Songs like Pump Shanty by The Sheringham Shantymen
Based on a tempo of (+/- 10%) and a similar genre
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The Skullduggers
Flowers of Edinborough
114 bpm • G Maj • 01:46 • -7db
37% Popularity • 49% Danceability • 71% Energy • 33% Liveness
5% Instrumentalness • 96% Positiveness
37% Popularity • 49% Danceability • 71% Energy • 33% Liveness
5% Instrumentalness • 96% Positiveness
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Derek Warfield & The Young Wolfe Tones
The Easter Lily / The Foxhunters Reel
114 bpm • D min • 05:30 • -4.52db
21% Popularity • 61% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
21% Popularity • 61% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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David Kincaid
The Opinions of Paddy Magee
114 bpm • A# Maj • 03:37 • -12.45db
22% Popularity • 65% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
22% Popularity • 65% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
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Stormfrun
Pirate You Say
114 bpm • E min • 03:38 • -4.09db
19% Popularity • 58% Danceability • 94% Energy • 47% Liveness
0% Instrumentalness • 66% Positiveness
19% Popularity • 58% Danceability • 94% Energy • 47% Liveness
0% Instrumentalness • 66% Positiveness
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The Captain's Beard
Eliza Lee
114 bpm • A# min • 01:53 • -6.44db
21% Popularity • 94% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 81% Positiveness
21% Popularity • 94% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 81% Positiveness
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Smokey Bastard
My Son John
114 bpm • F min • 01:40 • -10.3db
53% Popularity • 83% Danceability • 51% Energy • 32% Liveness
0% Instrumentalness • 90% Positiveness
53% Popularity • 83% Danceability • 51% Energy • 32% Liveness
0% Instrumentalness • 90% Positiveness
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The Blarney Lads
Mountain Tae (The Hills of Connemara)
114 bpm • D Maj • 01:29 • -12.79db
36% Popularity • 70% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
36% Popularity • 70% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
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The McCalmans
Johnnie Cope
114 bpm • B min • 02:15 • -10db
30% Popularity • 82% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
30% Popularity • 82% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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The Longest Johns
Haul Away Joe
115 bpm • A# Maj • 02:56 • -6.28db
43% Popularity • 65% Danceability • 42% Energy • 40% Liveness
0% Instrumentalness • 74% Positiveness
43% Popularity • 65% Danceability • 42% Energy • 40% Liveness
0% Instrumentalness • 74% Positiveness
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The Sheringham Shantymen
Rattle Them Winches
115 bpm • D min • 02:39 • -8.51db
30% Popularity • 71% Danceability • 52% Energy • 46% Liveness
0% Instrumentalness • 88% Positiveness
30% Popularity • 71% Danceability • 52% Energy • 46% Liveness
0% Instrumentalness • 88% Positiveness
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Paddy Reilly
Come Out You Black And Tans
113 bpm • A# Maj • 02:37 • -21.95db
29% Popularity • 70% Danceability • 23% Energy • 31% Liveness
0% Instrumentalness • 85% Positiveness
29% Popularity • 70% Danceability • 23% Energy • 31% Liveness
0% Instrumentalness • 85% Positiveness
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Alastair McDonald
Wha'll Be King But Chairlie
115 bpm • E min • 02:56 • -12.77db
27% Popularity • 81% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
27% Popularity • 81% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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David Kincaid
The Irish Volunteer
113 bpm • D Maj • 04:34 • -12.13db
39% Popularity • 71% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
39% Popularity • 71% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Friends Of The Shipyard and Fisherman's Fayre
Goodbye, Fare Ye Well
115 bpm • B Maj • 02:35 • -10.93db
8% Popularity • 78% Danceability • 49% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
8% Popularity • 78% Danceability • 49% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
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Theron Statler
Blackbeard
113 bpm • C Maj • 03:50 • -8.82db
17% Popularity • 50% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 62% Positiveness
17% Popularity • 50% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 62% Positiveness
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The Sheringham Shantymen
Pump Shanty
115 bpm • C min • 03:02 • -17.6db
35% Popularity • 70% Danceability • 32% Energy • 38% Liveness
0% Instrumentalness • 79% Positiveness
35% Popularity • 70% Danceability • 32% Energy • 38% Liveness
0% Instrumentalness • 79% Positiveness
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Saoirse
Come out Ya Black and Tans
113 bpm • C# min • 02:45 • -17.03db
34% Popularity • 74% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
34% Popularity • 74% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Derek Warfield & The Young Wolfe Tones
The Soldiers Song (Amhrán Na Bhfiann)
115 bpm • A Maj • 05:06 • -4.9db
22% Popularity • 48% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
22% Popularity • 48% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Ye Banished Privateers
Ship is Sinking
115 bpm • C Maj • 03:39 • -5.36db
35% Popularity • 40% Danceability • 93% Energy • 21% Liveness
0% Instrumentalness • 30% Positiveness
35% Popularity • 40% Danceability • 93% Energy • 21% Liveness
0% Instrumentalness • 30% Positiveness
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Pyrates!
