Songs like Puccini: Tosca, Act 1 Scene 3: "Recondita armonia" (Cavaradossi) by Giacomo Puccini
Based on a tempo of (+/- 10%) and a similar genre
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Léo Delibes
Delibes: Lakmé, Act 2: "Où va la jeune...
70 bpm • E min • 06:30 • -22db
12% Popularity • 21% Danceability • 12% Energy • 11% Liveness
9% Instrumentalness • 6% Positiveness
12% Popularity • 21% Danceability • 12% Energy • 11% Liveness
9% Instrumentalness • 6% Positiveness
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Giacomo Puccini
Tosca, SC 69 / Act 3: "E lucevan le stel...
70 bpm • B min • 03:21 • -12.48db
39% Popularity • 10% Danceability • 16% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
39% Popularity • 10% Danceability • 16% Energy • 8% Liveness
80% Instrumentalness • 4% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia / Act 1: "Largo ...
69 bpm • G Maj • 05:00 • -17db
17% Popularity • 36% Danceability • 23% Energy • 10% Liveness
17% Instrumentalness • 41% Positiveness
17% Popularity • 36% Danceability • 23% Energy • 10% Liveness
17% Instrumentalness • 41% Positiveness
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Wolfgang Amadeus Mozart
Die Zauberflöte, K.620 / Act 2: "Ach, i...
69 bpm • G min • 04:41 • -25.66db
11% Popularity • 16% Danceability • 2% Energy • 8% Liveness
3% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 2% Energy • 8% Liveness
3% Instrumentalness • 4% Positiveness
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Jules Massenet
Massenet: Le Cid, Act 3: "O Souverain, �...
71 bpm • G Maj • 05:00 • -20.55db
28% Popularity • 18% Danceability • 21% Energy • 98% Liveness
1% Instrumentalness • 15% Positiveness
28% Popularity • 18% Danceability • 21% Energy • 98% Liveness
1% Instrumentalness • 15% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice: "Act III, Scene 1, Or...
71 bpm • G Maj • 04:28 • -22.23db
36% Popularity • 20% Danceability • 6% Energy • 24% Liveness
0% Instrumentalness • 6% Positiveness
36% Popularity • 20% Danceability • 6% Energy • 24% Liveness
0% Instrumentalness • 6% Positiveness
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Johann Strauss II
Die Fledermaus / Act 2: Nr.10 Csárdás:...
69 bpm • D Maj • 04:36 • -19.1db
9% Popularity • 25% Danceability • 10% Energy • 24% Liveness
2% Instrumentalness • 9% Positiveness
9% Popularity • 25% Danceability • 10% Energy • 24% Liveness
2% Instrumentalness • 9% Positiveness
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Giacomo Puccini
La Bohème / Act 1: "O soave fanciulla"
69 bpm • C Maj • 04:21 • -22db
35% Popularity • 16% Danceability • 7% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 7% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
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Gioachino Rossini
Les soirées musicales: La danza (Già l...
69 bpm • F Maj • 03:12 • -14db
17% Popularity • 44% Danceability • 44% Energy • 11% Liveness
55% Instrumentalness • 39% Positiveness
17% Popularity • 44% Danceability • 44% Energy • 11% Liveness
55% Instrumentalness • 39% Positiveness
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Wolfgang Amadeus Mozart
Die Zauberflöte, K. 620, Act II: No. 14...
71 bpm • F Maj • 02:54 • -17.95db
40% Popularity • 55% Danceability • 11% Energy • 11% Liveness
2% Instrumentalness • 26% Positiveness
40% Popularity • 55% Danceability • 11% Energy • 11% Liveness
2% Instrumentalness • 26% Positiveness
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Carlo Bergonzi
Martha: M´apparì, tutt´amor
68 bpm • F Maj • 03:39 • -15db
17% Popularity • 24% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
17% Popularity • 24% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "Beato voi, compar...
