Songs like Puccini: Tosca, Act 3 Scene 2: "E lucevan le stelle" (Cavaradossi) by Giacomo Puccini
Based on a tempo of (+/- 10%) and a similar genre
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Giacomo Puccini
Puccini: La bohème, Act 1: "Sì. Mi chi...
127 bpm • D Maj • 05:32 • -26.97db
10% Popularity • 28% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 28% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Gioachino Rossini
Canzonetta spagnuola "En medio a mis col...
127 bpm • A Maj • 04:09 • -21db
3% Popularity • 49% Danceability • 21% Energy • 67% Liveness
0% Instrumentalness • 37% Positiveness
3% Popularity • 49% Danceability • 21% Energy • 67% Liveness
0% Instrumentalness • 37% Positiveness
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Richard Wagner
Wesendonck Lieder, WWV 91: Der Engel
126 bpm • G Maj • 03:11 • -18.84db
25% Popularity • 26% Danceability • 18% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
25% Popularity • 26% Danceability • 18% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Renata Tebaldi
Un Bel Di Vedremo (Madame Butterfly)
128 bpm • C# Maj • 04:52 • -10.89db
29% Popularity • 31% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
29% Popularity • 31% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Georges Bizet
Bizet: Carmen, WD 31, Act 3, Scene 1: "J...
126 bpm • D# Maj • 05:04 • -20db
17% Popularity • 29% Danceability • 9% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
17% Popularity • 29% Danceability • 9% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Così fan tutte, K. 588 / Act I: "La mia...
128 bpm • G Maj • 01:52 • -22.15db
26% Popularity • 44% Danceability • 18% Energy • 53% Liveness
3% Instrumentalness • 70% Positiveness
26% Popularity • 44% Danceability • 18% Energy • 53% Liveness
3% Instrumentalness • 70% Positiveness
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Giacomo Puccini
La Bohème / Act 2: Chi guardi? - Live
127 bpm • B min • 03:01 • -18.9db
13% Popularity • 40% Danceability • 17% Energy • 78% Liveness
0% Instrumentalness • 26% Positiveness
13% Popularity • 40% Danceability • 17% Energy • 78% Liveness
0% Instrumentalness • 26% Positiveness
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Gaetano Donizetti
Donizetti: L'elisir d'amore, Act 2: No. ...
126 bpm • A# Maj • 04:27 • -18.14db
31% Popularity • 31% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
31% Popularity • 31% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Gioachino Rossini
Rossini : La Cenerentola : Act 2 "Non pi...
127 bpm • E Maj • 03:11 • -18db
18% Popularity • 43% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
18% Popularity • 43% Danceability • 22% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Mario del Monaco
Notturno d'amore
130 bpm • G Maj • 03:48 • -10db
12% Popularity • 33% Danceability • 34% Energy • 11% Liveness
4% Instrumentalness • 30% Positiveness
12% Popularity • 33% Danceability • 34% Energy • 11% Liveness
4% Instrumentalness • 30% Positiveness
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Georges Bizet
Carmen, WD 31 / Act 1: "L'amour est un o...
129 bpm • D Maj • 04:14 • -15db
19% Popularity • 39% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
19% Popularity • 39% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Così fan tutte, K. 588, Act 1: ...
124 bpm • E Maj • 03:04 • -23.49db
29% Popularity • 19% Danceability • 9% Energy • 10% Liveness
79% Instrumentalness • 6% Positiveness
29% Popularity • 19% Danceability • 9% Energy • 10% Liveness
79% Instrumentalness • 6% Positiveness
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Renata Tebaldi
Verdi: La Forza del Destino: La Vergine ...
130 bpm • G Maj • 03:47 • -20db
19% Popularity • 22% Danceability • 17% Energy • 30% Liveness
82% Instrumentalness • 13% Positiveness
19% Popularity • 22% Danceability • 17% Energy • 30% Liveness
82% Instrumentalness • 13% Positiveness
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Giacomo Puccini
La Bohème / Act 4: "O Mimì, tu più no...
