Songs like Puppet On A String by Sandie Shaw
Based on a tempo of (+/- 10%) and a similar genre
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Betty Everett
It's in the Kiss (The Shoop Shoop Song)
124 bpm • B min • 02:09 • -8.08db
45% Popularity • 59% Danceability • 53% Energy • 71% Liveness
0% Instrumentalness • 93% Positiveness
45% Popularity • 59% Danceability • 53% Energy • 71% Liveness
0% Instrumentalness • 93% Positiveness
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The Fortunes
Caroline
124 bpm • E min • 01:59 • -9.38db
34% Popularity • 68% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
34% Popularity • 68% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Crispian St. Peters
You Were on My Mind
124 bpm • F Maj • 02:41 • -9.31db
32% Popularity • 56% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
32% Popularity • 56% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Dave Dee, Dozy, Beaky, Mick & Tich
Don Juan
124 bpm • E Maj • 03:05 • -3.6db
13% Popularity • 41% Danceability • 96% Energy • 25% Liveness
0% Instrumentalness • 53% Positiveness
13% Popularity • 41% Danceability • 96% Energy • 25% Liveness
0% Instrumentalness • 53% Positiveness
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Sandie Shaw
Lemon Tree
124 bpm • G Maj • 03:52 • -9.44db
5% Popularity • 76% Danceability • 25% Energy • 23% Liveness
0% Instrumentalness • 74% Positiveness
5% Popularity • 76% Danceability • 25% Energy • 23% Liveness
0% Instrumentalness • 74% Positiveness
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The Seekers
California Dreamin'
124 bpm • E min • 02:30 • -9.12db
24% Popularity • 45% Danceability • 52% Energy • 28% Liveness
0% Instrumentalness • 72% Positiveness
24% Popularity • 45% Danceability • 52% Energy • 28% Liveness
0% Instrumentalness • 72% Positiveness
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The Hollies
Sorry Suzanne - 1998 Remaster
124 bpm • C Maj • 03:02 • -7db
41% Popularity • 58% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 71% Positiveness
41% Popularity • 58% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 71% Positiveness
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Marmalade
Ob La Di Ob La Da
124 bpm • A Maj • 03:01 • -13db
46% Popularity • 82% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
46% Popularity • 82% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Barry Blue
(Dancin’) On A Saturday Night
124 bpm • A Maj • 03:12 • -9db
38% Popularity • 71% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
38% Popularity • 71% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 85% Positiveness
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Dave Dee, Dozy, Beaky, Mick & Tich
Don Juan
124 bpm • E Maj • 03:06 • -11.68db
34% Popularity • 52% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 91% Positiveness
34% Popularity • 52% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 91% Positiveness
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Sandie Shaw
Puppet On A String
124 bpm • C Maj • 02:23 • -9db
50% Popularity • 72% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
50% Popularity • 72% Danceability • 61% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Zager & Evans
In the Year 2525 (Exordium & Terminus)
123 bpm • G# min • 03:19 • -5.61db
50% Popularity • 45% Danceability • 62% Energy • 7% Liveness
2% Instrumentalness • 50% Positiveness
50% Popularity • 45% Danceability • 62% Energy • 7% Liveness
2% Instrumentalness • 50% Positiveness
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Neil Sedaka
One Way Ticket
125 bpm • A min • 02:22 • -5.96db
36% Popularity • 62% Danceability • 76% Energy • 4% Liveness
0% Instrumentalness • 91% Positiveness
36% Popularity • 62% Danceability • 76% Energy • 4% Liveness
0% Instrumentalness • 91% Positiveness
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Brian Hyland
Itsy Bitsy Teeny Weeny Yellow Polka Dot ...