68 bpm • G Maj • 06:57 • -15db
24% Popularity • 25% Danceability • 22% Energy • 37% Liveness
0% Instrumentalness • 6% Positiveness
24% Popularity • 25% Danceability • 22% Energy • 37% Liveness
0% Instrumentalness • 6% Positiveness
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Renata Scotto
La Traviata - Act. Iii - Addio Del Passa...
72 bpm • A min • 03:13 • -20db
32% Popularity • 32% Danceability • 7% Energy • 32% Liveness
87% Instrumentalness • 8% Positiveness
32% Popularity • 32% Danceability • 7% Energy • 32% Liveness
87% Instrumentalness • 8% Positiveness
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Giacomo Puccini
Turandot: Act II Scene 2: In questa regg...
71 bpm • C# Maj • 05:26 • -20db
15% Popularity • 32% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 32% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Gioachino Rossini
Il Barbiere di Siviglia: Largo al factot...
71 bpm • C Maj • 04:17 • -14.04db
24% Popularity • 50% Danceability • 31% Energy • 16% Liveness
51% Instrumentalness • 53% Positiveness
24% Popularity • 50% Danceability • 31% Energy • 16% Liveness
51% Instrumentalness • 53% Positiveness
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George Frideric Handel
Julius Caesar, HWV 17, Act III Scene 1: ...
72 bpm • E Maj • 06:50 • -27db
38% Popularity • 16% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
38% Popularity • 16% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Czech Symphony Orchestra
Carmen: Act I - "Habanera"
67 bpm • D Maj • 03:48 • -22db
10% Popularity • 45% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
10% Popularity • 45% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Camille Saint-Saëns
Samson et Dalila, Op. 47, R. 288 / Act 2...
73 bpm • C# Maj • 05:30 • -20db
20% Popularity • 17% Danceability • 15% Energy • 12% Liveness
1% Instrumentalness • 5% Positiveness
20% Popularity • 17% Danceability • 15% Energy • 12% Liveness
1% Instrumentalness • 5% Positiveness
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Jules Massenet
Massenet: Werther, Act 3: "Pourquoi me r...
67 bpm • F# min • 02:23 • -14.37db
22% Popularity • 23% Danceability • 19% Energy • 49% Liveness
4% Instrumentalness • 5% Positiveness
22% Popularity • 23% Danceability • 19% Energy • 49% Liveness
4% Instrumentalness • 5% Positiveness
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Giacomo Puccini
Requiem
71 bpm • D min • 05:29 • -37.49db
20% Popularity • 16% Danceability • 0% Energy • 10% Liveness
70% Instrumentalness • 4% Positiveness
20% Popularity • 16% Danceability • 0% Energy • 10% Liveness
70% Instrumentalness • 4% Positiveness
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Gioachino Rossini
Rossini: Il barbiere di Siviglia, Act 1:...
69 bpm • C Maj • 04:20 • -15.48db
16% Popularity • 42% Danceability • 28% Energy • 11% Liveness
2% Instrumentalness • 48% Positiveness
16% Popularity • 42% Danceability • 28% Energy • 11% Liveness
2% Instrumentalness • 48% Positiveness
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Vincenzo Bellini
Norma / Act 1: Casta Diva
67 bpm • F Maj • 05:57 • -24db
35% Popularity • 24% Danceability • 6% Energy • 11% Liveness
6% Instrumentalness • 4% Positiveness
35% Popularity • 24% Danceability • 6% Energy • 11% Liveness
6% Instrumentalness • 4% Positiveness
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Johann Strauss II
Strauss, Johann II: Die Fledermaus, Act ...
73 bpm • G Maj • 03:45 • -9.3db
29% Popularity • 38% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
29% Popularity • 38% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Giuseppe Verdi
Nabucco / Act III: Va, pensiero, sull'al...
73 bpm • C# Maj • 03:54 • -24.06db
48% Popularity • 7% Danceability • 2% Energy • 10% Liveness
68% Instrumentalness • 13% Positiveness
48% Popularity • 7% Danceability • 2% Energy • 10% Liveness
68% Instrumentalness • 13% Positiveness
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Alfredo Catalani
La Wally, Act I: Ebben? Ne andrò lontan...
