Songs like Punk Is Dead by Jeffrey Lewis
Based on a tempo of (+/- 10%) and a similar genre
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The Magnetic Fields
I Don't Really Love You Anymore
145 bpm • D Maj • 02:33 • -4.5db
29% Popularity • 68% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 98% Positiveness
29% Popularity • 68% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 98% Positiveness
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King Missile
Mr. Johnson
145 bpm • G Maj • 01:53 • -11.55db
14% Popularity • 43% Danceability • 47% Energy • 12% Liveness
90% Instrumentalness • 53% Positiveness
14% Popularity • 43% Danceability • 47% Energy • 12% Liveness
90% Instrumentalness • 53% Positiveness
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Jeffrey Lewis
Punk Is Dead
145 bpm • F Maj • 02:59 • -11db
9% Popularity • 56% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
9% Popularity • 56% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Silver Jews
Party Barge
145 bpm • E Maj • 02:54 • -9.15db
26% Popularity • 55% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
26% Popularity • 55% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Kimya Dawson
Loose Lips
145 bpm • D Maj • 02:27 • -9.67db
51% Popularity • 60% Danceability • 43% Energy • 26% Liveness
0% Instrumentalness • 80% Positiveness
51% Popularity • 60% Danceability • 43% Energy • 26% Liveness
0% Instrumentalness • 80% Positiveness
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The Unicorns
I Was Born (A Unicorn)
145 bpm • E Maj • 02:45 • -7.85db
41% Popularity • 56% Danceability • 51% Energy • 3% Liveness
0% Instrumentalness • 74% Positiveness
41% Popularity • 56% Danceability • 51% Energy • 3% Liveness
0% Instrumentalness • 74% Positiveness
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Wingnut Dishwashers Union
Proudhon in Manhattan
146 bpm • E Maj • 02:26 • -5.71db
33% Popularity • 72% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
33% Popularity • 72% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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The Extra Glenns
Twelve Hands High
146 bpm • C Maj • 02:47 • -7db
23% Popularity • 59% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
23% Popularity • 59% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Jeffrey Lewis
Time Trades
144 bpm • A Maj • 03:26 • -13db
31% Popularity • 68% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
31% Popularity • 68% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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Spoonboy
My Generation
146 bpm • C Maj • 01:33 • -5db
33% Popularity • 59% Danceability • 45% Energy • 25% Liveness
0% Instrumentalness • 93% Positiveness
33% Popularity • 59% Danceability • 45% Energy • 25% Liveness
0% Instrumentalness • 93% Positiveness
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The Evens
King of Kings
144 bpm • F# min • 02:27 • -9.86db
25% Popularity • 60% Danceability • 59% Energy • 29% Liveness
19% Instrumentalness • 42% Positiveness
25% Popularity • 60% Danceability • 59% Energy • 29% Liveness
19% Instrumentalness • 42% Positiveness
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Nana Grizol
Circles 'Round the Moon
143 bpm • B Maj • 01:48 • -4db
38% Popularity • 46% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
38% Popularity • 46% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Clap Your Hands Say Yeah
Clap Your Hands!
147 bpm • G Maj • 01:48 • -8db
31% Popularity • 40% Danceability • 48% Energy • 9% Liveness
24% Instrumentalness • 44% Positiveness
31% Popularity • 40% Danceability • 48% Energy • 9% Liveness
24% Instrumentalness • 44% Positiveness
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The Extra Glenns
Going to Marrakesh
146 bpm • G Maj • 02:47 • -6.45db
31% Popularity • 42% Danceability • 56% Energy • 42% Liveness
0% Instrumentalness • 58% Positiveness
31% Popularity • 42% Danceability • 56% Energy • 42% Liveness
0% Instrumentalness • 58% Positiveness
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Pat The Bunny
Song for a Netflix Account
143 bpm • G Maj • 03:06 • -10db
26% Popularity • 62% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
26% Popularity • 62% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Silver Jews
San Francisco B.C.
143 bpm • C Maj • 06:14 • -11db
28% Popularity • 61% Danceability • 62% Energy • 21% Liveness
6% Instrumentalness • 72% Positiveness
28% Popularity • 61% Danceability • 62% Energy • 21% Liveness
6% Instrumentalness • 72% Positiveness
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Jeff Mangum
Two Headed Boy - e
143 bpm • D# Maj • 05:40 • -7.89db
22% Popularity • 34% Danceability • 74% Energy • 56% Liveness
0% Instrumentalness • 22% Positiveness
22% Popularity • 34% Danceability • 74% Energy • 56% Liveness
0% Instrumentalness • 22% Positiveness
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The Taxpayers
Everything is Awful
143 bpm • A Maj • 03:21 • -7db
29% Popularity • 32% Danceability • 80% Energy • 9% Liveness
2% Instrumentalness • 17% Positiveness
29% Popularity • 32% Danceability • 80% Energy • 9% Liveness
2% Instrumentalness • 17% Positiveness
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Spoonboy
Peanuts
143 bpm • D Maj • 01:52 • -11db
28% Popularity • 66% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
28% Popularity • 66% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Jeffrey Lewis
Whistle Past The Graveyard
147 bpm • C Maj • 02:28 • -3.61db
8% Popularity • 60% Danceability • 91% Energy • 16% Liveness
0% Instrumentalness • 97% Positiveness
8% Popularity • 60% Danceability • 91% Energy • 16% Liveness
0% Instrumentalness • 97% Positiveness
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The Thermals
No Culture Icons
148 bpm • A# Maj • 02:21 • -3.55db
28% Popularity • 48% Danceability • 98% Energy • 36% Liveness
0% Instrumentalness • 30% Positiveness
28% Popularity • 48% Danceability • 98% Energy • 36% Liveness
0% Instrumentalness • 30% Positiveness
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Nana Grizol
Arthur Hall
142 bpm • C Maj • 02:19 • -10.68db
17% Popularity • 35% Danceability • 60% Energy • 32% Liveness
0% Instrumentalness • 50% Positiveness
17% Popularity • 35% Danceability • 60% Energy • 32% Liveness
0% Instrumentalness • 50% Positiveness
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The Mountain Goats
The Legend of Chavo Guerrero
142 bpm • B min • 03:00 • -5.8db
15% Popularity • 69% Danceability • 86% Energy • 37% Liveness
27% Instrumentalness • 91% Positiveness
15% Popularity • 69% Danceability • 86% Energy • 37% Liveness
27% Instrumentalness • 91% Positiveness
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The Dodos
The Ball
142 bpm • B Maj • 05:38 • -9.75db
18% Popularity • 38% Danceability • 87% Energy • 8% Liveness
30% Instrumentalness • 34% Positiveness
18% Popularity • 38% Danceability • 87% Energy • 8% Liveness
30% Instrumentalness • 34% Positiveness
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Casiotone For The Painfully Alone
Nashville Parthenon
142 bpm • C Maj • 02:55 • -10.83db
24% Popularity • 82% Danceability • 42% Energy • 6% Liveness
69% Instrumentalness • 85% Positiveness
24% Popularity • 82% Danceability • 42% Energy • 6% Liveness
69% Instrumentalness • 85% Positiveness
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Guided By Voices
Motor Away
142 bpm • B Maj • 02:06 • -6db
36% Popularity • 26% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
36% Popularity • 26% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
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Blackbird Raum
Last Legs
148 bpm • G Maj • 04:33 • -3.86db
13% Popularity • 27% Danceability • 70% Energy • 19% Liveness
1% Instrumentalness • 23% Positiveness
13% Popularity • 27% Danceability • 70% Energy • 19% Liveness
1% Instrumentalness • 23% Positiveness
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Bomb the Music Industry!
Campaign For A Better Weekend
142 bpm • D Maj • 04:54 • -7.8db
28% Popularity • 20% Danceability • 70% Energy • 60% Liveness
13% Instrumentalness • 32% Positiveness
28% Popularity • 20% Danceability • 70% Energy • 60% Liveness
13% Instrumentalness • 32% Positiveness
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Half Japanese
One Million Kisses
142 bpm • D Maj • 01:55 • -12.56db
39% Popularity • 61% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
39% Popularity • 61% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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The Thermals
Brace And Break
148 bpm • B Maj • 02:13 • -3.35db
20% Popularity • 19% Danceability • 92% Energy • 17% Liveness
2% Instrumentalness • 52% Positiveness
20% Popularity • 19% Danceability • 92% Energy • 17% Liveness
2% Instrumentalness • 52% Positiveness
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Mischief Brew
Gimme Coffee, Or Death
148 bpm • C Maj • 03:26 • -8db
31% Popularity • 66% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
31% Popularity • 66% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Spoonboy
I Am A Dog
149 bpm • D Maj • 02:33 • -6.23db
24% Popularity • 66% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 33% Positiveness
24% Popularity • 66% Danceability • 53% Energy • 26% Liveness
0% Instrumentalness • 33% Positiveness
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Lifter Puller
Candy's Room
141 bpm • B min • 01:52 • -11.17db
16% Popularity • 39% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
16% Popularity • 39% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Kimya Dawson
I Like Giants
149 bpm • C Maj • 02:38 • -10db
46% Popularity • 54% Danceability • 49% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
46% Popularity • 54% Danceability • 49% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
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The Extra Lens
Adultery
149 bpm • G Maj • 01:35 • -8.12db
27% Popularity • 50% Danceability • 44% Energy • 21% Liveness
1% Instrumentalness • 72% Positiveness
27% Popularity • 50% Danceability • 44% Energy • 21% Liveness
1% Instrumentalness • 72% Positiveness
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The Halo Benders
Canned Oxygen
141 bpm • A Maj • 03:24 • -8.21db
16% Popularity • 30% Danceability • 85% Energy • 15% Liveness
3% Instrumentalness • 46% Positiveness
16% Popularity • 30% Danceability • 85% Energy • 15% Liveness
3% Instrumentalness • 46% Positiveness
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Stephin Merritt
I Don't Believe You - 7" Version
141 bpm • E Maj • 03:06 • -3.91db
20% Popularity • 54% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 78% Positiveness
20% Popularity • 54% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 78% Positiveness
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Mischief Brew
Lightning Knock The Power Out
141 bpm • E Maj • 03:43 • -8.8db
12% Popularity • 50% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
12% Popularity • 50% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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The Thermals
Back To Gray
141 bpm • B Maj • 02:14 • -3.91db
14% Popularity • 48% Danceability • 86% Energy • 39% Liveness
0% Instrumentalness • 70% Positiveness
14% Popularity • 48% Danceability • 86% Energy • 39% Liveness
0% Instrumentalness • 70% Positiveness
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Kimya Dawson
The Beer
141 bpm • A Maj • 03:11 • -9.28db
46% Popularity • 65% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
46% Popularity • 65% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Ghost Mice
The Path
149 bpm • F# Maj • 03:01 • -6.63db
13% Popularity • 46% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
13% Popularity • 46% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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Jeffrey Lewis
New Old Friends
149 bpm • G Maj • 02:09 • -13.67db
12% Popularity • 31% Danceability • 38% Energy • 23% Liveness
2% Instrumentalness • 66% Positiveness
12% Popularity • 31% Danceability • 38% Energy • 23% Liveness
2% Instrumentalness • 66% Positiveness
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The Evens
All These Governors
150 bpm • G Maj • 03:08 • -11.23db
20% Popularity • 71% Danceability • 58% Energy • 28% Liveness
0% Instrumentalness • 51% Positiveness
20% Popularity • 71% Danceability • 58% Energy • 28% Liveness
0% Instrumentalness • 51% Positiveness
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Mischief Brew
Coffee, God, And Cigarettes
150 bpm • D Maj • 02:20 • -4.59db
43% Popularity • 46% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
43% Popularity • 46% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 77% Positiveness
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Sledding With Tigers
Not So Body Posi After All
150 bpm • G Maj • 02:11 • -9.27db
19% Popularity • 74% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
19% Popularity • 74% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Diane Cluck
Travel Light
140 bpm • D Maj • 02:58 • -21db
31% Popularity • 48% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
31% Popularity • 48% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Okkervil River
The President's Dead
150 bpm • D Maj • 02:42 • -7db
13% Popularity • 46% Danceability • 42% Energy • 33% Liveness
0% Instrumentalness • 76% Positiveness
13% Popularity • 46% Danceability • 42% Energy • 33% Liveness
0% Instrumentalness • 76% Positiveness
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The Magnetic Fields
Meaningless
140 bpm • B Maj • 02:08 • -8.01db
30% Popularity • 64% Danceability • 77% Energy • 40% Liveness
0% Instrumentalness • 69% Positiveness
30% Popularity • 64% Danceability • 77% Energy • 40% Liveness
0% Instrumentalness • 69% Positiveness
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Nana Grizol
South Somewhere Else
140 bpm • E Maj • 04:22 • -5.95db
25% Popularity • 64% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 66% Positiveness
25% Popularity • 64% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 66% Positiveness
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Mischief Brew
Gratitude And Thanks
140 bpm • G Maj • 03:55 • -4.42db
24% Popularity • 52% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
24% Popularity • 52% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Pat The Bunny
From Here to Utopia
140 bpm • A min • 05:54 • -12.31db
32% Popularity • 42% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
32% Popularity • 42% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Ramshackle Glory
First Song
140 bpm • C Maj • 02:27 • -11.54db
33% Popularity • 40% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
33% Popularity • 40% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Man Man
Hurly / Burly
150 bpm • F# Maj • 03:51 • -3.62db
18% Popularity • 66% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
18% Popularity • 66% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Beat Happening
Indian Summer
140 bpm • A Maj • 03:05 • -10db
34% Popularity • 45% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
34% Popularity • 45% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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Nana Grizol
Galaxies
150 bpm • D# Maj • 02:55 • -13.19db
25% Popularity • 42% Danceability • 63% Energy • 12% Liveness
4% Instrumentalness • 86% Positiveness
25% Popularity • 42% Danceability • 63% Energy • 12% Liveness
4% Instrumentalness • 86% Positiveness
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Titus Andronicus
Theme From "Cheers"
140 bpm • G Maj • 05:01 • -4.2db
22% Popularity • 24% Danceability • 85% Energy • 36% Liveness
0% Instrumentalness • 57% Positiveness
22% Popularity • 24% Danceability • 85% Energy • 36% Liveness
0% Instrumentalness • 57% Positiveness
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The Gerbils
Crayon Box
140 bpm • A Maj • 03:01 • -10.29db
18% Popularity • 55% Danceability • 67% Energy • 10% Liveness
2% Instrumentalness • 95% Positiveness
18% Popularity • 55% Danceability • 67% Energy • 10% Liveness
2% Instrumentalness • 95% Positiveness
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The Mountain Goats
Alpha Incipiens
151 bpm • C Maj • 01:36 • -11.64db
25% Popularity • 59% Danceability • 71% Energy • 37% Liveness
1% Instrumentalness • 88% Positiveness
25% Popularity • 59% Danceability • 71% Energy • 37% Liveness
1% Instrumentalness • 88% Positiveness
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Defiance, Ohio
Hairpool
140 bpm • B Maj • 04:28 • -4.98db
30% Popularity • 38% Danceability • 88% Energy • 7% Liveness
2% Instrumentalness • 62% Positiveness
30% Popularity • 38% Danceability • 88% Energy • 7% Liveness
2% Instrumentalness • 62% Positiveness
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Ramshackle Glory
Collapse, Fury, Redemption, Loss
139 bpm • E Maj • 02:08 • -7.11db
24% Popularity • 57% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
24% Popularity • 57% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
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The Extra Glenns
Somebody Else's Parking Lot in Sebastopo...
151 bpm • D Maj • 02:17 • -7.19db
25% Popularity • 57% Danceability • 61% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
25% Popularity • 57% Danceability • 61% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
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Nana Grizol
Blackbox
151 bpm • E Maj • 03:48 • -13.16db
24% Popularity • 41% Danceability • 67% Energy • 13% Liveness
43% Instrumentalness • 70% Positiveness
24% Popularity • 41% Danceability • 67% Energy • 13% Liveness
43% Instrumentalness • 70% Positiveness
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Man Man
Gold Teeth
151 bpm • C Maj • 05:52 • -7.49db
17% Popularity • 28% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
17% Popularity • 28% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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Jeffrey Lewis
Graveyard
139 bpm • E min • 03:12 • -6.34db
13% Popularity • 37% Danceability • 94% Energy • 20% Liveness
5% Instrumentalness • 83% Positiveness
13% Popularity • 37% Danceability • 94% Energy • 20% Liveness
5% Instrumentalness • 83% Positiveness
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Jello Biafra
Love Me, I'm a Liberal
139 bpm • G Maj • 04:03 • -8.42db
29% Popularity • 51% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
29% Popularity • 51% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
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Coming Soon
Bike Mission
152 bpm • D# Maj • 02:26 • -9.46db
17% Popularity • 53% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
17% Popularity • 53% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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The Magnetic Fields
A Chicken With Its Head Cut Off
138 bpm • C Maj • 02:41 • -8db
48% Popularity • 74% Danceability • 85% Energy • 11% Liveness
79% Instrumentalness • 87% Positiveness
48% Popularity • 74% Danceability • 85% Energy • 11% Liveness
79% Instrumentalness • 87% Positiveness
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WHY?
Crushed Bones
138 bpm • E min • 03:30 • -5db
24% Popularity • 57% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
24% Popularity • 57% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Defiance, Ohio
Petty Problems
138 bpm • A Maj • 02:10 • -6.52db
35% Popularity • 41% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
35% Popularity • 41% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Heart Of Blood
West Side Moon
138 bpm • D Maj • 05:30 • -12.26db
0% Popularity • 28% Danceability • 27% Energy • 10% Liveness
25% Instrumentalness • 8% Positiveness
0% Popularity • 28% Danceability • 27% Energy • 10% Liveness
25% Instrumentalness • 8% Positiveness
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The Ship-Tones
Try It Again
138 bpm • G Maj • 04:23 • -7.88db
0% Popularity • 75% Danceability • 63% Energy • 35% Liveness
0% Instrumentalness • 62% Positiveness
0% Popularity • 75% Danceability • 63% Energy • 35% Liveness
0% Instrumentalness • 62% Positiveness
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Jeffrey Lewis
No LSD Tonight
153 bpm • D min • 02:36 • -7.86db
20% Popularity • 50% Danceability • 92% Energy • 32% Liveness
0% Instrumentalness • 82% Positiveness
20% Popularity • 50% Danceability • 92% Energy • 32% Liveness
0% Instrumentalness • 82% Positiveness
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Spoonboy
Stab Yer Dad
153 bpm • D Maj • 02:30 • -2.62db
31% Popularity • 42% Danceability • 89% Energy • 46% Liveness
0% Instrumentalness • 81% Positiveness
31% Popularity • 42% Danceability • 89% Energy • 46% Liveness
0% Instrumentalness • 81% Positiveness
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WHY?
Simeon’s Dilemma
153 bpm • B Maj • 03:32 • -7.02db
27% Popularity • 29% Danceability • 78% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
27% Popularity • 29% Danceability • 78% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
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Jared Mees & The Grown Children
The Tallest Building in Hell
154 bpm • G Maj • 05:04 • -4.78db
10% Popularity • 57% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
10% Popularity • 57% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Sleater-Kinney
Good Things
137 bpm • C# Maj • 03:10 • -4.14db
32% Popularity • 39% Danceability • 95% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
32% Popularity • 39% Danceability • 95% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Jay Reatard
You Were Sleeping
136 bpm • F Maj • 02:32 • -8.71db
12% Popularity • 69% Danceability • 53% Energy • 25% Liveness
79% Instrumentalness • 46% Positiveness
12% Popularity • 69% Danceability • 53% Energy • 25% Liveness
79% Instrumentalness • 46% Positiveness
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Jeffrey Lewis
Try It Again
137 bpm • E min • 02:31 • -10db
13% Popularity • 67% Danceability • 59% Energy • 23% Liveness
0% Instrumentalness • 97% Positiveness
13% Popularity • 67% Danceability • 59% Energy • 23% Liveness
0% Instrumentalness • 97% Positiveness
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Silver Jews
Sometimes A Pony Gets Depressed
136 bpm • C Maj • 02:36 • -4.69db
34% Popularity • 48% Danceability • 93% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
34% Popularity • 48% Danceability • 93% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
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David Dondero
The Stars Are My Chandelier
136 bpm • F Maj • 02:34 • -9.87db
12% Popularity • 56% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
12% Popularity • 56% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Beat Happening
Teenage Caveman
154 bpm • B min • 04:35 • -7.95db
21% Popularity • 42% Danceability • 92% Energy • 16% Liveness
18% Instrumentalness • 79% Positiveness
21% Popularity • 42% Danceability • 92% Energy • 16% Liveness
18% Instrumentalness • 79% Positiveness
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Casiotone For The Painfully Alone
Jeane, If You're Ever in Portland
155 bpm • C# Maj • 02:28 • -8.48db
20% Popularity • 67% Danceability • 64% Energy • 7% Liveness
8% Instrumentalness • 89% Positiveness
20% Popularity • 67% Danceability • 64% Energy • 7% Liveness
8% Instrumentalness • 89% Positiveness
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The Anorexic Olsen Twin
I Miss My Friends
136 bpm • D Maj • 02:56 • -7.85db
12% Popularity • 32% Danceability • 44% Energy • 62% Liveness
0% Instrumentalness • 42% Positiveness
12% Popularity • 32% Danceability • 44% Energy • 62% Liveness
0% Instrumentalness • 42% Positiveness
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Jeffrey Lewis
How Can It Be
155 bpm • C Maj • 02:13 • -12.46db
21% Popularity • 64% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
21% Popularity • 64% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
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Ghost Mice
Survival AJJ
155 bpm • C Maj • 01:40 • -3db
21% Popularity • 47% Danceability • 60% Energy • 31% Liveness
0% Instrumentalness • 66% Positiveness
21% Popularity • 47% Danceability • 60% Energy • 31% Liveness
0% Instrumentalness • 66% Positiveness
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The Gerbils
Glue
135 bpm • D Maj • 04:24 • -8.65db
18% Popularity • 37% Danceability • 36% Energy • 11% Liveness
74% Instrumentalness • 31% Positiveness
18% Popularity • 37% Danceability • 36% Energy • 11% Liveness
74% Instrumentalness • 31% Positiveness
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Beat Happening
You Turn Me On
136 bpm • E Maj • 04:10 • -7.17db
20% Popularity • 48% Danceability • 94% Energy • 9% Liveness
69% Instrumentalness • 77% Positiveness
20% Popularity • 48% Danceability • 94% Energy • 9% Liveness
69% Instrumentalness • 77% Positiveness
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The Evens
Pushed Against The Wall
135 bpm • A Maj • 03:34 • -10.25db
14% Popularity • 60% Danceability • 39% Energy • 13% Liveness
1% Instrumentalness • 76% Positiveness
14% Popularity • 60% Danceability • 39% Energy • 13% Liveness
1% Instrumentalness • 76% Positiveness
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Ramshackle Glory
Love Song for the Birds in Our Backyard
135 bpm • G Maj • 02:51 • -5.84db
22% Popularity • 55% Danceability • 59% Energy • 60% Liveness
0% Instrumentalness • 84% Positiveness
22% Popularity • 55% Danceability • 59% Energy • 60% Liveness
0% Instrumentalness • 84% Positiveness
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Jeffrey Lewis
Life
135 bpm • C Maj • 03:02 • -18.82db
25% Popularity • 50% Danceability • 23% Energy • 8% Liveness
7% Instrumentalness • 87% Positiveness
25% Popularity • 50% Danceability • 23% Energy • 8% Liveness
7% Instrumentalness • 87% Positiveness
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John Vanderslice
Pale Horse
135 bpm • F# min • 02:40 • -6.08db
15% Popularity • 73% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
15% Popularity • 73% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Guignol
Off the Books
156 bpm • F# min • 02:48 • -9.48db
23% Popularity • 46% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
23% Popularity • 46% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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The Halo Benders
Big Rock Candy Mountain
134 bpm • C Maj • 04:11 • -5.47db
10% Popularity • 52% Danceability • 93% Energy • 9% Liveness
1% Instrumentalness • 84% Positiveness
10% Popularity • 52% Danceability • 93% Energy • 9% Liveness
1% Instrumentalness • 84% Positiveness
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Sebadoh
The Freed Pig
134 bpm • F min • 03:07 • -7.28db
25% Popularity • 35% Danceability • 93% Energy • 12% Liveness
20% Instrumentalness • 33% Positiveness
25% Popularity • 35% Danceability • 93% Energy • 12% Liveness
20% Instrumentalness • 33% Positiveness
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Ramshackle Glory
First Song, Pt. 2
135 bpm • C Maj • 03:20 • -7.98db
27% Popularity • 41% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
27% Popularity • 41% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Jeffrey Lewis
Outta Town
134 bpm • C Maj • 02:46 • -4.97db
14% Popularity • 66% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
14% Popularity • 66% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Titus Andronicus
To Old Friends and New
134 bpm • D Maj • 07:00 • -8.51db
19% Popularity • 39% Danceability • 41% Energy • 36% Liveness
1% Instrumentalness • 21% Positiveness
19% Popularity • 39% Danceability • 41% Energy • 36% Liveness
1% Instrumentalness • 21% Positiveness
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Peggy Honeywell
Sing Sung Saing
134 bpm • A# Maj • 02:26 • -10.6db
14% Popularity • 33% Danceability • 40% Energy • 12% Liveness
12% Instrumentalness • 82% Positiveness
14% Popularity • 33% Danceability • 40% Energy • 12% Liveness
12% Instrumentalness • 82% Positiveness
