Songs like Pull Up To The Bumper - Edit by Grace Jones
Based on a tempo of (+/- 10%) and a similar genre
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Grace Jones
I'm Not Perfect (But I'm Perfect For You...
109 bpm • A# min • 03:58 • -8.15db
36% Popularity • 73% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
36% Popularity • 73% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Goldfrapp
Lovely Head
109 bpm • F min • 03:49 • -9.86db
49% Popularity • 48% Danceability • 41% Energy • 15% Liveness
94% Instrumentalness • 5% Positiveness
49% Popularity • 48% Danceability • 41% Energy • 15% Liveness
94% Instrumentalness • 5% Positiveness
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The Valentine Brothers
Money's Too Tight To Mention - Original ...
109 bpm • B min • 05:49 • -10db
32% Popularity • 74% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
32% Popularity • 74% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Fatback Band
(Are You Ready) Do the Bus Stop
109 bpm • C Maj • 03:14 • -9db
38% Popularity • 60% Danceability • 88% Energy • 8% Liveness
33% Instrumentalness • 96% Positiveness
38% Popularity • 60% Danceability • 88% Energy • 8% Liveness
33% Instrumentalness • 96% Positiveness
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Sly & The Family Stone
Family Affair - Single Version
109 bpm • D min • 03:05 • -13.83db
53% Popularity • 82% Danceability • 60% Energy • 20% Liveness
2% Instrumentalness • 80% Positiveness
53% Popularity • 82% Danceability • 60% Energy • 20% Liveness
2% Instrumentalness • 80% Positiveness
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Malcolm McLaren
Buffalo Gals
109 bpm • E min • 04:19 • -13.62db
39% Popularity • 88% Danceability • 64% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
39% Popularity • 88% Danceability • 64% Energy • 21% Liveness
0% Instrumentalness • 62% Positiveness
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Grace Jones
Pull Up To The Bumper - Remix / Remaster...
109 bpm • A min • 06:25 • -8.83db
14% Popularity • 77% Danceability • 79% Energy • 10% Liveness
4% Instrumentalness • 60% Positiveness
14% Popularity • 77% Danceability • 79% Energy • 10% Liveness
4% Instrumentalness • 60% Positiveness
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Stretch
Why Did You Do It' - Radio Version
109 bpm • G Maj • 03:28 • -9.89db
38% Popularity • 44% Danceability • 85% Energy • 33% Liveness
4% Instrumentalness • 96% Positiveness
38% Popularity • 44% Danceability • 85% Energy • 33% Liveness
4% Instrumentalness • 96% Positiveness
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The Police
Voices Inside My Head
109 bpm • E min • 03:53 • -11.74db
44% Popularity • 82% Danceability • 63% Energy • 16% Liveness
53% Instrumentalness • 52% Positiveness
44% Popularity • 82% Danceability • 63% Energy • 16% Liveness
53% Instrumentalness • 52% Positiveness
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Sharon Redd
Can You Handle It
109 bpm • A# min • 06:26 • -11db
38% Popularity • 73% Danceability • 83% Energy • 5% Liveness
2% Instrumentalness • 96% Positiveness
38% Popularity • 73% Danceability • 83% Energy • 5% Liveness
2% Instrumentalness • 96% Positiveness
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Kid Creole And The Coconuts
Stool Pigeon
109 bpm • F min • 03:57 • -12db
40% Popularity • 84% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
40% Popularity • 84% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
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Bronski Beat
Love and Money
109 bpm • A# Maj • 05:11 • -9.32db
31% Popularity • 59% Danceability • 59% Energy • 25% Liveness
5% Instrumentalness • 40% Positiveness
31% Popularity • 59% Danceability • 59% Energy • 25% Liveness
5% Instrumentalness • 40% Positiveness
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Grace Jones
Pull Up To The Bumper - Party Version / ...
