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Purcell : King Arthur : Act 1 "The white horse nei...
Songs like
Purcell : King Arthur : Act 1 "The white horse neigh'd aloud" [Bass, Tenor, Chorus]
by
William Christie
Based on a tempo of (+/- 10%) and a similar genre
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Marc-Antoine Charpentier
Te Deum, H. 146: X. "In te Domine sperav...
97 bpm • C# Maj • 02:34 • -16.03db
17% Popularity • 45% Danceability • 33% Energy • 8% Liveness
26% Instrumentalness • 74% Positiveness
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John Dowland
Lachrimae Antiquae from Lachrimae, or Se...
97 bpm • G min • 04:17 • -30db
15% Popularity • 12% Danceability • 1% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
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Antonio Vivaldi
Vivaldi: Dixit Dominus in D Major, RV 59...
97 bpm • C# Maj • 02:24 • -20.38db
22% Popularity • 51% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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William Christie
Purcell : King Arthur : Act 1 "The white...
97 bpm • D# Maj • 01:22 • -19.72db
16% Popularity • 64% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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Jean-Baptiste Lully
Intermedes de Xerxes: Ouverture
98 bpm • F# Maj • 02:04 • -27db
20% Popularity • 27% Danceability • 5% Energy • 11% Liveness
20% Instrumentalness • 12% Positiveness
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Henry Purcell
Purcell: Dido and Aeneas, Z. 626: Overtu...
98 bpm • B min • 01:59 • -24.48db
11% Popularity • 32% Danceability • 27% Energy • 46% Liveness
0% Instrumentalness • 41% Positiveness
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Marc-Antoine Charpentier
Te Deum, H. 146: III. "Te aeternum Patre...
97 bpm • C# Maj • 03:59 • -17db
18% Popularity • 29% Danceability • 26% Energy • 23% Liveness
16% Instrumentalness • 30% Positiveness
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Dietrich Buxtehude
Membra Jesu nostri, BuxWV 75: Ad pedes. ...
98 bpm • C min • 00:59 • -21db
25% Popularity • 20% Danceability • 5% Energy • 18% Liveness
0% Instrumentalness • 23% Positiveness
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George Frideric Handel
Handel: Serse, HWV 40, Act 1, Scene 2: S...
98 bpm • B min • 01:58 • -32.13db
4% Popularity • 27% Danceability • 3% Energy • 16% Liveness
14% Instrumentalness • 35% Positiveness
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William Christie
Purcell : King Arthur : Air
96 bpm • C min • 01:03 • -30db
36% Popularity • 43% Danceability • 1% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
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Jordi Savall
Battalia À 10: Aria (Biber)
98 bpm • C# Maj • 03:51 • -24.68db
9% Popularity • 22% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
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Henry Purcell
Purcell: Dido and Aeneas, Z. 626, Act I:...
98 bpm • B min • 01:54 • -18.21db
6% Popularity • 34% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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François Couperin
Couperin, F: Première leçon de ténèb...
96 bpm • C# min • 02:36 • -24.06db
11% Popularity • 32% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Jean-Philippe Rameau
Les Indes galantes, RCT 44, Première En...
98 bpm • F# Maj • 03:49 • -24db
9% Popularity • 50% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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George Frideric Handel
Handel: Serse, HWV 40, Act 1, Scene 13: ...
98 bpm • C# Maj • 04:22 • -19.47db
1% Popularity • 45% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
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Marc-Antoine Charpentier
Charpentier : Médée, Prologue: "Louis ...
98 bpm • B Maj • 03:09 • -20.69db
6% Popularity • 32% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Johann Sebastian Bach
Six Brandenburg Concertos, No. 5 in D Ma...
98 bpm • C# Maj • 09:41 • -23db
27% Popularity • 27% Danceability • 23% Energy • 22% Liveness
0% Instrumentalness • 57% Positiveness
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Henry Purcell
The Fairy Queen, Z. 629 / Act 3: Dialog:...
98 bpm • F# Maj • 03:55 • -24.2db
9% Popularity • 54% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Jean-Baptiste Lully
Alcidiane: Ouverture
98 bpm • F# min • 01:37 • -26db
44% Popularity • 41% Danceability • 5% Energy • 7% Liveness
57% Instrumentalness • 38% Positiveness
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Claudio Monteverdi
Monteverdi: Il ritorno d'Ulisse in patri...
95 bpm • C# Maj • 02:20 • -22db
9% Popularity • 29% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Pietro Locatelli
Concerto Grosso In F Minor, Op. 1, No. 8...
