Songs like Purcell: Abdelazer Suite: III. Air by Henry Purcell
Based on a tempo of (+/- 10%) and a similar genre
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Léo Delibes
Le roi s'amuse: Passepied
88 bpm • A Maj • 01:41 • -31db
53% Popularity • 50% Danceability • 6% Energy • 8% Liveness
85% Instrumentalness • 32% Positiveness
53% Popularity • 50% Danceability • 6% Energy • 8% Liveness
85% Instrumentalness • 32% Positiveness
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Johann Sebastian Bach
Concerto for 2 Violins in D Minor, BWV 1...
88 bpm • F Maj • 06:50 • -18db
32% Popularity • 21% Danceability • 17% Energy • 23% Liveness
3% Instrumentalness • 21% Positiveness
32% Popularity • 21% Danceability • 17% Energy • 23% Liveness
3% Instrumentalness • 21% Positiveness
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Antonio Vivaldi
Concerto for 2 Flutes in C Major, RV 533...
89 bpm • C Maj • 01:52 • -30db
47% Popularity • 27% Danceability • 2% Energy • 8% Liveness
85% Instrumentalness • 42% Positiveness
47% Popularity • 27% Danceability • 2% Energy • 8% Liveness
85% Instrumentalness • 42% Positiveness
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The Scholars Baroque Ensemble
The Indian Queen, Z. 630 : Act IV - Prel...
89 bpm • G# min • 06:12 • -27db
14% Popularity • 27% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
14% Popularity • 27% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Henry Purcell
Dido and Aeneas / Act 1: Overture
89 bpm • B min • 02:04 • -27db
22% Popularity • 48% Danceability • 28% Energy • 50% Liveness
79% Instrumentalness • 47% Positiveness
22% Popularity • 48% Danceability • 28% Energy • 50% Liveness
79% Instrumentalness • 47% Positiveness
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Marin Marais
Pièces de viole, Livre 3 - Suite No. 7 ...
89 bpm • F# Maj • 02:27 • -26db
38% Popularity • 16% Danceability • 6% Energy • 25% Liveness
47% Instrumentalness • 14% Positiveness
38% Popularity • 16% Danceability • 6% Energy • 25% Liveness
47% Instrumentalness • 14% Positiveness
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George Frideric Handel
Handel: Serse, HWV 40, Act 1, Scene 1: A...
89 bpm • E Maj • 03:23 • -20.19db
36% Popularity • 13% Danceability • 12% Energy • 16% Liveness
2% Instrumentalness • 4% Positiveness
36% Popularity • 13% Danceability • 12% Energy • 16% Liveness
2% Instrumentalness • 4% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
87 bpm • B min • 03:50 • -20.96db
41% Popularity • 16% Danceability • 10% Energy • 16% Liveness
56% Instrumentalness • 11% Positiveness
41% Popularity • 16% Danceability • 10% Energy • 16% Liveness
56% Instrumentalness • 11% Positiveness
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Karoly Botvay
The 4 Seasons: Violin Concerto in G mino...
87 bpm • G min • 02:04 • -34db
52% Popularity • 11% Danceability • 2% Energy • 69% Liveness
5% Instrumentalness • 5% Positiveness
52% Popularity • 11% Danceability • 2% Energy • 69% Liveness
5% Instrumentalness • 5% Positiveness
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Johann Sebastian Bach
Bach, JS: Brandenburg Concerto No. 4 in ...
89 bpm • F# Maj • 07:23 • -21db
36% Popularity • 41% Danceability • 13% Energy • 29% Liveness
0% Instrumentalness • 63% Positiveness
36% Popularity • 41% Danceability • 13% Energy • 29% Liveness
0% Instrumentalness • 63% Positiveness
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Henry Purcell
The Fairy Queen, Z. 629, Act III: If Lov...
87 bpm • G min • 02:08 • -16db
18% Popularity • 44% Danceability • 15% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
18% Popularity • 44% Danceability • 15% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
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Timothy Brown
Funeral Sentences For Queen Mary: Funera...