Botany Bay
113 bpm • E min • 02:56 • -5.6db
10% Popularity • 75% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
10% Popularity • 75% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
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Topgallant Jack
High Barbary
113 bpm • C Maj • 02:32 • -13.09db
17% Popularity • 76% Danceability • 22% Energy • 36% Liveness
0% Instrumentalness • 68% Positiveness
17% Popularity • 76% Danceability • 22% Energy • 36% Liveness
0% Instrumentalness • 68% Positiveness
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The X-Seamen's Institute
All For Me Grog
113 bpm • E Maj • 02:58 • -16.44db
34% Popularity • 75% Danceability • 12% Energy • 74% Liveness
0% Instrumentalness • 91% Positiveness
34% Popularity • 75% Danceability • 12% Energy • 74% Liveness
0% Instrumentalness • 91% Positiveness
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Pride of Bedlam
Hoist the Colors
112 bpm • B Maj • 03:20 • -8.39db
30% Popularity • 41% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
30% Popularity • 41% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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John Roberts
Anchor Song
115 bpm • F# min • 02:31 • -22.05db
13% Popularity • 80% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
13% Popularity • 80% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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The Sheringham Shantymen
Rolling Down To Old Maui
116 bpm • D min • 04:13 • -18.15db
18% Popularity • 53% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
18% Popularity • 53% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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David Kincaid
My Father's Gun
116 bpm • G Maj • 03:09 • -11.11db
18% Popularity • 72% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
18% Popularity • 72% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
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Smokey Bastard
The Cumberland Crew
112 bpm • A min • 04:22 • -3.24db
35% Popularity • 52% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
35% Popularity • 52% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
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The Dicey Doh Singers
Sloop John B
116 bpm • D# Maj • 02:10 • -20db
3% Popularity • 64% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
3% Popularity • 64% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
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The Maguire Brothers
Star of the County Down
116 bpm • E min • 02:08 • -4.55db
21% Popularity • 85% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 83% Positiveness
21% Popularity • 85% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 83% Positiveness
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Orthodox Celts
Rare Old Mountain Dew
116 bpm • D Maj • 03:22 • -6.89db
24% Popularity • 62% Danceability • 90% Energy • 7% Liveness
1% Instrumentalness • 93% Positiveness
24% Popularity • 62% Danceability • 90% Energy • 7% Liveness
1% Instrumentalness • 93% Positiveness
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The Sheringham Shantymen
Outside Track
116 bpm • E Maj • 05:00 • -11.9db
3% Popularity • 61% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
3% Popularity • 61% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Mick Moloney
The Kellys
112 bpm • A Maj • 03:05 • -10.74db
26% Popularity • 57% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
26% Popularity • 57% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
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David Kincaid
Camp Song Of The Chicago Irish Brigade
116 bpm • F Maj • 02:23 • -11.06db
19% Popularity • 68% Danceability • 34% Energy • 22% Liveness
0% Instrumentalness • 83% Positiveness
19% Popularity • 68% Danceability • 34% Energy • 22% Liveness
0% Instrumentalness • 83% Positiveness
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The Poxy Boggards