73 bpm • E min • 05:05 • -21db
16% Popularity • 16% Danceability • 12% Energy • 15% Liveness
44% Instrumentalness • 4% Positiveness
16% Popularity • 16% Danceability • 12% Energy • 15% Liveness
44% Instrumentalness • 4% Positiveness
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Giacomo Puccini
La bohème, SC 67 / Act 2: "Quando m'en ...
71 bpm • A Maj • 05:21 • -14.73db
32% Popularity • 33% Danceability • 32% Energy • 44% Liveness
8% Instrumentalness • 9% Positiveness
32% Popularity • 33% Danceability • 32% Energy • 44% Liveness
8% Instrumentalness • 9% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia / Act 1: "Largo ...
73 bpm • C Maj • 04:55 • -14.36db
17% Popularity • 38% Danceability • 35% Energy • 8% Liveness
31% Instrumentalness • 38% Positiveness
17% Popularity • 38% Danceability • 35% Energy • 8% Liveness
31% Instrumentalness • 38% Positiveness
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Vincenzo Bellini
Vaga luna, che inargenti
73 bpm • A# Maj • 03:34 • -20.53db
13% Popularity • 24% Danceability • 10% Energy • 11% Liveness
2% Instrumentalness • 17% Positiveness
13% Popularity • 24% Danceability • 10% Energy • 11% Liveness
2% Instrumentalness • 17% Positiveness
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Tommaso Giordani
Caro mio ben
74 bpm • D# Maj • 02:43 • -25db
32% Popularity • 22% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
32% Popularity • 22% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Carlo Bergonzi
Addio fiorito asil
74 bpm • C# Maj • 01:56 • -20.5db
35% Popularity • 24% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
35% Popularity • 24% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Franco Corelli
Panis Angelicus
66 bpm • A Maj • 04:09 • -15db
16% Popularity • 25% Danceability • 14% Energy • 8% Liveness
72% Instrumentalness • 8% Positiveness
16% Popularity • 25% Danceability • 14% Energy • 8% Liveness
72% Instrumentalness • 8% Positiveness
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Giacomo Puccini
Puccini: Madama Butterfly, Act 2: "Una n...
71 bpm • F# min • 02:26 • -12.28db
4% Popularity • 24% Danceability • 17% Energy • 28% Liveness
0% Instrumentalness • 14% Positiveness
4% Popularity • 24% Danceability • 17% Energy • 28% Liveness
0% Instrumentalness • 14% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia: Largo al factot...
66 bpm • C Maj • 04:55 • -17.1db
29% Popularity • 39% Danceability • 31% Energy • 15% Liveness
20% Instrumentalness • 44% Positiveness
29% Popularity • 39% Danceability • 31% Energy • 15% Liveness
20% Instrumentalness • 44% Positiveness
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Wolfgang Amadeus Mozart
Così fan tutte ossia La scuola degli am...
74 bpm • E Maj • 03:09 • -18.61db
25% Popularity • 11% Danceability • 16% Energy • 22% Liveness
33% Instrumentalness • 4% Positiveness
25% Popularity • 11% Danceability • 16% Energy • 22% Liveness
33% Instrumentalness • 4% Positiveness
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Dustin Henze
La Boheme
74 bpm • D Maj • 04:47 • -14db
11% Popularity • 28% Danceability • 13% Energy • 52% Liveness
2% Instrumentalness • 6% Positiveness
11% Popularity • 28% Danceability • 13% Energy • 52% Liveness
2% Instrumentalness • 6% Positiveness
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Mirella Freni
La Bohème: Mi chiamano Mimi
74 bpm • D Maj • 05:07 • -15.42db
21% Popularity • 26% Danceability • 15% Energy • 34% Liveness
0% Instrumentalness • 4% Positiveness
21% Popularity • 26% Danceability • 15% Energy • 34% Liveness
0% Instrumentalness • 4% Positiveness
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Richard Wagner
Lohengrin, WWV 75, Act III: Treulich gef...