127 bpm • C Maj • 04:58 • -20db
18% Popularity • 33% Danceability • 17% Energy • 26% Liveness
1% Instrumentalness • 19% Positiveness
18% Popularity • 33% Danceability • 17% Energy • 26% Liveness
1% Instrumentalness • 19% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice (Orphée et Eurydice),...
131 bpm • F min • 03:05 • -11db
12% Popularity • 40% Danceability • 25% Energy • 4% Liveness
1% Instrumentalness • 21% Positiveness
12% Popularity • 40% Danceability • 25% Energy • 4% Liveness
1% Instrumentalness • 21% Positiveness
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Gioachino Rossini
Il Barbiere di Siviglia: La calunnia è ...
131 bpm • D Maj • 04:26 • -17db
11% Popularity • 43% Danceability • 20% Energy • 10% Liveness
1% Instrumentalness • 23% Positiveness
11% Popularity • 43% Danceability • 20% Energy • 10% Liveness
1% Instrumentalness • 23% Positiveness
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George Frideric Handel
Alcina, HWV 34 / Act 1: Tornami a vagheg...
131 bpm • A Maj • 04:41 • -14.91db
18% Popularity • 41% Danceability • 17% Energy • 11% Liveness
3% Instrumentalness • 38% Positiveness
18% Popularity • 41% Danceability • 17% Energy • 11% Liveness
3% Instrumentalness • 38% Positiveness
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Georges Bizet
Carmen, WD 31 / Act 1: "L'amour est un o...
122 bpm • G Maj • 04:15 • -20.05db
11% Popularity • 35% Danceability • 13% Energy • 30% Liveness
0% Instrumentalness • 13% Positiveness
11% Popularity • 35% Danceability • 13% Energy • 30% Liveness
0% Instrumentalness • 13% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Don Giovanni, K. 527, Act 2: "De...
133 bpm • D Maj • 02:02 • -23.25db
10% Popularity • 42% Danceability • 10% Energy • 12% Liveness
46% Instrumentalness • 60% Positiveness
10% Popularity • 42% Danceability • 10% Energy • 12% Liveness
46% Instrumentalness • 60% Positiveness
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Giacomo Puccini
Puccini: Tosca, Act 3 Scene 2: "E luceva...
127 bpm • B min • 02:53 • -15.5db
9% Popularity • 25% Danceability • 13% Energy • 5% Liveness
6% Instrumentalness • 5% Positiveness
9% Popularity • 25% Danceability • 13% Energy • 5% Liveness
6% Instrumentalness • 5% Positiveness
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Vincenzo Bellini
Norma / Act 1: Oh! qual traspare orribil...
134 bpm • A# Maj • 01:12 • -20.92db
25% Popularity • 36% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
25% Popularity • 36% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
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Mario del Monaco
Core 'ngrato
135 bpm • D# Maj • 02:51 • -11.09db
14% Popularity • 21% Danceability • 40% Energy • 29% Liveness
1% Instrumentalness • 20% Positiveness
14% Popularity • 21% Danceability • 40% Energy • 29% Liveness
1% Instrumentalness • 20% Positiveness
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Gioachino Rossini
Il Barbiere di Siviglia: Una voce poco f...
120 bpm • E Maj • 06:10 • -21.52db
4% Popularity • 39% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
4% Popularity • 39% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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George Frideric Handel
Serse, HWV 40 / Act 1: "Ombra mai fu"
135 bpm • E Maj • 03:23 • -22db
31% Popularity • 22% Danceability • 8% Energy • 18% Liveness
8% Instrumentalness • 4% Positiveness
31% Popularity • 22% Danceability • 8% Energy • 18% Liveness
8% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Il re pastore, K. 208, Act I Scene 3: Si...