89 bpm • C min • 02:05 • -26db
13% Popularity • 30% Danceability • 16% Energy • 10% Liveness
96% Instrumentalness • 11% Positiveness
13% Popularity • 30% Danceability • 16% Energy • 10% Liveness
96% Instrumentalness • 11% Positiveness
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Jean-Philippe Rameau
Castor et Pollux, RCT 32, Acte I, Scène...
86 bpm • D Maj • 07:33 • -28.99db
33% Popularity • 9% Danceability • 1% Energy • 11% Liveness
75% Instrumentalness • 4% Positiveness
33% Popularity • 9% Danceability • 1% Energy • 11% Liveness
75% Instrumentalness • 4% Positiveness
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William Boyce
Symphony No. 1 in B-Flat Major, Op. 2, "...
86 bpm • A Maj • 02:55 • -23.37db
41% Popularity • 43% Danceability • 13% Energy • 25% Liveness
93% Instrumentalness • 69% Positiveness
41% Popularity • 43% Danceability • 13% Energy • 25% Liveness
93% Instrumentalness • 69% Positiveness
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Heinrich Ignaz Franz von Biber
L'Aria
86 bpm • D min • 01:51 • -26db
29% Popularity • 48% Danceability • 11% Energy • 11% Liveness
35% Instrumentalness • 45% Positiveness
29% Popularity • 48% Danceability • 11% Energy • 11% Liveness
35% Instrumentalness • 45% Positiveness
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Luigi Boccherini
Bocherini / Arr. Grützmacher: Cello Con...
86 bpm • G min • 06:54 • -23.72db
44% Popularity • 13% Danceability • 12% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
44% Popularity • 13% Danceability • 12% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
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Henry Purcell
Rondeau from "Abdelazer"
90 bpm • D min • 02:10 • -17.75db
11% Popularity • 39% Danceability • 12% Energy • 14% Liveness
92% Instrumentalness • 17% Positiveness
11% Popularity • 39% Danceability • 12% Energy • 14% Liveness
92% Instrumentalness • 17% Positiveness
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Jean-Baptiste Lully
Gavotte - Arr. for Cello and Piano
85 bpm • D min • 02:50 • -27db
34% Popularity • 30% Danceability • 2% Energy • 9% Liveness
76% Instrumentalness • 34% Positiveness
34% Popularity • 30% Danceability • 2% Energy • 9% Liveness
76% Instrumentalness • 34% Positiveness
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Léo Delibes
Le roi s'amuse: Pavane
91 bpm • A# Maj • 01:28 • -34db
63% Popularity • 20% Danceability • 1% Energy • 15% Liveness
94% Instrumentalness • 24% Positiveness
63% Popularity • 20% Danceability • 1% Energy • 15% Liveness
94% Instrumentalness • 24% Positiveness
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Jean-Philippe Rameau
Suite in G Major, RCT 6: No. 14, Les sau...
85 bpm • F# min • 02:26 • -16.93db
52% Popularity • 41% Danceability • 27% Energy • 8% Liveness
89% Instrumentalness • 42% Positiveness
52% Popularity • 41% Danceability • 27% Energy • 8% Liveness
89% Instrumentalness • 42% Positiveness
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George Frideric Handel
Oboe Concerto No. 3 in G Minor, HWV 287:...
85 bpm • A# Maj • 03:02 • -26.34db
38% Popularity • 12% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
38% Popularity • 12% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
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Jordi Savall
Fantasia #4 In 4 Parts
91 bpm • F# min • 03:49 • -20.64db
1% Popularity • 16% Danceability • 7% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness
1% Popularity • 16% Danceability • 7% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness
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Henry Purcell
Amphitryon, Z. 572, "The 2 Sosias": VI. ...
85 bpm • C# min • 01:52 • -25db
16% Popularity • 20% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
16% Popularity • 20% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Carl Stamitz
Cello Concerto No. 1 in G Major: II. Rom...
91 bpm • A# Maj • 05:23 • -28db
38% Popularity • 14% Danceability • 4% Energy • 11% Liveness
87% Instrumentalness • 6% Positiveness
38% Popularity • 14% Danceability • 4% Energy • 11% Liveness
87% Instrumentalness • 6% Positiveness
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Ralph Vaughan Williams
Suite for Viola & Small Orchestra: II. C...