99 bpm • A min • 01:42 • -20db
33% Popularity • 45% Danceability • 9% Energy • 20% Liveness
89% Instrumentalness • 28% Positiveness
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Marc-Antoine Charpentier
Charpentier : Médée, Act 1: "Que je se...
99 bpm • F# min • 02:40 • -25.39db
5% Popularity • 28% Danceability • 8% Energy • 20% Liveness
0% Instrumentalness • 6% Positiveness
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René Jacobs
Handel: Admeto, HWV 22, Act 1: Overture
99 bpm • C# min • 03:40 • -16db
8% Popularity • 38% Danceability • 24% Energy • 23% Liveness
91% Instrumentalness • 54% Positiveness
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Henry Purcell
The Indian Queen, Z. 630: "I attempt fro...
98 bpm • D Maj • 02:03 • -13db
11% Popularity • 40% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Giovanni Battista Pergolesi
Salve Regina in C minor (1736): 4. Et Je...
95 bpm • A Maj • 02:44 • -21.73db
19% Popularity • 15% Danceability • 6% Energy • 17% Liveness
15% Instrumentalness • 11% Positiveness
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Jean-Philippe Rameau
Platée, RCT 53, Prologue Scène 1: Réc...
95 bpm • G min • 01:12 • -17.37db
11% Popularity • 47% Danceability • 22% Energy • 82% Liveness
0% Instrumentalness • 66% Positiveness
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Antonio Vivaldi
Magnificat en sol mineur, RV 610: VIII. ...
95 bpm • E Maj • 01:47 • -18.19db
18% Popularity • 39% Danceability • 25% Energy • 16% Liveness
16% Instrumentalness • 62% Positiveness
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Marc-Antoine Charpentier
Te Deum for Soloists, Chorus and Orchest...
99 bpm • C Maj • 01:14 • -14.11db
8% Popularity • 49% Danceability • 42% Energy • 52% Liveness
54% Instrumentalness • 75% Positiveness
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William Boyce
Symphony No. 3 in C Major, Op. 2, "The C...
99 bpm • B Maj • 01:31 • -23.57db
44% Popularity • 55% Danceability • 4% Energy • 12% Liveness
98% Instrumentalness • 71% Positiveness
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Henry Purcell
Purcell: Dido and Aeneas, Z. 626, Act II...
95 bpm • F# min • 03:35 • -21.43db
4% Popularity • 39% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Giovanni Battista Pergolesi
Salve Regina in C minor (1736): 1. Salve...
99 bpm • E min • 03:44 • -20db
21% Popularity • 16% Danceability • 9% Energy • 15% Liveness
1% Instrumentalness • 5% Positiveness
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Luigi Boccherini
Guitar Quintet in D major, G. 448: IV. F...
99 bpm • C# min • 06:25 • -16.61db
11% Popularity • 33% Danceability • 42% Energy • 25% Liveness
84% Instrumentalness • 65% Positiveness
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William Christie
Purcell : King Arthur : Act 2 "How blest...
100 bpm • F Maj • 05:18 • -26.4db
14% Popularity • 28% Danceability • 3% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
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Marc-Antoine Charpentier
Charpentier : Médée, Act 1: "D'où vou...
99 bpm • G# min • 06:57 • -24.46db
5% Popularity • 35% Danceability • 6% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
► Preview
Jean-Baptiste Lully
Atys, LWV 53, Acte III, Scène 4: Prélu...
100 bpm • F# min • 07:31 • -28.28db
12% Popularity • 22% Danceability • 3% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
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Henry Purcell
The Fairy Queen, Z. 629 / Act 1: Song In...
95 bpm • B min • 02:24 • -22.1db
13% Popularity • 46% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
► Preview
Jean-Philippe Rameau
Platée, RCT 53, Prologue Scène 1: Réc...
100 bpm • G Maj • 01:08 • -15.88db
11% Popularity • 31% Danceability • 36% Energy • 57% Liveness
0% Instrumentalness • 48% Positiveness
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George Frideric Handel
Dixit Dominus, HWV 232: 7. Judicabit in ...
94 bpm • E Maj • 03:46 • -18.15db
6% Popularity • 33% Danceability • 22% Energy • 16% Liveness
1% Instrumentalness • 51% Positiveness
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Heinrich Schütz
Concert: "Saul, Saul, was verfolgst du m...
100 bpm • A min • 03:21 • -22db
11% Popularity • 25% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
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Antonio Vivaldi
Vivaldi: Magnificat in G Minor, RV 610: ...
