Songs like Purcell: Dido and Aeneas, Z. 626, Act III: Song. "When I Am Laid in Earth" (Dido) by Henry Purcell
Based on a tempo of (+/- 10%) and a similar genre
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AntonÃn Dvořák
Ciganské melodie (Gypsy Melodies), Op. ...
80 bpm • B Maj • 02:41 • -21.56db
14% Popularity • 28% Danceability • 6% Energy • 9% Liveness
9% Instrumentalness • 4% Positiveness
14% Popularity • 28% Danceability • 6% Energy • 9% Liveness
9% Instrumentalness • 4% Positiveness
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Henry Purcell
Purcell: Dido and Aeneas, Z. 626, Act II...
80 bpm • F# min • 03:54 • -22.6db
29% Popularity • 17% Danceability • 2% Energy • 30% Liveness
0% Instrumentalness • 4% Positiveness
29% Popularity • 17% Danceability • 2% Energy • 30% Liveness
0% Instrumentalness • 4% Positiveness
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François Couperin
Couperin, F: Deuxième leçon de ténèb...
80 bpm • C# min • 02:31 • -24db
9% Popularity • 24% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
9% Popularity • 24% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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Léo Delibes
Lakmé / Act 1: "Sous le dôme épais" (...
80 bpm • B Maj • 03:50 • -22.69db
21% Popularity • 29% Danceability • 7% Energy • 9% Liveness
26% Instrumentalness • 7% Positiveness
21% Popularity • 29% Danceability • 7% Energy • 9% Liveness
26% Instrumentalness • 7% Positiveness
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Ernest Chausson
Sept mélodies, Op. 2: VI. Hébé
80 bpm • A min • 02:28 • -24db
20% Popularity • 26% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
20% Popularity • 26% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
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Carl Orff
Carmina Burana / 3. Cour d'amours: "In t...
80 bpm • E min • 02:27 • -36db
32% Popularity • 14% Danceability • 2% Energy • 12% Liveness
5% Instrumentalness • 4% Positiveness
32% Popularity • 14% Danceability • 2% Energy • 12% Liveness
5% Instrumentalness • 4% Positiveness
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Richard Wagner
Wagner: Tristan und Isolde, Act 3: "Mild...
81 bpm • B Maj • 06:58 • -15db
12% Popularity • 11% Danceability • 25% Energy • 33% Liveness
1% Instrumentalness • 4% Positiveness
12% Popularity • 11% Danceability • 25% Energy • 33% Liveness
1% Instrumentalness • 4% Positiveness
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Henry Purcell
The Fairy Queen / Act 2: One Charming Ni...
80 bpm • B min • 02:24 • -22db
26% Popularity • 29% Danceability • 7% Energy • 16% Liveness
40% Instrumentalness • 25% Positiveness
26% Popularity • 29% Danceability • 7% Energy • 16% Liveness
40% Instrumentalness • 25% Positiveness
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Johann Sebastian Bach
St. Matthew Passion, BWV 244 / Pt. 2: No...
79 bpm • A# min • 06:16 • -17db
26% Popularity • 20% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
26% Popularity • 20% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Jean-Philippe Rameau
Les Indes galantes, Acte 4: Forêts pais...
81 bpm • G min • 04:33 • -19.25db
9% Popularity • 33% Danceability • 22% Energy • 10% Liveness
2% Instrumentalness • 64% Positiveness
9% Popularity • 33% Danceability • 22% Energy • 10% Liveness
2% Instrumentalness • 64% Positiveness
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George Frideric Handel
Rinaldo, HWV 7a / Act II: "Lascia ch'io ...