74 bpm • A# Maj • 05:08 • -32.9db
22% Popularity • 8% Danceability • 2% Energy • 9% Liveness
6% Instrumentalness • 7% Positiveness
22% Popularity • 8% Danceability • 2% Energy • 9% Liveness
6% Instrumentalness • 7% Positiveness
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Giacomo Puccini
La boheme: Act I: Si, mi chiamano Mimi (...
72 bpm • D Maj • 04:32 • -23.01db
18% Popularity • 22% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
18% Popularity • 22% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Charles Gounod
Roméo et Juliette: Je veux vivre dans l...
74 bpm • F Maj • 03:45 • -18.81db
24% Popularity • 26% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
24% Popularity • 26% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 25% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "Gli aranci olezza...
75 bpm • A Maj • 07:24 • -22db
26% Popularity • 11% Danceability • 11% Energy • 34% Liveness
67% Instrumentalness • 12% Positiveness
26% Popularity • 11% Danceability • 11% Energy • 34% Liveness
67% Instrumentalness • 12% Positiveness
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Alexander Borodin
Prince Igor, Act II: Polovtsian Dances, ...
75 bpm • A Maj • 02:23 • -22.89db
30% Popularity • 9% Danceability • 10% Energy • 9% Liveness
74% Instrumentalness • 4% Positiveness
30% Popularity • 9% Danceability • 10% Energy • 9% Liveness
74% Instrumentalness • 4% Positiveness
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Mario del Monaco
Lucia di Lammermoor Tu che a dio spiegas...
75 bpm • C# Maj • 02:12 • -13db
19% Popularity • 32% Danceability • 18% Energy • 15% Liveness
1% Instrumentalness • 18% Positiveness
19% Popularity • 32% Danceability • 18% Energy • 15% Liveness
1% Instrumentalness • 18% Positiveness
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Ernesto de Curtis
Torna a Surriento (Arr. Chiaramello)
75 bpm • E min • 03:43 • -9.74db
35% Popularity • 16% Danceability • 31% Energy • 33% Liveness
26% Instrumentalness • 20% Positiveness
35% Popularity • 16% Danceability • 31% Energy • 33% Liveness
26% Instrumentalness • 20% Positiveness
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Giacomo Puccini
Puccini: Tosca, Act 2: "Vissi d'arte"
68 bpm • D# Maj • 03:16 • -21db
11% Popularity • 28% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 28% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Nikolai Rimsky-Korsakov
Sadko: Song Of India
75 bpm • A Maj • 03:19 • -15.65db
26% Popularity • 24% Danceability • 18% Energy • 10% Liveness
13% Instrumentalness • 4% Positiveness
26% Popularity • 24% Danceability • 18% Energy • 10% Liveness
13% Instrumentalness • 4% Positiveness
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Antonín Dvořák
Gypsy Melodies, Op. 55: 4. Songs My Moth...
65 bpm • D Maj • 02:26 • -18.3db
30% Popularity • 26% Danceability • 14% Energy • 8% Liveness
36% Instrumentalness • 4% Positiveness
30% Popularity • 26% Danceability • 14% Energy • 8% Liveness
36% Instrumentalness • 4% Positiveness
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Richard Wagner
Lohengrin: Prelude
75 bpm • A Maj • 09:56 • -25.43db
46% Popularity • 7% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
46% Popularity • 7% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
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Gioachino Rossini
La Cenerentola / Act 2: "Sì, ritrovarla...
65 bpm • G Maj • 05:56 • -15.35db
19% Popularity • 37% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
19% Popularity • 37% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Vincenzo Bellini
Bellini: I Capuleti e i Montecchi, Act I...
76 bpm • G min • 04:01 • -27.66db
17% Popularity • 18% Danceability • 2% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
17% Popularity • 18% Danceability • 2% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Puccini: Madama Butterfly, Act 1: "Quale...
67 bpm • A# Maj • 04:02 • -15.13db
5% Popularity • 29% Danceability • 19% Energy • 21% Liveness
2% Instrumentalness • 22% Positiveness
5% Popularity • 29% Danceability • 19% Energy • 21% Liveness
2% Instrumentalness • 22% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 4: "Belle nu...