109 bpm • C# Maj • 05:01 • -9.11db
15% Popularity • 82% Danceability • 81% Energy • 7% Liveness
1% Instrumentalness • 92% Positiveness
15% Popularity • 82% Danceability • 81% Energy • 7% Liveness
1% Instrumentalness • 92% Positiveness
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Thomas Dolby
I Scare Myself
109 bpm • C# Maj • 05:36 • -9.19db
39% Popularity • 76% Danceability • 53% Energy • 8% Liveness
1% Instrumentalness • 30% Positiveness
39% Popularity • 76% Danceability • 53% Energy • 8% Liveness
1% Instrumentalness • 30% Positiveness
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The Art Of Noise
Paranoimia
110 bpm • B min • 04:46 • -18.24db
25% Popularity • 89% Danceability • 29% Energy • 6% Liveness
77% Instrumentalness • 63% Positiveness
25% Popularity • 89% Danceability • 29% Energy • 6% Liveness
77% Instrumentalness • 63% Positiveness
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Indeep
Last Night a D.J. Saved My Life
110 bpm • B Maj • 05:40 • -7.54db
50% Popularity • 91% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
50% Popularity • 91% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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The Pointer Sisters
Dare Me
110 bpm • E min • 04:19 • -5.28db
40% Popularity • 71% Danceability • 92% Energy • 18% Liveness
0% Instrumentalness • 94% Positiveness
40% Popularity • 71% Danceability • 92% Energy • 18% Liveness
0% Instrumentalness • 94% Positiveness
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Laid Back
Fly Away / Walking in the Sunshine - 200...
108 bpm • A min • 08:32 • -10db
42% Popularity • 95% Danceability • 39% Energy • 15% Liveness
50% Instrumentalness • 74% Positiveness
42% Popularity • 95% Danceability • 39% Energy • 15% Liveness
50% Instrumentalness • 74% Positiveness
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Grace Jones
Pars - Long Version
109 bpm • E min • 05:41 • -12.9db
10% Popularity • 74% Danceability • 46% Energy • 10% Liveness
3% Instrumentalness • 90% Positiveness
10% Popularity • 74% Danceability • 46% Energy • 10% Liveness
3% Instrumentalness • 90% Positiveness
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Kid Creole And The Coconuts
Annie, I'm Not Your Daddy
110 bpm • E Maj • 06:15 • -10.95db
17% Popularity • 68% Danceability • 83% Energy • 26% Liveness
1% Instrumentalness • 91% Positiveness
17% Popularity • 68% Danceability • 83% Energy • 26% Liveness
1% Instrumentalness • 91% Positiveness
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Air
Kelly Watch the Stars
110 bpm • D Maj • 03:46 • -8.47db
55% Popularity • 52% Danceability • 74% Energy • 11% Liveness
64% Instrumentalness • 23% Positiveness
55% Popularity • 52% Danceability • 74% Energy • 11% Liveness
64% Instrumentalness • 23% Positiveness
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Blondie
Rapture - Special Disco Mix / Remastered...
108 bpm • D Maj • 09:59 • -6db
28% Popularity • 73% Danceability • 87% Energy • 5% Liveness
4% Instrumentalness • 88% Positiveness
28% Popularity • 73% Danceability • 87% Energy • 5% Liveness
4% Instrumentalness • 88% Positiveness
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Kajagoogoo
Too Shy
108 bpm • A# min • 03:41 • -6.73db
61% Popularity • 70% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
61% Popularity • 70% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Hot Chocolate
Brother Louie
108 bpm • A min • 04:59 • -8db
37% Popularity • 74% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
37% Popularity • 74% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Grace Jones
Pull Up To The Bumper - Edit
109 bpm • G Maj • 03:38 • -12.31db
37% Popularity • 84% Danceability • 79% Energy • 16% Liveness
1% Instrumentalness • 89% Positiveness
37% Popularity • 84% Danceability • 79% Energy • 16% Liveness