85 bpm • C min • 03:01 • -33db
38% Popularity • 17% Danceability • 2% Energy • 14% Liveness
89% Instrumentalness • 7% Positiveness
38% Popularity • 17% Danceability • 2% Energy • 14% Liveness
89% Instrumentalness • 7% Positiveness
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Carl Friedrich Abel
Viola da Gamba Suite in D Major: I. Prel...
85 bpm • C# Maj • 01:40 • -31.51db
36% Popularity • 22% Danceability • 2% Energy • 12% Liveness
92% Instrumentalness • 22% Positiveness
36% Popularity • 22% Danceability • 2% Energy • 12% Liveness
92% Instrumentalness • 22% Positiveness
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Antonio Caldara
Stabat Mater: VI. Fac me tecum
84 bpm • A min • 01:01 • -19.28db
39% Popularity • 15% Danceability • 18% Energy • 11% Liveness
96% Instrumentalness • 8% Positiveness
39% Popularity • 15% Danceability • 18% Energy • 11% Liveness
96% Instrumentalness • 8% Positiveness
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Élisabeth Jacquet de La Guerre
Chamber Sonata No. 4 in G Minor: I. Grav...
84 bpm • C# min • 01:23 • -14db
43% Popularity • 22% Danceability • 16% Energy • 14% Liveness
98% Instrumentalness • 6% Positiveness
43% Popularity • 22% Danceability • 16% Energy • 14% Liveness
98% Instrumentalness • 6% Positiveness
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Henry Purcell
Purcell / Arr. Pluhar: An Evening Hymn, ...
85 bpm • D Maj • 06:06 • -18.87db
25% Popularity • 36% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
25% Popularity • 36% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Domenico Cimarosa
Oboe Concerto in C: 3. Siciliana
84 bpm • A min • 02:59 • -22.76db
27% Popularity • 25% Danceability • 6% Energy • 12% Liveness
71% Instrumentalness • 7% Positiveness
27% Popularity • 25% Danceability • 6% Energy • 12% Liveness
71% Instrumentalness • 7% Positiveness
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Johann Sebastian Bach
Concerto for Two Violins in D Minor, BWV...
92 bpm • E Maj • 06:27 • -20.16db
50% Popularity • 15% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
50% Popularity • 15% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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Jordi Savall
Fantasia #11 In 4 Parts
92 bpm • F# Maj • 03:08 • -19.65db
1% Popularity • 20% Danceability • 9% Energy • 9% Liveness
10% Instrumentalness • 13% Positiveness
1% Popularity • 20% Danceability • 9% Energy • 9% Liveness
10% Instrumentalness • 13% Positiveness
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Georges Bizet
Carmen Suite No. 1 (Arr. E. Guiraud): II...
92 bpm • D# Maj • 02:48 • -33.21db
49% Popularity • 11% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
49% Popularity • 11% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Marc-Antoine Charpentier
A la venue de noël
92 bpm • C# min • 01:00 • -22.24db
26% Popularity • 46% Danceability • 17% Energy • 4% Liveness
54% Instrumentalness • 78% Positiveness
26% Popularity • 46% Danceability • 17% Energy • 4% Liveness
54% Instrumentalness • 78% Positiveness
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Henry Purcell
Amphitryon, Z. 572, "The 2 Sosias": V. A...
91 bpm • F# min • 01:32 • -19db
28% Popularity • 57% Danceability • 18% Energy • 19% Liveness
90% Instrumentalness • 26% Positiveness
28% Popularity • 57% Danceability • 18% Energy • 19% Liveness
90% Instrumentalness • 26% Positiveness
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Francesco Nicola Fago
Fago: Il Faraone sommerso: "Alla gente a...
92 bpm • E Maj • 04:45 • -21db
30% Popularity • 22% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
30% Popularity • 22% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Johann Sebastian Bach
Concerto for two violins BWV 1043 in D M...