121 bpm • D Maj • 04:41 • -7.82db
29% Popularity • 37% Danceability • 35% Energy • 7% Liveness
1% Instrumentalness • 33% Positiveness
29% Popularity • 37% Danceability • 35% Energy • 7% Liveness
1% Instrumentalness • 33% Positiveness
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Giacomo Puccini
Cessato il suon dell'Armi (1887)
121 bpm • G# Maj • 07:25 • -15.53db
12% Popularity • 32% Danceability • 23% Energy • 35% Liveness
14% Instrumentalness • 13% Positiveness
12% Popularity • 32% Danceability • 23% Energy • 35% Liveness
14% Instrumentalness • 13% Positiveness
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Salvatore Cardillo
Core 'ngrato (orch. G. Chiaramello)
136 bpm • C# Maj • 03:13 • -21db
19% Popularity • 25% Danceability • 11% Energy • 14% Liveness
5% Instrumentalness • 6% Positiveness
19% Popularity • 25% Danceability • 11% Energy • 14% Liveness
5% Instrumentalness • 6% Positiveness
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Leo Nucci
Miniera
119 bpm • A Maj • 03:36 • -12db
34% Popularity • 40% Danceability • 21% Energy • 13% Liveness
1% Instrumentalness • 29% Positiveness
34% Popularity • 40% Danceability • 21% Energy • 13% Liveness
1% Instrumentalness • 29% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 1: Les oisea...
136 bpm • G# Maj • 05:02 • -18db
12% Popularity • 44% Danceability • 11% Energy • 68% Liveness
0% Instrumentalness • 16% Positiveness
12% Popularity • 44% Danceability • 11% Energy • 68% Liveness
0% Instrumentalness • 16% Positiveness
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Vincenzo Bellini
Norma / Act 1: Sgombra è la sacra
137 bpm • A# Maj • 03:50 • -33db
13% Popularity • 26% Danceability • 2% Energy • 57% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 26% Danceability • 2% Energy • 57% Liveness
0% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K. 492 / Act 2: "Voi...
119 bpm • A# Maj • 02:50 • -20db
39% Popularity • 36% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
39% Popularity • 36% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Giacomo Puccini
Madama Butterfly, SC 74, Act II: Addio f...
137 bpm • C# Maj • 02:07 • -13.2db
39% Popularity • 19% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
39% Popularity • 19% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
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Georges Bizet
Bizet: Carmen, WD 31, Act 1: "Attention ...
117 bpm • A# Maj • 02:56 • -23.57db
8% Popularity • 43% Danceability • 9% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
8% Popularity • 43% Danceability • 9% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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Gioachino Rossini
Péchés de vieillesse / Vol. III: Tiran...
117 bpm • C Maj • 04:28 • -17.42db
36% Popularity • 43% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
36% Popularity • 43% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Jacques Offenbach
La vie parisienne / Act I: "Je suis bré...
137 bpm • F Maj • 02:48 • -15.73db
8% Popularity • 44% Danceability • 31% Energy • 31% Liveness
29% Instrumentalness • 63% Positiveness
8% Popularity • 44% Danceability • 31% Energy • 31% Liveness
29% Instrumentalness • 63% Positiveness
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Ernesto de Curtis
Ti voglio tanto bene
116 bpm • C# Maj • 03:02 • -18.57db
14% Popularity • 24% Danceability • 14% Energy • 6% Liveness
31% Instrumentalness • 11% Positiveness
14% Popularity • 24% Danceability • 14% Energy • 6% Liveness
31% Instrumentalness • 11% Positiveness
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Wolfgang Amadeus Mozart
Don Giovanni / Act 1: "Fin ch'han dal vi...
118 bpm • F Maj • 01:27 • -9.77db
13% Popularity • 54% Danceability • 58% Energy • 11% Liveness
77% Instrumentalness • 66% Positiveness
13% Popularity • 54% Danceability • 58% Energy • 11% Liveness
77% Instrumentalness • 66% Positiveness
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Giacomo Puccini
Madama Butterfly / Act 2: Come una mosca...
