Songs like Purcell : King Arthur : Act 5 Symphony by William Christie
Based on a tempo of (+/- 10%) and a similar genre
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François Couperin
Couperin, F: Troisième leçon de ténè...
86 bpm • C# Maj • 01:45 • -22db
11% Popularity • 26% Danceability • 4% Energy • 22% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 26% Danceability • 4% Energy • 22% Liveness
0% Instrumentalness • 4% Positiveness
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William Christie
Purcell : King Arthur : Act 5 Symphony
86 bpm • A# Maj • 01:45 • -29.68db
11% Popularity • 26% Danceability • 6% Energy • 17% Liveness
1% Instrumentalness • 29% Positiveness
11% Popularity • 26% Danceability • 6% Energy • 17% Liveness
1% Instrumentalness • 29% Positiveness
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Jean-Baptiste Lully
Le Divertissement Royal de Versailles, L...
86 bpm • C Maj • 01:54 • -15db
12% Popularity • 46% Danceability • 29% Energy • 14% Liveness
89% Instrumentalness • 24% Positiveness
12% Popularity • 46% Danceability • 29% Energy • 14% Liveness
89% Instrumentalness • 24% Positiveness
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Marc-Antoine Charpentier
Te Deum, H. 146: VII. "Aeterna fac cum s...
86 bpm • A# min • 02:22 • -20db
15% Popularity • 28% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
15% Popularity • 28% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Henry Purcell
King Arthur, Z. 628, The Final Masque: "...
86 bpm • B Maj • 02:48 • -22.3db
8% Popularity • 24% Danceability • 7% Energy • 22% Liveness
0% Instrumentalness • 18% Positiveness
8% Popularity • 24% Danceability • 7% Energy • 22% Liveness
0% Instrumentalness • 18% Positiveness
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George Frideric Handel
Handel: Serse, HWV 40, Act 3, Scene 4: R...
86 bpm • G min • 01:07 • -24.19db
1% Popularity • 44% Danceability • 10% Energy • 26% Liveness
0% Instrumentalness • 17% Positiveness
1% Popularity • 44% Danceability • 10% Energy • 26% Liveness
0% Instrumentalness • 17% Positiveness
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Dario Castello
Sonate concertate in stil moderno, Book ...
85 bpm • C# min • 04:43 • -15.76db
15% Popularity • 22% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
15% Popularity • 22% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Charles Avison
Concerto Grosso No. 3 in D Minor (after ...
87 bpm • C# min • 03:06 • -21db
16% Popularity • 43% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
16% Popularity • 43% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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François Couperin
Couperin, F: Première leçon de ténèb...
85 bpm • C# min • 02:51 • -23.54db
10% Popularity • 30% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
10% Popularity • 30% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Claudio Monteverdi
L'Orfeo, Ato primo: II. Lasciate i monti
85 bpm • G Maj • 02:37 • -19db
20% Popularity • 30% Danceability • 25% Energy • 27% Liveness
0% Instrumentalness • 47% Positiveness
20% Popularity • 30% Danceability • 25% Energy • 27% Liveness
0% Instrumentalness • 47% Positiveness
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William Christie
Purcell : King Arthur : Act 2 "Come, she...
85 bpm • F Maj • 01:38 • -21.81db
14% Popularity • 67% Danceability • 20% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
14% Popularity • 67% Danceability • 20% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
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Tomaso Albinoni
Concerto a cinque No. 6, Op. 7: II. Adag...
87 bpm • A# min • 02:10 • -17db
23% Popularity • 21% Danceability • 13% Energy • 11% Liveness
84% Instrumentalness • 13% Positiveness
23% Popularity • 21% Danceability • 13% Energy • 11% Liveness
84% Instrumentalness • 13% Positiveness
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Jean-Philippe Rameau
Les Indes galantes, RCT 44, Prologue, Sc...
85 bpm • F# Maj • 03:58 • -20db
11% Popularity • 35% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
11% Popularity • 35% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Johann Sebastian Bach
Sinfonia In D Minor From Cantata 42
85 bpm • C# Maj • 06:55 • -18.76db
19% Popularity • 37% Danceability • 21% Energy • 12% Liveness
87% Instrumentalness • 25% Positiveness
19% Popularity • 37% Danceability • 21% Energy • 12% Liveness
87% Instrumentalness • 25% Positiveness
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François Couperin
Couperin, F: Troisième leçon de ténè...
85 bpm • C# Maj • 01:54 • -27db
10% Popularity • 39% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
10% Popularity • 39% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Claudio Monteverdi
Romanesca: Ohime, dov'e il mio ben, dov'...
85 bpm • G Maj • 02:04 • -21db
21% Popularity • 16% Danceability • 5% Energy • 14% Liveness
8% Instrumentalness • 4% Positiveness
21% Popularity • 16% Danceability • 5% Energy • 14% Liveness
8% Instrumentalness • 4% Positiveness
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Marin Marais
Pièces à deux violes du Premier Livre,...
85 bpm • C# min • 04:23 • -17.06db
12% Popularity • 14% Danceability • 16% Energy • 16% Liveness
3% Instrumentalness • 9% Positiveness
12% Popularity • 14% Danceability • 16% Energy • 16% Liveness
3% Instrumentalness • 9% Positiveness
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Jean-Baptiste Lully
Le Divertissement Royal de Versailles, L...
85 bpm • C Maj • 01:41 • -14.48db
14% Popularity • 48% Danceability • 36% Energy • 8% Liveness
82% Instrumentalness • 74% Positiveness
14% Popularity • 48% Danceability • 36% Energy • 8% Liveness
82% Instrumentalness • 74% Positiveness
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Pierre Danican Philidor
Suite No. 4 in A Minor, Op. 1 No. 4 (Ver...
88 bpm • A min • 01:33 • -17.13db
8% Popularity • 63% Danceability • 18% Energy • 23% Liveness
91% Instrumentalness • 72% Positiveness
8% Popularity • 63% Danceability • 18% Energy • 23% Liveness
91% Instrumentalness • 72% Positiveness
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Élisabeth Jacquet de La Guerre
Chamber Sonata No. 4 in G Minor: I. Grav...
84 bpm • C# min • 01:23 • -14db
43% Popularity • 22% Danceability • 16% Energy • 14% Liveness
98% Instrumentalness • 6% Positiveness
43% Popularity • 22% Danceability • 16% Energy • 14% Liveness
98% Instrumentalness • 6% Positiveness
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Giovanni Battista Sammartini
Sonata for 2 Recorders and Basso Continu...
88 bpm • C# min • 02:21 • -25db
8% Popularity • 17% Danceability • 3% Energy • 12% Liveness
24% Instrumentalness • 8% Positiveness
8% Popularity • 17% Danceability • 3% Energy • 12% Liveness
24% Instrumentalness • 8% Positiveness
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Marc-Antoine Charpentier
Charpentier : Médée, Act 1: "Courez au...
88 bpm • C# Maj • 02:36 • -18.15db
5% Popularity • 31% Danceability • 19% Energy • 50% Liveness
0% Instrumentalness • 50% Positiveness
5% Popularity • 31% Danceability • 19% Energy • 50% Liveness
0% Instrumentalness • 50% Positiveness
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Marin Marais
Quatrième suite, Airs pour les matelots...
84 bpm • G# Maj • 01:33 • -19db
7% Popularity • 36% Danceability • 58% Energy • 14% Liveness
94% Instrumentalness • 37% Positiveness
7% Popularity • 36% Danceability • 58% Energy • 14% Liveness
94% Instrumentalness • 37% Positiveness
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Jean-Baptiste Lully
Le Bourgeois Gentilhomme, LWV 43: 2ème ...
