiveness
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Colony House
When the Walls Come Crashing Down
104 bpm • C# Maj • 03:41 • -7.65db
33% Popularity • 52% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
33% Popularity • 52% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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The Royal Royal
Water
97 bpm • A# Maj • 04:01 • -5.29db
16% Popularity • 22% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 18% Positiveness
16% Popularity • 22% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 18% Positiveness
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About the Author
Pray More Worry Less
104 bpm • F# min • 03:02 • -5.19db
10% Popularity • 70% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
10% Popularity • 70% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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Daniella Mason
All I Want
104 bpm • G Maj • 03:40 • -9.54db
5% Popularity • 44% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
5% Popularity • 44% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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Leeland
If I Don't Have Love
104 bpm • C Maj • 05:20 • -8.17db
26% Popularity • 55% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
26% Popularity • 55% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
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Hollyn
Obvious?
96 bpm • C Maj • 03:23 • -5.22db
34% Popularity • 62% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
34% Popularity • 62% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Taylor Swift
Fortnight
96 bpm • B Maj • 03:48 • -10.9db
92% Popularity • 68% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
92% Popularity • 68% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Sisterbrother
Clothed My Skin
96 bpm • F Maj • 03:16 • -11.61db
39% Popularity • 44% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
39% Popularity • 44% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Cherry Wee
Happy
105 bpm • C Maj • 03:41 • -8.45db
15% Popularity • 80% Danceability • 39% Energy • 11% Liveness
1% Instrumentalness • 52% Positiveness
15% Popularity • 80% Danceability • 39% Energy • 11% Liveness
1% Instrumentalness • 52% Positiveness
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The Young Escape
It's Gonna Get Better
96 bpm • B Maj • 03:36 • -5.88db
26% Popularity • 51% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
26% Popularity • 51% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Josh Baldwin
You're My Home
105 bpm • A# Maj • 05:19 • -7.61db
20% Popularity • 49% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
20% Popularity • 49% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Jared Marc
Avalanche - Piano Version
105 bpm • D Maj • 04:06 • -6.93db
34% Popularity • 61% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
34% Popularity • 61% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Emily Raymond
Remade
105 bpm • C# min • 03:50 • -9.87db
11% Popularity • 49% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
11% Popularity • 49% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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Jon Webster
Caught Up
95 bpm • D Maj • 03:16 • -9.38db
17% Popularity • 60% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
17% Popularity • 60% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Nathan Sheridan
Starts With You And Me
95 bpm • B min • 02:58 • -6db
28% Popularity • 67% Danceability • 57% Energy • 40% Liveness
0% Instrumentalness • 68% Positiveness
28% Popularity • 67% Danceability • 57% Energy • 40% Liveness
0% Instrumentalness • 68% Positiveness
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Daniella Mason
Any Room
95 bpm • F# min • 03:25 • -6db
2% Popularity • 67% Danceability • 67% Energy • 46% Liveness
0% Instrumentalness • 32% Positiveness
2% Popularity • 67% Danceability • 67% Energy • 46% Liveness
0% Instrumentalness • 32% Positiveness
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The Royal Royal
Afterlife
95 bpm • D Maj • 03:38 • -5.05db
13% Popularity • 55% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
13% Popularity • 55% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Mr. Emotional
Nothing Left To Say
95 bpm • A min • 03:07 • -8.72db
7% Popularity • 72% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
7% Popularity • 72% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Danielle Apicella
rain don't go away
95 bpm • C min • 03:57 • -9.99db
21% Popularity • 64% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
21% Popularity • 64% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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South of Royal
I'll Never Be the Same
95 bpm • D Maj • 03:58 • -4.96db
17% Popularity • 59% Danceability • 83% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
17% Popularity • 59% Danceability • 83% Energy • 20% Liveness
0% Instrumentalness • 55% Positiveness
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David Baloche
Nothing Can Separate
95 bpm • F min • 03:17 • -12.45db
28% Popularity • 31% Danceability • 22% Energy • 8% Liveness
64% Instrumentalness • 4% Positiveness
28% Popularity • 31% Danceability • 22% Energy • 8% Liveness
64% Instrumentalness • 4% Positiveness
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Daniella Mason
Girl in the Box
95 bpm • C Maj • 02:57 • -6.09db
17% Popularity • 62% Danceability • 72% Energy • 17% Liveness
1% Instrumentalness • 60% Positiveness