79 bpm • E Maj • 04:58 • -24db
9% Popularity • 25% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 25% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Jean-Joseph Cassanéa De Mondonville
Mondonville : Dominus regnavit : II
81 bpm • C min • 02:38 • -23db
9% Popularity • 12% Danceability • 11% Energy • 11% Liveness
6% Instrumentalness • 6% Positiveness
9% Popularity • 12% Danceability • 11% Energy • 11% Liveness
6% Instrumentalness • 6% Positiveness
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Jacques Offenbach
Offenbach: Les Contes d'Hoffmann, Act 4:...
81 bpm • D Maj • 04:23 • -24.77db
32% Popularity • 24% Danceability • 9% Energy • 33% Liveness
6% Instrumentalness • 6% Positiveness
32% Popularity • 24% Danceability • 9% Energy • 33% Liveness
6% Instrumentalness • 6% Positiveness
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Henry Purcell
Rejoice in the Lord alway, Z. 49
79 bpm • B Maj • 08:10 • -24.72db
20% Popularity • 18% Danceability • 4% Energy • 28% Liveness
4% Instrumentalness • 16% Positiveness
20% Popularity • 18% Danceability • 4% Energy • 28% Liveness
4% Instrumentalness • 16% Positiveness
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Johann Sebastian Bach
Nach dir, Herr, verlanget mich, BWV 150:...
79 bpm • G# Maj • 01:30 • -13.98db
9% Popularity • 36% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
9% Popularity • 36% Danceability • 22% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Gaetano Donizetti
Donizetti: L'elisir d'amore, Act 2: "Una...
79 bpm • A# min • 04:17 • -22.29db
20% Popularity • 16% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
20% Popularity • 16% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Jean-Philippe Rameau
Les Indes galantes, RCT 44, Nouvelle Ent...
79 bpm • F# min • 02:01 • -29.12db
25% Popularity • 45% Danceability • 4% Energy • 17% Liveness
14% Instrumentalness • 57% Positiveness
25% Popularity • 45% Danceability • 4% Energy • 17% Liveness
14% Instrumentalness • 57% Positiveness
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Antonio Caldara
Maddalena ai piedi di Cristo: No. 35 Ari...
79 bpm • A# min • 04:22 • -18.24db
14% Popularity • 15% Danceability • 3% Energy • 10% Liveness
28% Instrumentalness • 7% Positiveness
14% Popularity • 15% Danceability • 3% Energy • 10% Liveness
28% Instrumentalness • 7% Positiveness
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Christoph Willibald Gluck
Gluck: Orphée et Eurydice, Act 3: "J'ai...
79 bpm • E min • 04:22 • -20.16db
17% Popularity • 32% Danceability • 10% Energy • 35% Liveness
0% Instrumentalness • 4% Positiveness
17% Popularity • 32% Danceability • 10% Energy • 35% Liveness
0% Instrumentalness • 4% Positiveness
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Henry Purcell
Dido and Aeneas / Act 1: "Whence could s...
79 bpm • C Maj • 03:32 • -18.97db
18% Popularity • 40% Danceability • 8% Energy • 54% Liveness
0% Instrumentalness • 8% Positiveness
18% Popularity • 40% Danceability • 8% Energy • 54% Liveness
0% Instrumentalness • 8% Positiveness
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Marc-Antoine Charpentier
Charpentier : "Ah! qu'ils sont courts le...
79 bpm • F# Maj • 01:03 • -23.64db
0% Popularity • 37% Danceability • 3% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
0% Popularity • 37% Danceability • 3% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
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François Couperin
Couperin, F: Première leçon de ténèb...
81 bpm • C# Maj • 03:32 • -22db
13% Popularity • 34% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
13% Popularity • 34% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Gabriel Fauré
Requiem, Op. 48: V. Pie Jesus
79 bpm • A# Maj • 03:15 • -29.78db
22% Popularity • 14% Danceability • 3% Energy • 8% Liveness
13% Instrumentalness • 4% Positiveness
22% Popularity • 14% Danceability • 3% Energy • 8% Liveness
13% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Matthäus-Passion, BWV 244 / Erster Teil...