84 bpm • E Maj • 07:20 • -19.47db
36% Popularity • 11% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
36% Popularity • 11% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Domenico Scarlatti
Sonata in E Major, K. 380
84 bpm • B Maj • 02:52 • -31.38db
42% Popularity • 45% Danceability • 4% Energy • 14% Liveness
95% Instrumentalness • 17% Positiveness
42% Popularity • 45% Danceability • 4% Energy • 14% Liveness
95% Instrumentalness • 17% Positiveness
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George Frideric Handel
Rinaldo, HWV 7b: Act II Scene 4: Aria: L...
84 bpm • E Maj • 06:03 • -26db
36% Popularity • 25% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
36% Popularity • 25% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Marc-Antoine Charpentier
Prelude from Te Deum
84 bpm • C# Maj • 01:26 • -10.31db
22% Popularity • 61% Danceability • 36% Energy • 8% Liveness
30% Instrumentalness • 63% Positiveness
22% Popularity • 61% Danceability • 36% Energy • 8% Liveness
30% Instrumentalness • 63% Positiveness
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William Boyce
Symphony No. 5 in D Major, Op. 2, "St. C...
93 bpm • C# Maj • 01:45 • -19.96db
40% Popularity • 53% Danceability • 15% Energy • 8% Liveness
96% Instrumentalness • 65% Positiveness
40% Popularity • 53% Danceability • 15% Energy • 8% Liveness
96% Instrumentalness • 65% Positiveness
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Henry Purcell
Dido and Aeneas, Z. 626: Overture
91 bpm • B min • 01:56 • -28.34db
41% Popularity • 50% Danceability • 21% Energy • 11% Liveness
42% Instrumentalness • 49% Positiveness
41% Popularity • 50% Danceability • 21% Energy • 11% Liveness
42% Instrumentalness • 49% Positiveness
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Johann Sebastian Bach
Violin Concerto BWV 1041 in A Minor: Vio...
93 bpm • G# min • 03:50 • -14.88db
31% Popularity • 41% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
31% Popularity • 41% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Igor Stravinsky
Choral-Vatiationen: Var. I. In canone al...
93 bpm • C Maj • 01:13 • -29.05db
40% Popularity • 43% Danceability • 9% Energy • 7% Liveness
91% Instrumentalness • 72% Positiveness
40% Popularity • 43% Danceability • 9% Energy • 7% Liveness
91% Instrumentalness • 72% Positiveness
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Tomaso Albinoni
Concerto a cinque in D Minor for Solo Ob...
93 bpm • A# Maj • 04:13 • -17.03db
14% Popularity • 19% Danceability • 12% Energy • 16% Liveness
90% Instrumentalness • 10% Positiveness
14% Popularity • 19% Danceability • 12% Energy • 16% Liveness
90% Instrumentalness • 10% Positiveness
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Carl Maria von Weber
6 Violin Sonatas, Op. 10b No. 1 in F Maj...
83 bpm • A# Maj • 01:55 • -28db
58% Popularity • 22% Danceability • 1% Energy • 24% Liveness
41% Instrumentalness • 5% Positiveness
58% Popularity • 22% Danceability • 1% Energy • 24% Liveness
41% Instrumentalness • 5% Positiveness
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Joseph Haydn
Haydn: String Quartet in C Major, Op. 76...
83 bpm • G Maj • 01:11 • -30db
52% Popularity • 24% Danceability • 2% Energy • 23% Liveness
48% Instrumentalness • 9% Positiveness
52% Popularity • 24% Danceability • 2% Energy • 23% Liveness
48% Instrumentalness • 9% Positiveness
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Henry Purcell
The Gordian Knot Untied, Z.597: Chaconne...
85 bpm • C# Maj • 03:46 • -18db
18% Popularity • 25% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
18% Popularity • 25% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Luigi Cherubini
Requiem No. 1 in C Minor: Introitus et K...
83 bpm • C min • 07:14 • -31db
25% Popularity • 8% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
25% Popularity • 8% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Arcangelo Corelli
Violin Sonata in B-Flat Major, Op. 5 No....
83 bpm • G# Maj • 01:21 • -13.02db
56% Popularity • 51% Danceability • 30% Energy • 16% Liveness
64% Instrumentalness • 67% Positiveness
56% Popularity • 51% Danceability • 30% Energy • 16% Liveness
64% Instrumentalness • 67% Positiveness
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Heinrich Ignaz Franz von Biber
Harmonia Artificioso Ariosa, Partia V in...