17% Popularity • 62% Danceability • 72% Energy • 17% Liveness
1% Instrumentalness • 60% Positiveness
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Ecclesia
Excellence
106 bpm • F# min • 04:44 • -7.88db
31% Popularity • 70% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
31% Popularity • 70% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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kalley
Guardian God
106 bpm • C Maj • 04:58 • -11db
20% Popularity • 42% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
20% Popularity • 42% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Hollyn
Mood Swings
94 bpm • B Maj • 02:56 • -8.47db
21% Popularity • 80% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
21% Popularity • 80% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
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Jess Ray
Twenty-Four
94 bpm • D Maj • 03:55 • -7.52db
21% Popularity • 68% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
21% Popularity • 68% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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David Lunsford
Sun Like Gold / Moon Like Silver
94 bpm • E Maj • 04:06 • -8.28db
10% Popularity • 58% Danceability • 70% Energy • 36% Liveness
0% Instrumentalness • 19% Positiveness
10% Popularity • 58% Danceability • 70% Energy • 36% Liveness
0% Instrumentalness • 19% Positiveness
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Mike Mains & The Branches
Around the Corner
94 bpm • G# Maj • 03:55 • -10.24db
22% Popularity • 67% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
22% Popularity • 67% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
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Chris Renzema
Here I Am
94 bpm • F Maj • 04:45 • -11.95db
43% Popularity • 34% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
43% Popularity • 34% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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N + I
Love Like You
94 bpm • D# Maj • 03:13 • -10.02db
16% Popularity • 54% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
16% Popularity • 54% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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SVRCINA
Flowers
107 bpm • A min • 03:30 • -8.75db
10% Popularity • 68% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
10% Popularity • 68% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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for KING & COUNTRY
Burn The Ships (Single Edit)
94 bpm • F Maj • 03:40 • -6.35db
24% Popularity • 49% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
24% Popularity • 49% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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John Mark McMillan
Wilderlove
107 bpm • F min • 03:36 • -7.57db
20% Popularity • 32% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
20% Popularity • 32% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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John Lucas
Promised Land
93 bpm • A Maj • 05:59 • -11.03db
24% Popularity • 47% Danceability • 34% Energy • 25% Liveness
23% Instrumentalness • 24% Positiveness
24% Popularity • 47% Danceability • 34% Energy • 25% Liveness
23% Instrumentalness • 24% Positiveness
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Hannah Oliver
Be Ok
93 bpm • D Maj • 02:30 • -6.56db
12% Popularity • 84% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
12% Popularity • 84% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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LoveCollide
I Don't Want It (Dead End Diamonds Mix)
93 bpm • C Maj • 02:49 • -4.16db
25% Popularity • 67% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
25% Popularity • 67% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Charlie Rey
Day After Forever
93 bpm • G# Maj • 02:54 • -9.92db
37% Popularity • 69% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
37% Popularity • 69% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Will Reagan
Regret
108 bpm • A# Maj • 04:41 • -13.35db
20% Popularity • 39% Danceability • 13% Energy • 12% Liveness
4% Instrumentalness • 16% Positiveness
20% Popularity • 39% Danceability • 13% Energy • 12% Liveness
4% Instrumentalness • 16% Positiveness
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Bethany Barnard
My Soul Waits
108 bpm • C Maj • 05:26 • -12.91db
21% Popularity • 48% Danceability • 18% Energy • 22% Liveness
0% Instrumentalness • 4% Positiveness
21% Popularity • 48% Danceability • 18% Energy • 22% Liveness
0% Instrumentalness • 4% Positiveness
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TRALA
Talk, Talk, Talk
108 bpm • B min • 02:28 • -8.74db
12% Popularity • 75% Danceability • 67% Energy • 25% Liveness
0% Instrumentalness • 50% Positiveness
12% Popularity • 75% Danceability • 67% Energy • 25% Liveness
0% Instrumentalness • 50% Positiveness
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Daniella Mason
Morning Mourning
108 bpm • F Maj • 04:05 • -9.26db
2% Popularity • 57% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
2% Popularity • 57% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
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Josh Garrels
Praise Him
92 bpm • C min • 03:52 • -8.11db
31% Popularity • 60% Danceability • 66% Energy • 10% Liveness
44% Instrumentalness • 49% Positiveness
31% Popularity • 60% Danceability • 66% Energy • 10% Liveness
44% Instrumentalness • 49% Positiveness
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Ryan Ellis
Like You