77 bpm • D Maj • 02:14 • -23.75db
23% Popularity • 24% Danceability • 10% Energy • 33% Liveness
0% Instrumentalness • 11% Positiveness
23% Popularity • 24% Danceability • 10% Energy • 33% Liveness
0% Instrumentalness • 11% Positiveness
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Antonín Dvořák
Dvorak: Rusalka: Mesicku na nebi hluboke...
64 bpm • F# Maj • 08:49 • -22.61db
7% Popularity • 21% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
7% Popularity • 21% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Leo Nucci
Soli soli nella notte
64 bpm • F Maj • 03:00 • -11db
33% Popularity • 41% Danceability • 27% Energy • 18% Liveness
12% Instrumentalness • 39% Positiveness
33% Popularity • 41% Danceability • 27% Energy • 18% Liveness
12% Instrumentalness • 39% Positiveness
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Francesco Araia
La forza dell’amore e dell’odio: "Va...
77 bpm • E min • 07:18 • -17.48db
25% Popularity • 21% Danceability • 17% Energy • 33% Liveness
2% Instrumentalness • 5% Positiveness
25% Popularity • 21% Danceability • 17% Energy • 33% Liveness
2% Instrumentalness • 5% Positiveness
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Vincenzo Bellini
I puritani / Act 1: "A te, o cara"
76 bpm • D Maj • 06:56 • -17db
13% Popularity • 13% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
13% Popularity • 13% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Giacomo Puccini
Puccini: Madama Butterfly, Act 1: "Ah! A...
77 bpm • F# Maj • 03:00 • -12.66db
11% Popularity • 20% Danceability • 28% Energy • 17% Liveness
64% Instrumentalness • 7% Positiveness
11% Popularity • 20% Danceability • 28% Energy • 17% Liveness
64% Instrumentalness • 7% Positiveness
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Charles Gounod
Roméo et Juliette, CG 9 / Act 1: "Ah, j...
77 bpm • C Maj • 03:52 • -12.17db
30% Popularity • 35% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
30% Popularity • 35% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Le nozze di Figaro, K. 492, Act ...
64 bpm • A# Maj • 02:42 • -17db
26% Popularity • 38% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
26% Popularity • 38% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
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Francesco Cilea
L´Arlesiana: È la solita storia
77 bpm • A min • 04:20 • -17db
7% Popularity • 14% Danceability • 12% Energy • 7% Liveness
2% Instrumentalness • 4% Positiveness
7% Popularity • 14% Danceability • 12% Energy • 7% Liveness
2% Instrumentalness • 4% Positiveness
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Elena Filipova
Messa da Requiem: II Lacrymosa
77 bpm • A# min • 05:45 • -22db
32% Popularity • 19% Danceability • 15% Energy • 9% Liveness
7% Instrumentalness • 4% Positiveness
32% Popularity • 19% Danceability • 15% Energy • 9% Liveness
7% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
12 Songs, Op. 21: 7. Zdes' khorosho
77 bpm • A Maj • 02:19 • -15db
24% Popularity • 19% Danceability • 20% Energy • 8% Liveness
31% Instrumentalness • 4% Positiveness
24% Popularity • 19% Danceability • 20% Energy • 8% Liveness
31% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Turandot / Act 1: Figlio, che fai?
67 bpm • A# Maj • 01:35 • -7.17db
5% Popularity • 45% Danceability • 54% Energy • 40% Liveness
0% Instrumentalness • 34% Positiveness
5% Popularity • 45% Danceability • 54% Energy • 40% Liveness
0% Instrumentalness • 34% Positiveness
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Charles Gounod
Gounod: Roméo et Juliette, Act 1: Valse...
77 bpm • F Maj • 03:35 • -22db
9% Popularity • 40% Danceability • 11% Energy • 6% Liveness
0% Instrumentalness • 16% Positiveness
9% Popularity • 40% Danceability • 11% Energy • 6% Liveness
0% Instrumentalness • 16% Positiveness
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Léo Delibes
Lakmé, Act 1: Dôme épais le jasmin "F...
