Songs like Puer natus in Bethlehem by Samuel Scheidt
Based on a tempo of (+/- 10%) and a similar genre
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James Leith Macbeth Bain
The Lord's my shepherd (Brother James' A...
81 bpm • D Maj • 02:45 • -28.7db
24% Popularity • 24% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
24% Popularity • 24% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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The Cathedral Singers
Messe Solennelle, Op. 12, FWV 61: Messe ...
81 bpm • A Maj • 03:49 • -16.06db
32% Popularity • 19% Danceability • 22% Energy • 11% Liveness
66% Instrumentalness • 8% Positiveness
32% Popularity • 19% Danceability • 22% Energy • 11% Liveness
66% Instrumentalness • 8% Positiveness
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Otto Nicolai
Herr, auf dich traue ich (Psalm 31)
81 bpm • D# Maj • 09:32 • -25.69db
14% Popularity • 11% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
14% Popularity • 11% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Luca Marenzio
Basciami Mille Volte a 5 Voci
81 bpm • G min • 02:02 • -19.35db
31% Popularity • 21% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
31% Popularity • 21% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Ludwig Senfl
Ach Elslein, liebes Elselein mein
81 bpm • D Maj • 02:16 • -17db
11% Popularity • 20% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
11% Popularity • 20% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Girolamo Frescobaldi
O Mors Illa
81 bpm • G min • 04:16 • -24db
10% Popularity • 12% Danceability • 11% Energy • 18% Liveness
70% Instrumentalness • 4% Positiveness
10% Popularity • 12% Danceability • 11% Energy • 18% Liveness
70% Instrumentalness • 4% Positiveness
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Glenn Goss
Praise, My Soul, the King of Heaven (Pra...
81 bpm • D Maj • 02:50 • -21.92db
27% Popularity • 15% Danceability • 13% Energy • 26% Liveness
66% Instrumentalness • 5% Positiveness
27% Popularity • 15% Danceability • 13% Energy • 26% Liveness
66% Instrumentalness • 5% Positiveness
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Louis Vierne
Messe solennelle pour deux orgues et cho...
81 bpm • G# Maj • 04:49 • -28db
11% Popularity • 15% Danceability • 6% Energy • 17% Liveness
70% Instrumentalness • 3% Positiveness
11% Popularity • 15% Danceability • 6% Energy • 17% Liveness
70% Instrumentalness • 3% Positiveness
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Benjamin Britten
A Hymn to the Virgin
81 bpm • E Maj • 02:43 • -27db
18% Popularity • 15% Danceability • 4% Energy • 12% Liveness
9% Instrumentalness • 4% Positiveness
18% Popularity • 15% Danceability • 4% Energy • 12% Liveness
9% Instrumentalness • 4% Positiveness
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Samuel Scheidt
Puer natus in Bethlehem
81 bpm • G min • 02:48 • -21.15db
21% Popularity • 16% Danceability • 16% Energy • 17% Liveness
48% Instrumentalness • 22% Positiveness
21% Popularity • 16% Danceability • 16% Energy • 17% Liveness
48% Instrumentalness • 22% Positiveness
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The Tallis Scholars
Palestrina: Missa Papae Marcelli - 1a. K...
81 bpm • B Maj • 01:36 • -25.57db
42% Popularity • 8% Danceability • 12% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
42% Popularity • 8% Danceability • 12% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
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John Sheppard
Christ Our Paschal Lamb
81 bpm • F Maj • 01:57 • -34db
9% Popularity • 16% Danceability • 5% Energy • 13% Liveness
1% Instrumentalness • 10% Positiveness
9% Popularity • 16% Danceability • 5% Energy • 13% Liveness
1% Instrumentalness • 10% Positiveness
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Amy Beach
With Prayer and Supplicaton
81 bpm • C min • 01:20 • -32db
22% Popularity • 21% Danceability • 5% Energy • 12% Liveness
39% Instrumentalness • 4% Positiveness
22% Popularity • 21% Danceability • 5% Energy • 12% Liveness
39% Instrumentalness • 4% Positiveness
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Georgy Sviridov
Pesnopeniya i molitvi (Canticles and Pra...