92 bpm • A Maj • 02:33 • -6.62db
27% Popularity • 74% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
27% Popularity • 74% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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LYA
Feelin'
92 bpm • C Maj • 03:32 • -4.43db
14% Popularity • 52% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
14% Popularity • 52% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
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The Belonging Co
You're Not Finished Yet - Live
92 bpm • A Maj • 05:17 • -10.34db
45% Popularity • 49% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
45% Popularity • 49% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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AG
Talking In Your Sleep
109 bpm • G Maj • 03:09 • -12.39db
24% Popularity • 48% Danceability • 27% Energy • 30% Liveness
1% Instrumentalness • 12% Positiveness
24% Popularity • 48% Danceability • 27% Energy • 30% Liveness
1% Instrumentalness • 12% Positiveness
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The Young Escape
neverfade
92 bpm • F Maj • 02:59 • -6.49db
45% Popularity • 48% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
45% Popularity • 48% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Daniella Mason
Cruel Summer
109 bpm • G Maj • 02:53 • -3.53db
6% Popularity • 67% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
6% Popularity • 67% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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Hollyn
Isaac
92 bpm • G Maj • 04:00 • -7.34db
30% Popularity • 59% Danceability • 44% Energy • 27% Liveness
0% Instrumentalness • 34% Positiveness
30% Popularity • 59% Danceability • 44% Energy • 27% Liveness
0% Instrumentalness • 34% Positiveness
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Holly Starr
Umbrella
91 bpm • C Maj • 03:36 • -5.85db
14% Popularity • 72% Danceability • 55% Energy • 48% Liveness
0% Instrumentalness • 66% Positiveness
14% Popularity • 72% Danceability • 55% Energy • 48% Liveness
0% Instrumentalness • 66% Positiveness
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The Belonging Co
Heaven Invade - Live
109 bpm • B Maj • 04:23 • -6.32db
30% Popularity • 52% Danceability • 86% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
30% Popularity • 52% Danceability • 86% Energy • 18% Liveness
0% Instrumentalness • 42% Positiveness
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Leah McFall
Outside the Lines
91 bpm • C Maj • 03:52 • -8.17db
19% Popularity • 38% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
19% Popularity • 38% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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ZOE Music
Caught Air
91 bpm • G# Maj • 03:46 • -6.27db
36% Popularity • 61% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
36% Popularity • 61% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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London Gatch
You Never Walk Away
91 bpm • D Maj • 03:38 • -7db
14% Popularity • 45% Danceability • 82% Energy • 39% Liveness
0% Instrumentalness • 35% Positiveness
14% Popularity • 45% Danceability • 82% Energy • 39% Liveness
0% Instrumentalness • 35% Positiveness
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Celebration Worship
Mercy Song
110 bpm • E Maj • 06:26 • -10.41db
10% Popularity • 24% Danceability • 36% Energy • 10% Liveness
12% Instrumentalness • 5% Positiveness
10% Popularity • 24% Danceability • 36% Energy • 10% Liveness
12% Instrumentalness • 5% Positiveness
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Citizens
Good As Gone
110 bpm • F# min • 03:59 • -7.34db
28% Popularity • 33% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
28% Popularity • 33% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Elle Limebear
Breathing
110 bpm • B Maj • 03:21 • -11.37db
28% Popularity • 56% Danceability • 30% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
28% Popularity • 56% Danceability • 30% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
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Sisterbrother
Carried Away
91 bpm • A# Maj • 04:29 • -11.94db
26% Popularity • 51% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
26% Popularity • 51% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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John Mark McMillan
Pilgrim (Re-Enchanted)
110 bpm • C# Maj • 03:25 • -7.36db
19% Popularity • 45% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
19% Popularity • 45% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Ryan Ellis
I Know I Need You
110 bpm • D# min • 03:18 • -3.85db
38% Popularity • 73% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
38% Popularity • 73% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Ecclesia
Unshackled
110 bpm • E min • 04:04 • -6.99db
31% Popularity • 71% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 58% Positiveness
31% Popularity • 71% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 58% Positiveness
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Shawn McDonald
Naturally
110 bpm • F Maj • 03:35 • -9.67db
12% Popularity • 63% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
12% Popularity • 63% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Nineclub
Keep On
110 bpm • G# min • 03:25 • -6.34db
10% Popularity • 65% Danceability • 69% Energy • 80% Liveness
0% Instrumentalness • 70% Positiveness
10% Popularity • 65% Danceability • 69% Energy • 80% Liveness
0% Instrumentalness • 70% Positiveness