94 bpm • F# min • 04:20 • -21.45db
27% Popularity • 33% Danceability • 12% Energy • 11% Liveness
30% Instrumentalness • 19% Positiveness
27% Popularity • 33% Danceability • 12% Energy • 11% Liveness
30% Instrumentalness • 19% Positiveness
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Léo Delibes
Le roi s'amuse: Final
94 bpm • A min • 01:04 • -19.13db
54% Popularity • 43% Danceability • 12% Energy • 11% Liveness
60% Instrumentalness • 48% Positiveness
54% Popularity • 43% Danceability • 12% Energy • 11% Liveness
60% Instrumentalness • 48% Positiveness
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Ottorino Respighi
Suite No. 3, P. 172: I. Italiana: Andant...
94 bpm • A# Maj • 02:46 • -27.36db
47% Popularity • 17% Danceability • 5% Energy • 35% Liveness
68% Instrumentalness • 18% Positiveness
47% Popularity • 17% Danceability • 5% Energy • 35% Liveness
68% Instrumentalness • 18% Positiveness
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Henry Purcell
Oedipus: Music For A While, Z583
85 bpm • E min • 04:13 • -18db
26% Popularity • 21% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
26% Popularity • 21% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Tomaso Albinoni
Sonata a 5 in G Minor, Op. 2, No. 6: III...
94 bpm • G min • 01:09 • -23.91db
49% Popularity • 24% Danceability • 4% Energy • 15% Liveness
2% Instrumentalness • 21% Positiveness
49% Popularity • 24% Danceability • 4% Energy • 15% Liveness
2% Instrumentalness • 21% Positiveness
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Antonio Vivaldi
Concerto for Oboe and Bassoon in G Major...
94 bpm • D Maj • 03:22 • -22db
43% Popularity • 48% Danceability • 12% Energy • 16% Liveness
31% Instrumentalness • 58% Positiveness
43% Popularity • 48% Danceability • 12% Energy • 16% Liveness
31% Instrumentalness • 58% Positiveness
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Jordi Savall
In Nomine In 6 Parts
82 bpm • F# min • 01:51 • -20.45db
1% Popularity • 11% Danceability • 6% Energy • 10% Liveness
72% Instrumentalness • 7% Positiveness
1% Popularity • 11% Danceability • 6% Energy • 10% Liveness
72% Instrumentalness • 7% Positiveness
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Luigi Cherubini
Marche funebre
82 bpm • D min • 07:23 • -20db
16% Popularity • 18% Danceability • 2% Energy • 9% Liveness
80% Instrumentalness • 3% Positiveness
16% Popularity • 18% Danceability • 2% Energy • 9% Liveness
80% Instrumentalness • 3% Positiveness
► Preview
Domenico Scarlatti
Sonata in D Minor, K. 9
94 bpm • D min • 04:14 • -32.37db
42% Popularity • 40% Danceability • 2% Energy • 6% Liveness
92% Instrumentalness • 32% Positiveness
42% Popularity • 40% Danceability • 2% Energy • 6% Liveness
92% Instrumentalness • 32% Positiveness
► Preview
Henry Purcell
An Evening Hymn, Z 193
84 bpm • C# Maj • 04:33 • -20db
8% Popularity • 22% Danceability • 9% Energy • 15% Liveness
33% Instrumentalness • 18% Positiveness
8% Popularity • 22% Danceability • 9% Energy • 15% Liveness
33% Instrumentalness • 18% Positiveness
► Preview
Arcangelo Corelli
Oboe Concerto in A Major (arr. J. Barbir...
82 bpm • F Maj • 02:27 • -29.76db
42% Popularity • 17% Danceability • 4% Energy • 13% Liveness
85% Instrumentalness • 10% Positiveness
42% Popularity • 17% Danceability • 4% Energy • 13% Liveness
85% Instrumentalness • 10% Positiveness
► Preview
Heinrich Ignaz Franz von Biber
Passagaglia for Solo Violin from "Rosenk...
82 bpm • F# min • 08:18 • -14db
21% Popularity • 24% Danceability • 15% Energy • 7% Liveness
85% Instrumentalness • 33% Positiveness
21% Popularity • 24% Danceability • 15% Energy • 7% Liveness
85% Instrumentalness • 33% Positiveness
► Preview
Johann Sebastian Bach
Sinfonia in D Major, BWV 1045: III. Alle...
95 bpm • D Maj • 02:47 • -19.72db
44% Popularity • 40% Danceability • 26% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
44% Popularity • 40% Danceability • 26% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
► Preview
Carl Friedrich Abel
Viola da Gamba Suite in D Minor: I. Arpe...
95 bpm • C# min • 02:03 • -35db
37% Popularity • 18% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
37% Popularity • 18% Danceability • 2% Energy • 11% Liveness
92% Instrumentalness • 10% Positiveness
► Preview
William Boyce
Trio Sonata No. 1 in A Minor: II. Fuga
81 bpm • G# min • 01:36 • -24db
29% Popularity • 50% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
29% Popularity • 50% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
► Preview
Henry Purcell
Dido and Aeneas / Act 3: "Thy Hand Belin...
83 bpm • F# min • 04:06 • -28.04db
40% Popularity • 14% Danceability • 2% Energy • 21% Liveness
0% Instrumentalness • 4% Positiveness
40% Popularity • 14% Danceability • 2% Energy • 21% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Jordi Savall
Fantasia #5 In 4 Parts
95 bpm • E Maj • 03:32 • -19.01db
1% Popularity • 21% Danceability • 11% Energy • 9% Liveness
56% Instrumentalness • 9% Positiveness
1% Popularity • 21% Danceability • 11% Energy • 9% Liveness
56% Instrumentalness • 9% Positiveness
► Preview
Giuseppe Torelli
Trumpet Concerto in D Major, G. 28: I. A...
95 bpm • G# Maj • 02:07 • -13db
37% Popularity • 55% Danceability • 23% Energy • 12% Liveness
86% Instrumentalness • 77% Positiveness
37% Popularity • 55% Danceability • 23% Energy • 12% Liveness
86% Instrumentalness • 77% Positiveness
► Preview
Johann Sebastian Bach
Matthäus-Passion, BWV 244: Erbarme dich...
82 bpm • A# min • 07:20 • -21db
42% Popularity • 12% Danceability • 13% Energy • 13% Liveness
61% Instrumentalness • 11% Positiveness
42% Popularity • 12% Danceability • 13% Energy • 13% Liveness
61% Instrumentalness • 11% Positiveness
► Preview
George Frideric Handel
Ode for St. Cecilia's Day, HWV 76: Inter...
96 bpm • C# Maj • 01:23 • -27db
45% Popularity • 23% Danceability • 2% Energy • 11% Liveness
12% Instrumentalness • 41% Positiveness
45% Popularity • 23% Danceability • 2% Energy • 11% Liveness
12% Instrumentalness • 41% Positiveness
► Preview
William Boyce
Symphony No. 4 in F Major: 1. Allegro
95 bpm • E Maj • 03:11 • -20.39db
22% Popularity • 52% Danceability • 19% Energy • 28% Liveness
45% Instrumentalness • 80% Positiveness
22% Popularity • 52% Danceability • 19% Energy • 28% Liveness
45% Instrumentalness • 80% Positiveness
► Preview
Cologne Chamber Orchestra
Concerto For 2 Keyboards In C Minor, BWV...
96 bpm • C min • 04:45 • -19db
46% Popularity • 36% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
46% Popularity • 36% Danceability • 24% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
► Preview
Henry Purcell
A New Ground in E Minor, Z .682
93 bpm • D# min • 02:49 • -36.54db
18% Popularity • 24% Danceability • 1% Energy • 12% Liveness
98% Instrumentalness • 23% Positiveness
18% Popularity • 24% Danceability • 1% Energy • 12% Liveness
98% Instrumentalness • 23% Positiveness
► Preview
Peter Warlock
Capriol Suite: 3. Tordion
96 bpm • G min • 01:06 • -37db
34% Popularity • 59% Danceability • 1% Energy • 12% Liveness
45% Instrumentalness • 58% Positiveness
34% Popularity • 59% Danceability • 1% Energy • 12% Liveness
45% Instrumentalness • 58% Positiveness
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Johann Sebastian Bach
Brandenburg Concerto No. 1 in F Major, B...
81 bpm • C min • 03:09 • -27db
38% Popularity • 8% Danceability • 7% Energy • 64% Liveness
84% Instrumentalness • 8% Positiveness
38% Popularity • 8% Danceability • 7% Energy • 64% Liveness
84% Instrumentalness • 8% Positiveness
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David Oistrakh
Concerto Grosso in A Minor for Two Violi...
96 bpm • A min • 03:59 • -16db
30% Popularity • 50% Danceability • 19% Energy • 24% Liveness
0% Instrumentalness • 66% Positiveness
30% Popularity • 50% Danceability • 19% Energy • 24% Liveness
0% Instrumentalness • 66% Positiveness
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Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 1...
81 bpm • A Maj • 01:08 • -19db
62% Popularity • 20% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 19% Positiveness
62% Popularity • 20% Danceability • 9% Energy • 12% Liveness
96% Instrumentalness • 19% Positiveness
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The Scholars Baroque Ensemble
The Indian Queen, Z. 630 : Act III - Sol...
96 bpm • F# min • 05:01 • -24db
3% Popularity • 30% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
3% Popularity • 30% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Henry Purcell
Dido and Aeneas / Act 3: "Your councel a...
83 bpm • F# min • 03:41 • -25.85db
13% Popularity • 37% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
13% Popularity • 37% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
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Alessandro Scarlatti
Sinfonia to Il Giardino di Amore: II. La...
80 bpm • B min • 00:59 • -36.49db
43% Popularity • 14% Danceability • 0% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
43% Popularity • 14% Danceability • 0% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Johann Sebastian Bach
Violin Concerto No. 2 In E Major, BWV 10...
96 bpm • E Maj • 07:49 • -12db
31% Popularity • 47% Danceability • 39% Energy • 37% Liveness
0% Instrumentalness • 68% Positiveness
31% Popularity • 47% Danceability • 39% Energy • 37% Liveness
0% Instrumentalness • 68% Positiveness
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Cologne Chamber Orchestra
Concerto For 4 Harpsichords In A Minor, ...
81 bpm • G Maj • 02:03 • -20db
49% Popularity • 31% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
49% Popularity • 31% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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William Christie
Purcell : King Arthur : Air
96 bpm • C min • 01:03 • -30db
36% Popularity • 43% Danceability • 1% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
36% Popularity • 43% Danceability • 1% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
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The Scholars Baroque Ensemble
The Indian Queen, Z. 630 : Act III - The...
80 bpm • F# min • 01:10 • -31.5db
16% Popularity • 14% Danceability • 1% Energy • 16% Liveness
91% Instrumentalness • 34% Positiveness
16% Popularity • 14% Danceability • 1% Energy • 16% Liveness
91% Instrumentalness • 34% Positiveness
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Henry Purcell
Dido and Aeneas, Z. 626: Act II: Ritorne...
83 bpm • C# min • 00:59 • -30.38db
30% Popularity • 22% Danceability • 1% Energy • 12% Liveness
91% Instrumentalness • 16% Positiveness
30% Popularity • 22% Danceability • 1% Energy • 12% Liveness
91% Instrumentalness • 16% Positiveness
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George Frideric Handel
12 Concerti grossi, Op. 6 - Concerto gro...
80 bpm • E Maj • 01:01 • -25.66db
35% Popularity • 15% Danceability • 3% Energy • 11% Liveness
71% Instrumentalness • 32% Positiveness
35% Popularity • 15% Danceability • 3% Energy • 11% Liveness
71% Instrumentalness • 32% Positiveness
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Johann Sebastian Bach
Bach, JS: Brandenburg Concerto No. 2 in ...
97 bpm • E Maj • 05:07 • -15.72db
37% Popularity • 65% Danceability • 29% Energy • 34% Liveness
78% Instrumentalness • 83% Positiveness
37% Popularity • 65% Danceability • 29% Energy • 34% Liveness
78% Instrumentalness • 83% Positiveness
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William Boyce
Symphony No. 1 in B-Flat Major, Op. 2, "...
