Songs like Pure Bliss by Adam Turley
Based on a tempo of (+/- 10%) and a similar genre
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Adam Turley
Rewind - Layte Remix
145 bpm • G Maj • 03:36 • -6.82db
30% Popularity • 60% Danceability • 48% Energy • 38% Liveness
0% Instrumentalness • 32% Positiveness
30% Popularity • 60% Danceability • 48% Energy • 38% Liveness
0% Instrumentalness • 32% Positiveness
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Axel Mansoor
Cold Sweat
145 bpm • C Maj • 02:31 • -9.77db
41% Popularity • 73% Danceability • 34% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
41% Popularity • 73% Danceability • 34% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
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Heather Sommer
the need to feel
145 bpm • D Maj • 02:21 • -5.64db
44% Popularity • 68% Danceability • 70% Energy • 23% Liveness
0% Instrumentalness • 54% Positiveness
44% Popularity • 68% Danceability • 70% Energy • 23% Liveness
0% Instrumentalness • 54% Positiveness
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vaultboy
you're my moon
145 bpm • B Maj • 03:02 • -8.58db
56% Popularity • 56% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
56% Popularity • 56% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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19&YOU
HEAD/HEART
144 bpm • G Maj • 02:49 • -6.49db
21% Popularity • 58% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
21% Popularity • 58% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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raph
Whole World
144 bpm • G Maj • 03:36 • -6.66db
41% Popularity • 55% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
41% Popularity • 55% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Adam Turley
Pure Bliss
145 bpm • B Maj • 02:35 • -8db
30% Popularity • 78% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
30% Popularity • 78% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Mindme
I'm Never Coming Down
144 bpm • G# min • 03:08 • -8db
27% Popularity • 48% Danceability • 55% Energy • 45% Liveness
0% Instrumentalness • 41% Positiveness
27% Popularity • 48% Danceability • 55% Energy • 45% Liveness
0% Instrumentalness • 41% Positiveness
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Mykyl
HOW TO LIVE
146 bpm • C# Maj • 03:49 • -5.83db
30% Popularity • 56% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
30% Popularity • 56% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Beren Olivia
Hurt Again
144 bpm • A min • 03:00 • -7.72db
33% Popularity • 68% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
33% Popularity • 68% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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demotapes
Afterlife
144 bpm • C# Maj • 02:01 • -6db
38% Popularity • 64% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
38% Popularity • 64% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Ethan Dufault
Casualties
144 bpm • D# Maj • 03:42 • -10.39db
47% Popularity • 65% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
47% Popularity • 65% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Adam Turley
Rewind
146 bpm • G Maj • 03:32 • -7db
22% Popularity • 56% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
22% Popularity • 56% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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overtide
Alright
147 bpm • D# Maj • 02:12 • -7.25db
17% Popularity • 66% Danceability • 55% Energy • 55% Liveness
13% Instrumentalness • 58% Positiveness
17% Popularity • 66% Danceability • 55% Energy • 55% Liveness
13% Instrumentalness • 58% Positiveness
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Heather Sommer
RED LIGHT
143 bpm • C# Maj • 02:56 • -6.18db
20% Popularity • 62% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
20% Popularity • 62% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Ralph Alvern
Over the Phone
143 bpm • D# min • 04:16 • -7.98db
29% Popularity • 76% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
29% Popularity • 76% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Travis Garland
Psycho x Mine
143 bpm • E Maj • 03:43 • -5.97db
26% Popularity • 70% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
26% Popularity • 70% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Cassette Tapes
Messed Up
148 bpm • G Maj • 02:42 • -9db
30% Popularity • 80% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
30% Popularity • 80% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Adam Turley
I See You
145 bpm • D Maj • 03:00 • -8db
35% Popularity • 65% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
35% Popularity • 65% Danceability • 52% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
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YAØ
Moonlight
148 bpm • F# Maj • 03:06 • -13.69db
39% Popularity • 62% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
39% Popularity • 62% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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David Alexander
Dancing Alone
148 bpm • G# Maj • 03:19 • -6.65db
37% Popularity • 62% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
37% Popularity • 62% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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Matt Hall