84 bpm • G# Maj • 01:12 • -28.91db
20% Popularity • 64% Danceability • 3% Energy • 13% Liveness
83% Instrumentalness • 85% Positiveness
20% Popularity • 64% Danceability • 3% Energy • 13% Liveness
83% Instrumentalness • 85% Positiveness
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Marco Uccellini
Sonate, correnti et arie, Op. 4: Sonata ...
88 bpm • G# min • 03:23 • -16.91db
11% Popularity • 19% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
11% Popularity • 19% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Antonio Vivaldi
Flute Concerto in F Major, RV. 433 "La t...
84 bpm • E Maj • 01:48 • -26db
31% Popularity • 16% Danceability • 2% Energy • 9% Liveness
38% Instrumentalness • 17% Positiveness
31% Popularity • 16% Danceability • 2% Energy • 9% Liveness
38% Instrumentalness • 17% Positiveness
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Giovanni Battista Pergolesi
Pergolesi: Sinfonia a tre in F Major: I....
89 bpm • D# Maj • 01:07 • -28.4db
9% Popularity • 33% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 41% Positiveness
9% Popularity • 33% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 41% Positiveness
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François Couperin
Couperin, F: Première leçon de ténèb...
89 bpm • A Maj • 01:39 • -24.12db
11% Popularity • 31% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
11% Popularity • 31% Danceability • 3% Energy • 15% Liveness
0% Instrumentalness • 12% Positiveness
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Marc-Antoine Charpentier
Te Deum, H. 146: II. "Te Deum laudamus"
83 bpm • C# Maj • 01:04 • -19.05db
28% Popularity • 36% Danceability • 13% Energy • 16% Liveness
52% Instrumentalness • 53% Positiveness
28% Popularity • 36% Danceability • 13% Energy • 16% Liveness
52% Instrumentalness • 53% Positiveness
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Jean-Baptiste Lully
Intermedes de Xerxes: 2e Air pour les po...
88 bpm • C# Maj • 03:15 • -35.68db
16% Popularity • 11% Danceability • 0% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
16% Popularity • 11% Danceability • 0% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Marin Marais
Pièces de viole, Livre 3 - Suite No. 7 ...
89 bpm • F# Maj • 02:27 • -26db
38% Popularity • 16% Danceability • 6% Energy • 25% Liveness
47% Instrumentalness • 14% Positiveness
38% Popularity • 16% Danceability • 6% Energy • 25% Liveness
47% Instrumentalness • 14% Positiveness
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Antonio Vivaldi
Concerto "Il proteo o sia il mondo al Ro...
83 bpm • B Maj • 02:36 • -22db
7% Popularity • 15% Danceability • 10% Energy • 14% Liveness
21% Instrumentalness • 32% Positiveness
7% Popularity • 15% Danceability • 10% Energy • 14% Liveness
21% Instrumentalness • 32% Positiveness
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Giuseppe Torelli
Concerto No 5 in G minor - Presto
83 bpm • F# min • 01:00 • -17.87db
25% Popularity • 57% Danceability • 11% Energy • 15% Liveness
11% Instrumentalness • 54% Positiveness
25% Popularity • 57% Danceability • 11% Energy • 15% Liveness
11% Instrumentalness • 54% Positiveness
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Henry Purcell
Dido and Aeneas, Z. 626: Act II: Ritorne...
83 bpm • C# min • 00:59 • -30.38db
30% Popularity • 22% Danceability • 1% Energy • 12% Liveness
91% Instrumentalness • 16% Positiveness
30% Popularity • 22% Danceability • 1% Energy • 12% Liveness
91% Instrumentalness • 16% Positiveness
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François Couperin
Couperin, F: Deuxième leçon de ténèb...
89 bpm • C# Maj • 02:35 • -24.89db
9% Popularity • 32% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 32% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Jean-Baptiste Lully
Le Bourgeois Gentilhomme, LWV 43: Canari...
84 bpm • D min • 01:16 • -20db
19% Popularity • 52% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
19% Popularity • 52% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Marc-Antoine Charpentier
Charpentier : Médée, Act 1: "Qu'il le ...