123 bpm • D Maj • 02:24 • -14.82db
34% Popularity • 81% Danceability • 34% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
34% Popularity • 81% Danceability • 34% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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Gilbert O'Sullivan
Get Down
125 bpm • C# Maj • 02:39 • -6.56db
42% Popularity • 77% Danceability • 89% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
42% Popularity • 77% Danceability • 89% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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Pussycat
Mississippi
123 bpm • A# Maj • 04:33 • -9.33db
55% Popularity • 60% Danceability • 73% Energy • 26% Liveness
0% Instrumentalness • 64% Positiveness
55% Popularity • 60% Danceability • 73% Energy • 26% Liveness
0% Instrumentalness • 64% Positiveness
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Roy Orbison
Only the Lonely
123 bpm • F Maj • 02:25 • -10.77db
66% Popularity • 57% Danceability • 53% Energy • 20% Liveness
1% Instrumentalness • 93% Positiveness
66% Popularity • 57% Danceability • 53% Energy • 20% Liveness
1% Instrumentalness • 93% Positiveness
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Crispian St. Peters
You were on my Mind
123 bpm • F Maj • 02:42 • -17.35db
36% Popularity • 58% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
36% Popularity • 58% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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David & Jonathan
Lovers of the World Unite
123 bpm • F Maj • 02:36 • -7.57db
24% Popularity • 48% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
24% Popularity • 48% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Brian Hyland
Itsy Bitsy Teenie Weenie Yellow Polka Do...
123 bpm • D Maj • 02:23 • -11.54db
56% Popularity • 81% Danceability • 43% Energy • 2% Liveness
0% Instrumentalness • 96% Positiveness
56% Popularity • 81% Danceability • 43% Energy • 2% Liveness
0% Instrumentalness • 96% Positiveness
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Marty Wilde
Abergavenny
123 bpm • B Maj • 02:48 • -8db
29% Popularity • 61% Danceability • 90% Energy • 52% Liveness
50% Instrumentalness • 79% Positiveness
29% Popularity • 61% Danceability • 90% Energy • 52% Liveness
50% Instrumentalness • 79% Positiveness
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The Seekers
Island of Dreams
125 bpm • D# Maj • 02:29 • -11.96db
33% Popularity • 51% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
33% Popularity • 51% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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The Tremeloes
My Little Lady
125 bpm • D Maj • 02:41 • -8.31db
41% Popularity • 51% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 98% Positiveness
41% Popularity • 51% Danceability • 75% Energy • 14% Liveness
0% Instrumentalness • 98% Positiveness
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Crispian St. Peters
You Were on My Mind
125 bpm • A# Maj • 02:39 • -11.93db
20% Popularity • 75% Danceability • 31% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
20% Popularity • 75% Danceability • 31% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
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The Move
Flowers In The Rain - 2007 Remaster
123 bpm • A Maj • 02:35 • -6.97db
36% Popularity • 52% Danceability • 92% Energy • 32% Liveness
0% Instrumentalness • 49% Positiveness
36% Popularity • 52% Danceability • 92% Energy • 32% Liveness
0% Instrumentalness • 49% Positiveness
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Bobby Rydell
Sway
123 bpm • E min • 02:22 • -5.36db
32% Popularity • 66% Danceability • 81% Energy • 44% Liveness
0% Instrumentalness • 94% Positiveness
32% Popularity • 66% Danceability • 81% Energy • 44% Liveness
0% Instrumentalness • 94% Positiveness
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Dave Dee, Dozy, Beaky, Mick & Tich
Okay
123 bpm • D Maj • 02:40 • -11.01db
23% Popularity • 76% Danceability • 39% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
23% Popularity • 76% Danceability • 39% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
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Ben E. King
Spanish Harlem
125 bpm • D Maj • 02:54 • -11.86db
55% Popularity • 61% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
55% Popularity • 61% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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The Swinging Blue Jeans
Save the Last Dance for Me - Mono
125 bpm • B Maj • 02:55 • -11.23db
33% Popularity • 63% Danceability • 51% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
33% Popularity • 63% Danceability • 51% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
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Gary Puckett & The Union Gap
Lady Willpower
123 bpm • C min • 02:45 • -8.26db
47% Popularity • 53% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
47% Popularity • 53% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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Middle Of The Road
Soley Soley
123 bpm • F Maj • 03:11 • -12.98db
42% Popularity • 42% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
42% Popularity • 42% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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Mac & Katie Kissoon
Freedom
123 bpm • G# Maj • 02:28 • -8db
28% Popularity • 76% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
28% Popularity • 76% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Dave Dee, Dozy, Beaky, Mick & Tich
Okay !