81 bpm • D# min • 06:59 • -19db
33% Popularity • 21% Danceability • 14% Energy • 7% Liveness
55% Instrumentalness • 17% Positiveness
33% Popularity • 21% Danceability • 14% Energy • 7% Liveness
55% Instrumentalness • 17% Positiveness
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Reynaldo Hahn
L'Heure exquise
79 bpm • C# Maj • 02:28 • -33.12db
25% Popularity • 24% Danceability • 2% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness
25% Popularity • 24% Danceability • 2% Energy • 10% Liveness
1% Instrumentalness • 5% Positiveness
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Jean-Philippe Rameau
Rameau: "Feuillages verts naissez"
81 bpm • G# Maj • 01:53 • -26db
13% Popularity • 33% Danceability • 4% Energy • 63% Liveness
0% Instrumentalness • 6% Positiveness
13% Popularity • 33% Danceability • 4% Energy • 63% Liveness
0% Instrumentalness • 6% Positiveness
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Wolfgang Amadeus Mozart
Requiem in D Minor, K. 626: I. Introitus...
81 bpm • A# Maj • 05:01 • -19.01db
20% Popularity • 8% Danceability • 14% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
20% Popularity • 8% Danceability • 14% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Henry Purcell
Oedipus, Z. 583: Music for a While
78 bpm • F# Maj • 04:04 • -22.03db
21% Popularity • 20% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
21% Popularity • 20% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Gabriel Fauré
Fauré: Cantique de Jean Racine, Op. 11
79 bpm • C# Maj • 04:53 • -22.46db
29% Popularity • 13% Danceability • 6% Energy • 17% Liveness
95% Instrumentalness • 4% Positiveness
29% Popularity • 13% Danceability • 6% Energy • 17% Liveness
95% Instrumentalness • 4% Positiveness
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George Frideric Handel
Handel: Giulio Cesare in Egitto, HWV 17,...
82 bpm • E min • 07:45 • -24.72db
14% Popularity • 19% Danceability • 6% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
14% Popularity • 19% Danceability • 6% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
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Antonio Caldara
Maddalena ai piedi di Cristo: No. 18 Ari...
82 bpm • F# min • 06:25 • -18.04db
11% Popularity • 22% Danceability • 7% Energy • 12% Liveness
6% Instrumentalness • 13% Positiveness
11% Popularity • 22% Danceability • 7% Energy • 12% Liveness
6% Instrumentalness • 13% Positiveness
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Richard Strauss
Strauss, R: 4 Letzte Lieder: No. 4, Im A...
82 bpm • A# Maj • 08:27 • -24.29db
19% Popularity • 8% Danceability • 6% Energy • 13% Liveness
55% Instrumentalness • 4% Positiveness
19% Popularity • 8% Danceability • 6% Energy • 13% Liveness
55% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K. 492, Atto terzo S...
81 bpm • A# Maj • 02:55 • -25db
28% Popularity • 37% Danceability • 7% Energy • 38% Liveness
0% Instrumentalness • 25% Positiveness
28% Popularity • 37% Danceability • 7% Energy • 38% Liveness
0% Instrumentalness • 25% Positiveness
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Henry Purcell
Oedipus (1692), Z. 583)
82 bpm • F min • 04:05 • -25.5db
8% Popularity • 23% Danceability • 4% Energy • 8% Liveness
2% Instrumentalness • 12% Positiveness
8% Popularity • 23% Danceability • 4% Energy • 8% Liveness
2% Instrumentalness • 12% Positiveness
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Johann Sebastian Bach
Bach, JS: Matthäus-Passion, BWV 244, Pt...
78 bpm • E min • 05:09 • -20.06db
32% Popularity • 10% Danceability • 20% Energy • 14% Liveness
79% Instrumentalness • 14% Positiveness
32% Popularity • 10% Danceability • 20% Energy • 14% Liveness
79% Instrumentalness • 14% Positiveness
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François Couperin
Couperin, F: Deuxième leçon de ténèb...