83 bpm • E Maj • 02:39 • -21.83db
5% Popularity • 28% Danceability • 5% Energy • 21% Liveness
0% Instrumentalness • 14% Positiveness
5% Popularity • 28% Danceability • 5% Energy • 21% Liveness
0% Instrumentalness • 14% Positiveness
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Antonio Vivaldi
Magnificat en sol mineur, RV 610: VI. Es...
89 bpm • A Maj • 01:22 • -21.37db
20% Popularity • 38% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
20% Popularity • 38% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Giuseppe Torelli
Concerto No 2 in E minor - Adagio
89 bpm • F# Maj • 01:40 • -17db
27% Popularity • 22% Danceability • 18% Energy • 15% Liveness
57% Instrumentalness • 17% Positiveness
27% Popularity • 22% Danceability • 18% Energy • 15% Liveness
57% Instrumentalness • 17% Positiveness
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Arcangelo Corelli
Sonata in G Major, Op. 2, No. 12 (Ciacon...
83 bpm • F# Maj • 03:27 • -19.02db
8% Popularity • 18% Danceability • 14% Energy • 28% Liveness
0% Instrumentalness • 18% Positiveness
8% Popularity • 18% Danceability • 14% Energy • 28% Liveness
0% Instrumentalness • 18% Positiveness
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Girolamo Frescobaldi
Canzona seconda a canto solo "detta la B...
82 bpm • A min • 02:38 • -21db
23% Popularity • 32% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
23% Popularity • 32% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Jean-Joseph Cassanéa De Mondonville
Mondonville : In exitu Israel
82 bpm • F min • 02:48 • -21.57db
8% Popularity • 31% Danceability • 11% Energy • 21% Liveness
17% Instrumentalness • 15% Positiveness
8% Popularity • 31% Danceability • 11% Energy • 21% Liveness
17% Instrumentalness • 15% Positiveness
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Marc-Antoine Charpentier
Litanies de la Vierge, H. 83: VII. Rosa ...
90 bpm • G# Maj • 01:02 • -21db
12% Popularity • 37% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
12% Popularity • 37% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Francesco Onofrio Manfredini
Concerto Grosso in A Minor, Op. 3, No. 2...
90 bpm • A min • 01:18 • -28db
38% Popularity • 32% Danceability • 3% Energy • 13% Liveness
49% Instrumentalness • 63% Positiveness
38% Popularity • 32% Danceability • 3% Energy • 13% Liveness
49% Instrumentalness • 63% Positiveness
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Henry Purcell
Amphitryon, Z. 572, "The 2 Sosias": VIII...
82 bpm • C# min • 01:18 • -22db
45% Popularity • 56% Danceability • 9% Energy • 7% Liveness
92% Instrumentalness • 74% Positiveness
45% Popularity • 56% Danceability • 9% Energy • 7% Liveness
92% Instrumentalness • 74% Positiveness
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Jean-Philippe Rameau
Les Indes galantes, RCT 44, Troisième E...
82 bpm • C# Maj • 02:23 • -25.41db
8% Popularity • 21% Danceability • 6% Energy • 39% Liveness
0% Instrumentalness • 10% Positiveness
8% Popularity • 21% Danceability • 6% Energy • 39% Liveness
0% Instrumentalness • 10% Positiveness
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François Couperin
Couperin, F: Deuxième leçon de ténèb...
82 bpm • C# Maj • 01:41 • -24.74db
10% Popularity • 36% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
10% Popularity • 36% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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George Frideric Handel
Handel: Serse, HWV 40, Act 1, Scene 5: A...
82 bpm • F# Maj • 02:21 • -23.24db
2% Popularity • 21% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
2% Popularity • 21% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Francesco Mancini
Recorder Sonata No. 12 in G Minor: I. La...
90 bpm • F# min • 02:27 • -19db
19% Popularity • 35% Danceability • 5% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
19% Popularity • 35% Danceability • 5% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
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Jean-Baptiste Lully
Intermedes de Xerxes: Gavotte en Rondeau
91 bpm • F# Maj • 00:54 • -29.02db
17% Popularity • 60% Danceability • 3% Energy • 13% Liveness
7% Instrumentalness • 66% Positiveness
17% Popularity • 60% Danceability • 3% Energy • 13% Liveness
7% Instrumentalness • 66% Positiveness
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Cologne Chamber Orchestra
Concerto For 3 Harpsichords In C Major, ...
91 bpm • C Maj • 04:26 • -18db
35% Popularity • 34% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
35% Popularity • 34% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Johann Jakob Froberger
Partita in A Minor, FbWV 628: I. Alleman...
81 bpm • D# min • 03:19 • -25db
12% Popularity • 25% Danceability • 12% Energy • 7% Liveness
2% Instrumentalness • 37% Positiveness
12% Popularity • 25% Danceability • 12% Energy • 7% Liveness
2% Instrumentalness • 37% Positiveness
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François Couperin
Couperin, F: Première leçon de ténèb...
81 bpm • C# Maj • 03:32 • -22db
12% Popularity • 34% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
12% Popularity • 34% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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George Frideric Handel
Handel: Serse, HWV 40, Act 2, Scene 2: A...
81 bpm • D Maj • 01:26 • -25.69db
1% Popularity • 47% Danceability • 8% Energy • 26% Liveness
0% Instrumentalness • 37% Positiveness
1% Popularity • 47% Danceability • 8% Energy • 26% Liveness
0% Instrumentalness • 37% Positiveness
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Jean-Philippe Rameau
Les Indes galantes, RCT 44, Prologue, Sc...
81 bpm • C# Maj • 02:16 • -18.27db
13% Popularity • 53% Danceability • 20% Energy • 14% Liveness
2% Instrumentalness • 50% Positiveness
13% Popularity • 53% Danceability • 20% Energy • 14% Liveness
2% Instrumentalness • 50% Positiveness
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Marin Marais
Pièces à deux violes du Premier Livre,...
91 bpm • C# min • 04:09 • -23.31db
10% Popularity • 11% Danceability • 7% Energy • 10% Liveness
6% Instrumentalness • 11% Positiveness
10% Popularity • 11% Danceability • 7% Energy • 10% Liveness
6% Instrumentalness • 11% Positiveness
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Jean-Joseph Cassanéa De Mondonville
Mondonville : Dominus regnavit : II
81 bpm • C min • 02:38 • -23db
9% Popularity • 12% Danceability • 11% Energy • 11% Liveness
6% Instrumentalness • 6% Positiveness
9% Popularity • 12% Danceability • 11% Energy • 11% Liveness
6% Instrumentalness • 6% Positiveness
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William Christie
Purcell : King Arthur : Act 3 "Tis I tha...
81 bpm • A# Maj • 01:59 • -20.67db
13% Popularity • 34% Danceability • 16% Energy • 31% Liveness
0% Instrumentalness • 58% Positiveness
13% Popularity • 34% Danceability • 16% Energy • 31% Liveness
0% Instrumentalness • 58% Positiveness
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Marc-Antoine Charpentier
Charpentier : Médée, Prologue: Overtur...
92 bpm • B Maj • 02:12 • -20.25db
5% Popularity • 33% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
5% Popularity • 33% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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George Frideric Handel
Handel: Serse, HWV 40, Act 1, Scene 4: A...
81 bpm • F min • 02:21 • -22.37db
2% Popularity • 37% Danceability • 7% Energy • 18% Liveness
0% Instrumentalness • 17% Positiveness
2% Popularity • 37% Danceability • 7% Energy • 18% Liveness
0% Instrumentalness • 17% Positiveness
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Le Concert Des Nations
Premier Concert: Gavotte - Notes Égales...
81 bpm • F min • 01:31 • -22db
14% Popularity • 40% Danceability • 20% Energy • 20% Liveness
99% Instrumentalness • 94% Positiveness
14% Popularity • 40% Danceability • 20% Energy • 20% Liveness
99% Instrumentalness • 94% Positiveness
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Alessandro Scarlatti
Sinfonia to Il Giardino di Amore: II. La...
80 bpm • B min • 00:59 • -36.49db
43% Popularity • 14% Danceability • 0% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
43% Popularity • 14% Danceability • 0% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Jean-Baptiste Lully
Alcidiane: Chaconne des Maures
80 bpm • A Maj • 03:12 • -28db
18% Popularity • 25% Danceability • 2% Energy • 29% Liveness
48% Instrumentalness • 23% Positiveness
18% Popularity • 25% Danceability • 2% Energy • 29% Liveness
48% Instrumentalness • 23% Positiveness
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Marin Marais
Quatrième suite, Airs pour les matelots...
80 bpm • A min • 02:01 • -26db
8% Popularity • 17% Danceability • 6% Energy • 11% Liveness
57% Instrumentalness • 7% Positiveness
8% Popularity • 17% Danceability • 6% Energy • 11% Liveness
57% Instrumentalness • 7% Positiveness
► Preview
Marc-Antoine Charpentier
Charpentier : Médée, Act 4: Phantômes...
92 bpm • C# min • 03:02 • -33.54db
2% Popularity • 17% Danceability • 1% Energy • 38% Liveness
17% Instrumentalness • 8% Positiveness
2% Popularity • 17% Danceability • 1% Energy • 38% Liveness
17% Instrumentalness • 8% Positiveness
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George Frideric Handel
Handel: Serse, HWV 40, Act 1, Scene 11: ...
92 bpm • E Maj • 06:28 • -20.92db
1% Popularity • 32% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
1% Popularity • 32% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
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Jean-Philippe Rameau
Les Indes galantes, RCT 44, Nouvelle Ent...
92 bpm • F# min • 03:41 • -25.33db
5% Popularity • 36% Danceability • 4% Energy • 38% Liveness
0% Instrumentalness • 29% Positiveness
5% Popularity • 36% Danceability • 4% Energy • 38% Liveness
0% Instrumentalness • 29% Positiveness
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Biagio Marini
Per ogni sorte di strumenti musicale, Op...
80 bpm • G min • 05:47 • -20db
12% Popularity • 9% Danceability • 7% Energy • 13% Liveness
57% Instrumentalness • 5% Positiveness
12% Popularity • 9% Danceability • 7% Energy • 13% Liveness
57% Instrumentalness • 5% Positiveness
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Jean-Baptiste Lully
Le Divertissement Royal de Versailles, L...
92 bpm • C Maj • 01:25 • -16.24db
15% Popularity • 61% Danceability • 34% Energy • 8% Liveness
3% Instrumentalness • 79% Positiveness
15% Popularity • 61% Danceability • 34% Energy • 8% Liveness
3% Instrumentalness • 79% Positiveness
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Jordi Savall
Première Suite: Prélude
80 bpm • F Maj • 04:26 • -24.84db
39% Popularity • 20% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
39% Popularity • 20% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
François Couperin
Couperin, F: Deuxième leçon de ténèb...
80 bpm • C# min • 02:31 • -24db
9% Popularity • 24% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
9% Popularity • 24% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
George Frideric Handel
Handel: Serse, HWV 40, Act 2, Scene 3: A...
81 bpm • E Maj • 01:09 • -25.66db
1% Popularity • 33% Danceability • 10% Energy • 17% Liveness
0% Instrumentalness • 18% Positiveness
1% Popularity • 33% Danceability • 10% Energy • 17% Liveness
0% Instrumentalness • 18% Positiveness
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Jean-Philippe Rameau
Les Indes galantes, RCT 44, Première En...
80 bpm • C# Maj • 03:16 • -24.61db
9% Popularity • 37% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
9% Popularity • 37% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Antonio Vivaldi
Scarlatti, A: Concerto grosso in sette p...
80 bpm • E min • 01:47 • -16db
16% Popularity • 48% Danceability • 33% Energy • 21% Liveness
90% Instrumentalness • 46% Positiveness
16% Popularity • 48% Danceability • 33% Energy • 21% Liveness
90% Instrumentalness • 46% Positiveness
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William Boyce
Symphony No. 5 in D Major, Op. 2, "St. C...
93 bpm • C# Maj • 01:45 • -19.96db
40% Popularity • 53% Danceability • 15% Energy • 8% Liveness
96% Instrumentalness • 65% Positiveness
40% Popularity • 53% Danceability • 15% Energy • 8% Liveness
96% Instrumentalness • 65% Positiveness
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Heinrich Ignaz Franz von Biber
Mystery (Rosary) Sonata No. 3, "The Nati...
80 bpm • A# min • 01:56 • -18.97db
15% Popularity • 23% Danceability • 4% Energy • 12% Liveness
41% Instrumentalness • 8% Positiveness
15% Popularity • 23% Danceability • 4% Energy • 12% Liveness
41% Instrumentalness • 8% Positiveness
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Philidor le Cadet
Marche de Timbales, H. 547
80 bpm • A Maj • 01:22 • -28.17db
16% Popularity • 38% Danceability • 18% Energy • 11% Liveness
92% Instrumentalness • 16% Positiveness
16% Popularity • 38% Danceability • 18% Energy • 11% Liveness
92% Instrumentalness • 16% Positiveness
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George Frideric Handel
Handel: Serse, HWV 40, Act 1, Scene 7: A...
80 bpm • G# Maj • 03:01 • -28.12db
2% Popularity • 18% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
2% Popularity • 18% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Arcangelo Corelli
Concerto grosso No. 7 in D Major, Op. 6:...
80 bpm • C# Maj • 01:45 • -13.51db
26% Popularity • 46% Danceability • 21% Energy • 29% Liveness
4% Instrumentalness • 88% Positiveness
26% Popularity • 46% Danceability • 21% Energy • 29% Liveness
4% Instrumentalness • 88% Positiveness
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William Christie
Purcell : King Arthur : Act 1 "I call yo...
79 bpm • D# Maj • 02:05 • -20.01db
16% Popularity • 53% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
16% Popularity • 53% Danceability • 17% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Jean-Baptiste Lully
Les plaisirs: 2e Entree
79 bpm • B min • 01:17 • -26db
19% Popularity • 52% Danceability • 6% Energy • 12% Liveness
5% Instrumentalness • 37% Positiveness
19% Popularity • 52% Danceability • 6% Energy • 12% Liveness
5% Instrumentalness • 37% Positiveness
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Henry Purcell
Purcell: Dido and Aeneas, Z. 626, Act 3:...
93 bpm • A Maj • 02:23 • -19.63db
5% Popularity • 44% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
5% Popularity • 44% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Marc-Antoine Charpentier
Assumpta Est Maria, H. 11: IX. Domine sa...
93 bpm • C# min • 01:10 • -14.46db
9% Popularity • 33% Danceability • 27% Energy • 12% Liveness
3% Instrumentalness • 54% Positiveness
9% Popularity • 33% Danceability • 27% Energy • 12% Liveness
3% Instrumentalness • 54% Positiveness
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Joseph Haydn
Symphony No. 86 in D Major, Hob. I:86: S...
79 bpm • A Maj • 06:53 • -15.41db
2% Popularity • 52% Danceability • 32% Energy • 66% Liveness
67% Instrumentalness • 24% Positiveness
2% Popularity • 52% Danceability • 32% Energy • 66% Liveness
67% Instrumentalness • 24% Positiveness
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George Frideric Handel
Handel: Serse, HWV 40, Act 3, Scene 2: R...
80 bpm • G# Maj • 01:26 • -26.05db
1% Popularity • 47% Danceability • 9% Energy • 22% Liveness
0% Instrumentalness • 23% Positiveness
1% Popularity • 47% Danceability • 9% Energy • 22% Liveness
0% Instrumentalness • 23% Positiveness
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William Christie
Purcell : King Arthur : Act 2 "Let not a...
94 bpm • G Maj • 01:53 • -24.82db
14% Popularity • 48% Danceability • 12% Energy • 29% Liveness
0% Instrumentalness • 63% Positiveness
14% Popularity • 48% Danceability • 12% Energy • 29% Liveness
0% Instrumentalness • 63% Positiveness
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Claudio Monteverdi
Parlo, miser, o taccio?
79 bpm • F Maj • 05:47 • -20db
10% Popularity • 17% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 17% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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François Couperin
Couperin, F: 4 versets du motet: I. Tabe...
79 bpm • C# Maj • 01:20 • -28db
11% Popularity • 28% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
11% Popularity • 28% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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William Lawes
Lawes: Consort Set No. 2 for 5 Viols in ...
79 bpm • A min • 02:45 • -24db
16% Popularity • 25% Danceability • 10% Energy • 10% Liveness
41% Instrumentalness • 29% Positiveness
16% Popularity • 25% Danceability • 10% Energy • 10% Liveness
41% Instrumentalness • 29% Positiveness
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Joseph Haydn
Symphony No. 85 in B-Flat Major, Hob. I:...
79 bpm • A# Maj • 04:31 • -20.83db
4% Popularity • 28% Danceability • 5% Energy • 40% Liveness
34% Instrumentalness • 15% Positiveness
4% Popularity • 28% Danceability • 5% Energy • 40% Liveness
34% Instrumentalness • 15% Positiveness
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George Frideric Handel
Handel: Serse, HWV 40, Act 2, Scene 12: ...
79 bpm • F# min • 01:39 • -22.96db
1% Popularity • 24% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
1% Popularity • 24% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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William Christie
Purcell : King Arthur : Act 2 "Shepherd,...
94 bpm • F min • 01:54 • -27db
28% Popularity • 56% Danceability • 6% Energy • 64% Liveness
0% Instrumentalness • 64% Positiveness
28% Popularity • 56% Danceability • 6% Energy • 64% Liveness
0% Instrumentalness • 64% Positiveness
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Tomaso Albinoni
Sonata a 5 in G Minor, Op. 2, No. 6: III...
94 bpm • G min • 01:09 • -23.91db
49% Popularity • 24% Danceability • 4% Energy • 15% Liveness
2% Instrumentalness • 21% Positiveness
49% Popularity • 24% Danceability • 4% Energy • 15% Liveness
2% Instrumentalness • 21% Positiveness
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Claudio Monteverdi
Sinfonia a Cinque
79 bpm • G Maj • 02:55 • -23db
13% Popularity • 30% Danceability • 8% Energy • 11% Liveness
4% Instrumentalness • 27% Positiveness
13% Popularity • 30% Danceability • 8% Energy • 11% Liveness
4% Instrumentalness • 27% Positiveness
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Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75, Ad genua: ...
94 bpm • F min • 01:15 • -25.85db
29% Popularity • 38% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 11% Positiveness
29% Popularity • 38% Danceability • 2% Energy • 10% Liveness
74% Instrumentalness • 11% Positiveness
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Marc-Antoine Charpentier
Litanies de la Vierge, H. 83: IV. Virgo ...
79 bpm • C# min • 01:06 • -21.39db
10% Popularity • 19% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
10% Popularity • 19% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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François Couperin
Couperin, F: Troisième leçon de ténè...
79 bpm • C# Maj • 01:44 • -26db
12% Popularity • 25% Danceability • 1% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
12% Popularity • 25% Danceability • 1% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
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Andrea Falconieri
Folias echa para mi Señora Doña Taroli...
78 bpm • B Maj • 03:25 • -15.79db
10% Popularity • 30% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
10% Popularity • 30% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness