Songs like Purcell : King Arthur : Overture to Act 1 by William Christie
Based on a tempo of (+/- 10%) and a similar genre
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Jean-François Dandrieu
Sonate en Sol Mineur, Op. 1 No. 3: IV. G...
140 bpm • F# min • 01:13 • -13db
25% Popularity • 48% Danceability • 47% Energy • 13% Liveness
4% Instrumentalness • 61% Positiveness
25% Popularity • 48% Danceability • 47% Energy • 13% Liveness
4% Instrumentalness • 61% Positiveness
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Jean-Baptiste Lully
Intermedes de Xerxes: Bourre pour les Ba...
140 bpm • F# Maj • 01:04 • -24db
48% Popularity • 52% Danceability • 12% Energy • 11% Liveness
85% Instrumentalness • 34% Positiveness
48% Popularity • 52% Danceability • 12% Energy • 11% Liveness
85% Instrumentalness • 34% Positiveness
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William Christie
Purcell : King Arthur : Overture to Act ...
140 bpm • C min • 01:53 • -23db
32% Popularity • 45% Danceability • 15% Energy • 59% Liveness
18% Instrumentalness • 67% Positiveness
32% Popularity • 45% Danceability • 15% Energy • 59% Liveness
18% Instrumentalness • 67% Positiveness
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Giovanni Battista Sammartini
Sonata for 2 Recorders and Basso Continu...
140 bpm • C# min • 01:35 • -25.49db
31% Popularity • 42% Danceability • 4% Energy • 16% Liveness
88% Instrumentalness • 52% Positiveness
31% Popularity • 42% Danceability • 4% Energy • 16% Liveness
88% Instrumentalness • 52% Positiveness
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Christophe Rousset
Polifemo: Alto giove (Air d'Acio) - Inst...
141 bpm • D# min • 04:28 • -25db
34% Popularity • 14% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
34% Popularity • 14% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Tafelmusik Baroque Orchestra
Antonio Vivaldi: Concerto For 2 Violins ...
141 bpm • G# min • 03:19 • -21.85db
32% Popularity • 40% Danceability • 18% Energy • 14% Liveness
20% Instrumentalness • 42% Positiveness
32% Popularity • 40% Danceability • 18% Energy • 14% Liveness
20% Instrumentalness • 42% Positiveness
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Evaristo Felice Dall'Abaco
Concerto à più instrumenti in D Major,...
139 bpm • C# Maj • 03:56 • -15db
14% Popularity • 44% Danceability • 36% Energy • 11% Liveness
27% Instrumentalness • 52% Positiveness
14% Popularity • 44% Danceability • 36% Energy • 11% Liveness
27% Instrumentalness • 52% Positiveness
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Jean-Baptiste Lully
Phaéton Opera in 5 acts with prologue: ...
140 bpm • F# Maj • 04:22 • -15db
15% Popularity • 20% Danceability • 14% Energy • 21% Liveness
81% Instrumentalness • 14% Positiveness
15% Popularity • 20% Danceability • 14% Energy • 21% Liveness
81% Instrumentalness • 14% Positiveness
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Luigi Boccherini
Guitar Quintet No. 6 in D Major, G. 448:...
139 bpm • A Maj • 06:27 • -21db
17% Popularity • 39% Danceability • 6% Energy • 10% Liveness
84% Instrumentalness • 30% Positiveness
17% Popularity • 39% Danceability • 6% Energy • 10% Liveness
84% Instrumentalness • 30% Positiveness
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Jean-Marie Leclair
Concerto 1 in D Minor, Op. 7: III. Vivac...
142 bpm • C# min • 04:10 • -15db
13% Popularity • 43% Danceability • 22% Energy • 8% Liveness
4% Instrumentalness • 53% Positiveness
13% Popularity • 43% Danceability • 22% Energy • 8% Liveness
4% Instrumentalness • 53% Positiveness
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Antonio Vivaldi
Violin Concerto in E-Flat Major, RV 257:...
138 bpm • A Maj • 03:10 • -14.6db
37% Popularity • 46% Danceability • 33% Energy • 22% Liveness
56% Instrumentalness • 71% Positiveness
37% Popularity • 46% Danceability • 33% Energy • 22% Liveness
56% Instrumentalness • 71% Positiveness
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George Frideric Handel
Water Music, Suite No. 1, HWV 348: I. Ov...
138 bpm • E Maj • 03:12 • -21.04db
38% Popularity • 34% Danceability • 18% Energy • 10% Liveness
69% Instrumentalness • 56% Positiveness
38% Popularity • 34% Danceability • 18% Energy • 10% Liveness
69% Instrumentalness • 56% Positiveness
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Johann Adolf Hasse
Cleofide: Act II Scene 8: Aria: Se trova...
138 bpm • F# Maj • 03:22 • -17.93db
7% Popularity • 52% Danceability • 20% Energy • 11% Liveness
12% Instrumentalness • 69% Positiveness
7% Popularity • 52% Danceability • 20% Energy • 11% Liveness
12% Instrumentalness • 69% Positiveness
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Jean-Baptiste Lully
Idylle sur la paix: Air pour Madame la D...
139 bpm • G# min • 02:06 • -15.31db
30% Popularity • 56% Danceability • 30% Energy • 14% Liveness
97% Instrumentalness • 45% Positiveness
30% Popularity • 56% Danceability • 30% Energy • 14% Liveness
97% Instrumentalness • 45% Positiveness
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Franz Ignaz Beck
Symphony in C Major, Op. 1, No. 6, (Call...
143 bpm • G Maj • 02:05 • -19db
28% Popularity • 52% Danceability • 22% Energy • 10% Liveness
75% Instrumentalness • 49% Positiveness
28% Popularity • 52% Danceability • 22% Energy • 10% Liveness
75% Instrumentalness • 49% Positiveness
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Johann Joachim Quantz
Flute Concerto in A Minor, QV 5:238: I. ...
143 bpm • G min • 08:10 • -19db
30% Popularity • 36% Danceability • 15% Energy • 10% Liveness
7% Instrumentalness • 38% Positiveness
30% Popularity • 36% Danceability • 15% Energy • 10% Liveness
7% Instrumentalness • 38% Positiveness
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Jean-Philippe Rameau
Zaïs, Ouverture
137 bpm • C Maj • 05:31 • -14.8db
17% Popularity • 41% Danceability • 42% Energy • 8% Liveness
48% Instrumentalness • 12% Positiveness
17% Popularity • 41% Danceability • 42% Energy • 8% Liveness
48% Instrumentalness • 12% Positiveness
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William Christie
Purcell : King Arthur : Act 5 "Saint Geo...
137 bpm • A# Maj • 02:05 • -22.53db
13% Popularity • 43% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
13% Popularity • 43% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Johann Adolf Hasse
Cleofide: Act II Scene 4: Aria: Generoso...
143 bpm • G# Maj • 03:39 • -19.7db
14% Popularity • 52% Danceability • 21% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
14% Popularity • 52% Danceability • 21% Energy • 6% Liveness
0% Instrumentalness • 67% Positiveness
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Jean-Baptiste Lully
Les plaisirs: Sarabande
144 bpm • F# min • 02:11 • -34db
40% Popularity • 14% Danceability • 1% Energy • 8% Liveness
2% Instrumentalness • 8% Positiveness
40% Popularity • 14% Danceability • 1% Energy • 8% Liveness
2% Instrumentalness • 8% Positiveness
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Arcangelo Corelli
12 Trio Sonatas, Op. 3, Trio Sonata No. ...
136 bpm • F Maj • 02:03 • -17.95db
25% Popularity • 46% Danceability • 15% Energy • 65% Liveness
0% Instrumentalness • 59% Positiveness
25% Popularity • 46% Danceability • 15% Energy • 65% Liveness
0% Instrumentalness • 59% Positiveness
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Jordi Savall
Battalia À 10: Sonata (Biber)
144 bpm • C# Maj • 01:44 • -17.42db
21% Popularity • 50% Danceability • 28% Energy • 12% Liveness
86% Instrumentalness • 52% Positiveness
21% Popularity • 50% Danceability • 28% Energy • 12% Liveness
86% Instrumentalness • 52% Positiveness
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Francesco Geminiani
Concerto Grosso in E Minor, Op. 3, No. 3...
144 bpm • E min • 03:24 • -15db
34% Popularity • 53% Danceability • 29% Energy • 12% Liveness
66% Instrumentalness • 68% Positiveness
34% Popularity • 53% Danceability • 29% Energy • 12% Liveness
66% Instrumentalness • 68% Positiveness
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Antonio Vivaldi
Concerto for 2 Mandolins, Strings and Co...
144 bpm • C# Maj • 03:50 • -21db
52% Popularity • 55% Danceability • 21% Energy • 9% Liveness
22% Instrumentalness • 79% Positiveness
52% Popularity • 55% Danceability • 21% Energy • 9% Liveness
22% Instrumentalness • 79% Positiveness
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François Couperin
Couperin, F: Second Livre de pièces de ...