82 bpm • C# Maj • 01:41 • -24.74db
10% Popularity • 36% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
10% Popularity • 36% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Jean-Philippe Rameau
Les Indes galantes, RCT 44, Nouvelle Ent...
78 bpm • F# min • 02:30 • -23.95db
21% Popularity • 40% Danceability • 9% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
21% Popularity • 40% Danceability • 9% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
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Giacomo Puccini
Madama Butterfly / Act 2: Coro a bocca c...
78 bpm • A# Maj • 03:03 • -44.15db
42% Popularity • 16% Danceability • 0% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
42% Popularity • 16% Danceability • 0% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Vesperae solennes de confessore, K. 339:...
82 bpm • F Maj • 04:16 • -25.91db
51% Popularity • 11% Danceability • 4% Energy • 11% Liveness
11% Instrumentalness • 4% Positiveness
51% Popularity • 11% Danceability • 4% Energy • 11% Liveness
11% Instrumentalness • 4% Positiveness
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Henry Purcell
King Arthur: Act III, scene 2: Cold Song...
82 bpm • F# min • 03:34 • -25db
22% Popularity • 59% Danceability • 3% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
22% Popularity • 59% Danceability • 3% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
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Edward Elgar
Elgar: Sea Pictures, Op. 37: No. 1, Sea ...
78 bpm • C Maj • 05:02 • -24.98db
21% Popularity • 19% Danceability • 13% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
21% Popularity • 19% Danceability • 13% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
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Derek Lee Ragin
Salve Regina in C Minor - Transp. in A-F...
82 bpm • C# min • 03:48 • -22.01db
30% Popularity • 14% Danceability • 5% Energy • 31% Liveness
1% Instrumentalness • 4% Positiveness
30% Popularity • 14% Danceability • 5% Energy • 31% Liveness
1% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Fauré: Pavane, Op. 50 (Version with Cho...
78 bpm • F# min • 05:39 • -27.47db
29% Popularity • 9% Danceability • 3% Energy • 14% Liveness
92% Instrumentalness • 6% Positiveness
29% Popularity • 9% Danceability • 3% Energy • 14% Liveness
92% Instrumentalness • 6% Positiveness
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Léo Delibes
Lakmé, Act 1: Dôme épais le jasmin "F...
77 bpm • B Maj • 01:30 • -15.81db
44% Popularity • 30% Danceability • 19% Energy • 30% Liveness
0% Instrumentalness • 18% Positiveness
44% Popularity • 30% Danceability • 19% Energy • 30% Liveness
0% Instrumentalness • 18% Positiveness
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Camille Saint-Saëns
Samson et Dalila: Mon coeur s’ouvre à ...
83 bpm • C# Maj • 06:28 • -22db
13% Popularity • 27% Danceability • 12% Energy • 7% Liveness
8% Instrumentalness • 4% Positiveness
13% Popularity • 27% Danceability • 12% Energy • 7% Liveness
8% Instrumentalness • 4% Positiveness
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Henry Purcell
Amphitryon, Z. 572, "The 2 Sosias": VIII...
82 bpm • C# min • 01:18 • -22db
45% Popularity • 56% Danceability • 9% Energy • 7% Liveness
92% Instrumentalness • 74% Positiveness
45% Popularity • 56% Danceability • 9% Energy • 7% Liveness
92% Instrumentalness • 74% Positiveness
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Johann Sebastian Bach
BWV82: Aria: Ich habe genug
83 bpm • C# min • 07:41 • -22.58db
17% Popularity • 20% Danceability • 6% Energy • 13% Liveness
40% Instrumentalness • 11% Positiveness
17% Popularity • 20% Danceability • 6% Energy • 13% Liveness
40% Instrumentalness • 11% Positiveness
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George Frideric Handel
Handel: Aminta e Fillide, HWV 83: "Per a...