1% Instrumentalness • 89% Positiveness
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Chris Rea
Josephine
110 bpm • D# min • 03:57 • -15.94db
59% Popularity • 66% Danceability • 47% Energy • 5% Liveness
1% Instrumentalness • 66% Positiveness
59% Popularity • 66% Danceability • 47% Energy • 5% Liveness
1% Instrumentalness • 66% Positiveness
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Diana Ross
I'm Coming Out
110 bpm • F Maj • 05:23 • -9.21db
70% Popularity • 72% Danceability • 83% Energy • 8% Liveness
43% Instrumentalness • 77% Positiveness
70% Popularity • 72% Danceability • 83% Energy • 8% Liveness
43% Instrumentalness • 77% Positiveness
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Imagination
Flashback
110 bpm • D Maj • 04:35 • -17.31db
45% Popularity • 70% Danceability • 43% Energy • 5% Liveness
1% Instrumentalness • 68% Positiveness
45% Popularity • 70% Danceability • 43% Energy • 5% Liveness
1% Instrumentalness • 68% Positiveness
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Sade
Hang On to Your Love - Long Version
108 bpm • C Maj • 05:53 • -7.79db
49% Popularity • 85% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
49% Popularity • 85% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Saâda Bonaire
You Could Be More As You Are
110 bpm • C Maj • 05:56 • -9.64db
46% Popularity • 97% Danceability • 52% Energy • 7% Liveness
1% Instrumentalness • 96% Positiveness
46% Popularity • 97% Danceability • 52% Energy • 7% Liveness
1% Instrumentalness • 96% Positiveness
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Grace Jones
Pull Up To The Bumper
109 bpm • C# Maj • 04:41 • -8db
52% Popularity • 85% Danceability • 87% Energy • 13% Liveness
1% Instrumentalness • 87% Positiveness
52% Popularity • 85% Danceability • 87% Energy • 13% Liveness
1% Instrumentalness • 87% Positiveness
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Propaganda
p:Machinery
108 bpm • A# min • 03:48 • -8db
47% Popularity • 63% Danceability • 81% Energy • 28% Liveness
40% Instrumentalness • 74% Positiveness
47% Popularity • 63% Danceability • 81% Energy • 28% Liveness
40% Instrumentalness • 74% Positiveness
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Diana Ross
Upside Down
108 bpm • F min • 04:05 • -8.56db
70% Popularity • 87% Danceability • 86% Energy • 4% Liveness
3% Instrumentalness • 88% Positiveness
70% Popularity • 87% Danceability • 86% Energy • 4% Liveness
3% Instrumentalness • 88% Positiveness
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The The
Giant
108 bpm • B Maj • 09:34 • -14db
37% Popularity • 68% Danceability • 71% Energy • 13% Liveness
46% Instrumentalness • 96% Positiveness
37% Popularity • 68% Danceability • 71% Energy • 13% Liveness
46% Instrumentalness • 96% Positiveness
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Sade
Hang on to Your Love
108 bpm • C Maj • 04:30 • -6db
66% Popularity • 85% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
66% Popularity • 85% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Kid Creole And The Coconuts
Annie, I'm Not Your Daddy
110 bpm • E Maj • 06:25 • -9.39db
16% Popularity • 70% Danceability • 92% Energy • 18% Liveness
3% Instrumentalness • 88% Positiveness
16% Popularity • 70% Danceability • 92% Energy • 18% Liveness
3% Instrumentalness • 88% Positiveness
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Grace Jones
Pull Up To The Bumper - UK 12" Version /...
109 bpm • G Maj • 05:46 • -8.73db
28% Popularity • 84% Danceability • 80% Energy • 11% Liveness
7% Instrumentalness • 88% Positiveness
28% Popularity • 84% Danceability • 80% Energy • 11% Liveness
7% Instrumentalness • 88% Positiveness
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Instant Funk
I Got My Mind Made Up (You Can Get It Gi...