77 bpm • B Maj • 01:30 • -15.81db
44% Popularity • 30% Danceability • 19% Energy • 30% Liveness
0% Instrumentalness • 18% Positiveness
44% Popularity • 30% Danceability • 19% Energy • 30% Liveness
0% Instrumentalness • 18% Positiveness
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Mirella Freni
L´Amico Fritz: Son pochi fiori
63 bpm • A# Maj • 03:30 • -14db
18% Popularity • 18% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
18% Popularity • 18% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
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Erich Wolfgang Korngold
Act I: Glück, das mir verblieb (Mariett...
78 bpm • A# Maj • 06:08 • -16.28db
12% Popularity • 19% Danceability • 16% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
12% Popularity • 19% Danceability • 16% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Carlo Bergonzi
L'elisir d'Amor: Una furtiva lagrima
63 bpm • F min • 05:22 • -9.47db
26% Popularity • 18% Danceability • 26% Energy • 65% Liveness
0% Instrumentalness • 10% Positiveness
26% Popularity • 18% Danceability • 26% Energy • 65% Liveness
0% Instrumentalness • 10% Positiveness
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Giacomo Puccini
La Bohème Atto I: "O soave fanciulla"
67 bpm • C Maj • 03:46 • -20.27db
8% Popularity • 24% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 24% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Charles Gounod
Gounod: Roméo et Juliette, CG 9, Act 1:...
78 bpm • F Maj • 03:55 • -18.15db
15% Popularity • 30% Danceability • 13% Energy • 5% Liveness
0% Instrumentalness • 14% Positiveness
15% Popularity • 30% Danceability • 13% Energy • 5% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Georges Bizet
Carmen, WD 31, Act I: Dans l'air nous su...
78 bpm • E Maj • 02:23 • -20.9db
17% Popularity • 30% Danceability • 10% Energy • 70% Liveness
92% Instrumentalness • 17% Positiveness
17% Popularity • 30% Danceability • 10% Energy • 70% Liveness
92% Instrumentalness • 17% Positiveness
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Francesco Cilea
Adriana Lecouvreur: La dolcissima effigi...
79 bpm • G# Maj • 02:06 • -17.14db
23% Popularity • 25% Danceability • 24% Energy • 17% Liveness
77% Instrumentalness • 13% Positiveness
23% Popularity • 25% Danceability • 24% Energy • 17% Liveness
77% Instrumentalness • 13% Positiveness
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Vincenzo Bellini
Ma rendi pur contento
79 bpm • G# Maj • 02:23 • -21.97db
26% Popularity • 28% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
26% Popularity • 28% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Katia Ricciarelli
Gianni Schicchi (O mio bambino caro)
79 bpm • G# Maj • 02:55 • -14db
33% Popularity • 20% Danceability • 20% Energy • 68% Liveness
0% Instrumentalness • 5% Positiveness
33% Popularity • 20% Danceability • 20% Energy • 68% Liveness
0% Instrumentalness • 5% Positiveness
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Giacomo Puccini
Puccini: Madama Butterfly, Act 2: Interm...
74 bpm • A# Maj • 03:24 • -39db
17% Popularity • 16% Danceability • 1% Energy • 9% Liveness
87% Instrumentalness • 6% Positiveness
17% Popularity • 16% Danceability • 1% Energy • 9% Liveness
87% Instrumentalness • 6% Positiveness
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Charles Gounod
Roméo et Juliette, Act I: Ah! Je veux v...
78 bpm • G Maj • 03:35 • -15.09db
28% Popularity • 31% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
28% Popularity • 31% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Georges Bizet
Les pêcheurs de perles, WD 13 / Act 1: ...
80 bpm • A min • 03:48 • -18.84db
18% Popularity • 15% Danceability • 14% Energy • 12% Liveness
12% Instrumentalness • 7% Positiveness
18% Popularity • 15% Danceability • 14% Energy • 12% Liveness
12% Instrumentalness • 7% Positiveness
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Francesco Cilea
L'arlesiana / Act 2: È la solita storia...