81 bpm • F# min • 01:08 • -31.52db
31% Popularity • 16% Danceability • 3% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
31% Popularity • 16% Danceability • 3% Energy • 9% Liveness
96% Instrumentalness • 3% Positiveness
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Sergei Rachmaninoff
Rachmaninov: Vespers, Op. 37: XI. Velich...
81 bpm • G min • 09:32 • -33.79db
14% Popularity • 11% Danceability • 2% Energy • 18% Liveness
3% Instrumentalness • 7% Positiveness
14% Popularity • 11% Danceability • 2% Energy • 18% Liveness
3% Instrumentalness • 7% Positiveness
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William Henry Harris
O hearken Thou, "Psalm 5"
81 bpm • G Maj • 02:31 • -25.85db
16% Popularity • 15% Danceability • 2% Energy • 26% Liveness
95% Instrumentalness • 3% Positiveness
16% Popularity • 15% Danceability • 2% Energy • 26% Liveness
95% Instrumentalness • 3% Positiveness
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Calmus Ensemble
Jesu, Meine Freude BWV 227: Jesu, Meine ...
81 bpm • C# min • 01:05 • -18db
27% Popularity • 24% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
27% Popularity • 24% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Heinrich Kaminski
Psalm 130: Aus der Tiefe reufe ich, Herr...
81 bpm • D min • 01:50 • -27db
23% Popularity • 13% Danceability • 7% Energy • 12% Liveness
7% Instrumentalness • 5% Positiveness
23% Popularity • 13% Danceability • 7% Energy • 12% Liveness
7% Instrumentalness • 5% Positiveness
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Ēriks Ešenvalds
Long Road
81 bpm • F Maj • 06:09 • -24db
12% Popularity • 8% Danceability • 6% Energy • 12% Liveness
42% Instrumentalness • 4% Positiveness
12% Popularity • 8% Danceability • 6% Energy • 12% Liveness
42% Instrumentalness • 4% Positiveness
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Frank Martin
Mass for Double Choir: Kyrie
81 bpm • A min • 05:55 • -26db
15% Popularity • 14% Danceability • 3% Energy • 5% Liveness
29% Instrumentalness • 4% Positiveness
15% Popularity • 14% Danceability • 3% Energy • 5% Liveness
29% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Rachmaninov: Vespers, Op. 37: XII. Slavo...
81 bpm • C min • 06:57 • -30.52db
14% Popularity • 8% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
14% Popularity • 8% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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William P. Rowlands
Love Divine, All Loves Excelling (Blaenw...
81 bpm • G Maj • 03:40 • -21.8db
25% Popularity • 9% Danceability • 18% Energy • 16% Liveness
13% Instrumentalness • 10% Positiveness
25% Popularity • 9% Danceability • 18% Energy • 16% Liveness
13% Instrumentalness • 10% Positiveness
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Pyotr Ilyich Tchaikovsky
Kheruvimskaya pesnya (Cherubic Hymn)
82 bpm • E min • 04:58 • -27.07db
19% Popularity • 8% Danceability • 2% Energy • 6% Liveness
1% Instrumentalness • 3% Positiveness
19% Popularity • 8% Danceability • 2% Energy • 6% Liveness
1% Instrumentalness • 3% Positiveness
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The Graduate Choir, nz
Ain't That Good News!