110 bpm • F Maj • 05:17 • -10.62db
40% Popularity • 71% Danceability • 80% Energy • 13% Liveness
2% Instrumentalness • 82% Positiveness
40% Popularity • 71% Danceability • 80% Energy • 13% Liveness
2% Instrumentalness • 82% Positiveness
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Fine Young Cannibals
I'm Not the Man I Used to Be
110 bpm • G min • 04:18 • -12.57db
48% Popularity • 81% Danceability • 63% Energy • 6% Liveness
16% Instrumentalness • 87% Positiveness
48% Popularity • 81% Danceability • 63% Energy • 6% Liveness
16% Instrumentalness • 87% Positiveness
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Coati Mundi
Me No Pop I
110 bpm • C# Maj • 04:21 • -12.42db
22% Popularity • 76% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
22% Popularity • 76% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
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Sade
Never as Good as the First Time
108 bpm • F# min • 03:57 • -7.63db
59% Popularity • 69% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
59% Popularity • 69% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Gwen Guthrie
Ain't Nothin' Goin' On But The Rent
108 bpm • A# min • 03:34 • -9.56db
31% Popularity • 77% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 95% Positiveness
31% Popularity • 77% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 95% Positiveness
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Grace Jones
Pars
109 bpm • E min • 04:09 • -14.41db
28% Popularity • 75% Danceability • 36% Energy • 10% Liveness
1% Instrumentalness • 79% Positiveness
28% Popularity • 75% Danceability • 36% Energy • 10% Liveness
1% Instrumentalness • 79% Positiveness
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The Pointer Sisters
Automatic
111 bpm • F Maj • 04:47 • -7.53db
51% Popularity • 80% Danceability • 66% Energy • 32% Liveness
0% Instrumentalness • 93% Positiveness
51% Popularity • 80% Danceability • 66% Energy • 32% Liveness
0% Instrumentalness • 93% Positiveness
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Blondie
Rapture
108 bpm • B min • 04:59 • -8.24db
47% Popularity • 72% Danceability • 70% Energy • 55% Liveness
0% Instrumentalness • 95% Positiveness
47% Popularity • 72% Danceability • 70% Energy • 55% Liveness
0% Instrumentalness • 95% Positiveness
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Daryl Hall & John Oates
I Can't Go for That (No Can Do)
111 bpm • C min • 05:07 • -9.51db
67% Popularity • 89% Danceability • 44% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
67% Popularity • 89% Danceability • 44% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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Talk Talk
Living in Another World - 1997 Remaster
111 bpm • A min • 06:58 • -8.45db
50% Popularity • 56% Danceability • 86% Energy • 22% Liveness
18% Instrumentalness • 94% Positiveness
50% Popularity • 56% Danceability • 86% Energy • 22% Liveness
18% Instrumentalness • 94% Positiveness
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CHIC
Good Times
111 bpm • D Maj • 08:15 • -7.32db
64% Popularity • 87% Danceability • 66% Energy • 5% Liveness
1% Instrumentalness • 89% Positiveness
64% Popularity • 87% Danceability • 66% Energy • 5% Liveness
1% Instrumentalness • 89% Positiveness
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Grace Jones
Pars - Single Version
110 bpm • E min • 04:24 • -10.78db
8% Popularity • 73% Danceability • 53% Energy • 36% Liveness
0% Instrumentalness • 89% Positiveness
8% Popularity • 73% Danceability • 53% Energy • 36% Liveness
0% Instrumentalness • 89% Positiveness
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Womack & Womack
I Am Love
107 bpm • C# min • 02:43 • -18.21db
31% Popularity • 86% Danceability • 25% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
31% Popularity • 86% Danceability • 25% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Odyssey
Going Back to My Roots - Single Version
107 bpm • C# Maj • 03:25 • -9.67db
47% Popularity • 70% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 88% Positiveness
47% Popularity • 70% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 88% Positiveness
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David Christie
Saddle Up - Extended Version
111 bpm • A min • 05:54 • -4.18db
35% Popularity • 88% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
35% Popularity • 88% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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The Jones Girls
Nights Over Egypt
111 bpm • A min • 04:39 • -14.32db
52% Popularity • 75% Danceability • 36% Energy • 11% Liveness
29% Instrumentalness • 64% Positiveness
52% Popularity • 75% Danceability • 36% Energy • 11% Liveness
29% Instrumentalness • 64% Positiveness
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Kid Creole And The Coconuts
Annie, I'm Not Your Daddy
111 bpm • F Maj • 03:47 • -12.21db
43% Popularity • 68% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
43% Popularity • 68% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
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Grace Jones
Feel Up
108 bpm • A# Maj • 04:02 • -8.34db
29% Popularity • 76% Danceability • 69% Energy • 23% Liveness
1% Instrumentalness • 96% Positiveness
29% Popularity • 76% Danceability • 69% Energy • 23% Liveness
1% Instrumentalness • 96% Positiveness
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Chaka Khan
Like Sugar
107 bpm • G Maj • 03:59 • -8.48db
57% Popularity • 81% Danceability • 79% Energy • 34% Liveness
5% Instrumentalness • 94% Positiveness
57% Popularity • 81% Danceability • 79% Energy • 34% Liveness
5% Instrumentalness • 94% Positiveness
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Odyssey
Going Back to My Roots - 12" Version
107 bpm • C# Maj • 05:25 • -9.55db
38% Popularity • 68% Danceability • 83% Energy • 5% Liveness
2% Instrumentalness • 88% Positiveness
38% Popularity • 68% Danceability • 83% Energy • 5% Liveness
2% Instrumentalness • 88% Positiveness
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Neneh Cherry
Buffalo Stance
107 bpm • C# Maj • 05:42 • -11.16db
54% Popularity • 71% Danceability • 63% Energy • 34% Liveness
0% Instrumentalness • 76% Positiveness
54% Popularity • 71% Danceability • 63% Energy • 34% Liveness
0% Instrumentalness • 76% Positiveness
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Gwen Guthrie
Ain't Nothin' Goin' On But The Rent
107 bpm • A# min • 05:59 • -11.77db
41% Popularity • 79% Danceability • 68% Energy • 53% Liveness
0% Instrumentalness • 89% Positiveness
41% Popularity • 79% Danceability • 68% Energy • 53% Liveness
0% Instrumentalness • 89% Positiveness
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The Crusaders
Street Life - Single Edit
111 bpm • F min • 05:32 • -8db
49% Popularity • 50% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
49% Popularity • 50% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Grace Jones
Pull Up To The Bumper - Remixed Version ...
108 bpm • C# Maj • 07:18 • -9db
19% Popularity • 80% Danceability • 87% Energy • 6% Liveness
68% Instrumentalness • 78% Positiveness
19% Popularity • 80% Danceability • 87% Energy • 6% Liveness
68% Instrumentalness • 78% Positiveness
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M
Pop Muzik (12 Inch Version)
111 bpm • C# Maj • 04:56 • -9.98db
50% Popularity • 94% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
50% Popularity • 94% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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The Art Of Noise
Close (To The Edit)
107 bpm • F Maj • 05:36 • -12.42db
35% Popularity • 68% Danceability • 76% Energy • 10% Liveness
79% Instrumentalness • 75% Positiveness
35% Popularity • 68% Danceability • 76% Energy • 10% Liveness
79% Instrumentalness • 75% Positiveness
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Kid Creole And The Coconuts
Endicott
111 bpm • B min • 04:26 • -9.93db
30% Popularity • 77% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
30% Popularity • 77% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Talking Heads
Slippery People - Live
111 bpm • A min • 04:00 • -8db
52% Popularity • 64% Danceability • 85% Energy • 68% Liveness
4% Instrumentalness • 84% Positiveness
52% Popularity • 64% Danceability • 85% Energy • 68% Liveness
4% Instrumentalness • 84% Positiveness
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Talk Talk
Happiness Is Easy - 1997 Remaster
107 bpm • F min • 06:30 • -13db
44% Popularity • 70% Danceability • 41% Energy • 4% Liveness
7% Instrumentalness • 92% Positiveness
44% Popularity • 70% Danceability • 41% Energy • 4% Liveness
7% Instrumentalness • 92% Positiveness
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Grace Jones
Warm Leatherette
107 bpm • G Maj • 04:28 • -12db
32% Popularity • 74% Danceability • 54% Energy • 4% Liveness
1% Instrumentalness • 72% Positiveness
32% Popularity • 74% Danceability • 54% Energy • 4% Liveness
1% Instrumentalness • 72% Positiveness
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Matt Bianco
Half a Minute
107 bpm • F Maj • 03:49 • -7.77db
47% Popularity • 77% Danceability • 70% Energy • 24% Liveness
14% Instrumentalness • 64% Positiveness
47% Popularity • 77% Danceability • 70% Energy • 24% Liveness
14% Instrumentalness • 64% Positiveness
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The Pointer Sisters
Automatic - 12" Special Remix
111 bpm • F Maj • 06:06 • -8.81db
36% Popularity • 78% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
36% Popularity • 78% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Odyssey
Going Back To My Roots
111 bpm • B min • 04:19 • -6db
45% Popularity • 69% Danceability • 92% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
45% Popularity • 69% Danceability • 92% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
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Deee-Lite
What Is Love?
111 bpm • D Maj • 03:40 • -14.54db
41% Popularity • 79% Danceability • 63% Energy • 33% Liveness
87% Instrumentalness • 53% Positiveness
41% Popularity • 79% Danceability • 63% Energy • 33% Liveness
87% Instrumentalness • 53% Positiveness
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People's Choice
Do It Any Way You Wanna
111 bpm • C min • 03:18 • -10.99db
44% Popularity • 78% Danceability • 54% Energy • 9% Liveness
31% Instrumentalness • 81% Positiveness
44% Popularity • 78% Danceability • 54% Energy • 9% Liveness
31% Instrumentalness • 81% Positiveness
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Grace Jones
Victor Should Have Been A Jazz Musician
107 bpm • G# min • 04:43 • -13db
38% Popularity • 75% Danceability • 41% Energy • 5% Liveness
3% Instrumentalness • 55% Positiveness
38% Popularity • 75% Danceability • 41% Energy • 5% Liveness
3% Instrumentalness • 55% Positiveness
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Tom Browne
Funkin' for Jamaica
111 bpm • G# Maj • 04:42 • -6.7db
50% Popularity • 82% Danceability • 85% Energy • 3% Liveness
1% Instrumentalness • 69% Positiveness
50% Popularity • 82% Danceability • 85% Energy • 3% Liveness
1% Instrumentalness • 69% Positiveness
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The Pointer Sisters
Happiness
107 bpm • B min • 03:59 • -7.68db
43% Popularity • 63% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
43% Popularity • 63% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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Herbie Hancock
Rockit
111 bpm • G Maj • 05:25 • -5.08db
50% Popularity • 88% Danceability • 95% Energy • 6% Liveness
54% Instrumentalness • 61% Positiveness
50% Popularity • 88% Danceability • 95% Energy • 6% Liveness
54% Instrumentalness • 61% Positiveness
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Heaven 17
Let Me Go - Remastered 2006
107 bpm • A# min • 04:22 • -7.19db
45% Popularity • 72% Danceability • 78% Energy • 39% Liveness
0% Instrumentalness • 50% Positiveness
45% Popularity • 72% Danceability • 78% Energy • 39% Liveness
0% Instrumentalness • 50% Positiveness
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Double
Woman of the World
111 bpm • A min • 03:55 • -9.88db
30% Popularity • 72% Danceability • 69% Energy • 9% Liveness
4% Instrumentalness • 86% Positiveness
30% Popularity • 72% Danceability • 69% Energy • 9% Liveness
4% Instrumentalness • 86% Positiveness
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Grace Jones
Party Girl
107 bpm • C# min • 03:44 • -9.47db
19% Popularity • 77% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
19% Popularity • 77% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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CHIC
My Forbidden Lover
107 bpm • D Maj • 04:34 • -9.77db
44% Popularity • 81% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 89% Positiveness
44% Popularity • 81% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 89% Positiveness
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Diana Ross
Love Hangover - Single Version
112 bpm • C# Maj • 03:49 • -10db
41% Popularity • 50% Danceability • 76% Energy • 4% Liveness
1% Instrumentalness • 86% Positiveness
41% Popularity • 50% Danceability • 76% Energy • 4% Liveness
1% Instrumentalness • 86% Positiveness
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Kid Creole And The Coconuts
Stool Pigeon
106 bpm • C Maj • 04:58 • -11.72db
16% Popularity • 78% Danceability • 71% Energy • 6% Liveness
8% Instrumentalness • 66% Positiveness
16% Popularity • 78% Danceability • 71% Energy • 6% Liveness
8% Instrumentalness • 66% Positiveness
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Gwen Guthrie
Peanut Butter - Larry Levan Mix / Bonus ...
112 bpm • G Maj • 06:05 • -8db
32% Popularity • 81% Danceability • 64% Energy • 10% Liveness
6% Instrumentalness • 69% Positiveness
32% Popularity • 81% Danceability • 64% Energy • 10% Liveness
6% Instrumentalness • 69% Positiveness
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Donald Byrd
Love Has Come Around
112 bpm • D min • 07:52 • -8.98db
36% Popularity • 73% Danceability • 72% Energy • 29% Liveness
27% Instrumentalness • 52% Positiveness
36% Popularity • 73% Danceability • 72% Energy • 29% Liveness
27% Instrumentalness • 52% Positiveness
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The Art Of Noise
Paranoimia - 7" Mix; 2017 Remaster
112 bpm • B min • 03:18 • -9.69db
34% Popularity • 70% Danceability • 74% Energy • 11% Liveness
8% Instrumentalness • 84% Positiveness
34% Popularity • 70% Danceability • 74% Energy • 11% Liveness
8% Instrumentalness • 84% Positiveness
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Simply Red
Something Got Me Started - 2008 Remaster
112 bpm • D Maj • 04:00 • -6.56db
62% Popularity • 70% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
62% Popularity • 70% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Soul II Soul
Happiness - Dub
112 bpm • F Maj • 05:31 • -16.87db
25% Popularity • 79% Danceability • 40% Energy • 5% Liveness
30% Instrumentalness • 51% Positiveness
25% Popularity • 79% Danceability • 40% Energy • 5% Liveness
30% Instrumentalness • 51% Positiveness
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Imagination
Changes
112 bpm • D min • 05:49 • -12db
33% Popularity • 78% Danceability • 57% Energy • 5% Liveness
1% Instrumentalness • 81% Positiveness
33% Popularity • 78% Danceability • 57% Energy • 5% Liveness
1% Instrumentalness • 81% Positiveness
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Gwen Guthrie
Peanut Butter
112 bpm • C Maj • 05:00 • -7.5db
32% Popularity • 75% Danceability • 79% Energy • 5% Liveness
18% Instrumentalness • 82% Positiveness
32% Popularity • 75% Danceability • 79% Energy • 5% Liveness
18% Instrumentalness • 82% Positiveness
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The Communards
You Are My World
112 bpm • G Maj • 04:27 • -7.04db
40% Popularity • 53% Danceability • 80% Energy • 84% Liveness
0% Instrumentalness • 49% Positiveness
40% Popularity • 53% Danceability • 80% Energy • 84% Liveness
0% Instrumentalness • 49% Positiveness
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Visage
Fade To Grey
112 bpm • D min • 03:59 • -17.15db
64% Popularity • 60% Danceability • 42% Energy • 9% Liveness
2% Instrumentalness • 51% Positiveness
64% Popularity • 60% Danceability • 42% Energy • 9% Liveness
2% Instrumentalness • 51% Positiveness
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Roy Ayers
Love Will Bring Us Back Together
106 bpm • E min • 06:01 • -8.9db
31% Popularity • 83% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
31% Popularity • 83% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
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Diana Ross
Love Hangover
112 bpm • C# Maj • 07:48 • -10.34db
51% Popularity • 51% Danceability • 67% Energy • 5% Liveness
2% Instrumentalness • 88% Positiveness
51% Popularity • 51% Danceability • 67% Energy • 5% Liveness
2% Instrumentalness • 88% Positiveness
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Bobby Womack
California Dreamin'
112 bpm • F# min • 03:20 • -13.16db
65% Popularity • 47% Danceability • 38% Energy • 18% Liveness
7% Instrumentalness • 69% Positiveness
65% Popularity • 47% Danceability • 38% Energy • 18% Liveness
7% Instrumentalness • 69% Positiveness
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Deee-Lite
Try Me On... I'm Very You
106 bpm • C Maj • 05:18 • -14db
28% Popularity • 80% Danceability • 63% Energy • 6% Liveness
7% Instrumentalness • 86% Positiveness
28% Popularity • 80% Danceability • 63% Energy • 6% Liveness
7% Instrumentalness • 86% Positiveness
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Gwen McCrae
All This Love That I'm Giving
113 bpm • D# min • 03:56 • -11.5db
36% Popularity • 75% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
36% Popularity • 75% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Lyn Collins
Think (About It)
113 bpm • A Maj • 03:24 • -10.22db
51% Popularity • 77% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
51% Popularity • 77% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
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Indeep
Last Night a D.J. Saved My Life
113 bpm • B Maj • 04:12 • -8db
59% Popularity • 85% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
59% Popularity • 85% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