gut feelings
148 bpm • G# Maj • 02:51 • -4.14db
29% Popularity • 57% Danceability • 77% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
29% Popularity • 57% Danceability • 77% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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Finn Matthews
Low Key
148 bpm • A Maj • 02:25 • -10.44db
29% Popularity • 69% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
29% Popularity • 69% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Chris James
Thrill of the Chase
148 bpm • B Maj • 02:18 • -4.6db
41% Popularity • 71% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
41% Popularity • 71% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
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Adam Turley
Rewind - Late Night Version
146 bpm • E Maj • 03:23 • -7db
23% Popularity • 63% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
23% Popularity • 63% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Rauly
This Is Love
148 bpm • E Maj • 02:37 • -5db
30% Popularity • 72% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
30% Popularity • 72% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Kevin Chung
Out of Luck
142 bpm • C Maj • 02:30 • -7.53db
53% Popularity • 65% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
53% Popularity • 65% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Sam MacPherson
Perfect Conditions
142 bpm • G Maj • 02:51 • -8.46db
33% Popularity • 70% Danceability • 38% Energy • 50% Liveness
0% Instrumentalness • 60% Positiveness
33% Popularity • 70% Danceability • 38% Energy • 50% Liveness
0% Instrumentalness • 60% Positiveness
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Jane & The Boy
Strike
142 bpm • B min • 02:18 • -6.78db
34% Popularity • 70% Danceability • 52% Energy • 34% Liveness
0% Instrumentalness • 68% Positiveness
34% Popularity • 70% Danceability • 52% Energy • 34% Liveness
0% Instrumentalness • 68% Positiveness
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Chris James
The Cool Kid
142 bpm • C# Maj • 02:33 • -5.84db
50% Popularity • 82% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
50% Popularity • 82% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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CaRter
everything's changed
149 bpm • A Maj • 03:00 • -7.92db
31% Popularity • 79% Danceability • 52% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
31% Popularity • 79% Danceability • 52% Energy • 30% Liveness
0% Instrumentalness • 55% Positiveness
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Adam Turley
Not Like You
146 bpm • A Maj • 02:18 • -6.71db
48% Popularity • 67% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
48% Popularity • 67% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
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Jaylon Ashaun
Stargirl - Acoustic
140 bpm • D Maj • 01:25 • -4.8db
48% Popularity • 57% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
48% Popularity • 57% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Beren Olivia
Read My Mind
150 bpm • D Maj • 02:58 • -9.2db
42% Popularity • 53% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
42% Popularity • 53% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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PACIFICA
palm trees
150 bpm • D# Maj • 02:35 • -8.1db
29% Popularity • 64% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
29% Popularity • 64% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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overtide
2Face
150 bpm • D Maj • 02:40 • -7.76db
32% Popularity • 71% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
32% Popularity • 71% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Mykyl
Never Say No
150 bpm • D Maj • 02:42 • -8.27db
38% Popularity • 70% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
38% Popularity • 70% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Adam Turley
Hear You Calling
144 bpm • G# Maj • 03:16 • -6.33db
20% Popularity • 70% Danceability • 74% Energy • 31% Liveness
0% Instrumentalness • 74% Positiveness
20% Popularity • 70% Danceability • 74% Energy • 31% Liveness
0% Instrumentalness • 74% Positiveness
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Homeground Studios
Falling with You
150 bpm • B Maj • 02:38 • -9.93db
32% Popularity • 71% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
32% Popularity • 71% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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good gasoline
Stay Young
150 bpm • F Maj • 02:44 • -7db
24% Popularity • 59% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
24% Popularity • 59% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Max Reichert
Shaking
150 bpm • F Maj • 03:56 • -9.91db
28% Popularity • 56% Danceability • 69% Energy • 24% Liveness
0% Instrumentalness • 18% Positiveness
28% Popularity • 56% Danceability • 69% Energy • 24% Liveness
0% Instrumentalness • 18% Positiveness
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KAZE
Deposit
150 bpm • E Maj • 02:14 • -5.73db
27% Popularity • 75% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
27% Popularity • 75% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Talitha.
dontyouseeme
150 bpm • C# Maj • 02:45 • -12.97db
27% Popularity • 70% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
27% Popularity • 70% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
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Adam Turley
17
147 bpm • C Maj • 02:55 • -6.71db
26% Popularity • 61% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
26% Popularity • 61% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
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Mac Hunt
Haircut
140 bpm • E Maj • 02:58 • -8.16db
23% Popularity • 63% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
23% Popularity • 63% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Kyden
Make It Up to You
140 bpm • B min • 02:59 • -8.23db
31% Popularity • 68% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
31% Popularity • 68% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Loote
85%
140 bpm • G Maj • 02:54 • -7.59db
54% Popularity • 57% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
54% Popularity • 57% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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Kevin Chung
More Than I Know
140 bpm • G Maj • 02:57 • -5.74db
37% Popularity • 65% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
37% Popularity • 65% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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PARRIS MITCHELL
bad place
140 bpm • B Maj • 03:22 • -8.99db
16% Popularity • 75% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
16% Popularity • 75% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Adam Turley
I Like That
140 bpm • G# Maj • 02:29 • -8.51db
45% Popularity • 72% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
45% Popularity • 72% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Jordan James
Slow Dancin' in the Streets
140 bpm • B Maj • 03:01 • -10.03db
18% Popularity • 67% Danceability • 47% Energy • 34% Liveness
0% Instrumentalness • 34% Positiveness
18% Popularity • 67% Danceability • 47% Energy • 34% Liveness
0% Instrumentalness • 34% Positiveness
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Zach Sorgen
Nirvana
140 bpm • C# min • 02:49 • -8db
36% Popularity • 70% Danceability • 46% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
36% Popularity • 70% Danceability • 46% Energy • 11% Liveness
1% Instrumentalness • 24% Positiveness
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Joseph Tilley
Together
151 bpm • A Maj • 02:29 • -5.09db
46% Popularity • 64% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
46% Popularity • 64% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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nobody likes you pat
tired of going to bed
151 bpm • D# Maj • 03:00 • -5.51db
15% Popularity • 64% Danceability • 55% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
15% Popularity • 64% Danceability • 55% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
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TY:DEL
so in love (tonight)
151 bpm • A Maj • 02:28 • -9.25db
51% Popularity • 78% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
51% Popularity • 78% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Adam Turley
Heartless (Stripped)
140 bpm • A# Maj • 03:10 • -8db
5% Popularity • 51% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
5% Popularity • 51% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Heather Sommer
it's a part of human nature
152 bpm • B Maj • 02:24 • -9.87db
37% Popularity • 50% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
37% Popularity • 50% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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YAØ
Hate Comments
152 bpm • F# Maj • 02:37 • -6.85db
34% Popularity • 66% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
34% Popularity • 66% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Cody Lovaas
Make More Sense
138 bpm • A# Maj • 02:53 • -5.83db
30% Popularity • 79% Danceability • 67% Energy • 26% Liveness
0% Instrumentalness • 73% Positiveness
30% Popularity • 79% Danceability • 67% Energy • 26% Liveness
0% Instrumentalness • 73% Positiveness
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Kevin Chung
where do we go from here
138 bpm • B Maj • 03:03 • -6.92db
29% Popularity • 62% Danceability • 80% Energy • 29% Liveness
0% Instrumentalness • 50% Positiveness
29% Popularity • 62% Danceability • 80% Energy • 29% Liveness
0% Instrumentalness • 50% Positiveness
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Fiji Blue
Up Down
153 bpm • C Maj • 03:10 • -8.03db
44% Popularity • 65% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
44% Popularity • 65% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Adam Turley
say something
140 bpm • G Maj • 02:47 • -8.03db
29% Popularity • 46% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
29% Popularity • 46% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 6% Positiveness
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Mykyl
invisible
137 bpm • B Maj • 01:07 • -10.43db
49% Popularity • 42% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
49% Popularity • 42% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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Heather Sommer
you heard me
137 bpm • F# min • 02:58 • -7.01db
52% Popularity • 66% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
52% Popularity • 66% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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AJ Mitchell
Lovers On The Moon
137 bpm • C min • 02:58 • -5db
50% Popularity • 82% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
50% Popularity • 82% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Kevin Chung
Sentimental Time
138 bpm • E Maj • 02:44 • -6.54db
36% Popularity • 67% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
36% Popularity • 67% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Yueku
Catch Me If You Can
154 bpm • A Maj • 03:09 • -8db
23% Popularity • 51% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 39% Positiveness
23% Popularity • 51% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 39% Positiveness
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Adam Turley
Heartless
151 bpm • C Maj • 03:23 • -7.11db
16% Popularity • 53% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
16% Popularity • 53% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
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vaultboy
rocket science
136 bpm • A# Maj • 02:32 • -8.01db
66% Popularity • 74% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
66% Popularity • 74% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Zach Paradis
HOW YOU WANTED
136 bpm • F# min • 02:18 • -7.05db
35% Popularity • 64% Danceability • 62% Energy • 30% Liveness
0% Instrumentalness • 66% Positiveness
35% Popularity • 64% Danceability • 62% Energy • 30% Liveness
0% Instrumentalness • 66% Positiveness
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OKAY! KENJI
THESE DAYS
136 bpm • A# Maj • 03:07 • -6db
36% Popularity • 88% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
36% Popularity • 88% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Lightboys
Castaway
136 bpm • B Maj • 02:58 • -9db
33% Popularity • 71% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
33% Popularity • 71% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Mykyl
So Long to Sanity
155 bpm • F# Maj • 02:44 • -6.46db
32% Popularity • 55% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
32% Popularity • 55% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 70% Positiveness
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Adam Turley
When The Lights Go Out
139 bpm • F Maj • 03:23 • -5.76db
8% Popularity • 68% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
8% Popularity • 68% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
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Space Primates
Someone
135 bpm • C# min • 03:23 • -5.42db
30% Popularity • 69% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
30% Popularity • 69% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Rumour
Stay Away
135 bpm • D# Maj • 02:54 • -9.94db
32% Popularity • 72% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
32% Popularity • 72% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Noah Andres
Over Now
135 bpm • C Maj • 03:01 • -8.82db
9% Popularity • 65% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
9% Popularity • 65% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Jack Price
i'm too sentimental
156 bpm • D Maj • 03:03 • -4.08db
18% Popularity • 34% Danceability • 73% Energy • 48% Liveness
0% Instrumentalness • 33% Positiveness
18% Popularity • 34% Danceability • 73% Energy • 48% Liveness
0% Instrumentalness • 33% Positiveness
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Jonny Glenn
Don't Wanna Let You Down
156 bpm • F# Maj • 02:46 • -6.84db
27% Popularity • 65% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
27% Popularity • 65% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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Adam Turley
Circles
152 bpm • D Maj • 02:35 • -9.53db
19% Popularity • 74% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
19% Popularity • 74% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Mykyl
Glad We Didn't Meet
156 bpm • F# Maj • 02:50 • -6.71db
34% Popularity • 58% Danceability • 63% Energy • 25% Liveness
0% Instrumentalness • 45% Positiveness
34% Popularity • 58% Danceability • 63% Energy • 25% Liveness
0% Instrumentalness • 45% Positiveness
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Mason Murphy
Whiteboard
135 bpm • B min • 02:41 • -7.95db
30% Popularity • 62% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
30% Popularity • 62% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Noah Andres
5pm
135 bpm • D Maj • 03:58 • -11.27db
10% Popularity • 59% Danceability • 40% Energy • 5% Liveness
0% Instrumentalness • 24% Positiveness
10% Popularity • 59% Danceability • 40% Energy • 5% Liveness
0% Instrumentalness • 24% Positiveness
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Neptune
hell or high water
157 bpm • B Maj • 03:03 • -8.73db
24% Popularity • 55% Danceability • 50% Energy • 10% Liveness
17% Instrumentalness • 35% Positiveness
24% Popularity • 55% Danceability • 50% Energy • 10% Liveness
17% Instrumentalness • 35% Positiveness
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Loote
she's all yours
158 bpm • F# Maj • 02:41 • -6db
50% Popularity • 57% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
50% Popularity • 57% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Adam Turley
Be Right Back
137 bpm • A Maj • 03:38 • -5.73db
17% Popularity • 67% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
17% Popularity • 67% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Mykyl
HONEST WITH MYSELF
134 bpm • G# Maj • 03:21 • -8.18db
21% Popularity • 60% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
21% Popularity • 60% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Chris James
29
134 bpm • E Maj • 02:18 • -5.13db
55% Popularity • 78% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
55% Popularity • 78% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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Noah Andres
Run Right Back
135 bpm • D Maj • 02:45 • -8.87db
13% Popularity • 66% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
13% Popularity • 66% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Heather Sommer
talking in my sleep
158 bpm • G# Maj • 02:34 • -5.38db
45% Popularity • 69% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
45% Popularity • 69% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Cody Lovaas
Me, Myself
132 bpm • F# Maj • 03:23 • -6db
34% Popularity • 81% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
34% Popularity • 81% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Adam Turley
Bipolar Heart
155 bpm • F Maj • 03:14 • -6.22db
37% Popularity • 64% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
37% Popularity • 64% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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ehren
I WANT YOU
132 bpm • D Maj • 03:18 • -6.03db
35% Popularity • 67% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
35% Popularity • 67% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Michael J Woodard
hope full
132 bpm • C# Maj • 03:08 • -3.68db
31% Popularity • 65% Danceability • 73% Energy • 21% Liveness
0% Instrumentalness • 59% Positiveness
31% Popularity • 65% Danceability • 73% Energy • 21% Liveness
0% Instrumentalness • 59% Positiveness
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Sam MacPherson
Crash Course
132 bpm • C# Maj • 02:01 • -6db
58% Popularity • 68% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
58% Popularity • 68% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
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Beren Olivia
History
132 bpm • F Maj • 03:22 • -6.75db
34% Popularity • 68% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
34% Popularity • 68% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Golds
Fragile
159 bpm • A Maj • 03:12 • -6.99db
31% Popularity • 38% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
31% Popularity • 38% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Adam Turley
Gemini
155 bpm • B Maj • 03:26 • -6.52db
19% Popularity • 62% Danceability • 70% Energy • 38% Liveness
0% Instrumentalness • 50% Positiveness
19% Popularity • 62% Danceability • 70% Energy • 38% Liveness
0% Instrumentalness • 50% Positiveness