137 bpm • A# min • 02:43 • -20.91db
15% Popularity • 20% Danceability • 10% Energy • 11% Liveness
70% Instrumentalness • 8% Positiveness
15% Popularity • 20% Danceability • 10% Energy • 11% Liveness
70% Instrumentalness • 8% Positiveness
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Georges Bizet
Bizet: Carmen, WD 31, Act 2: Chanson boh...
137 bpm • C Maj • 04:36 • -17.88db
10% Popularity • 39% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
10% Popularity • 39% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Heitor Villa-Lobos
Bachianas brasileiras No. 5 for Soprano ...
139 bpm • F Maj • 03:19 • -28db
17% Popularity • 19% Danceability • 3% Energy • 10% Liveness
75% Instrumentalness • 4% Positiveness
17% Popularity • 19% Danceability • 3% Energy • 10% Liveness
75% Instrumentalness • 4% Positiveness
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Carlo Bergonzi
Puccini's Manon Lescaut - Donna Non Vidi...
116 bpm • A# Maj • 02:35 • -14.96db
24% Popularity • 21% Danceability • 28% Energy • 8% Liveness
4% Instrumentalness • 11% Positiveness
24% Popularity • 21% Danceability • 28% Energy • 8% Liveness
4% Instrumentalness • 11% Positiveness
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Vincenzo Bellini
La Sonnambula / Act 1: Viva! Viva Amina!
116 bpm • F# min • 01:06 • -30db
36% Popularity • 25% Danceability • 10% Energy • 16% Liveness
30% Instrumentalness • 5% Positiveness
36% Popularity • 25% Danceability • 10% Energy • 16% Liveness
30% Instrumentalness • 5% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia / Act 2: Cessa d...
115 bpm • A# Maj • 07:44 • -16db
9% Popularity • 36% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
9% Popularity • 36% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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Giacomo Puccini
Manon Lescaut / Act 1: Ave, sera gentile
128 bpm • F# min • 04:24 • -21db
14% Popularity • 32% Danceability • 16% Energy • 30% Liveness
3% Instrumentalness • 45% Positiveness
14% Popularity • 32% Danceability • 16% Energy • 30% Liveness
3% Instrumentalness • 45% Positiveness
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Georges Bizet
Bizet: Carmen, Act 2: "Votre toast, je p...
116 bpm • F Maj • 04:52 • -14db
24% Popularity • 42% Danceability • 34% Energy • 9% Liveness
1% Instrumentalness • 46% Positiveness
24% Popularity • 42% Danceability • 34% Energy • 9% Liveness
1% Instrumentalness • 46% Positiveness
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Wolfgang Amadeus Mozart
Don Giovanni, K. 527, Act II Scene 10: I...
112 bpm • F Maj • 04:14 • -11db
16% Popularity • 31% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
16% Popularity • 31% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Dame Joan Sutherland
I Puritani
112 bpm • D Maj • 03:05 • -15.82db
29% Popularity • 42% Danceability • 21% Energy • 10% Liveness
2% Instrumentalness • 23% Positiveness
29% Popularity • 42% Danceability • 21% Energy • 10% Liveness
2% Instrumentalness • 23% Positiveness
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Vincenzo Bellini
I Capuleti e i Montecchi: Eccomi in liet...
139 bpm • G Maj • 08:54 • -19.59db
7% Popularity • 32% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
7% Popularity • 32% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
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Gioachino Rossini
Il Barbiere di Siviglia, Act I, Scene On...
115 bpm • D Maj • 01:05 • -25.16db
14% Popularity • 60% Danceability • 4% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
14% Popularity • 60% Danceability • 4% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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Giacomo Puccini
Puccini: Tosca, Act 2 Scene 1: "Ha più ...
141 bpm • F min • 01:16 • -15.88db
4% Popularity • 42% Danceability • 24% Energy • 11% Liveness
68% Instrumentalness • 52% Positiveness
4% Popularity • 42% Danceability • 24% Energy • 11% Liveness
68% Instrumentalness • 52% Positiveness
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Georges Bizet
Bizet: Carmen, Act 2: "Votre toast, je p...