Bring Us More Beer
116 bpm • C Maj • 02:56 • -9.51db
13% Popularity • 50% Danceability • 65% Energy • 35% Liveness
0% Instrumentalness • 90% Positiveness
13% Popularity • 50% Danceability • 65% Energy • 35% Liveness
0% Instrumentalness • 90% Positiveness
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Holdstock & MacLeod
The Diamond
112 bpm • D Maj • 02:14 • -9.76db
11% Popularity • 77% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
11% Popularity • 77% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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The Foc'sle Singers
The Black Ball Line
111 bpm • D Maj • 01:03 • -12.1db
22% Popularity • 72% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
22% Popularity • 72% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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The Seadogs
South Australia
117 bpm • A min • 02:29 • -6db
13% Popularity • 72% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
13% Popularity • 72% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Stormfrun
Song of the mutineer
117 bpm • E min • 03:38 • -9.44db
10% Popularity • 57% Danceability • 81% Energy • 60% Liveness
0% Instrumentalness • 70% Positiveness
10% Popularity • 57% Danceability • 81% Energy • 60% Liveness
0% Instrumentalness • 70% Positiveness
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Clamavi De Profundis
I Sit Beside the Fire and Think
117 bpm • C# Maj • 03:06 • -18.31db
39% Popularity • 38% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
39% Popularity • 38% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Schooner Fare
Nova Scotia Farewell
111 bpm • F# Maj • 04:42 • -9.48db
17% Popularity • 47% Danceability • 52% Energy • 68% Liveness
0% Instrumentalness • 70% Positiveness
17% Popularity • 47% Danceability • 52% Energy • 68% Liveness
0% Instrumentalness • 70% Positiveness
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Ian Giles
The bonny ship the Diamond
111 bpm • F# min • 02:26 • -13.84db
30% Popularity • 79% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
30% Popularity • 79% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Marc Gunn
The Widow and the Devil
117 bpm • F Maj • 03:23 • -10.65db
26% Popularity • 72% Danceability • 29% Energy • 44% Liveness
0% Instrumentalness • 74% Positiveness
26% Popularity • 72% Danceability • 29% Energy • 44% Liveness
0% Instrumentalness • 74% Positiveness
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David Coffin
Roll the Old Chariot Along
117 bpm • F# Maj • 03:03 • -22.07db
47% Popularity • 33% Danceability • 30% Energy • 71% Liveness
0% Instrumentalness • 37% Positiveness
47% Popularity • 33% Danceability • 30% Energy • 71% Liveness
0% Instrumentalness • 37% Positiveness
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Robin Jeffrey
Haul on the Bowline
117 bpm • A Maj • 00:54 • -8.73db
15% Popularity • 68% Danceability • 41% Energy • 31% Liveness
0% Instrumentalness • 40% Positiveness
15% Popularity • 68% Danceability • 41% Energy • 31% Liveness
0% Instrumentalness • 40% Positiveness
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Robbie O'Connell
Ten Thousand Miles Away
118 bpm • A Maj • 03:38 • -13.82db
20% Popularity • 76% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
20% Popularity • 76% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 87% Positiveness
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Salt Sea Pirates
Whale Of A Tale
111 bpm • A Maj • 02:38 • -15.86db
16% Popularity • 68% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
16% Popularity • 68% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Go Lucky Four
The Belfast Brigade
118 bpm • A# Maj • 01:52 • -9db
35% Popularity • 63% Danceability • 61% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
35% Popularity • 63% Danceability • 61% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
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Pyrates!