82 bpm • F# Maj • 02:04 • -18.76db
19% Popularity • 27% Danceability • 18% Energy • 12% Liveness
36% Instrumentalness • 13% Positiveness
19% Popularity • 27% Danceability • 18% Energy • 12% Liveness
36% Instrumentalness • 13% Positiveness
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Ola Gjeilo
Shimmering - Ace generosa
82 bpm • B min • 05:13 • -22db
25% Popularity • 11% Danceability • 7% Energy • 6% Liveness
1% Instrumentalness • 4% Positiveness
25% Popularity • 11% Danceability • 7% Energy • 6% Liveness
1% Instrumentalness • 4% Positiveness
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Edward Miller
When I Survey The Wondrous Cross
80 bpm • F Maj • 03:21 • -29.92db
8% Popularity • 18% Danceability • 6% Energy • 13% Liveness
80% Instrumentalness • 9% Positiveness
8% Popularity • 18% Danceability • 6% Energy • 13% Liveness
80% Instrumentalness • 9% Positiveness
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Girl Choristers
アヴェマリア(エルガー) 作品2...
82 bpm • A# Maj • 02:41 • -29db
8% Popularity • 22% Danceability • 5% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
8% Popularity • 22% Danceability • 5% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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Chorus Angelicus
Drop, Drop Slow Tears
80 bpm • G Maj • 01:28 • -30db
22% Popularity • 20% Danceability • 1% Energy • 15% Liveness
88% Instrumentalness • 7% Positiveness
22% Popularity • 20% Danceability • 1% Energy • 15% Liveness
88% Instrumentalness • 7% Positiveness
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Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
82 bpm • D min • 03:18 • -28.29db
17% Popularity • 18% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
17% Popularity • 18% Danceability • 3% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Henry Walford Davies
Psalm 121 (I will lift up mine eyes)
80 bpm • D Maj • 02:33 • -29.19db
20% Popularity • 28% Danceability • 4% Energy • 6% Liveness
0% Instrumentalness • 6% Positiveness
20% Popularity • 28% Danceability • 4% Energy • 6% Liveness
0% Instrumentalness • 6% Positiveness
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Dmitry Bortniansky
Kol' slaven nash (How great is our Lord ...
80 bpm • D# Maj • 04:16 • -26.4db
13% Popularity • 12% Danceability • 6% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
13% Popularity • 12% Danceability • 6% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
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Gregorio Allegri
Messe vidi turbam magnam: No. 2, Kyrie
80 bpm • F Maj • 02:39 • -16.68db
24% Popularity • 20% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
24% Popularity • 20% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Cyrillus Kreek
Taaveti laulud 22, "Mu Jumal! Mu Jumal!"...
80 bpm • G Maj • 04:26 • -26db
9% Popularity • 9% Danceability • 5% Energy • 11% Liveness
7% Instrumentalness • 3% Positiveness
9% Popularity • 9% Danceability • 5% Energy • 11% Liveness
7% Instrumentalness • 3% Positiveness
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Henry Purcell
Purcell: Blessed Are They That Fear the ...
80 bpm • G min • 09:45 • -30.03db
8% Popularity • 21% Danceability • 3% Energy • 8% Liveness
1% Instrumentalness • 13% Positiveness
8% Popularity • 21% Danceability • 3% Energy • 8% Liveness
1% Instrumentalness • 13% Positiveness
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The Leningrad Glinka State Academic Choir
Hymn of the Cherubim (Excerpt 2)
80 bpm • D Maj • 04:02 • -22.79db
23% Popularity • 16% Danceability • 17% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
23% Popularity • 16% Danceability • 17% Energy • 10% Liveness
98% Instrumentalness • 4% Positiveness
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Hubert Parry
I Was Glad
82 bpm • A# Maj • 07:34 • -20.73db
9% Popularity • 8% Danceability • 15% Energy • 32% Liveness
90% Instrumentalness • 4% Positiveness
9% Popularity • 8% Danceability • 15% Energy • 32% Liveness
90% Instrumentalness • 4% Positiveness
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Ēriks Ešenvalds
O salutaris hostia
80 bpm • D Maj • 03:37 • -24.69db
27% Popularity • 15% Danceability • 5% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
27% Popularity • 15% Danceability • 5% Energy • 13% Liveness
94% Instrumentalness • 4% Positiveness
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Carlo Gesualdo
Io parto e non piu dissi
80 bpm • A min • 03:06 • -27db
22% Popularity • 12% Danceability • 4% Energy • 12% Liveness
3% Instrumentalness • 4% Positiveness
22% Popularity • 12% Danceability • 4% Energy • 12% Liveness
3% Instrumentalness • 4% Positiveness
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Orazio Benevoli
Missa si Deus pro nobis, a 16 voci: III....
82 bpm • A min • 03:15 • -17.91db
15% Popularity • 8% Danceability • 23% Energy • 10% Liveness
94% Instrumentalness • 15% Positiveness
15% Popularity • 8% Danceability • 23% Energy • 10% Liveness
94% Instrumentalness • 15% Positiveness
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Alice Tegner
O Salve Regina
82 bpm • G min • 01:40 • -22.76db
24% Popularity • 27% Danceability • 9% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
24% Popularity • 27% Danceability • 9% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Frank Martin
Mass for Double Choir: I. Kyrie
80 bpm • E min • 05:16 • -23db
15% Popularity • 13% Danceability • 7% Energy • 6% Liveness
18% Instrumentalness • 4% Positiveness
15% Popularity • 13% Danceability • 7% Energy • 6% Liveness
18% Instrumentalness • 4% Positiveness
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George Dyson
Nunc Dimittis in F Major (1)
82 bpm • F Maj • 02:19 • -35.79db
12% Popularity • 15% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
12% Popularity • 15% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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William Croft
Burial service: I heard a voice from hea...
80 bpm • E Maj • 01:43 • -17db
17% Popularity • 22% Danceability • 22% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
17% Popularity • 22% Danceability • 22% Energy • 15% Liveness
94% Instrumentalness • 4% Positiveness
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Musica Amphion
Motet Jesu Meine Freude (Bwv 227)
80 bpm • D# min • 01:15 • -22.18db
30% Popularity • 17% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
30% Popularity • 17% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Antoine Busnois
Alleluya
80 bpm • D# Maj • 01:25 • -20.8db
35% Popularity • 23% Danceability • 8% Energy • 7% Liveness
11% Instrumentalness • 9% Positiveness
35% Popularity • 23% Danceability • 8% Energy • 7% Liveness
11% Instrumentalness • 9% Positiveness
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Sven-David Sandström
4 Songs of Love: No. 1, Let Him Kiss Me
80 bpm • D# Maj • 02:10 • -28.49db
27% Popularity • 19% Danceability • 1% Energy • 11% Liveness
57% Instrumentalness • 3% Positiveness
27% Popularity • 19% Danceability • 1% Energy • 11% Liveness
57% Instrumentalness • 3% Positiveness
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Charles Gounod
Messe brève No. 7: IV. O Salutaris Host...
82 bpm • F Maj • 02:19 • -35.08db
15% Popularity • 9% Danceability • 1% Energy • 6% Liveness
72% Instrumentalness • 4% Positiveness
15% Popularity • 9% Danceability • 1% Energy • 6% Liveness
72% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Tallis: Lamentations of Jeremiah I - 2. ...
83 bpm • F min • 02:37 • -28.03db
36% Popularity • 8% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
36% Popularity • 8% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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John Goss
Psalm 23 (The Lord is my shepherd)
83 bpm • E Maj • 02:34 • -24db
23% Popularity • 11% Danceability • 15% Energy • 12% Liveness
68% Instrumentalness • 5% Positiveness
23% Popularity • 11% Danceability • 15% Energy • 12% Liveness
68% Instrumentalness • 5% Positiveness
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George Job Elvey
Come, Ye Thankful People, Come (St. Geor...
83 bpm • F Maj • 03:16 • -23db
15% Popularity • 17% Danceability • 10% Energy • 26% Liveness
91% Instrumentalness • 9% Positiveness
15% Popularity • 17% Danceability • 10% Energy • 26% Liveness
91% Instrumentalness • 9% Positiveness
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Ēriks Ešenvalds
Ancient Prairie
79 bpm • D Maj • 05:04 • -25.7db
11% Popularity • 9% Danceability • 5% Energy • 10% Liveness
29% Instrumentalness • 3% Positiveness
11% Popularity • 9% Danceability • 5% Energy • 10% Liveness
29% Instrumentalness • 3% Positiveness
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Henry Purcell
Rejoice in the Lord alway, Z. 49
79 bpm • B Maj • 08:10 • -24.72db
20% Popularity • 18% Danceability • 4% Energy • 28% Liveness
4% Instrumentalness • 16% Positiveness
20% Popularity • 18% Danceability • 4% Energy • 28% Liveness
4% Instrumentalness • 16% Positiveness
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Samuel Scheidt
Görlitzer Tabulaturbuch: O Jesulein sü...
79 bpm • D Maj • 00:46 • -36.57db
0% Popularity • 18% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 35% Positiveness
0% Popularity • 18% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 35% Positiveness
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The Tallis Scholars
Josquin: Missa Gaudeamus - 05. Qui Tolli...
83 bpm • G# min • 03:54 • -22.36db
20% Popularity • 9% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
20% Popularity • 9% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Pavel Chesnokov
Cherubic Hymn, Op. 7, No. 1
79 bpm • B min • 04:34 • -23.19db
26% Popularity • 7% Danceability • 7% Energy • 22% Liveness
32% Instrumentalness • 4% Positiveness
26% Popularity • 7% Danceability • 7% Energy • 22% Liveness
32% Instrumentalness • 4% Positiveness
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Francesco Corteccia
Gloria patri
79 bpm • G Maj • 01:09 • -27.57db
32% Popularity • 18% Danceability • 8% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
32% Popularity • 18% Danceability • 8% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Guillaume de Machaut
Messe de Notre Dame: Kyrie
79 bpm • D Maj • 06:31 • -19db
14% Popularity • 10% Danceability • 19% Energy • 20% Liveness
32% Instrumentalness • 11% Positiveness
14% Popularity • 10% Danceability • 19% Energy • 20% Liveness
32% Instrumentalness • 11% Positiveness
► Preview
Traditional Irish
Be thou my vision (Slane)
79 bpm • C min • 04:34 • -31.24db
31% Popularity • 17% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
31% Popularity • 17% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Charles Gounod
Messe brève No. 7: III. Sanctus
79 bpm • C Maj • 01:41 • -23db
15% Popularity • 13% Danceability • 4% Energy • 12% Liveness
72% Instrumentalness • 4% Positiveness
15% Popularity • 13% Danceability • 4% Energy • 12% Liveness
72% Instrumentalness • 4% Positiveness
► Preview
Ola Gjeilo
Serenity (O Magnum Mysterium)
83 bpm • G Maj • 05:39 • -27db
23% Popularity • 8% Danceability • 6% Energy • 6% Liveness
93% Instrumentalness • 3% Positiveness
23% Popularity • 8% Danceability • 6% Energy • 6% Liveness
93% Instrumentalness • 3% Positiveness
► Preview
William Croft
Burial Service: I am the resurrection
83 bpm • C# min • 02:53 • -16db
14% Popularity • 21% Danceability • 20% Energy • 11% Liveness
61% Instrumentalness • 4% Positiveness
14% Popularity • 21% Danceability • 20% Energy • 11% Liveness
61% Instrumentalness • 4% Positiveness
► Preview
The Tallis Scholars
Tallis: A New Commandment
79 bpm • C# min • 02:42 • -29db
29% Popularity • 9% Danceability • 5% Energy • 8% Liveness
8% Instrumentalness • 10% Positiveness
29% Popularity • 9% Danceability • 5% Energy • 8% Liveness
8% Instrumentalness • 10% Positiveness
► Preview
Antonio Vivaldi
Vivaldi: Magnificat in G Minor, RV 610: ...
79 bpm • F# min • 01:04 • -16db
25% Popularity • 8% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
25% Popularity • 8% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Giovanni Gabrieli
In ecclesiis (a 14), C78
79 bpm • A min • 07:44 • -21db
15% Popularity • 11% Danceability • 11% Energy • 18% Liveness
18% Instrumentalness • 4% Positiveness
15% Popularity • 11% Danceability • 11% Energy • 18% Liveness
18% Instrumentalness • 4% Positiveness
► Preview
Heinrich Isaac
Missa Presulem ephebeatum: I. Kyrie
83 bpm • D min • 01:09 • -17.68db
39% Popularity • 18% Danceability • 15% Energy • 9% Liveness
1% Instrumentalness • 9% Positiveness
39% Popularity • 18% Danceability • 15% Energy • 9% Liveness
1% Instrumentalness • 9% Positiveness
► Preview
Hubert Parry
I Was Glad
83 bpm • A# Maj • 07:11 • -19db
21% Popularity • 15% Danceability • 16% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
21% Popularity • 15% Danceability • 16% Energy • 7% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Kiev Chamber Choir
O Theotokos and Virgin, Rejoice
83 bpm • F# Maj • 02:25 • -16.7db
11% Popularity • 17% Danceability • 19% Energy • 11% Liveness
58% Instrumentalness • 4% Positiveness
11% Popularity • 17% Danceability • 19% Energy • 11% Liveness
58% Instrumentalness • 4% Positiveness
► Preview
Johannes Ockeghem
Ockeghem: Missa pro Defunctis: I. Requie...
83 bpm • F Maj • 05:37 • -31db
17% Popularity • 8% Danceability • 3% Energy • 11% Liveness
51% Instrumentalness • 4% Positiveness
17% Popularity • 8% Danceability • 3% Energy • 11% Liveness
51% Instrumentalness • 4% Positiveness
► Preview
Jan Campanus Vodnansky
Rorando coeli
83 bpm • A Maj • 02:14 • -27db
15% Popularity • 12% Danceability • 3% Energy • 9% Liveness
71% Instrumentalness • 4% Positiveness
15% Popularity • 12% Danceability • 3% Energy • 9% Liveness
71% Instrumentalness • 4% Positiveness
► Preview
Samuel Barber
Sure on this shining night, Op. 13, No. ...
83 bpm • A# Maj • 02:33 • -26.46db
22% Popularity • 20% Danceability • 4% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
22% Popularity • 20% Danceability • 4% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Samuel Scheidt
Surrexit Christus hodie
79 bpm • G min • 01:18 • -19db
34% Popularity • 32% Danceability • 11% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
34% Popularity • 32% Danceability • 11% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
83 bpm • G Maj • 04:07 • -22.57db
13% Popularity • 9% Danceability • 3% Energy • 9% Liveness
62% Instrumentalness • 4% Positiveness
13% Popularity • 9% Danceability • 3% Energy • 9% Liveness
62% Instrumentalness • 4% Positiveness
► Preview
John Taverner
Dum transisset sabbatum
79 bpm • D# min • 07:53 • -14db
12% Popularity • 16% Danceability • 29% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
12% Popularity • 16% Danceability • 29% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Edward Miller
Leighton: Let All The World In Every Cor...
79 bpm • D# Maj • 03:30 • -25.7db
11% Popularity • 12% Danceability • 14% Energy • 31% Liveness
0% Instrumentalness • 15% Positiveness
11% Popularity • 12% Danceability • 14% Energy • 31% Liveness
0% Instrumentalness • 15% Positiveness
► Preview
John Rutter
Te Deum
78 bpm • C Maj • 07:43 • -20.47db
10% Popularity • 11% Danceability • 11% Energy • 25% Liveness
30% Instrumentalness • 4% Positiveness
10% Popularity • 11% Danceability • 11% Energy • 25% Liveness
30% Instrumentalness • 4% Positiveness
► Preview
John Cameron
Lux aeterna (choral arr. of Elgar's Nimr...
84 bpm • C# Maj • 03:51 • -30.09db
10% Popularity • 9% Danceability • 6% Energy • 8% Liveness
67% Instrumentalness • 4% Positiveness
10% Popularity • 9% Danceability • 6% Energy • 8% Liveness
67% Instrumentalness • 4% Positiveness
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Orazio Benevoli
Missa Azzolina: Agnus Dei
78 bpm • A Maj • 02:07 • -20db
31% Popularity • 18% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
31% Popularity • 18% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
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Michael Haydn
Missa Tempore Quadragesimae, MH 553: Kyr...
78 bpm • C# min • 01:44 • -23db
32% Popularity • 28% Danceability • 7% Energy • 14% Liveness
12% Instrumentalness • 8% Positiveness
32% Popularity • 28% Danceability • 7% Energy • 14% Liveness
12% Instrumentalness • 8% Positiveness
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The Cathedral Singers
Sicut Cervus
78 bpm • A Maj • 03:09 • -16db
36% Popularity • 10% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
36% Popularity • 10% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
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Thomas Tallis
Tallis: Cantiones quae ab argumento sacr...
78 bpm • G min • 01:56 • -25.73db
15% Popularity • 26% Danceability • 9% Energy • 8% Liveness
92% Instrumentalness • 12% Positiveness
15% Popularity • 26% Danceability • 9% Energy • 8% Liveness
92% Instrumentalness • 12% Positiveness
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Ola Gjeilo
Unicornis captivatur
84 bpm • E min • 06:39 • -31.14db
19% Popularity • 20% Danceability • 2% Energy • 7% Liveness
2% Instrumentalness • 4% Positiveness
19% Popularity • 20% Danceability • 2% Energy • 7% Liveness
2% Instrumentalness • 4% Positiveness
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Henry John Gauntlett
Jesus Lives, No Longer Now Can Thy Terro...
84 bpm • B Maj • 03:14 • -17.92db
15% Popularity • 12% Danceability • 18% Energy • 10% Liveness
42% Instrumentalness • 8% Positiveness
15% Popularity • 12% Danceability • 18% Energy • 10% Liveness
42% Instrumentalness • 8% Positiveness
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Johannes Eccard
When to the Temple Mary Went
78 bpm • D min • 03:03 • -34db
8% Popularity • 17% Danceability • 2% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 17% Danceability • 2% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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William Croft
O God, Our Help in Ages Past (St. Anne)
78 bpm • C Maj • 03:26 • -22.41db
17% Popularity • 20% Danceability • 16% Energy • 34% Liveness
1% Instrumentalness • 9% Positiveness
17% Popularity • 20% Danceability • 16% Energy • 34% Liveness
1% Instrumentalness • 9% Positiveness
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Clément Janequin
Le chant des oiseaux
78 bpm • A# Maj • 05:35 • -21.93db
13% Popularity • 30% Danceability • 21% Energy • 7% Liveness
79% Instrumentalness • 23% Positiveness
13% Popularity • 30% Danceability • 21% Energy • 7% Liveness
79% Instrumentalness • 23% Positiveness
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Giuseppe Verdi
Laudi alla Vergine Maria
78 bpm • G Maj • 05:19 • -28db
14% Popularity • 16% Danceability • 3% Energy • 7% Liveness
49% Instrumentalness • 3% Positiveness
14% Popularity • 16% Danceability • 3% Energy • 7% Liveness
49% Instrumentalness • 3% Positiveness
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St. Peter St. Paul Cathedral Choir of Minsk
Otcze Nasz
84 bpm • C Maj • 01:54 • -24.65db
30% Popularity • 28% Danceability • 5% Energy • 9% Liveness
75% Instrumentalness • 7% Positiveness
30% Popularity • 28% Danceability • 5% Energy • 9% Liveness
75% Instrumentalness • 7% Positiveness
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John Taverner
Mother of God Here I Stand
84 bpm • F# Maj • 03:10 • -41db
18% Popularity • 8% Danceability • 1% Energy • 11% Liveness
63% Instrumentalness • 4% Positiveness
18% Popularity • 8% Danceability • 1% Energy • 11% Liveness
63% Instrumentalness • 4% Positiveness
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Ola Gjeilo
Tota pulchra es
84 bpm • E Maj • 05:30 • -34db
18% Popularity • 14% Danceability • 1% Energy • 7% Liveness
4% Instrumentalness • 3% Positiveness
18% Popularity • 14% Danceability • 1% Energy • 7% Liveness
4% Instrumentalness • 3% Positiveness
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Herbert Howells
Requiem: Requiem aeternam II
84 bpm • D Maj • 04:01 • -26db
14% Popularity • 15% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
14% Popularity • 15% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
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Josef Rheinberger
Hymnen, Op. 140: II. Dextera Domini
78 bpm • D Maj • 02:57 • -24.41db
10% Popularity • 11% Danceability • 12% Energy • 11% Liveness
25% Instrumentalness • 4% Positiveness
10% Popularity • 11% Danceability • 12% Energy • 11% Liveness
25% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Palestrina: Missa Papae Marcelli - 1c. K...
84 bpm • B Maj • 01:15 • -18.5db
38% Popularity • 21% Danceability • 30% Energy • 7% Liveness
91% Instrumentalness • 25% Positiveness
38% Popularity • 21% Danceability • 30% Energy • 7% Liveness
91% Instrumentalness • 25% Positiveness
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Henry Purcell
Oedipus, Z.583: II. Music for a While
78 bpm • A# min • 03:57 • -21.28db
19% Popularity • 15% Danceability • 6% Energy • 11% Liveness
42% Instrumentalness • 5% Positiveness
19% Popularity • 15% Danceability • 6% Energy • 11% Liveness
42% Instrumentalness • 5% Positiveness
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John Rutter
Requiem: IV. Sanctus
78 bpm • F Maj • 02:06 • -16.46db
22% Popularity • 28% Danceability • 15% Energy • 8% Liveness
53% Instrumentalness • 7% Positiveness
22% Popularity • 28% Danceability • 15% Energy • 8% Liveness
53% Instrumentalness • 7% Positiveness
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Orazio Benevoli
Missa si Deus pro nobis, a 16 voci: II. ...
78 bpm • A min • 02:57 • -23.03db
23% Popularity • 7% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 6% Positiveness
23% Popularity • 7% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 6% Positiveness
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Charles Gounod
Messe brève No. 7: II. Gloria
78 bpm • C Maj • 01:12 • -21db
15% Popularity • 22% Danceability • 6% Energy • 8% Liveness
97% Instrumentalness • 29% Positiveness
15% Popularity • 22% Danceability • 6% Energy • 8% Liveness
97% Instrumentalness • 29% Positiveness
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Samuel Scheidt
Battle Suite: I. Intrada
78 bpm • G Maj • 01:35 • -18db
18% Popularity • 35% Danceability • 24% Energy • 9% Liveness
92% Instrumentalness • 25% Positiveness
18% Popularity • 35% Danceability • 24% Energy • 9% Liveness
92% Instrumentalness • 25% Positiveness
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Franz Schubert
Stabat mater in G Minor, D. 175
78 bpm • C min • 06:36 • -15.35db
16% Popularity • 9% Danceability • 26% Energy • 12% Liveness
8% Instrumentalness • 4% Positiveness
16% Popularity • 9% Danceability • 26% Energy • 12% Liveness
8% Instrumentalness • 4% Positiveness