123 bpm • D Maj • 02:38 • -11.59db
16% Popularity • 68% Danceability • 45% Energy • 28% Liveness
0% Instrumentalness • 82% Positiveness
16% Popularity • 68% Danceability • 45% Energy • 28% Liveness
0% Instrumentalness • 82% Positiveness
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Neil Sedaka
Calendar Girl
123 bpm • G# min • 02:39 • -7.73db
56% Popularity • 70% Danceability • 65% Energy • 21% Liveness
0% Instrumentalness • 86% Positiveness
56% Popularity • 70% Danceability • 65% Energy • 21% Liveness
0% Instrumentalness • 86% Positiveness
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Crispian St. Peters
The Pied Piper
125 bpm • B Maj • 02:31 • -7.09db
43% Popularity • 69% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
43% Popularity • 69% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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Billy Swan
I Can Help
125 bpm • C Maj • 04:00 • -7.14db
46% Popularity • 52% Danceability • 74% Energy • 16% Liveness
1% Instrumentalness • 53% Positiveness
46% Popularity • 52% Danceability • 74% Energy • 16% Liveness
1% Instrumentalness • 53% Positiveness
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Manfred Mann
Do Wah Diddy Diddy - 2007 Remaster
125 bpm • E Maj • 02:24 • -7.36db
65% Popularity • 66% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
65% Popularity • 66% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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Peggy March
I Will Follow Him
125 bpm • C Maj • 02:28 • -11db
55% Popularity • 64% Danceability • 44% Energy • 52% Liveness
0% Instrumentalness • 90% Positiveness
55% Popularity • 64% Danceability • 44% Energy • 52% Liveness
0% Instrumentalness • 90% Positiveness
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The Hollies
Jennifer Eccles
126 bpm • A# Maj • 02:55 • -11db
34% Popularity • 64% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 81% Positiveness
34% Popularity • 64% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 81% Positiveness
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The Searchers
Don't Throw Your Love Away
122 bpm • F# Maj • 02:14 • -8.9db
42% Popularity • 48% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
42% Popularity • 48% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
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Sandie Shaw
Downtown
122 bpm • E Maj • 02:57 • -9db
19% Popularity • 69% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 69% Positiveness
19% Popularity • 69% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 69% Positiveness
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The Cats
Sure He's A Cat
126 bpm • G Maj • 02:32 • -8db
39% Popularity • 61% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 77% Positiveness
39% Popularity • 61% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 77% Positiveness
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Marmalade
Lovin' Things
126 bpm • G Maj • 03:05 • -7.53db
27% Popularity • 53% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
27% Popularity • 53% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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Sonny & Cher
The Beat Goes On
126 bpm • A# Maj • 03:28 • -10.53db
46% Popularity • 66% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 44% Positiveness
46% Popularity • 66% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 44% Positiveness
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Marianne Faithfull
Summer Nights
126 bpm • C Maj • 01:46 • -14db
23% Popularity • 55% Danceability • 54% Energy • 4% Liveness
0% Instrumentalness • 75% Positiveness
23% Popularity • 55% Danceability • 54% Energy • 4% Liveness
0% Instrumentalness • 75% Positiveness
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Middle Of The Road
The Talk of All the U.S.A.
126 bpm • G Maj • 03:15 • -10db
27% Popularity • 57% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
27% Popularity • 57% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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B.E.F.