145 bpm • A Maj • 03:19 • -29db
25% Popularity • 22% Danceability • 12% Energy • 10% Liveness
97% Instrumentalness • 47% Positiveness
25% Popularity • 22% Danceability • 12% Energy • 10% Liveness
97% Instrumentalness • 47% Positiveness
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Johann Heinrich Schmelzer
Ciaccona in A Major
135 bpm • G# Maj • 09:02 • -17db
13% Popularity • 25% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
13% Popularity • 25% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Alessandro Scarlatti
Concerto Grosso No. 3 in F Major: III. A...
135 bpm • F Maj • 01:39 • -15db
36% Popularity • 59% Danceability • 24% Energy • 8% Liveness
56% Instrumentalness • 68% Positiveness
36% Popularity • 59% Danceability • 24% Energy • 8% Liveness
56% Instrumentalness • 68% Positiveness
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Tomaso Albinoni
Oboe Concerto in D Minor, Op. 9, No. 2: ...
145 bpm • D min • 04:33 • -17db
35% Popularity • 41% Danceability • 16% Energy • 12% Liveness
82% Instrumentalness • 43% Positiveness
35% Popularity • 41% Danceability • 16% Energy • 12% Liveness
82% Instrumentalness • 43% Positiveness
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Marco Uccellini
Sonate, arie et correnti, Op. 3: No. 5, ...
135 bpm • C# Maj • 03:58 • -18.86db
13% Popularity • 40% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
13% Popularity • 40% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Christophe Rousset
Artaserse: Ouverture
134 bpm • C# Maj • 06:02 • -24db
25% Popularity • 41% Danceability • 6% Energy • 8% Liveness
64% Instrumentalness • 42% Positiveness
25% Popularity • 41% Danceability • 6% Energy • 8% Liveness
64% Instrumentalness • 42% Positiveness
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François Couperin
Le Tic-Toc-Choc, ou Les Maillotins: 18è...
145 bpm • C Maj • 02:18 • -20db
32% Popularity • 35% Danceability • 28% Energy • 12% Liveness
89% Instrumentalness • 72% Positiveness
32% Popularity • 35% Danceability • 28% Energy • 12% Liveness
89% Instrumentalness • 72% Positiveness
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George Frideric Handel
Rinaldo, HWV 7b: Act I: Overture
134 bpm • E Maj • 05:30 • -27db
31% Popularity • 33% Danceability • 9% Energy • 54% Liveness
92% Instrumentalness • 30% Positiveness
31% Popularity • 33% Danceability • 9% Energy • 54% Liveness
92% Instrumentalness • 30% Positiveness
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Antonio Vivaldi
In furore iustissimae irae, RV 626: I. A...
134 bpm • B min • 04:29 • -18.72db
25% Popularity • 48% Danceability • 24% Energy • 31% Liveness
3% Instrumentalness • 53% Positiveness
25% Popularity • 48% Danceability • 24% Energy • 31% Liveness
3% Instrumentalness • 53% Positiveness
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Claudio Monteverdi
Monteverdi: L'Orfeo, SV 318: Toccata
146 bpm • D Maj • 01:27 • -18.12db
30% Popularity • 39% Danceability • 21% Energy • 16% Liveness
1% Instrumentalness • 42% Positiveness
30% Popularity • 39% Danceability • 21% Energy • 16% Liveness
1% Instrumentalness • 42% Positiveness
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Johann Joachim Quantz
Flute Concerto in D Minor, QV 5:81: II. ...
134 bpm • D# Maj • 05:49 • -22.31db
39% Popularity • 24% Danceability • 4% Energy • 16% Liveness
22% Instrumentalness • 35% Positiveness
39% Popularity • 24% Danceability • 4% Energy • 16% Liveness
22% Instrumentalness • 35% Positiveness
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Jean-Philippe Rameau
Les Indes galantes, RCT 44, Prologue Sc�...
134 bpm • E Maj • 02:12 • -24.64db
15% Popularity • 34% Danceability • 5% Energy • 33% Liveness
5% Instrumentalness • 47% Positiveness
15% Popularity • 34% Danceability • 5% Energy • 33% Liveness
5% Instrumentalness • 47% Positiveness
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Luigi Boccherini
Quintetto No. 4 in Re Maggiore "Fandango...
147 bpm • A Maj • 06:12 • -23db
15% Popularity • 35% Danceability • 7% Energy • 9% Liveness
21% Instrumentalness • 30% Positiveness
15% Popularity • 35% Danceability • 7% Energy • 9% Liveness
21% Instrumentalness • 30% Positiveness
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George Frideric Handel
Dixit Dominus, HWV 232: Dominus a dextri...
146 bpm • C# min • 03:07 • -17db
15% Popularity • 32% Danceability • 23% Energy • 38% Liveness
1% Instrumentalness • 43% Positiveness
15% Popularity • 32% Danceability • 23% Energy • 38% Liveness
1% Instrumentalness • 43% Positiveness
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William Christie
Purcell : King Arthur : Act 1 "Woden, fi...
134 bpm • D# Maj • 03:23 • -23.02db
16% Popularity • 31% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
16% Popularity • 31% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Heinrich Ignaz Franz von Biber
Mystery (Rosary) Sonata No. 1, "The Annu...
134 bpm • C# min • 02:28 • -21.36db
27% Popularity • 34% Danceability • 8% Energy • 11% Liveness
39% Instrumentalness • 3% Positiveness
27% Popularity • 34% Danceability • 8% Energy • 11% Liveness
39% Instrumentalness • 3% Positiveness
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Antonio Vivaldi
Concerto in G Major "La Tempesta Di Mare...
134 bpm • E Maj • 02:16 • -20.56db
25% Popularity • 50% Danceability • 28% Energy • 40% Liveness
64% Instrumentalness • 60% Positiveness
25% Popularity • 50% Danceability • 28% Energy • 40% Liveness
64% Instrumentalness • 60% Positiveness
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Johann Sebastian Bach
Bach, JS: Brandenburg Concerto No. 1 in ...
133 bpm • C# min • 03:44 • -21db
37% Popularity • 16% Danceability • 9% Energy • 8% Liveness
31% Instrumentalness • 4% Positiveness
37% Popularity • 16% Danceability • 9% Energy • 8% Liveness
31% Instrumentalness • 4% Positiveness
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Johann David Heinichen
Concerto in F Major, Seibel 234: I. Viva...
133 bpm • E Maj • 02:32 • -22.89db
25% Popularity • 44% Danceability • 17% Energy • 35% Liveness
88% Instrumentalness • 63% Positiveness
25% Popularity • 44% Danceability • 17% Energy • 35% Liveness
88% Instrumentalness • 63% Positiveness
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George Frideric Handel
Handel: Serse, HWV 40: Overture
134 bpm • A Maj • 04:48 • -19.83db
4% Popularity • 44% Danceability • 15% Energy • 33% Liveness
78% Instrumentalness • 80% Positiveness
4% Popularity • 44% Danceability • 15% Energy • 33% Liveness
78% Instrumentalness • 80% Positiveness
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Le Concert Des Nations
Premier Concert: Menuet En Trio (Couperi...
147 bpm • F min • 02:12 • -18db
18% Popularity • 30% Danceability • 24% Energy • 25% Liveness
69% Instrumentalness • 67% Positiveness
18% Popularity • 30% Danceability • 24% Energy • 25% Liveness
69% Instrumentalness • 67% Positiveness
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Jean-Baptiste Lully
Te Deum Motet à deux choeurs
147 bpm • B Maj • 02:17 • -11.13db
29% Popularity • 36% Danceability • 31% Energy • 13% Liveness
14% Instrumentalness • 74% Positiveness
29% Popularity • 36% Danceability • 31% Energy • 13% Liveness
14% Instrumentalness • 74% Positiveness
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Carl Friedrich Abel
Sonata for violoncello and basso continu...
147 bpm • F# Maj • 01:58 • -18db
24% Popularity • 33% Danceability • 16% Energy • 13% Liveness
28% Instrumentalness • 66% Positiveness
24% Popularity • 33% Danceability • 16% Energy • 13% Liveness
28% Instrumentalness • 66% Positiveness
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Antonio Vivaldi
Concerto for 2 Violins, Strings and Cont...
133 bpm • C# Maj • 03:05 • -17.24db
16% Popularity • 52% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
16% Popularity • 52% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Claudio Monteverdi
Monteverdi: L'Orfeo, favola in musica, S...
133 bpm • D# Maj • 01:39 • -15.08db
17% Popularity • 42% Danceability • 27% Energy • 12% Liveness
51% Instrumentalness • 15% Positiveness
17% Popularity • 42% Danceability • 27% Energy • 12% Liveness
51% Instrumentalness • 15% Positiveness
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Arcangelo Corelli
Concerto Grosso in D Major, Op. 6 No. 4:...
133 bpm • C# Maj • 02:54 • -18.11db
41% Popularity • 56% Danceability • 26% Energy • 18% Liveness
9% Instrumentalness • 71% Positiveness
41% Popularity • 56% Danceability • 26% Energy • 18% Liveness
9% Instrumentalness • 71% Positiveness
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François Couperin
Pièces de Clavecin, Livre II, 6e ordre:...
133 bpm • F Maj • 02:27 • -19db
21% Popularity • 41% Danceability • 31% Energy • 12% Liveness
93% Instrumentalness • 93% Positiveness
21% Popularity • 41% Danceability • 31% Energy • 12% Liveness
93% Instrumentalness • 93% Positiveness
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Carl Philipp Emanuel Bach
Keyboard Concerto in D Minor, Wq. 23, H....
133 bpm • D min • 08:14 • -20.49db
15% Popularity • 41% Danceability • 18% Energy • 13% Liveness
84% Instrumentalness • 33% Positiveness
15% Popularity • 41% Danceability • 18% Energy • 13% Liveness
84% Instrumentalness • 33% Positiveness
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Christophe Rousset
Artaserse: Se al labbro mio non credi - ...
133 bpm • E min • 05:00 • -32db
24% Popularity • 21% Danceability • 1% Energy • 14% Liveness
22% Instrumentalness • 20% Positiveness
24% Popularity • 21% Danceability • 1% Energy • 14% Liveness
22% Instrumentalness • 20% Positiveness
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Giuseppe Valentini
Concerti grossi a quatro e sei strumenti...
132 bpm • C# min • 03:20 • -17db
29% Popularity • 34% Danceability • 29% Energy • 8% Liveness
85% Instrumentalness • 31% Positiveness
29% Popularity • 34% Danceability • 29% Energy • 8% Liveness
85% Instrumentalness • 31% Positiveness
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Dietrich Buxtehude
Gott hilf mir, denn das Wasser geht mir ...
148 bpm • C min • 01:46 • -28db
36% Popularity • 13% Danceability • 3% Energy • 18% Liveness
88% Instrumentalness • 4% Positiveness
36% Popularity • 13% Danceability • 3% Energy • 18% Liveness
88% Instrumentalness • 4% Positiveness
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Jean-Baptiste Lully
Lully : Psyché : "Chantons les plaisirs...
132 bpm • C Maj • 01:47 • -13.68db
9% Popularity • 28% Danceability • 34% Energy • 38% Liveness
0% Instrumentalness • 53% Positiveness
9% Popularity • 28% Danceability • 34% Energy • 38% Liveness
0% Instrumentalness • 53% Positiveness
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George Frideric Handel
Water Music, Suite No. 2, HWV 349: No. 1...
132 bpm • C# Maj • 03:43 • -16.46db
40% Popularity • 52% Danceability • 24% Energy • 10% Liveness
27% Instrumentalness • 69% Positiveness
40% Popularity • 52% Danceability • 24% Energy • 10% Liveness
27% Instrumentalness • 69% Positiveness
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Antonio Vivaldi
Orlando Finto Pazzo, Opera in 3 acts, RV...
132 bpm • G Maj • 02:01 • -18.32db
24% Popularity • 34% Danceability • 19% Energy • 19% Liveness
65% Instrumentalness • 29% Positiveness
24% Popularity • 34% Danceability • 19% Energy • 19% Liveness
65% Instrumentalness • 29% Positiveness
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Charles Avison
Concerto Grosso No. 5 in D Minor (after ...
132 bpm • C# min • 01:47 • -19db
18% Popularity • 47% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
18% Popularity • 47% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Joseph Haydn
The Seven Last Words of Christ, Hob.XX:2...
132 bpm • C min • 08:21 • -26db
28% Popularity • 24% Danceability • 2% Energy • 6% Liveness
20% Instrumentalness • 7% Positiveness
28% Popularity • 24% Danceability • 2% Energy • 6% Liveness
20% Instrumentalness • 7% Positiveness
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Johann Sebastian Bach
St. John Passion, BWV 245: Part II: Chor...
132 bpm • B min • 07:55 • -23.27db
27% Popularity • 20% Danceability • 11% Energy • 16% Liveness
80% Instrumentalness • 8% Positiveness
27% Popularity • 20% Danceability • 11% Energy • 16% Liveness
80% Instrumentalness • 8% Positiveness
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Girolamo Frescobaldi
Il primo libro delle canzoni: Toccata (2...
149 bpm • G min • 02:01 • -32.84db
22% Popularity • 20% Danceability • 4% Energy • 9% Liveness
86% Instrumentalness • 8% Positiveness
22% Popularity • 20% Danceability • 4% Energy • 9% Liveness
86% Instrumentalness • 8% Positiveness
► Preview
Jean-Philippe Rameau
Pieces de clavecin: Suite in E Minor: II...
132 bpm • D# min • 01:29 • -22db
44% Popularity • 24% Danceability • 20% Energy • 12% Liveness
4% Instrumentalness • 69% Positiveness
44% Popularity • 24% Danceability • 20% Energy • 12% Liveness
4% Instrumentalness • 69% Positiveness
► Preview
Christoph Willibald Gluck
Danza Degli Spettri e Delle Furie: Alleg...
149 bpm • A Maj • 04:06 • -15db
12% Popularity • 31% Danceability • 45% Energy • 8% Liveness
94% Instrumentalness • 30% Positiveness
12% Popularity • 31% Danceability • 45% Energy • 8% Liveness
94% Instrumentalness • 30% Positiveness
► Preview
Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75, Ad pedes: ...
131 bpm • F min • 01:08 • -15db
29% Popularity • 27% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
29% Popularity • 27% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
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Joseph Haydn
Haydn: The Creation, Hob. XXI:2, Pt. 1: ...
131 bpm • C min • 05:23 • -27.36db
5% Popularity • 16% Danceability • 1% Energy • 11% Liveness
24% Instrumentalness • 3% Positiveness
5% Popularity • 16% Danceability • 1% Energy • 11% Liveness
24% Instrumentalness • 3% Positiveness
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Frederick the Great
Sinfonia in G Major: I. Allegro
131 bpm • D Maj • 02:28 • -25.03db
22% Popularity • 54% Danceability • 14% Energy • 10% Liveness
92% Instrumentalness • 46% Positiveness
22% Popularity • 54% Danceability • 14% Energy • 10% Liveness
92% Instrumentalness • 46% Positiveness
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William Boyce
Symphony No. 5 in D Major: 1. Allegro ma...
131 bpm • C# Maj • 04:06 • -15.92db
25% Popularity • 46% Danceability • 21% Energy • 8% Liveness
63% Instrumentalness • 40% Positiveness
25% Popularity • 46% Danceability • 21% Energy • 8% Liveness
63% Instrumentalness • 40% Positiveness
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Marc-Antoine Charpentier
Assumpta Est Maria, H. 11: I. Simphonie
131 bpm • C# min • 01:54 • -37db
12% Popularity • 16% Danceability • 0% Energy • 10% Liveness
17% Instrumentalness • 4% Positiveness
12% Popularity • 16% Danceability • 0% Energy • 10% Liveness
17% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
Vespro della Beata Vergine, SV 206: I. D...
131 bpm • D# Maj • 02:12 • -14db
25% Popularity • 22% Danceability • 17% Energy • 6% Liveness
39% Instrumentalness • 8% Positiveness
25% Popularity • 22% Danceability • 17% Energy • 6% Liveness
39% Instrumentalness • 8% Positiveness
► Preview
Louis Couperin
Suite in A Minor: III. Courante La Migno...
131 bpm • G# min • 01:34 • -20db
30% Popularity • 31% Danceability • 17% Energy • 8% Liveness
7% Instrumentalness • 51% Positiveness
30% Popularity • 31% Danceability • 17% Energy • 8% Liveness
7% Instrumentalness • 51% Positiveness
► Preview
Arcangelo Corelli
Concerto Grosso In D Major, Op. 6, No. 4...
130 bpm • D Maj • 03:18 • -16.11db
36% Popularity • 52% Danceability • 34% Energy • 47% Liveness
57% Instrumentalness • 47% Positiveness
36% Popularity • 52% Danceability • 34% Energy • 47% Liveness
57% Instrumentalness • 47% Positiveness
► Preview
Domenico Scarlatti
Sonata in E Major, Kk. 20: Presto
130 bpm • E Maj • 03:31 • -28db
31% Popularity • 58% Danceability • 5% Energy • 11% Liveness
86% Instrumentalness • 35% Positiveness
31% Popularity • 58% Danceability • 5% Energy • 11% Liveness
86% Instrumentalness • 35% Positiveness
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Giovanni Battista Sammartini
Recorder Concerto in F Major: I. Allegro
131 bpm • E Maj • 03:50 • -13db
19% Popularity • 37% Danceability • 23% Energy • 33% Liveness
50% Instrumentalness • 44% Positiveness
19% Popularity • 37% Danceability • 23% Energy • 33% Liveness
50% Instrumentalness • 44% Positiveness
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Jean-Baptiste Lully
Alcidiane: Petite Chaconne
150 bpm • B Maj • 01:32 • -31db
39% Popularity • 27% Danceability • 3% Energy • 18% Liveness
94% Instrumentalness • 29% Positiveness
39% Popularity • 27% Danceability • 3% Energy • 18% Liveness
94% Instrumentalness • 29% Positiveness
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Antonio Vivaldi
Oboe Concerto in C Major, RV 452: II. Ad...
130 bpm • A min • 02:03 • -18db
50% Popularity • 29% Danceability • 12% Energy • 9% Liveness
93% Instrumentalness • 15% Positiveness
50% Popularity • 29% Danceability • 12% Energy • 9% Liveness
93% Instrumentalness • 15% Positiveness
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George Frideric Handel
Water Music, Suite No. 1, HWV 348: III. ...
151 bpm • E Maj • 02:08 • -17.98db
37% Popularity • 36% Danceability • 39% Energy • 41% Liveness
90% Instrumentalness • 78% Positiveness
37% Popularity • 36% Danceability • 39% Energy • 41% Liveness
90% Instrumentalness • 78% Positiveness
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Claudio Monteverdi
L'Orfeo: Toccata
129 bpm • F# min • 01:40 • -15.03db
27% Popularity • 36% Danceability • 30% Energy • 32% Liveness
7% Instrumentalness • 36% Positiveness
27% Popularity • 36% Danceability • 30% Energy • 32% Liveness
7% Instrumentalness • 36% Positiveness
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Francesco Geminiani
Concerto grosso, Op. 3 (revised), No. 6 ...
129 bpm • D# min • 02:29 • -20.16db
32% Popularity • 38% Danceability • 10% Energy • 10% Liveness
14% Instrumentalness • 37% Positiveness
32% Popularity • 38% Danceability • 10% Energy • 10% Liveness
14% Instrumentalness • 37% Positiveness
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Marc-Antoine Charpentier
Actéon, H. 481, Scene I: Allons, marcho...
152 bpm • C# Maj • 01:59 • -19.47db
10% Popularity • 46% Danceability • 37% Energy • 12% Liveness
15% Instrumentalness • 78% Positiveness
10% Popularity • 46% Danceability • 37% Energy • 12% Liveness
15% Instrumentalness • 78% Positiveness
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Jean-Baptiste Lully
Phaeton: Acte II, Chaconne
130 bpm • F Maj • 07:05 • -14db
8% Popularity • 36% Danceability • 16% Energy • 55% Liveness
0% Instrumentalness • 27% Positiveness
8% Popularity • 36% Danceability • 16% Energy • 55% Liveness
0% Instrumentalness • 27% Positiveness
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Antonio Vivaldi
Concerto con 2 violini e viola da gamba,...
130 bpm • B Maj • 01:19 • -16.15db
16% Popularity • 52% Danceability • 28% Energy • 15% Liveness
28% Instrumentalness • 31% Positiveness
16% Popularity • 52% Danceability • 28% Energy • 15% Liveness
28% Instrumentalness • 31% Positiveness
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George Frideric Handel
Water Music, Suite No. 1, HWV 348: IV. A...
152 bpm • E Maj • 04:30 • -19.44db
31% Popularity • 25% Danceability • 20% Energy • 14% Liveness
92% Instrumentalness • 28% Positiveness
31% Popularity • 25% Danceability • 20% Energy • 14% Liveness
92% Instrumentalness • 28% Positiveness
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Alfred Deller
If Music Be The Food Of Love
129 bpm • D min • 02:38 • -22.62db
24% Popularity • 35% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
24% Popularity • 35% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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Marin Marais
Alcyone Suite: Marche en rondeau
129 bpm • C# min • 01:37 • -16db
26% Popularity • 41% Danceability • 19% Energy • 8% Liveness
84% Instrumentalness • 36% Positiveness
26% Popularity • 41% Danceability • 19% Energy • 8% Liveness
84% Instrumentalness • 36% Positiveness
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Luigi Boccherini
Quintetto No. 4 in Re Maggiore "Fandango...