Old Dun Cow
110 bpm • F Maj • 04:03 • -6.66db
16% Popularity • 77% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
16% Popularity • 77% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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The Foc'sle Singers
Haul Boys Haul
118 bpm • A Maj • 01:35 • -10db
12% Popularity • 71% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
12% Popularity • 71% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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The Sheringham Shantymen
Grimsby Fisherman
110 bpm • C# min • 03:34 • -12.8db
5% Popularity • 68% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
5% Popularity • 68% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Musical Blades
Tiggo Bitty
118 bpm • E Maj • 03:13 • -7db
11% Popularity • 56% Danceability • 64% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
11% Popularity • 56% Danceability • 64% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
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The Maguire Brothers
Mountain Dew
118 bpm • D Maj • 01:46 • -9db
16% Popularity • 77% Danceability • 75% Energy • 33% Liveness
0% Instrumentalness • 97% Positiveness
16% Popularity • 77% Danceability • 75% Energy • 33% Liveness
0% Instrumentalness • 97% Positiveness
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Perly I Lotry
Wellerman
110 bpm • G# Maj • 01:52 • -7.01db
30% Popularity • 82% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
30% Popularity • 82% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Méav
Once You Were My Lover
118 bpm • E min • 03:35 • -9.61db
35% Popularity • 54% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
35% Popularity • 54% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Bounding Main
Dogger Bank
118 bpm • F min • 02:44 • -7db
9% Popularity • 79% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 93% Positiveness
9% Popularity • 79% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 93% Positiveness
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The Merry Wives Of Windsor
My Son John
118 bpm • C# Maj • 01:02 • -10db
20% Popularity • 70% Danceability • 41% Energy • 39% Liveness
0% Instrumentalness • 91% Positiveness
20% Popularity • 70% Danceability • 41% Energy • 39% Liveness
0% Instrumentalness • 91% Positiveness
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The McCalmans
Bonnie Lass O' Gala Water
110 bpm • D Maj • 03:12 • -9.27db
28% Popularity • 68% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
28% Popularity • 68% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
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The Tolkien Ensemble
There Is an Inn, Merry Old Inn...
110 bpm • G Maj • 04:59 • -10.16db
16% Popularity • 59% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
16% Popularity • 59% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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Perly I Lotry
Donkey Riding (A Cappella)
110 bpm • F Maj • 01:44 • -6.61db
37% Popularity • 86% Danceability • 36% Energy • 33% Liveness
0% Instrumentalness • 94% Positiveness
37% Popularity • 86% Danceability • 36% Energy • 33% Liveness
0% Instrumentalness • 94% Positiveness
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Salty Dick
Bell-Bottom Trousers
118 bpm • C Maj • 03:56 • -9db
16% Popularity • 79% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
16% Popularity • 79% Danceability • 29% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Alastair McDonald
Wee German Lairdie.
110 bpm • C Maj • 02:09 • -6.01db
20% Popularity • 61% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
20% Popularity • 61% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
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Smokey Bastard
Old Jack
110 bpm • C Maj • 05:04 • -5.1db
29% Popularity • 42% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
29% Popularity • 42% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Mick Moloney
The Irish Volunteers
119 bpm • C Maj • 04:33 • -9db
27% Popularity • 66% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
27% Popularity • 66% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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The Roaring Trowmen
Maid of Amsterdam
109 bpm • D# Maj • 03:13 • -6.5db
13% Popularity • 82% Danceability • 32% Energy • 21% Liveness
0% Instrumentalness • 81% Positiveness
13% Popularity • 82% Danceability • 32% Energy • 21% Liveness
0% Instrumentalness • 81% Positiveness
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The X-Seamen's Institute
Boney Was a Warrior
119 bpm • C min • 01:09 • -16db
10% Popularity • 70% Danceability • 17% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 70% Danceability • 17% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
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Salty Dick
A-Hole Rules The Navy
119 bpm • D Maj • 02:04 • -9.85db
14% Popularity • 86% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
14% Popularity • 86% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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The Cottars
Home By Bearna
119 bpm • D Maj • 02:33 • -6.45db
24% Popularity • 87% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
24% Popularity • 87% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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Musical Blades
Chemical Workers Song
119 bpm • E min • 02:14 • -7.81db
14% Popularity • 72% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
14% Popularity • 72% Danceability • 92% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Mick Moloney
The Regular Army O
119 bpm • A# Maj • 04:35 • -8.49db
35% Popularity • 54% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
35% Popularity • 54% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
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The Sheringham Shantymen
The LIfeboat Mona
119 bpm • F min • 04:09 • -13.9db
18% Popularity • 63% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
18% Popularity • 63% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Pyrates!
Whisky in the Jar
120 bpm • E Maj • 03:36 • -7db
19% Popularity • 74% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
19% Popularity • 74% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Salty Dick
North Atlantic Squadron
109 bpm • G Maj • 02:30 • -10.46db
14% Popularity • 78% Danceability • 20% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
14% Popularity • 78% Danceability • 20% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
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Louis Killen
Threescore and Ten
120 bpm • D# Maj • 04:26 • -17.15db
21% Popularity • 64% Danceability • 11% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
21% Popularity • 64% Danceability • 11% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
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The Poxy Boggards
Whiskey, You're the Devil
120 bpm • D Maj • 02:28 • -10.33db
38% Popularity • 75% Danceability • 69% Energy • 32% Liveness
0% Instrumentalness • 81% Positiveness
38% Popularity • 75% Danceability • 69% Energy • 32% Liveness
0% Instrumentalness • 81% Positiveness
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Voice Free
Drunken Sailor
120 bpm • A Maj • 02:03 • -7.1db
23% Popularity • 75% Danceability • 61% Energy • 34% Liveness
0% Instrumentalness • 93% Positiveness
23% Popularity • 75% Danceability • 61% Energy • 34% Liveness
0% Instrumentalness • 93% Positiveness
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The Sheringham Shantymen
Steal Away
120 bpm • D Maj • 03:57 • -17.63db
3% Popularity • 48% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
3% Popularity • 48% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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The Elders
Raging Sea
120 bpm • E Maj • 03:20 • -7db
38% Popularity • 71% Danceability • 70% Energy • 70% Liveness
0% Instrumentalness • 96% Positiveness
38% Popularity • 71% Danceability • 70% Energy • 70% Liveness
0% Instrumentalness • 96% Positiveness
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Musical Blades
Raise the Black
120 bpm • E min • 04:41 • -8.26db
20% Popularity • 68% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
20% Popularity • 68% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Derek Warfield & The Young Wolfe Tones
The Foggy Dew
120 bpm • D min • 04:28 • -4.59db
39% Popularity • 55% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
39% Popularity • 55% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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The Poxy Boggards
Untitled Bitter Song
120 bpm • C Maj • 02:50 • -8.6db
16% Popularity • 81% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
16% Popularity • 81% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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The Skullduggers
Botany Bay
120 bpm • E min • 02:19 • -5.8db
32% Popularity • 65% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
32% Popularity • 65% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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The Sheringham Shantymen
The Gals Of Chile
108 bpm • D Maj • 02:38 • -16.38db
2% Popularity • 57% Danceability • 23% Energy • 24% Liveness
0% Instrumentalness • 76% Positiveness
2% Popularity • 57% Danceability • 23% Energy • 24% Liveness
0% Instrumentalness • 76% Positiveness
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Mark Rutherford
Men of Harlech
120 bpm • A# Maj • 01:42 • -7db
29% Popularity • 38% Danceability • 71% Energy • 43% Liveness
0% Instrumentalness • 38% Positiveness
29% Popularity • 38% Danceability • 71% Energy • 43% Liveness
0% Instrumentalness • 38% Positiveness
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Sean Dagher
Here's a Health to the Company
120 bpm • C Maj • 02:35 • -5.76db
41% Popularity • 74% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 75% Positiveness
41% Popularity • 74% Danceability • 56% Energy • 18% Liveness
0% Instrumentalness • 75% Positiveness
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The McCalmans
Ramblin Rover
120 bpm • F Maj • 02:40 • -4.72db
27% Popularity • 58% Danceability • 81% Energy • 57% Liveness
0% Instrumentalness • 97% Positiveness
27% Popularity • 58% Danceability • 81% Energy • 57% Liveness
0% Instrumentalness • 97% Positiveness
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The Poxy Boggards
She's A Whore
120 bpm • D Maj • 02:27 • -7.58db
31% Popularity • 74% Danceability • 62% Energy • 35% Liveness
0% Instrumentalness • 91% Positiveness
31% Popularity • 74% Danceability • 62% Energy • 35% Liveness
0% Instrumentalness • 91% Positiveness
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The Pirates Charles
Mutiny On the Hms Bounty
120 bpm • D min • 03:21 • -6.89db
22% Popularity • 53% Danceability • 92% Energy • 37% Liveness
0% Instrumentalness • 90% Positiveness
22% Popularity • 53% Danceability • 92% Energy • 37% Liveness
0% Instrumentalness • 90% Positiveness
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Julia Ecklar
Hope Eyrie (Julia Ecklar)
108 bpm • G Maj • 04:14 • -6.22db
25% Popularity • 52% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
25% Popularity • 52% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Derek Warfield & The Young Wolfe Tones
The Bold Fenian Men
108 bpm • G Maj • 03:42 • -4.28db
16% Popularity • 60% Danceability • 74% Energy • 23% Liveness
0% Instrumentalness • 67% Positiveness
16% Popularity • 60% Danceability • 74% Energy • 23% Liveness
0% Instrumentalness • 67% Positiveness
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The Sheringham Shantymen
10,000 Miles
108 bpm • A# Maj • 03:25 • -8.11db
14% Popularity • 59% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
14% Popularity • 59% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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R. Morgan Slade
The Kingsley Thing To Do (A Critical Rol...
120 bpm • A Maj • 01:15 • -7.89db
24% Popularity • 57% Danceability • 65% Energy • 39% Liveness
0% Instrumentalness • 96% Positiveness
24% Popularity • 57% Danceability • 65% Energy • 39% Liveness
0% Instrumentalness • 96% Positiveness
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The Poxy Boggards
Up and Away
108 bpm • E Maj • 03:07 • -7.96db
23% Popularity • 74% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
23% Popularity • 74% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
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Jerry Bryant
Heart Of Oak
108 bpm • G Maj • 02:14 • -17db
23% Popularity • 86% Danceability • 6% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
23% Popularity • 86% Danceability • 6% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
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Pyrolysis
Captain Cray
108 bpm • F# min • 03:47 • -7.65db
18% Popularity • 46% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
18% Popularity • 46% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
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The King's Busketeers
South Australia
121 bpm • D Maj • 02:42 • -7.36db
13% Popularity • 62% Danceability • 65% Energy • 24% Liveness
0% Instrumentalness • 68% Positiveness
13% Popularity • 62% Danceability • 65% Energy • 24% Liveness
0% Instrumentalness • 68% Positiveness
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The Sheringham Shantymen
Sally Brown
108 bpm • A# Maj • 03:01 • -19.06db
3% Popularity • 65% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
3% Popularity • 65% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Andy M. Stewart and Manus Lunny
Take Her In Your Arms
121 bpm • D min • 04:08 • -15db
32% Popularity • 66% Danceability • 32% Energy • 32% Liveness
0% Instrumentalness • 77% Positiveness
32% Popularity • 66% Danceability • 32% Energy • 32% Liveness
0% Instrumentalness • 77% Positiveness
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Sheshanties
Whiskey Johnny
107 bpm • G min • 02:15 • -14db
15% Popularity • 65% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
15% Popularity • 65% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