83 bpm • A Maj • 05:17 • -16.47db
9% Popularity • 35% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
9% Popularity • 35% Danceability • 23% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Luigi Cherubini
Requiem No. 1 in C Minor: Introitus et K...
83 bpm • C min • 07:14 • -31db
25% Popularity • 8% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
25% Popularity • 8% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Gabriel Fauré
Requiem, Op. 48, N. 97: IV. Pie Jesu
77 bpm • A# Maj • 03:45 • -33.23db
23% Popularity • 13% Danceability • 1% Energy • 16% Liveness
42% Instrumentalness • 4% Positiveness
23% Popularity • 13% Danceability • 1% Energy • 16% Liveness
42% Instrumentalness • 4% Positiveness
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Marc-Antoine Charpentier
Te Deum, H. 146: II. "Te Deum laudamus"
83 bpm • C# Maj • 01:04 • -19.05db
28% Popularity • 36% Danceability • 13% Energy • 16% Liveness
52% Instrumentalness • 53% Positiveness
28% Popularity • 36% Danceability • 13% Energy • 16% Liveness
52% Instrumentalness • 53% Positiveness
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Henry Purcell
Purcell: Dido and Aeneas, Z. 626, Act II...
78 bpm • E Maj • 02:19 • -24db
13% Popularity • 29% Danceability • 5% Energy • 57% Liveness
0% Instrumentalness • 18% Positiveness
13% Popularity • 29% Danceability • 5% Energy • 57% Liveness
0% Instrumentalness • 18% Positiveness
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Johann Sebastian Bach
Matthäus-Passion, BWV 244, Zweiter Teil...
83 bpm • B min • 05:18 • -21db
38% Popularity • 10% Danceability • 13% Energy • 12% Liveness
91% Instrumentalness • 10% Positiveness
38% Popularity • 10% Danceability • 13% Energy • 12% Liveness
91% Instrumentalness • 10% Positiveness
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George Frideric Handel
Handel: Serse, HWV 40, Act 1, Scene 1: A...
83 bpm • F Maj • 03:35 • -23.24db
18% Popularity • 13% Danceability • 8% Energy • 10% Liveness
57% Instrumentalness • 4% Positiveness
18% Popularity • 13% Danceability • 8% Energy • 10% Liveness
57% Instrumentalness • 4% Positiveness
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Giovanni Battista Pergolesi
Pergolesi: Stabat Mater: I. Stabat mater...
84 bpm • D# min • 04:46 • -18.67db
23% Popularity • 10% Danceability • 9% Energy • 11% Liveness
29% Instrumentalness • 4% Positiveness
23% Popularity • 10% Danceability • 9% Energy • 11% Liveness
29% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Requiem, Op. 48, N. 97: VII. In Paradisu...
77 bpm • D Maj • 03:42 • -34db
19% Popularity • 8% Danceability • 2% Energy • 22% Liveness
76% Instrumentalness • 4% Positiveness
19% Popularity • 8% Danceability • 2% Energy • 22% Liveness
76% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Samson et Dalila, Op. 47, ...
77 bpm • C# Maj • 05:20 • -19.91db
23% Popularity • 16% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
23% Popularity • 16% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Henry Purcell
Dido and Aeneas, Z. 626: Act II: Ritorne...
83 bpm • C# min • 00:59 • -30.38db
30% Popularity • 22% Danceability • 1% Energy • 12% Liveness
91% Instrumentalness • 16% Positiveness
30% Popularity • 22% Danceability • 1% Energy • 12% Liveness
91% Instrumentalness • 16% Positiveness
► Preview
Johann Sebastian Bach
Bach, JS: St John Passion, BWV 245, Pt. ...