80 bpm • F# min • 02:35 • -28db
28% Popularity • 23% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
28% Popularity • 23% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Arcangelo Corelli
Concerto Grosso In B Flat Major, Op. 6, ...
97 bpm • A# Maj • 01:08 • -20db
51% Popularity • 23% Danceability • 9% Energy • 15% Liveness
46% Instrumentalness • 40% Positiveness
51% Popularity • 23% Danceability • 9% Energy • 15% Liveness
46% Instrumentalness • 40% Positiveness
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Tomaso Albinoni
Oboe Concerto in C Major, Op. 9, No. 5: ...
79 bpm • A min • 01:58 • -19db
49% Popularity • 9% Danceability • 14% Energy • 6% Liveness
90% Instrumentalness • 9% Positiveness
49% Popularity • 9% Danceability • 14% Energy • 6% Liveness
90% Instrumentalness • 9% Positiveness
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Henry Purcell
Amphitryon, Z. 572, "The 2 Sosias": VIII...
82 bpm • C# min • 01:18 • -22db
45% Popularity • 56% Danceability • 9% Energy • 7% Liveness
92% Instrumentalness • 74% Positiveness
45% Popularity • 56% Danceability • 9% Energy • 7% Liveness
92% Instrumentalness • 74% Positiveness
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Alessandro Marcello
Oboe Concerto in D minor: 2. Adagio
79 bpm • D min • 04:23 • -19.56db
28% Popularity • 12% Danceability • 9% Energy • 12% Liveness
84% Instrumentalness • 7% Positiveness
28% Popularity • 12% Danceability • 9% Energy • 12% Liveness
84% Instrumentalness • 7% Positiveness
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Johann Sebastian Bach
St. Matthew Passion, BWV 244, Part I: No...
80 bpm • D# min • 08:31 • -12.51db
40% Popularity • 11% Danceability • 29% Energy • 12% Liveness
6% Instrumentalness • 12% Positiveness
40% Popularity • 11% Danceability • 29% Energy • 12% Liveness
6% Instrumentalness • 12% Positiveness
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George Frideric Handel
Organ Concertos, Op. 4, Concerto No. 6 i...
79 bpm • A Maj • 07:14 • -36db
33% Popularity • 33% Danceability • 2% Energy • 19% Liveness
70% Instrumentalness • 48% Positiveness
33% Popularity • 33% Danceability • 2% Energy • 19% Liveness
70% Instrumentalness • 48% Positiveness
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Nicola Matteis
Diverse bizzarrie sopra la Vecchia Sarab...
79 bpm • B Maj • 04:14 • -14db
30% Popularity • 53% Danceability • 27% Energy • 11% Liveness
34% Instrumentalness • 54% Positiveness
30% Popularity • 53% Danceability • 27% Energy • 11% Liveness
34% Instrumentalness • 54% Positiveness
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Jean-Baptiste Lully
Alcidiane: Ouverture
98 bpm • F# min • 01:37 • -26db
44% Popularity • 41% Danceability • 5% Energy • 7% Liveness
57% Instrumentalness • 38% Positiveness
44% Popularity • 41% Danceability • 5% Energy • 7% Liveness
57% Instrumentalness • 38% Positiveness
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Henry Purcell
The Fairy Queen, Z.629 - Ed. Britten, Ho...
81 bpm • D Maj • 06:53 • -13.5db
6% Popularity • 28% Danceability • 30% Energy • 30% Liveness
92% Instrumentalness • 20% Positiveness
6% Popularity • 28% Danceability • 30% Energy • 30% Liveness
92% Instrumentalness • 20% Positiveness
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Alessandro Marcello
Concerto Per Oboe, Archi E Continuo In R...
79 bpm • C# min • 03:14 • -29db
35% Popularity • 14% Danceability • 1% Energy • 7% Liveness
83% Instrumentalness • 12% Positiveness
35% Popularity • 14% Danceability • 1% Energy • 7% Liveness
83% Instrumentalness • 12% Positiveness