113 bpm • F Maj • 04:53 • -15.69db
25% Popularity • 42% Danceability • 28% Energy • 64% Liveness
0% Instrumentalness • 40% Positiveness
25% Popularity • 42% Danceability • 28% Energy • 64% Liveness
0% Instrumentalness • 40% Positiveness
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Wolfgang Amadeus Mozart
Così fan tutte, K. 588 / Act I: "E la f...
111 bpm • E Maj • 01:06 • -24.65db
25% Popularity • 45% Danceability • 12% Energy • 82% Liveness
0% Instrumentalness • 52% Positiveness
25% Popularity • 45% Danceability • 12% Energy • 82% Liveness
0% Instrumentalness • 52% Positiveness
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Dame Joan Sutherland
Ah! Tardai troppo… O luce di quest ani...
109 bpm • C Maj • 06:13 • -18.65db
15% Popularity • 37% Danceability • 10% Energy • 29% Liveness
5% Instrumentalness • 6% Positiveness
15% Popularity • 37% Danceability • 10% Energy • 29% Liveness
5% Instrumentalness • 6% Positiveness
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Vincenzo Bellini
La sonnambula / Act 2: "Ah, non credea m...
109 bpm • A min • 04:17 • -24.42db
20% Popularity • 32% Danceability • 6% Energy • 12% Liveness
6% Instrumentalness • 4% Positiveness
20% Popularity • 32% Danceability • 6% Energy • 12% Liveness
6% Instrumentalness • 4% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia / Act I: No. 2 C...
148 bpm • C Maj • 04:58 • -15.22db
28% Popularity • 39% Danceability • 29% Energy • 7% Liveness
10% Instrumentalness • 39% Positiveness
28% Popularity • 39% Danceability • 29% Energy • 7% Liveness
10% Instrumentalness • 39% Positiveness
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Giacomo Puccini
Puccini: La bohème, Act 1: "Si può?......
109 bpm • F# min • 04:19 • -18.51db
13% Popularity • 50% Danceability • 15% Energy • 63% Liveness
1% Instrumentalness • 37% Positiveness
13% Popularity • 50% Danceability • 15% Energy • 63% Liveness
1% Instrumentalness • 37% Positiveness
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Georges Bizet
Carmen / Act 1: "Quand je vous aimerai?"...
111 bpm • D Maj • 05:01 • -24.72db
27% Popularity • 37% Danceability • 2% Energy • 70% Liveness
0% Instrumentalness • 12% Positiveness
27% Popularity • 37% Danceability • 2% Energy • 70% Liveness
0% Instrumentalness • 12% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Le nozze di Figaro, K. 492, Act ...
110 bpm • A# Maj • 02:52 • -12.73db
28% Popularity • 34% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
28% Popularity • 34% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Charles Gounod
Roméo et Juliet: Je veux vivre (Act I -...
108 bpm • G Maj • 03:53 • -20db
14% Popularity • 38% Danceability • 13% Energy • 7% Liveness
1% Instrumentalness • 40% Positiveness
14% Popularity • 38% Danceability • 13% Energy • 7% Liveness
1% Instrumentalness • 40% Positiveness
► Preview
Vincenzo Bellini
Norma / Act 2: Mira, o Norma
108 bpm • D# Maj • 05:13 • -23db
19% Popularity • 34% Danceability • 7% Energy • 66% Liveness
0% Instrumentalness • 5% Positiveness
19% Popularity • 34% Danceability • 7% Energy • 66% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Gioachino Rossini
Il Barbiere di Siviglia, Act I, Scene On...
108 bpm • G Maj • 02:55 • -31.23db
12% Popularity • 35% Danceability • 3% Energy • 12% Liveness
4% Instrumentalness • 36% Positiveness
12% Popularity • 35% Danceability • 3% Energy • 12% Liveness
4% Instrumentalness • 36% Positiveness
► Preview
Giacomo Puccini
La Bohème / Act 1: Non sono in vena! - ...
153 bpm • E min • 04:13 • -25.18db
12% Popularity • 30% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 30% Danceability • 6% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Georges Bizet
Carmen: La fleur que tu m'avais jetée
109 bpm • C# Maj • 04:03 • -20.53db
7% Popularity • 24% Danceability • 9% Energy • 30% Liveness
1% Instrumentalness • 4% Positiveness
7% Popularity • 24% Danceability • 9% Energy • 30% Liveness
1% Instrumentalness • 4% Positiveness
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Stanislao Gastaldon
Musica proibita
168 bpm • A Maj • 03:23 • -16.32db
13% Popularity • 23% Danceability • 14% Energy • 12% Liveness
1% Instrumentalness • 16% Positiveness
13% Popularity • 23% Danceability • 14% Energy • 12% Liveness
1% Instrumentalness • 16% Positiveness
► Preview
Gaetano Donizetti
Donizetti: L'elisir d'amore, Act 1 Scene...
169 bpm • C Maj • 02:30 • -18db
16% Popularity • 28% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
16% Popularity • 28% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
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Jacques Offenbach
Barcarolle
171 bpm • D Maj • 03:43 • -23db
37% Popularity • 16% Danceability • 8% Energy • 28% Liveness
0% Instrumentalness • 4% Positiveness
37% Popularity • 16% Danceability • 8% Energy • 28% Liveness
0% Instrumentalness • 4% Positiveness
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Gioachino Rossini
La Danza
155 bpm • D# min • 03:03 • -9.9db
9% Popularity • 44% Danceability • 58% Energy • 14% Liveness
3% Instrumentalness • 74% Positiveness
9% Popularity • 44% Danceability • 58% Energy • 14% Liveness
3% Instrumentalness • 74% Positiveness
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Giacomo Puccini
Turandot: Act I: Non piangere, Liù!
160 bpm • D# min • 01:56 • -16db
37% Popularity • 23% Danceability • 14% Energy • 20% Liveness
0% Instrumentalness • 21% Positiveness
37% Popularity • 23% Danceability • 14% Energy • 20% Liveness
0% Instrumentalness • 21% Positiveness
► Preview
Georges Bizet
Bizet: Les pêcheurs de perles, Act 1: "...
169 bpm • D# Maj • 04:09 • -20.12db
13% Popularity • 17% Danceability • 16% Energy • 36% Liveness
2% Instrumentalness • 7% Positiveness
13% Popularity • 17% Danceability • 16% Energy • 36% Liveness
2% Instrumentalness • 7% Positiveness
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Nicola Valente
Passione
169 bpm • A Maj • 03:38 • -14.85db
14% Popularity • 18% Danceability • 24% Energy • 19% Liveness
67% Instrumentalness • 7% Positiveness
14% Popularity • 18% Danceability • 24% Energy • 19% Liveness
67% Instrumentalness • 7% Positiveness
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Umberto Giordano
Fedora / Act 2: "Amor ti vieta" - Remast...
171 bpm • C Maj • 01:49 • -14.35db
10% Popularity • 17% Danceability • 27% Energy • 16% Liveness
5% Instrumentalness • 17% Positiveness
10% Popularity • 17% Danceability • 27% Energy • 16% Liveness
5% Instrumentalness • 17% Positiveness
► Preview
Francesco Cilea
Cilèa: L'Arlesiana, Act 2: "È la solit...
172 bpm • A min • 04:47 • -16.06db
14% Popularity • 18% Danceability • 14% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
14% Popularity • 18% Danceability • 14% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Gioachino Rossini
Il barbiere di Siviglia (The Barber of S...
166 bpm • C Maj • 04:40 • -22.2db
11% Popularity • 26% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
11% Popularity • 26% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Giacomo Puccini
La rondine, SC 83 / Act I: "Chi il bel s...