77 bpm • F# Maj • 08:02 • -19.15db
18% Popularity • 32% Danceability • 24% Energy • 18% Liveness
80% Instrumentalness • 26% Positiveness
18% Popularity • 32% Danceability • 24% Energy • 18% Liveness
80% Instrumentalness • 26% Positiveness
► Preview
George Frideric Handel
Rinaldo, HWV 7b: Act II Scene 4: Aria: L...
84 bpm • E Maj • 06:03 • -26db
36% Popularity • 25% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
36% Popularity • 25% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Léo Delibes
Lakmé / Act 1: Viens, Mallika, ... Dôm...
84 bpm • B Maj • 06:03 • -22.23db
38% Popularity • 23% Danceability • 6% Energy • 41% Liveness
0% Instrumentalness • 6% Positiveness
38% Popularity • 23% Danceability • 6% Energy • 41% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Joseph Canteloube
Chants d'Auvergne, Vol. 1: No. 2. Bailer...
76 bpm • A# Maj • 05:14 • -21.65db
23% Popularity • 10% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
23% Popularity • 10% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Sergei Rachmaninoff
Rachmaninov: 14 Romances, Op. 34: No. 14...
84 bpm • F# min • 05:20 • -16db
27% Popularity • 25% Danceability • 19% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
27% Popularity • 25% Danceability • 19% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
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Henry Purcell
Dido and Aeneas / Act 3: "Your councel a...
83 bpm • F# min • 03:41 • -25.85db
13% Popularity • 37% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
13% Popularity • 37% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
Johann Sebastian Bach
Ich habe genug, BWV 82: I. Aria. Ich hab...
76 bpm • B min • 07:15 • -24.23db
21% Popularity • 18% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
21% Popularity • 18% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
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Wolfgang Amadeus Mozart
Mass in C Minor, K. 427 "Grosse Messe" (...
85 bpm • D# Maj • 07:23 • -24.06db
29% Popularity • 9% Danceability • 7% Energy • 14% Liveness
12% Instrumentalness • 3% Positiveness
29% Popularity • 9% Danceability • 7% Energy • 14% Liveness
12% Instrumentalness • 3% Positiveness
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Andreas Scholl
Stabat Mater
85 bpm • F Maj • 02:01 • -11.05db
37% Popularity • 36% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
37% Popularity • 36% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
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Robert Schumann
Dichterliebe, Op. 48: X. Hör' ich das L...
76 bpm • G min • 01:55 • -27db
33% Popularity • 32% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
33% Popularity • 32% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Gabriel Fauré
Requiem, Op. 48, N. 97: IV. Pie Jesu
75 bpm • A# Maj • 04:23 • -31.81db
8% Popularity • 14% Danceability • 1% Energy • 9% Liveness
21% Instrumentalness • 3% Positiveness
8% Popularity • 14% Danceability • 1% Energy • 9% Liveness
21% Instrumentalness • 3% Positiveness
► Preview
Henry Purcell
Dido and Aeneas / Act 3: "Thy Hand Belin...
83 bpm • F# min • 04:06 • -28.04db
39% Popularity • 14% Danceability • 2% Energy • 21% Liveness
0% Instrumentalness • 4% Positiveness
39% Popularity • 14% Danceability • 2% Energy • 21% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Claude Debussy
Debussy: Beau soir, CD 84, L. 6
75 bpm • F# min • 02:17 • -27.82db
14% Popularity • 28% Danceability • 2% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
14% Popularity • 28% Danceability • 2% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Wolfgang Amadeus Mozart
Le nozze di Figaro, K. 492 / Act IV: L'h...
75 bpm • F Maj • 02:00 • -24.93db
19% Popularity • 23% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
19% Popularity • 23% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Marc-Antoine Charpentier
Charpentier : La descente d'Orphée aux ...
75 bpm • G# min • 02:50 • -18.95db
0% Popularity • 18% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
0% Popularity • 18% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice: Act I, Scene 1, Coro:...
75 bpm • C min • 03:18 • -21db
28% Popularity • 18% Danceability • 12% Energy • 17% Liveness
82% Instrumentalness • 3% Positiveness
28% Popularity • 18% Danceability • 12% Energy • 17% Liveness
82% Instrumentalness • 3% Positiveness
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Jean-Philippe Rameau
Rameau: Les Indes galantes, Quatrième e...
85 bpm • F# min • 04:46 • -17.92db
33% Popularity • 43% Danceability • 29% Energy • 42% Liveness
0% Instrumentalness • 54% Positiveness
33% Popularity • 43% Danceability • 29% Energy • 42% Liveness
0% Instrumentalness • 54% Positiveness
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Henry Purcell
Purcell: Dido and Aeneas, Z. 626, Act II...
77 bpm • F# min • 05:03 • -23.31db
26% Popularity • 13% Danceability • 3% Energy • 11% Liveness
19% Instrumentalness • 4% Positiveness
26% Popularity • 13% Danceability • 3% Energy • 11% Liveness
19% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
Sì dolce è'l tormento, SV 332
75 bpm • A# min • 04:06 • -30.97db
16% Popularity • 28% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 6% Positiveness
16% Popularity • 28% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 6% Positiveness
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Wolfgang Amadeus Mozart
Die Zauberflöte - Arie: Ach, Ich Fühl'...
85 bpm • G Maj • 04:36 • -27db
16% Popularity • 20% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 3% Positiveness
16% Popularity • 20% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 3% Positiveness
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George Frideric Handel
Il Trionfo del Tiempo e del Disinganno, ...
75 bpm • E Maj • 06:33 • -22.56db
13% Popularity • 18% Danceability • 6% Energy • 14% Liveness
22% Instrumentalness • 5% Positiveness
13% Popularity • 18% Danceability • 6% Energy • 14% Liveness
22% Instrumentalness • 5% Positiveness
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François Couperin
Couperin, F: Première leçon de ténèb...
85 bpm • C# min • 02:51 • -23.54db
10% Popularity • 30% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
10% Popularity • 30% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Gabriel Fauré
Requiem, Op. 48: V. Pie Jesu
85 bpm • A# Maj • 03:44 • -25db
37% Popularity • 23% Danceability • 6% Energy • 11% Liveness
34% Instrumentalness • 4% Positiveness
37% Popularity • 23% Danceability • 6% Energy • 11% Liveness
34% Instrumentalness • 4% Positiveness
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Henry Purcell
Dido & Aeneas: Dido's Lament
77 bpm • F# min • 05:08 • -26.63db
12% Popularity • 11% Danceability • 2% Energy • 11% Liveness
64% Instrumentalness • 4% Positiveness
12% Popularity • 11% Danceability • 2% Energy • 11% Liveness
64% Instrumentalness • 4% Positiveness
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Edvard Grieg
Peer Gynt, Op. 23 - Incidental Music: No...
85 bpm • A min • 04:59 • -29.28db
10% Popularity • 18% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 18% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Marc-Antoine Charpentier
Charpentier: Te Deum, H. 146: I. Prélud...
75 bpm • C Maj • 01:38 • -12.7db
18% Popularity • 47% Danceability • 38% Energy • 7% Liveness
86% Instrumentalness • 52% Positiveness
18% Popularity • 47% Danceability • 38% Energy • 7% Liveness
86% Instrumentalness • 52% Positiveness
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George Frideric Handel
L'Allegro, Il Penseroso, ed il Moderato,...
85 bpm • A Maj • 06:36 • -23db
21% Popularity • 13% Danceability • 9% Energy • 11% Liveness
5% Instrumentalness • 14% Positiveness
21% Popularity • 13% Danceability • 9% Energy • 11% Liveness
5% Instrumentalness • 14% Positiveness
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Tomaso Albinoni
Oboe Concerto in D Minor, Op. 9, No. 2: ...