128 bpm • A Maj • 04:22 • -30.4db
17% Popularity • 25% Danceability • 3% Energy • 28% Liveness
6% Instrumentalness • 10% Positiveness
17% Popularity • 25% Danceability • 3% Energy • 28% Liveness
6% Instrumentalness • 10% Positiveness
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Arcangelo Corelli
Flute Sonata in E Minor, Op. 5, No. 8: I...
128 bpm • D min • 01:52 • -19db
38% Popularity • 59% Danceability • 18% Energy • 15% Liveness
98% Instrumentalness • 82% Positiveness
38% Popularity • 59% Danceability • 18% Energy • 15% Liveness
98% Instrumentalness • 82% Positiveness
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Antonio Vivaldi
Oboe Concerto in D Minor, Op. 8, No. 9, ...
129 bpm • D min • 02:52 • -18db
48% Popularity • 38% Danceability • 13% Energy • 85% Liveness
76% Instrumentalness • 47% Positiveness
48% Popularity • 38% Danceability • 13% Energy • 85% Liveness
76% Instrumentalness • 47% Positiveness
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George Frideric Handel
Handel: Acis and Galatea, HWV 49, Act 1:...
128 bpm • A Maj • 03:15 • -24.62db
5% Popularity • 46% Danceability • 20% Energy • 14% Liveness
92% Instrumentalness • 70% Positiveness
5% Popularity • 46% Danceability • 20% Energy • 14% Liveness
92% Instrumentalness • 70% Positiveness
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Jean-Baptiste Lully
Phaeton, Prologue - Le retour de l'Âge ...
128 bpm • A# Maj • 03:22 • -12.11db
26% Popularity • 40% Danceability • 34% Energy • 34% Liveness
1% Instrumentalness • 37% Positiveness
26% Popularity • 40% Danceability • 34% Energy • 34% Liveness
1% Instrumentalness • 37% Positiveness
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Claudio Monteverdi
Monteverdi: Madrigals, Book 8: Ballo, SV...
127 bpm • A min • 03:06 • -18.62db
21% Popularity • 37% Danceability • 13% Energy • 11% Liveness
9% Instrumentalness • 36% Positiveness
21% Popularity • 37% Danceability • 13% Energy • 11% Liveness
9% Instrumentalness • 36% Positiveness
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William Christie
Purcell : King Arthur : Act 5 "Fairest I...
127 bpm • G# Maj • 04:45 • -24.41db
14% Popularity • 26% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
14% Popularity • 26% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Arcangelo Corelli
Concerto Grosso in D Major, Op. 6 No. 4:...
127 bpm • A# min • 02:08 • -24.47db
22% Popularity • 21% Danceability • 4% Energy • 14% Liveness
69% Instrumentalness • 7% Positiveness
22% Popularity • 21% Danceability • 4% Energy • 14% Liveness
69% Instrumentalness • 7% Positiveness
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Antonio Vivaldi
Vivaldi - Concerto in D Major "Grosso Mo...
126 bpm • C# Maj • 05:40 • -18db
42% Popularity • 42% Danceability • 18% Energy • 34% Liveness
18% Instrumentalness • 48% Positiveness
42% Popularity • 42% Danceability • 18% Energy • 34% Liveness
18% Instrumentalness • 48% Positiveness
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George Frideric Handel
Rinaldo, HWV 7b: Act III Scene 11: Batta...
127 bpm • C# Maj • 01:35 • -18.85db
33% Popularity • 42% Danceability • 35% Energy • 11% Liveness
96% Instrumentalness • 44% Positiveness
33% Popularity • 42% Danceability • 35% Energy • 11% Liveness
96% Instrumentalness • 44% Positiveness
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Jean-Baptiste Lully
Lully: Isis, LWV 54, Act 4: Prélude. "L...
154 bpm • F Maj • 04:07 • -18.58db
7% Popularity • 42% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
7% Popularity • 42% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
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Christophe Rousset
Rinaldo, HWV 7a: Ouverture
126 bpm • C# min • 03:54 • -25db
27% Popularity • 48% Danceability • 11% Energy • 11% Liveness
45% Instrumentalness • 54% Positiveness
27% Popularity • 48% Danceability • 11% Energy • 11% Liveness
45% Instrumentalness • 54% Positiveness
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Domenico Cimarosa
Concerto in C Minor: I. Introduzione - L...
126 bpm • C min • 03:10 • -19db
19% Popularity • 24% Danceability • 8% Energy • 24% Liveness
90% Instrumentalness • 16% Positiveness
19% Popularity • 24% Danceability • 8% Energy • 24% Liveness
90% Instrumentalness • 16% Positiveness