166 bpm • F Maj • 03:37 • -18db
24% Popularity • 20% Danceability • 16% Energy • 13% Liveness
35% Instrumentalness • 4% Positiveness
24% Popularity • 20% Danceability • 16% Energy • 13% Liveness
35% Instrumentalness • 4% Positiveness
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Mario del Monaco
Di quella pira
172 bpm • C Maj • 02:07 • -11db
18% Popularity • 31% Danceability • 34% Energy • 11% Liveness
8% Instrumentalness • 28% Positiveness
18% Popularity • 31% Danceability • 34% Energy • 11% Liveness
8% Instrumentalness • 28% Positiveness
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Richard Wagner
Tannhäuser, WWV 70, Act II: Dich, teure...
172 bpm • E min • 03:41 • -13.09db
22% Popularity • 23% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
22% Popularity • 23% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Luigi Arditi
Il bacio
173 bpm • G Maj • 03:54 • -18.53db
29% Popularity • 39% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
29% Popularity • 39% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Francesco Cilea
Adriana Lecouvreur / Act 2: "L'anima ho ...
175 bpm • B min • 02:02 • -17db
16% Popularity • 18% Danceability • 22% Energy • 9% Liveness
82% Instrumentalness • 4% Positiveness
16% Popularity • 18% Danceability • 22% Energy • 9% Liveness
82% Instrumentalness • 4% Positiveness
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Gaetano Donizetti
L'elisir d'amore / Act 2: "Una furtiva l...
175 bpm • F min • 06:40 • -20db
42% Popularity • 24% Danceability • 6% Energy • 29% Liveness
0% Instrumentalness • 9% Positiveness
42% Popularity • 24% Danceability • 6% Energy • 29% Liveness
0% Instrumentalness • 9% Positiveness
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Giacomo Puccini
Puccini: Turandot, Act 1: "Non piangere,...
128 bpm • D# min • 02:15 • -14.43db
3% Popularity • 26% Danceability • 23% Energy • 13% Liveness
1% Instrumentalness • 17% Positiveness
3% Popularity • 26% Danceability • 23% Energy • 13% Liveness
1% Instrumentalness • 17% Positiveness
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George Frideric Handel
Serse, HWV 40, Act I: Ombra mai fu
175 bpm • E Maj • 03:04 • -18.42db
39% Popularity • 13% Danceability • 16% Energy • 10% Liveness
24% Instrumentalness • 4% Positiveness
39% Popularity • 13% Danceability • 16% Energy • 10% Liveness
24% Instrumentalness • 4% Positiveness
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Vincenzo Bellini
Norma / Act 1 Scene 1: "Casta Diva" (Cri...
176 bpm • F Maj • 06:30 • -20.45db
36% Popularity • 21% Danceability • 9% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness
36% Popularity • 21% Danceability • 9% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness
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Mario del Monaco
O tu che in seno agli Angeli
177 bpm • D# Maj • 03:07 • -13db
21% Popularity • 20% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 7% Positiveness
21% Popularity • 20% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 7% Positiveness
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Francesco Cilea
Adriana Lecouvreur / Act II: "Acerba vol...
177 bpm • F Maj • 04:14 • -17.6db
8% Popularity • 24% Danceability • 23% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
8% Popularity • 24% Danceability • 23% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Umberto Giordano
Fedora: Amor ti vieta
177 bpm • C Maj • 01:49 • -19db
28% Popularity • 16% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
28% Popularity • 16% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Giacomo Puccini
Puccini: Madama Butterfly, Act 1: "Dovun...
130 bpm • C# Maj • 04:07 • -16.82db
7% Popularity • 32% Danceability • 15% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
7% Popularity • 32% Danceability • 15% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
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George Frideric Handel
Rinaldo / Act 2: Lascia ch'io pianga
176 bpm • E Maj • 04:45 • -24.12db
45% Popularity • 20% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
45% Popularity • 20% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Vincenzo Bellini
La Sonnambula / Act 2: Ah! non credea mi...
176 bpm • C Maj • 05:03 • -24db
17% Popularity • 20% Danceability • 4% Energy • 14% Liveness
42% Instrumentalness • 4% Positiveness
17% Popularity • 20% Danceability • 4% Energy • 14% Liveness
42% Instrumentalness • 4% Positiveness
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Angela Gheorghiu
La Belle Hélène: Au mont Ida trois dee...
177 bpm • A# Maj • 03:18 • -24.5db
16% Popularity • 23% Danceability • 8% Energy • 23% Liveness
0% Instrumentalness • 40% Positiveness
16% Popularity • 23% Danceability • 8% Energy • 23% Liveness
0% Instrumentalness • 40% Positiveness
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Giacomo Puccini
La Bohème / Act 1: "Sì. Mi chiamano Mi...
130 bpm • D Maj • 06:13 • -23db
9% Popularity • 25% Danceability • 7% Energy • 79% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 25% Danceability • 7% Energy • 79% Liveness
0% Instrumentalness • 4% Positiveness
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Giacomo Puccini
La bohème, SC 67 / Act 3: "Ohè, là , l...
123 bpm • D Maj • 04:19 • -36.87db
25% Popularity • 27% Danceability • 3% Energy • 64% Liveness
1% Instrumentalness • 11% Positiveness
25% Popularity • 27% Danceability • 3% Energy • 64% Liveness
1% Instrumentalness • 11% Positiveness
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Giacomo Puccini
La Bohème / Act 1: "O soave fanciulla"
123 bpm • C Maj • 04:09 • -15.28db
8% Popularity • 26% Danceability • 21% Energy • 13% Liveness
16% Instrumentalness • 4% Positiveness
8% Popularity • 26% Danceability • 21% Energy • 13% Liveness
16% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Messa di Gloria: Gratias agimus tibi
131 bpm • C# Maj • 04:48 • -21.36db
7% Popularity • 20% Danceability • 9% Energy • 10% Liveness
26% Instrumentalness • 8% Positiveness
7% Popularity • 20% Danceability • 9% Energy • 10% Liveness
26% Instrumentalness • 8% Positiveness
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Giacomo Puccini
Tosca / Act I: "Tre sbirri... Una carozz...
132 bpm • D# Maj • 04:34 • -17db
22% Popularity • 20% Danceability • 34% Energy • 12% Liveness
64% Instrumentalness • 7% Positiveness
22% Popularity • 20% Danceability • 34% Energy • 12% Liveness
64% Instrumentalness • 7% Positiveness
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Giacomo Puccini
Turandot / Act 3: Liù! Liù! Sorgi! Sor...
131 bpm • D# min • 04:41 • -23.35db
23% Popularity • 22% Danceability • 7% Energy • 33% Liveness
46% Instrumentalness • 6% Positiveness
23% Popularity • 22% Danceability • 7% Energy • 33% Liveness
46% Instrumentalness • 6% Positiveness
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Giacomo Puccini
La boheme, Act II: Quando m'en vo' solet...
122 bpm • A Maj • 04:59 • -19.09db
10% Popularity • 34% Danceability • 10% Energy • 28% Liveness
0% Instrumentalness • 14% Positiveness
10% Popularity • 34% Danceability • 10% Energy • 28% Liveness
0% Instrumentalness • 14% Positiveness
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Giacomo Puccini
Tosca / Act 1: "Tre sbirri... Una carozz...
132 bpm • C min • 05:09 • -17.72db
9% Popularity • 22% Danceability • 31% Energy • 9% Liveness
81% Instrumentalness • 8% Positiveness
9% Popularity • 22% Danceability • 31% Energy • 9% Liveness
81% Instrumentalness • 8% Positiveness
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Giacomo Puccini
Puccini: La bohème, Act 2: "Quando me'n...
132 bpm • A Maj • 04:40 • -16db
28% Popularity • 33% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 16% Positiveness
28% Popularity • 33% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 16% Positiveness