75 bpm • A# Maj • 05:22 • -21.26db
30% Popularity • 17% Danceability • 8% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
30% Popularity • 17% Danceability • 8% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
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Johann Adolf Hasse
Hasse: Sanctus Petrus et Sancta Maria Ma...
75 bpm • D Maj • 06:48 • -14.93db
34% Popularity • 24% Danceability • 26% Energy • 13% Liveness
3% Instrumentalness • 19% Positiveness
34% Popularity • 24% Danceability • 26% Energy • 13% Liveness
3% Instrumentalness • 19% Positiveness
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Henry Purcell
Purcell: Dido and Aeneas, Z. 626, Act II...
84 bpm • F# Maj • 01:53 • -22.57db
5% Popularity • 36% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
5% Popularity • 36% Danceability • 12% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
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Alexander Borodin
Prince Igor, Act II: Polovtsian Dances, ...
75 bpm • A Maj • 02:23 • -22.89db
30% Popularity • 9% Danceability • 10% Energy • 9% Liveness
74% Instrumentalness • 4% Positiveness
30% Popularity • 9% Danceability • 10% Energy • 9% Liveness
74% Instrumentalness • 4% Positiveness
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Francois-Joseph Gossec
Grande Messe des Morts: II. Introitus: R...
74 bpm • C min • 03:08 • -26.75db
36% Popularity • 19% Danceability • 9% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
36% Popularity • 19% Danceability • 9% Energy • 8% Liveness
84% Instrumentalness • 3% Positiveness
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Gabriel Fauré
Requiem, Op. 48: VII. Libera me
74 bpm • D min • 04:49 • -20db
37% Popularity • 15% Danceability • 12% Energy • 10% Liveness
85% Instrumentalness • 6% Positiveness
37% Popularity • 15% Danceability • 12% Energy • 10% Liveness
85% Instrumentalness • 6% Positiveness
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Giovanni Legrenzi
Lumi, potete piangere
86 bpm • G min • 03:12 • -21.66db
21% Popularity • 25% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
21% Popularity • 25% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Wolfgang Amadeus Mozart
Così fan tutte ossia La scuola degli am...
74 bpm • E Maj • 03:09 • -18.61db
25% Popularity • 11% Danceability • 16% Energy • 22% Liveness
33% Instrumentalness • 4% Positiveness
25% Popularity • 11% Danceability • 16% Energy • 22% Liveness
33% Instrumentalness • 4% Positiveness
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Henry Purcell
Dido and Aeneas, Z. 626: Act III: Dido: ...
76 bpm • F# min • 03:41 • -24db
16% Popularity • 18% Danceability • 4% Energy • 12% Liveness
16% Instrumentalness • 3% Positiveness
16% Popularity • 18% Danceability • 4% Energy • 12% Liveness
16% Instrumentalness • 3% Positiveness
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John Dowland
Flow, my tears
74 bpm • F# min • 04:04 • -22db
23% Popularity • 22% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
23% Popularity • 22% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Jean-Philippe Rameau
Castor et Pollux, RCT 32, Acte I, Scène...
86 bpm • D Maj • 07:33 • -28.99db
32% Popularity • 9% Danceability • 1% Energy • 11% Liveness
75% Instrumentalness • 4% Positiveness
32% Popularity • 9% Danceability • 1% Energy • 11% Liveness
75% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Requiem, Op. 48: VIII. In Paradisum
74 bpm • D Maj • 03:18 • -25.56db
41% Popularity • 14% Danceability • 9% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
41% Popularity • 14% Danceability • 9% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Claudio Scimone
Handel: Rinaldo, HWV 7, Act 2: Aria. "La...
87 bpm • D Maj • 04:34 • -19.95db
22% Popularity • 26% Danceability • 13% Energy • 17% Liveness
2% Instrumentalness • 4% Positiveness
22% Popularity • 26% Danceability • 13% Energy • 17% Liveness
2% Instrumentalness • 4% Positiveness