Just Walk In My Shoes
126 bpm • D# Maj • 03:02 • -2.66db
1% Popularity • 64% Danceability • 95% Energy • 29% Liveness
0% Instrumentalness • 77% Positiveness
1% Popularity • 64% Danceability • 95% Energy • 29% Liveness
0% Instrumentalness • 77% Positiveness
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Duane Eddy
Play Me Like You Play Your Guitar
122 bpm • E Maj • 03:17 • -15db
21% Popularity • 58% Danceability • 49% Energy • 3% Liveness
53% Instrumentalness • 74% Positiveness
21% Popularity • 58% Danceability • 49% Energy • 3% Liveness
53% Instrumentalness • 74% Positiveness
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The Seekers
I'll Never Find Another You
127 bpm • A# Maj • 02:42 • -7.67db
53% Popularity • 57% Danceability • 67% Energy • 37% Liveness
8% Instrumentalness • 79% Positiveness
53% Popularity • 57% Danceability • 67% Energy • 37% Liveness
8% Instrumentalness • 79% Positiveness
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Sweet
Funny Funny
127 bpm • E Maj • 02:48 • -5.47db
41% Popularity • 76% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 92% Positiveness
41% Popularity • 76% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 92% Positiveness
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The Beach Boys
Then I Kissed Her (Stereo)
127 bpm • C# Maj • 02:16 • -9db
38% Popularity • 57% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
38% Popularity • 57% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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Chris Montez
Ay No Digas
121 bpm • C Maj • 02:41 • -10.09db
48% Popularity • 62% Danceability • 48% Energy • 34% Liveness
1% Instrumentalness • 96% Positiveness
48% Popularity • 62% Danceability • 48% Energy • 34% Liveness
1% Instrumentalness • 96% Positiveness
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Manfred Mann
Semi-detached Suburban Mr James
127 bpm • D Maj • 02:38 • -2.76db
22% Popularity • 56% Danceability • 93% Energy • 72% Liveness
0% Instrumentalness • 86% Positiveness
22% Popularity • 56% Danceability • 93% Energy • 72% Liveness
0% Instrumentalness • 86% Positiveness
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Duane Eddy
Because Theyre Young
121 bpm • E Maj • 01:59 • -14db
32% Popularity • 62% Danceability • 54% Energy • 28% Liveness
97% Instrumentalness • 91% Positiveness
32% Popularity • 62% Danceability • 54% Energy • 28% Liveness
97% Instrumentalness • 91% Positiveness
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Four Tops
If I Were A Carpenter
127 bpm • C Maj • 02:48 • -8.34db
40% Popularity • 58% Danceability • 57% Energy • 24% Liveness
0% Instrumentalness • 67% Positiveness
40% Popularity • 58% Danceability • 57% Energy • 24% Liveness
0% Instrumentalness • 67% Positiveness
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The Shangri-Las
Leader of the Pack
121 bpm • C# Maj • 02:53 • -8.8db
30% Popularity • 43% Danceability • 56% Energy • 44% Liveness
0% Instrumentalness • 29% Positiveness
30% Popularity • 43% Danceability • 56% Energy • 44% Liveness
0% Instrumentalness • 29% Positiveness
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P.J. Proby
Hold Me
127 bpm • E Maj • 02:43 • -6.64db
29% Popularity • 39% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
29% Popularity • 39% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Paul Anka
A Steel Guitar and a Glass of Wine
127 bpm • F Maj • 02:15 • -10.9db
41% Popularity • 69% Danceability • 60% Energy • 40% Liveness
0% Instrumentalness • 97% Positiveness
41% Popularity • 69% Danceability • 60% Energy • 40% Liveness
0% Instrumentalness • 97% Positiveness
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The Drifters
Kissin' in the Back Row of the Movies
127 bpm • C Maj • 03:30 • -11.16db
38% Popularity • 73% Danceability • 63% Energy • 35% Liveness
0% Instrumentalness • 96% Positiveness
38% Popularity • 73% Danceability • 63% Energy • 35% Liveness
0% Instrumentalness • 96% Positiveness
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Sandie Shaw
Puppet On A String
127 bpm • G Maj • 02:38 • -5.74db
6% Popularity • 70% Danceability • 95% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
6% Popularity • 70% Danceability • 95% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
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Crispian St. Peters
The Pied Piper
127 bpm • B Maj • 02:46 • -9.69db
23% Popularity • 74% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
23% Popularity • 74% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Billy J. Kramer
Bad to Me
127 bpm • D Maj • 02:21 • -7.74db
41% Popularity • 64% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
41% Popularity • 64% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Elvis Presley
Good Luck Charm
121 bpm • B min • 02:25 • -8.5db
54% Popularity • 60% Danceability • 56% Energy • 39% Liveness
0% Instrumentalness • 81% Positiveness
54% Popularity • 60% Danceability • 56% Energy • 39% Liveness
0% Instrumentalness • 81% Positiveness
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Duane Eddy
Because They're Young
121 bpm • E Maj • 02:00 • -10.98db
23% Popularity • 69% Danceability • 65% Energy • 21% Liveness
96% Instrumentalness • 96% Positiveness
23% Popularity • 69% Danceability • 65% Energy • 21% Liveness
96% Instrumentalness • 96% Positiveness
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Love Affair
Everlasting Love
121 bpm • A Maj • 03:02 • -10.63db
57% Popularity • 50% Danceability • 57% Energy • 34% Liveness
0% Instrumentalness • 81% Positiveness
57% Popularity • 50% Danceability • 57% Energy • 34% Liveness
0% Instrumentalness • 81% Positiveness
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Sandie Shaw
Go Johnny Go!