100 bpm • A Maj • 01:18 • -20.87db
25% Popularity • 50% Danceability • 16% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
► Preview
Jean-Baptiste Lully
Phaëton, LWV 61: Ritournelle "Le printe...
94 bpm • A Maj • 01:06 • -24db
27% Popularity • 56% Danceability • 11% Energy • 8% Liveness
98% Instrumentalness • 68% Positiveness
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Marc-Antoine Charpentier
Charpentier : Médée, Act 4: "Mon pouvo...
94 bpm • A Maj • 00:56 • -18.43db
2% Popularity • 48% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Henry Purcell
The Tempest, Z. 631, "The Enchanted Isla...
99 bpm • B Maj • 03:08 • -24db
15% Popularity • 28% Danceability • 16% Energy • 10% Liveness
8% Instrumentalness • 20% Positiveness
► Preview
Jean-Philippe Rameau
Les Indes galantes, RCT 44, Nouvelle Ent...
94 bpm • C# Maj • 03:16 • -18db
9% Popularity • 37% Danceability • 25% Energy • 12% Liveness
1% Instrumentalness • 32% Positiveness
► Preview
George Frideric Handel
Handel: Coronation Anthem No. 2, HWV 259...
94 bpm • D# min • 02:33 • -26.18db
13% Popularity • 28% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater, P. 77: VII. Eia Mater
100 bpm • C min • 02:54 • -27db
36% Popularity • 22% Danceability • 4% Energy • 11% Liveness
9% Instrumentalness • 12% Positiveness
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Jean-Baptiste Lully
Armide: Act II Scene 5: Enfin il est en ...
94 bpm • D min • 04:40 • -23.76db
9% Popularity • 34% Danceability • 6% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
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William Christie
Purcell : King Arthur : Act 2 "Shepherd,...
94 bpm • F min • 01:54 • -27db
28% Popularity • 56% Danceability • 6% Energy • 64% Liveness
0% Instrumentalness • 64% Positiveness
► Preview
Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75, Ad genua: ...
94 bpm • F min • 01:15 • -25.85db
29% Popularity • 38% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 11% Positiveness
► Preview
Jean-Philippe Rameau
Les Indes galantes, RCT 44, Prologue Sc�...
94 bpm • F# Maj • 03:24 • -23.56db
15% Popularity • 32% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
► Preview
Crispian Steele-Perkins
Ayres for the Theatre: Round 0 (The Prin...
100 bpm • C# Maj • 01:04 • -17.56db
10% Popularity • 73% Danceability • 11% Energy • 5% Liveness
80% Instrumentalness • 88% Positiveness
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François Couperin
Couperin, F: Première leçon de ténèb...
101 bpm • C# Maj • 02:07 • -22db
15% Popularity • 32% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Jean-Baptiste Lully
Lully : Psyché : Prelude
101 bpm • C Maj • 00:52 • -13.96db
12% Popularity • 50% Danceability • 30% Energy • 42% Liveness
26% Instrumentalness • 83% Positiveness
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Henry Purcell
Purcell: Dido and Aeneas, Z. 626, Act 3:...
93 bpm • A Maj • 02:23 • -19.63db
5% Popularity • 44% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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William Christie
Purcell : King Arthur : Act 2 "Let not a...
94 bpm • G Maj • 01:53 • -24.82db
14% Popularity • 48% Danceability • 12% Energy • 29% Liveness
0% Instrumentalness • 63% Positiveness
► Preview
George Frideric Handel
Handel: Serse, HWV 40, Act 1, Scene 5: R...
101 bpm • C# Maj • 01:07 • -26.79db
2% Popularity • 48% Danceability • 10% Energy • 39% Liveness
0% Instrumentalness • 28% Positiveness
► Preview
The Choir of Magdalen College, Oxford
I will exalt Thee
93 bpm • A min • 03:31 • -25.61db
21% Popularity • 23% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Antonio Vivaldi
Vivaldi: Gloria in D Major, RV 589: X. Q...
101 bpm • A# min • 02:24 • -21.92db
26% Popularity • 45% Danceability • 6% Energy • 21% Liveness
7% Instrumentalness • 39% Positiveness
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Giovanni Battista Pergolesi
Salve Regina in C minor (1736): 3. Eja e...
93 bpm • C# min • 01:46 • -17.72db
18% Popularity • 28% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Henry Purcell
Dido and Aeneas / Act 3: The sailor's Da...
101 bpm • A# Maj • 04:22 • -20db
15% Popularity • 51% Danceability • 13% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
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Marc-Antoine Charpentier
Assumpta Est Maria, H. 11: IV. Kyrie II
101 bpm • C# min • 03:38 • -21db
10% Popularity • 17% Danceability • 8% Energy • 9% Liveness
2% Instrumentalness • 6% Positiveness
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George Frideric Handel
Deborah, HWV 51: Part I: Chorus - Let th...
101 bpm • F# Maj • 03:25 • -21.16db
30% Popularity • 31% Danceability • 13% Energy • 11% Liveness
75% Instrumentalness • 34% Positiveness
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Jean-Joseph Cassanéa De Mondonville
Mondonville : In exitu Israel : V
92 bpm • D# Maj • 01:02 • -19.45db
11% Popularity • 32% Danceability • 14% Energy • 16% Liveness
2% Instrumentalness • 21% Positiveness
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Jean-Philippe Rameau
Les Indes galantes, RCT 44, Nouvelle Ent...
92 bpm • F# min • 03:41 • -25.33db
5% Popularity • 36% Danceability • 4% Energy • 38% Liveness
0% Instrumentalness • 29% Positiveness
► Preview
Giovanni Battista Pergolesi
Stabat Mater: 11. Inflammatus
102 bpm • A Maj • 02:06 • -21db
20% Popularity • 45% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Henry Purcell
Dido and Aeneas / Act 1: "Ah! Belinda, I...
101 bpm • C min • 05:41 • -22.27db
21% Popularity • 28% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Marc-Antoine Charpentier
Charpentier : Médée, Act 4: Phantômes...
92 bpm • C# min • 03:02 • -33.54db
2% Popularity • 17% Danceability • 1% Energy • 38% Liveness
17% Instrumentalness • 8% Positiveness
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George Frideric Handel
Gideon, Pt. 3: Air. Let the Trumpet's So...
92 bpm • C# Maj • 04:21 • -18db
26% Popularity • 47% Danceability • 24% Energy • 15% Liveness
1% Instrumentalness • 72% Positiveness
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Johann Sebastian Bach
Mass in B Minor, BWV 232: Et resurrexit ...
103 bpm • C# Maj • 03:57 • -17db
22% Popularity • 57% Danceability • 29% Energy • 28% Liveness
28% Instrumentalness • 60% Positiveness
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Claudio Monteverdi
Monteverdi: L'Orfeo, favola in musica, S...
91 bpm • A# min • 05:53 • -25.78db
14% Popularity • 28% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
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Antonio Vivaldi
Gloria in D, R.589: 3. Laudamus te
91 bpm • F# Maj • 02:29 • -22.65db
18% Popularity • 29% Danceability • 8% Energy • 17% Liveness
1% Instrumentalness • 50% Positiveness
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Henry Purcell
The Fairy Queen / Act 5: Hark! The Ech'i...
93 bpm • B Maj • 02:51 • -20.12db
9% Popularity • 50% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Marc-Antoine Charpentier
Assumpta Est Maria, H. 11: II. Kyrie I
102 bpm • C# min • 01:47 • -26.05db
11% Popularity • 18% Danceability • 7% Energy • 11% Liveness
24% Instrumentalness • 8% Positiveness
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George Frideric Handel
Handel: Serse, HWV 40, Act 1, Scene 10: ...
102 bpm • C# min • 01:50 • -20.38db
2% Popularity • 56% Danceability • 22% Energy • 14% Liveness
3% Instrumentalness • 67% Positiveness
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Domenico Scarlatti
Salve Regina pour soprano, contre-ténor...
103 bpm • G# min • 02:07 • -27db
27% Popularity • 19% Danceability • 3% Energy • 11% Liveness
55% Instrumentalness • 4% Positiveness
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Georg Philipp Telemann
Essercizii musici: Trio in B-Flat Major,...
103 bpm • A Maj • 02:20 • -20.22db
20% Popularity • 31% Danceability • 10% Energy • 12% Liveness
1% Instrumentalness • 28% Positiveness
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Jean-Philippe Rameau
Les Indes galantes, RCT 44, Prologue, Sc...
103 bpm • F# Maj • 04:52 • -22.81db
12% Popularity • 38% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Henry Purcell
Dido and Aeneas, Z. 626: Act III: The Wi...
102 bpm • A Maj • 01:15 • -26.46db
19% Popularity • 48% Danceability • 4% Energy • 19% Liveness
46% Instrumentalness • 47% Positiveness
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Marc-Antoine Charpentier
Charpentier : Médée, Prologue: Overtur...
92 bpm • B Maj • 02:12 • -20.25db
5% Popularity • 33% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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George Frideric Handel
The Ways of Zion Do Mourn "Funeral Anthe...
92 bpm • F# min • 06:20 • -19.53db
9% Popularity • 11% Danceability • 12% Energy • 13% Liveness
83% Instrumentalness • 5% Positiveness
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Giuseppe Torelli
Concerto No 6 in C minor - Allegro
104 bpm • B min • 01:26 • -19db
33% Popularity • 51% Danceability • 21% Energy • 13% Liveness
69% Instrumentalness • 48% Positiveness
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William Christie
Purcell : King Arthur : Act 3 "Thou doti...
103 bpm • A# Maj • 00:37 • -24.55db
13% Popularity • 54% Danceability • 4% Energy • 59% Liveness
0% Instrumentalness • 75% Positiveness
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Johann Sebastian Bach
Mass in B Minor, BWV 232: Credo. Crucifi...
104 bpm • D# min • 03:17 • -26.32db
16% Popularity • 17% Danceability • 5% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Henry Purcell
Purcell: Dido and Aeneas, Z. 626, Act I:...
103 bpm • B Maj • 01:33 • -21.4db
7% Popularity • 40% Danceability • 6% Energy • 23% Liveness
0% Instrumentalness • 42% Positiveness
► Preview
Marc-Antoine Charpentier
Charpentier : Médée, Act 1: "Que d'ép...
104 bpm • C# Maj • 01:40 • -14.09db
4% Popularity • 42% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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George Frideric Handel
My Heart Is Inditing (Coronation Anthem ...
103 bpm • G# Maj • 12:02 • -18db
10% Popularity • 28% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Antonio Vivaldi
Vivaldi: Magnificat in G Minor, RV 610: ...
104 bpm • E Maj • 02:17 • -20.52db
20% Popularity • 50% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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William Christie
Purcell : King Arthur : Act 4 "How happy...
104 bpm • F min • 07:15 • -26db
15% Popularity • 28% Danceability • 5% Energy • 18% Liveness
0% Instrumentalness • 17% Positiveness
► Preview
Jean-Baptiste Lully
Alcidiane: Ritournelle et Recit Italien
90 bpm • C# min • 02:57 • -27.85db
18% Popularity • 42% Danceability • 5% Energy • 19% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
Henry Purcell
Amphitryon, Z. 572, "The 2 Sosias": V. A...
91 bpm • F# min • 01:32 • -19db
28% Popularity • 57% Danceability • 18% Energy • 19% Liveness
90% Instrumentalness • 26% Positiveness
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Marc-Antoine Charpentier
Litanies de la Vierge, H. 83: VII. Rosa ...
90 bpm • G# Maj • 01:02 • -21db
12% Popularity • 37% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater: 4. Quae moerabat
90 bpm • D Maj • 02:24 • -22db
16% Popularity • 31% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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George Frideric Handel
Handel: Serse, HWV 40, Act 1, Scene 8: A...
103 bpm • C# min • 01:50 • -21.06db
2% Popularity • 44% Danceability • 17% Energy • 42% Liveness
0% Instrumentalness • 66% Positiveness
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Antonio Vivaldi
Dixit Dominus, RV 595: Tecum principium:...
90 bpm • G# min • 01:51 • -23.68db
31% Popularity • 30% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
► Preview
François Couperin
Couperin, F: Deuxième leçon de ténèb...
89 bpm • C# Maj • 02:35 • -24.89db
10% Popularity • 32% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Henry Purcell
Purcell: Dido and Aeneas, Z. 626, Act I:...
103 bpm • B Maj • 02:14 • -18.05db
13% Popularity • 42% Danceability • 18% Energy • 42% Liveness
0% Instrumentalness • 54% Positiveness
► Preview
Marc-Antoine Charpentier
Litanies de la Vierge, H. 83: III. Mater...
105 bpm • E Maj • 01:05 • -28.93db
9% Popularity • 17% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Giuseppe Torelli
Concerto No 2 in E minor - Adagio
89 bpm • F# Maj • 01:40 • -17db
27% Popularity • 22% Danceability • 18% Energy • 15% Liveness
57% Instrumentalness • 17% Positiveness
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George Frideric Handel
Handel: Serse, HWV 40, Act 1, Scene 12: ...
90 bpm • C# min • 04:02 • -23.28db
1% Popularity • 23% Danceability • 6% Energy • 18% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Jean-Philippe Rameau
Les Indes galantes, RCT 44, Deuxième En...
106 bpm • B min • 04:11 • -21.88db
8% Popularity • 48% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Purcell : King Arthur : Act 1 "The white horse nei...