79 bpm • A min • 04:22 • -15.82db
22% Popularity • 21% Danceability • 21% Energy • 95% Liveness
1% Instrumentalness • 6% Positiveness
22% Popularity • 21% Danceability • 21% Energy • 95% Liveness
1% Instrumentalness • 6% Positiveness
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Richard Wagner
Tannhäuser, WWV 70 - Paris version / Ac...
80 bpm • D# Maj • 04:56 • -17.52db
26% Popularity • 10% Danceability • 14% Energy • 14% Liveness
1% Instrumentalness • 7% Positiveness
26% Popularity • 10% Danceability • 14% Energy • 14% Liveness
1% Instrumentalness • 7% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K. 492 / Act 3: "Sul...
80 bpm • A# Maj • 03:30 • -22.48db
43% Popularity • 22% Danceability • 6% Energy • 43% Liveness
0% Instrumentalness • 8% Positiveness
43% Popularity • 22% Danceability • 6% Energy • 43% Liveness
0% Instrumentalness • 8% Positiveness
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Giacomo Puccini
Puccini: Madama Butterfly, Act 2: "Addio...
66 bpm • C# Maj • 01:53 • -13db
9% Popularity • 24% Danceability • 30% Energy • 67% Liveness
0% Instrumentalness • 18% Positiveness
9% Popularity • 24% Danceability • 30% Energy • 67% Liveness
0% Instrumentalness • 18% Positiveness
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Carl Orff
Carmina Burana / 3. Cour d'amours: "In t...
80 bpm • D Maj • 02:41 • -28.76db
16% Popularity • 19% Danceability • 3% Energy • 12% Liveness
13% Instrumentalness • 4% Positiveness
16% Popularity • 19% Danceability • 3% Energy • 12% Liveness
13% Instrumentalness • 4% Positiveness
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Charles Gounod
Gounod: Roméo et Juliette, Act 1: "Non,...
80 bpm • F Maj • 03:48 • -21db
10% Popularity • 30% Danceability • 11% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
10% Popularity • 30% Danceability • 11% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
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Georges Bizet
Carmen, WD 31 / Act 2: "La fleur que tu ...
80 bpm • C# Maj • 04:20 • -16db
16% Popularity • 19% Danceability • 18% Energy • 9% Liveness
70% Instrumentalness • 4% Positiveness
16% Popularity • 19% Danceability • 18% Energy • 9% Liveness
70% Instrumentalness • 4% Positiveness
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Richard Wagner
Wagner: Tristan und Isolde, Act 3: "Mild...
81 bpm • B Maj • 06:58 • -15db
12% Popularity • 11% Danceability • 25% Energy • 33% Liveness
1% Instrumentalness • 4% Positiveness
12% Popularity • 11% Danceability • 25% Energy • 33% Liveness
1% Instrumentalness • 4% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Intermezzo
81 bpm • F Maj • 03:10 • -19.56db
50% Popularity • 10% Danceability • 17% Energy • 47% Liveness
87% Instrumentalness • 4% Positiveness
50% Popularity • 10% Danceability • 17% Energy • 47% Liveness
87% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Gianni Schicchi: "Povero Buoso!"
66 bpm • A# min • 03:55 • -28.31db
15% Popularity • 26% Danceability • 5% Energy • 46% Liveness
0% Instrumentalness • 25% Positiveness
15% Popularity • 26% Danceability • 5% Energy • 46% Liveness
0% Instrumentalness • 25% Positiveness
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Carl Orff
Carmina Burana / 3. Cour d'amours: "In t...
80 bpm • E min • 02:27 • -36db
31% Popularity • 14% Danceability • 2% Energy • 12% Liveness
5% Instrumentalness • 4% Positiveness
31% Popularity • 14% Danceability • 2% Energy • 12% Liveness
5% Instrumentalness • 4% Positiveness
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Charles Gounod
Roméo et Juliette, Acte II: "L'amour......
80 bpm • F Maj • 06:10 • -18.27db
14% Popularity • 14% Danceability • 11% Energy • 9% Liveness
59% Instrumentalness • 4% Positiveness
14% Popularity • 14% Danceability • 11% Energy • 9% Liveness
59% Instrumentalness • 4% Positiveness
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Ruggero Leoncavallo
Pagliacci / Act 1: "Recitar!...Vesti la ...
81 bpm • E min • 03:41 • -13db
32% Popularity • 20% Danceability • 36% Energy • 10% Liveness
51% Instrumentalness • 8% Positiveness
32% Popularity • 20% Danceability • 36% Energy • 10% Liveness
51% Instrumentalness • 8% Positiveness
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Jacques Offenbach
Offenbach: Les Contes d'Hoffmann, Act 4:...
81 bpm • D Maj • 04:23 • -24.77db
32% Popularity • 24% Danceability • 9% Energy • 33% Liveness
6% Instrumentalness • 6% Positiveness
32% Popularity • 24% Danceability • 9% Energy • 33% Liveness
6% Instrumentalness • 6% Positiveness
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Wolfgang Amadeus Mozart
Così fan tutte, K. 588 / Act I: "Soave ...
81 bpm • E Maj • 02:51 • -27db
28% Popularity • 10% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
28% Popularity • 10% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Giacomo Puccini
Tosca, SC 69, Act II: Vissi d'arte, viss...
75 bpm • D# Maj • 03:49 • -19.99db
21% Popularity • 28% Danceability • 14% Energy • 7% Liveness
75% Instrumentalness • 4% Positiveness
21% Popularity • 28% Danceability • 14% Energy • 7% Liveness
75% Instrumentalness • 4% Positiveness
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Victoria de los Ángeles
Als die alte Mutter
81 bpm • D Maj • 02:36 • -14db
27% Popularity • 19% Danceability • 17% Energy • 30% Liveness
10% Instrumentalness • 4% Positiveness
27% Popularity • 19% Danceability • 17% Energy • 30% Liveness
10% Instrumentalness • 4% Positiveness
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Umberto Giordano
Andrea Chénier / Act 1: Questo azzurra ...
81 bpm • F# min • 04:43 • -15db
10% Popularity • 27% Danceability • 27% Energy • 16% Liveness
33% Instrumentalness • 15% Positiveness
10% Popularity • 27% Danceability • 27% Energy • 16% Liveness
33% Instrumentalness • 15% Positiveness
► Preview
John Horton Murray
Lohengrin: Treulich gefuhrt ziehet dahin
82 bpm • A# Maj • 05:21 • -27db
30% Popularity • 13% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
30% Popularity • 13% Danceability • 4% Energy • 8% Liveness
87% Instrumentalness • 6% Positiveness
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Richard Wagner
Wagner: Tristan und Isolde, Act III: Lie...
82 bpm • B Maj • 08:43 • -17db
13% Popularity • 18% Danceability • 21% Energy • 13% Liveness
27% Instrumentalness • 3% Positiveness
13% Popularity • 18% Danceability • 21% Energy • 13% Liveness
27% Instrumentalness • 3% Positiveness
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Richard Strauss
Strauss, R: 4 Letzte Lieder: No. 4, Im A...
82 bpm • A# Maj • 08:27 • -24.29db
19% Popularity • 8% Danceability • 6% Energy • 13% Liveness
55% Instrumentalness • 4% Positiveness
19% Popularity • 8% Danceability • 6% Energy • 13% Liveness
55% Instrumentalness • 4% Positiveness
► Preview
Giacomo Puccini
La bohème, SC 67 / Act 1: "Che gelida m...
75 bpm • G# Maj • 05:06 • -12.26db
31% Popularity • 15% Danceability • 26% Energy • 11% Liveness
21% Instrumentalness • 6% Positiveness
31% Popularity • 15% Danceability • 26% Energy • 11% Liveness
21% Instrumentalness • 6% Positiveness