127 bpm • B min • 03:01 • -6.82db
4% Popularity • 62% Danceability • 86% Energy • 5% Liveness
1% Instrumentalness • 74% Positiveness
4% Popularity • 62% Danceability • 86% Energy • 5% Liveness
1% Instrumentalness • 74% Positiveness
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Ray Peterson
Corrina, Corrina
128 bpm • A Maj • 02:42 • -9db
43% Popularity • 48% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
43% Popularity • 48% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Showaddywaddy
Three Steps to Heaven
128 bpm • A Maj • 02:59 • -9db
35% Popularity • 72% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
35% Popularity • 72% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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The Fortunes
This Golden Ring
120 bpm • D# Maj • 02:16 • -8.91db
18% Popularity • 36% Danceability • 85% Energy • 25% Liveness
0% Instrumentalness • 51% Positiveness
18% Popularity • 36% Danceability • 85% Energy • 25% Liveness
0% Instrumentalness • 51% Positiveness
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Dave Dee, Dozy, Beaky, Mick & Tich
Save Me
128 bpm • A Maj • 02:59 • -11db
19% Popularity • 67% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 86% Positiveness
19% Popularity • 67% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 86% Positiveness
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Sonny & Cher
Then He Kissed Me
120 bpm • C Maj • 02:58 • -7.28db
27% Popularity • 60% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
27% Popularity • 60% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
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Sandie Shaw
Baby, I Need Your Loving
121 bpm • F Maj • 02:30 • -8.31db
6% Popularity • 66% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
6% Popularity • 66% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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The Rubettes
Tonight
128 bpm • D Maj • 03:38 • -8.71db
41% Popularity • 46% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
41% Popularity • 46% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Frank Ifield
Confessin' (That I Love You)
120 bpm • A Maj • 02:03 • -9.62db
22% Popularity • 60% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
22% Popularity • 60% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Jonathan King
Hooked On A Feeling
128 bpm • G# Maj • 02:35 • -13.28db
23% Popularity • 68% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
23% Popularity • 68% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
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The Searchers
Sweets for My Sweet
128 bpm • C Maj • 02:26 • -7.64db
46% Popularity • 42% Danceability • 77% Energy • 46% Liveness
0% Instrumentalness • 97% Positiveness
46% Popularity • 42% Danceability • 77% Energy • 46% Liveness
0% Instrumentalness • 97% Positiveness
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Herman's Hermits
There's a Kind of Hush (All over the Wor...
128 bpm • C Maj • 02:36 • -5.48db
41% Popularity • 57% Danceability • 67% Energy • 21% Liveness
0% Instrumentalness • 86% Positiveness
41% Popularity • 57% Danceability • 67% Energy • 21% Liveness
0% Instrumentalness • 86% Positiveness
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Sandie Shaw
Don't Run Away
128 bpm • C Maj • 02:37 • -6.72db
7% Popularity • 53% Danceability • 71% Energy • 31% Liveness
0% Instrumentalness • 77% Positiveness
7% Popularity • 53% Danceability • 71% Energy • 31% Liveness
0% Instrumentalness • 77% Positiveness
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Wayne Fontana
Pamela Pamela
128 bpm • F# min • 02:09 • -13db
29% Popularity • 51% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
29% Popularity • 51% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
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Frank Ifield
The Wayward Wind
128 bpm • B Maj • 02:43 • -10.8db
26% Popularity • 64% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
26% Popularity • 64% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 88% Positiveness
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The Beach Boys
I Can Hear Music
128 bpm • D Maj • 02:37 • -8db
57% Popularity • 51% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
57% Popularity • 51% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Bay City Rollers
Summer Love Sensation - U.S. Version
129 bpm • F Maj • 03:11 • -11.73db
32% Popularity • 61% Danceability • 61% Energy • 27% Liveness
0% Instrumentalness • 90% Positiveness
32% Popularity • 61% Danceability • 61% Energy • 27% Liveness
0% Instrumentalness • 90% Positiveness
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Eden Kane
Well I Ask You
120 bpm • C Maj • 02:15 • -8.74db
30% Popularity • 75% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
30% Popularity • 75% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 86% Positiveness
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Sandie Shaw
Take Him
120 bpm • G Maj • 04:18 • -7.36db
4% Popularity • 86% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
4% Popularity • 86% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
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Mac & Katie Kissoon
Sugar Candy Kisses
119 bpm • E Maj • 03:16 • -8.27db
31% Popularity • 62% Danceability • 73% Energy • 50% Liveness
0% Instrumentalness • 60% Positiveness
31% Popularity • 62% Danceability • 73% Energy • 50% Liveness
0% Instrumentalness • 60% Positiveness
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Frank Ifield
I Remember You
129 bpm • A Maj • 02:04 • -7.72db
34% Popularity • 38% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
34% Popularity • 38% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
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Brotherhood of Man
Figaro
129 bpm • C# Maj • 02:52 • -9.68db
34% Popularity • 73% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
34% Popularity • 73% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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Gary Puckett & The Union Gap
Young Girl
119 bpm • D# Maj • 03:11 • -8.23db
53% Popularity • 44% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
53% Popularity • 44% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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Eden Kane
Forget Me Not
129 bpm • E Maj • 02:01 • -10.07db
32% Popularity • 71% Danceability • 50% Energy • 36% Liveness
0% Instrumentalness • 94% Positiveness
32% Popularity • 71% Danceability • 50% Energy • 36% Liveness
0% Instrumentalness • 94% Positiveness
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Mark Wynter
Venus in Blue Jeans
119 bpm • C Maj • 02:09 • -11.47db
31% Popularity • 52% Danceability • 45% Energy • 21% Liveness
0% Instrumentalness • 68% Positiveness
31% Popularity • 52% Danceability • 45% Energy • 21% Liveness
0% Instrumentalness • 68% Positiveness
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Craig Douglas
A Hundred Pounds of Clay
129 bpm • C Maj • 02:34 • -8.69db
36% Popularity • 34% Danceability • 64% Energy • 36% Liveness
1% Instrumentalness • 85% Positiveness
36% Popularity • 34% Danceability • 64% Energy • 36% Liveness
1% Instrumentalness • 85% Positiveness
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Harpo
Moviestar
119 bpm • A Maj • 03:22 • -7.78db
56% Popularity • 55% Danceability • 79% Energy • 33% Liveness
0% Instrumentalness • 71% Positiveness
56% Popularity • 55% Danceability • 79% Energy • 33% Liveness
0% Instrumentalness • 71% Positiveness
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The New Seekers
I Get a Little Sentimental over You
119 bpm • G Maj • 02:58 • -7db
28% Popularity • 64% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
28% Popularity • 64% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Olivia Newton-John
Banks Of The Ohio
129 bpm • C Maj • 03:19 • -11.2db
46% Popularity • 51% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
46% Popularity • 51% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Eden Kane
Forget Me Not
129 bpm • E Maj • 02:05 • -11.87db
18% Popularity • 58% Danceability • 39% Energy • 28% Liveness
0% Instrumentalness • 77% Positiveness
18% Popularity • 58% Danceability • 39% Energy • 28% Liveness
0% Instrumentalness • 77% Positiveness
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Little Eva
The Locomotion
129 bpm • D# Maj • 02:19 • -9.6db
62% Popularity • 63% Danceability • 78% Energy • 30% Liveness
2% Instrumentalness • 74% Positiveness
62% Popularity • 63% Danceability • 78% Energy • 30% Liveness
2% Instrumentalness • 74% Positiveness
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Renée & Renato
Save Your Love
119 bpm • C Maj • 03:11 • -14db
42% Popularity • 49% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
42% Popularity • 49% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
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Jay & The Americans
Cara Mia
129 bpm • C Maj • 02:33 • -6.41db
46% Popularity • 32% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
46% Popularity • 32% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness