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Pure Imagination
Songs like
Pure Imagination
by
Douglas Hodge
Based on a tempo of (+/- 10%) and a similar genre
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Jack Costello
A Letter From Charlie Bucket
73 bpm • E Maj • 03:32 • -14.97db
23% Popularity • 55% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Stephen Schwartz
No One Mourns The Wicked
73 bpm • F# min • 06:40 • -7.6db
41% Popularity • 26% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Jerry Herman
Finale
74 bpm • A min • 03:28 • -10.2db
13% Popularity • 30% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
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Janet Dacal
Finding Wonderland
73 bpm • A Maj • 03:35 • -12.56db
27% Popularity • 26% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Original London Cast
Bring On Tomorrow
74 bpm • F Maj • 04:44 • -13db
23% Popularity • 25% Danceability • 36% Energy • 49% Liveness
0% Instrumentalness • 32% Positiveness
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Original London Cast Of The Wind In The Willows
Spring
72 bpm • E min • 04:14 • -7.95db
18% Popularity • 22% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 18% Positiveness
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Douglas Hodge
Pure Imagination
73 bpm • C# Maj • 03:37 • -13.58db
33% Popularity • 31% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
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Mike Faist
Jet Song
72 bpm • F Maj • 02:11 • -13db
41% Popularity • 76% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
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Julia Deakin
Where Is Love?
71 bpm • C Maj • 03:35 • -23.78db
28% Popularity • 13% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
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Aileen Quinn
Sandy
71 bpm • A Maj • 02:02 • -19db
36% Popularity • 36% Danceability • 10% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
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Heather Headley
Can You Feel The Love Tonight
71 bpm • F# Maj • 04:59 • -13db
40% Popularity • 19% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Josh Gad
You and Me (But Mostly Me)
75 bpm • C Maj • 02:43 • -7.95db
51% Popularity • 48% Danceability • 51% Energy • 4% Liveness
0% Instrumentalness • 50% Positiveness
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Douglas Hodge
It Must Be Believed To Be Seen (Reprise)
74 bpm • B Maj • 02:06 • -14.31db
25% Popularity • 39% Danceability • 14% Energy • 37% Liveness
0% Instrumentalness • 8% Positiveness
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Julie Andrews
I Have Confidence
75 bpm • D# Maj • 03:28 • -13.87db
45% Popularity • 44% Danceability • 23% Energy • 32% Liveness
0% Instrumentalness • 41% Positiveness
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Original London Cast Of The Wind In The Willows
A Friend is Still a Friend
76 bpm • G Maj • 03:19 • -7.33db
14% Popularity • 39% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
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Jerry Herman
The Best of Times
76 bpm • A min • 06:53 • -10.11db
20% Popularity • 33% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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Max Casella
Hakuna Matata
76 bpm • C Maj • 03:13 • -10.46db
40% Popularity • 59% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Sherie Rene Scott as Ursula
Poor Unfortunate Souls
76 bpm • F min • 05:20 • -16.07db
38% Popularity • 46% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Sutton Foster
This Is How A Dream Comes True
76 bpm • D min • 03:11 • -10db
37% Popularity • 43% Danceability • 37% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
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Russell Crowe
Stars
70 bpm • C# Maj • 02:45 • -15.86db
45% Popularity • 26% Danceability • 12% Energy • 47% Liveness
0% Instrumentalness • 23% Positiveness
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Patti Murin
Colder by the Minute
76 bpm • G# Maj • 04:01 • -7.87db
35% Popularity • 29% Danceability • 45% Energy • 36% Liveness
0% Instrumentalness • 21% Positiveness
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Lynn Ahrens
All For You - Original Broadway Cast Rec...
69 bpm • F Maj • 03:37 • -13.12db
31% Popularity • 59% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Adam Jacobs
A Million Miles Away
77 bpm • D Maj • 03:21 • -9.05db
36% Popularity • 46% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 19% Positiveness
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Women of the Palace
My Strongest Suit
77 bpm • C# Maj • 05:16 • -6.44db
37% Popularity • 47% Danceability • 55% Energy • 28% Liveness
0% Instrumentalness • 47% Positiveness
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Emma Hunton
Just One Day
77 bpm • G Maj • 04:30 • -4.95db
32% Popularity • 58% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Sierra Boggess as Ariel
The World Above
77 bpm • F# Maj • 01:34 • -22.22db
35% Popularity • 28% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Jeremy Jordan
I Never Planned On You / Don't Come A-Kn...
77 bpm • G# Maj • 01:40 • -13.64db
44% Popularity • 34% Danceability • 17% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
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Anne Hathaway
The Docks (Lovely Ladies)
78 bpm • D min • 04:03 • -16.35db
40% Popularity • 68% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Aaron Tveit
Jet Set
78 bpm • A# Maj • 03:36 • -5.69db
35% Popularity • 47% Danceability • 60% Energy • 24% Liveness
0% Instrumentalness • 82% Positiveness
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Emily Blunt
It Takes Two
78 bpm • A Maj • 02:29 • -15.85db
40% Popularity • 57% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Ramin Karimloo
Still / The Neva Flows (Reprise)
68 bpm • A# Maj • 02:22 • -9.71db
42% Popularity • 49% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Mel Brooks
The King of Broadway
78 bpm • C# Maj • 05:09 • -11.4db
10% Popularity • 47% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Aileen Quinn
Tomorrow (White House Version)
78 bpm • C# Maj • 02:24 • -16.08db
33% Popularity • 45% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Anthony Newley
Pure Imagination
78 bpm • C# Maj • 04:29 • -13.28db
8% Popularity • 16% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
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Sean Palmer as Prince Eric
Finale
68 bpm • C# Maj • 02:33 • -15db
29% Popularity • 21% Danceability • 23% Energy • 40% Liveness
16% Instrumentalness • 18% Positiveness
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Original Broadway Cast Of Matilda The Musical
When I Grow Up
78 bpm • F Maj • 03:38 • -11.23db
40% Popularity • 48% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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Gregory Bradley
Who Will Buy?
79 bpm • C min • 04:30 • -19.47db
29% Popularity • 27% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Les Misérables Cast
Epilogue
79 bpm • E Maj • 08:24 • -20.45db
38% Popularity • 27% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Aileen Quinn
Maybe
78 bpm • C min • 02:00 • -22.06db
40% Popularity • 28% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Jeremy Jordan
Shiksa Goddess
79 bpm • D Maj • 04:05 • -7.05db
38% Popularity • 48% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
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Barbra Streisand
Don't Rain On My Parade
79 bpm • A# Maj • 02:44 • -7.71db
36% Popularity • 50% Danceability • 40% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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Merwin Foard as Pilot
Fathoms Below
79 bpm • D Maj • 02:34 • -16db
33% Popularity • 45% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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Nikki Blonsky
Welcome To The 60's
79 bpm • D min • 05:12 • -5.26db
49% Popularity • 59% Danceability • 80% Energy • 75% Liveness
0% Instrumentalness • 68% Positiveness
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Original Broadway Cast of Frozen
Finale / Let It Go
68 bpm • G Maj • 02:31 • -8.41db
35% Popularity • 20% Danceability • 26% Energy • 5% Liveness
0% Instrumentalness • 7% Positiveness
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Evadne Baker
Maria
67 bpm • A Maj • 03:19 • -14db
47% Popularity • 47% Danceability • 23% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
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John Bolton
Paris Holds the Key (To Your Heart)
80 bpm • D Maj • 03:07 • -9.63db
43% Popularity • 46% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Original Cast of Billy Elliot
Electricity
80 bpm • D min • 05:53 • -10.9db
41% Popularity • 40% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 7% Positiveness
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James Monroe Iglehart
Arabian Nights
67 bpm • F# Maj • 06:16 • -9db
38% Popularity • 39% Danceability • 36% Energy • 57% Liveness
0% Instrumentalness • 49% Positiveness
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Terrence Mann
War Is a Science
80 bpm • G Maj • 03:14 • -8.99db
33% Popularity • 50% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
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Sheila Hancock
Here Within These Walls
80 bpm • G# Maj • 04:04 • -9.25db
28% Popularity • 38% Danceability • 29% Energy • 6% Liveness
0% Instrumentalness • 32% Positiveness
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Roz Ryan
The Gospel Truth II
81 bpm • C# min • 00:59 • -14.24db
49% Popularity • 37% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Derek Klena
Everything to Win
80 bpm • F Maj • 02:47 • -12db
39% Popularity • 33% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Sherie Rene Scott as Ursula
I Want the Good Times Back
82 bpm • G Maj • 04:57 • -14.85db
34% Popularity • 49% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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You're a Good Man, Charlie Brown Ensemble (1999)
The Book Report
81 bpm • D# Maj • 05:10 • -13db
28% Popularity • 50% Danceability • 32% Energy • 51% Liveness
0% Instrumentalness • 54% Positiveness
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Matthew James Thomas
Morning Glow
81 bpm • C# Maj • 04:16 • -7.86db
36% Popularity • 19% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 22% Positiveness
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Sutton Foster
This Is Our Story
82 bpm • A Maj • 03:17 • -6.05db
38% Popularity • 55% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Kelsey Grammer
Something About This Night - Original Br...
82 bpm • G Maj • 02:13 • -6.57db
30% Popularity • 66% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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Christy Altomare
Journey to the Past
81 bpm • D# Maj • 03:16 • -10db
54% Popularity • 23% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Aileen Quinn
Maybe (Reprise)
82 bpm • C Maj • 01:37 • -21.89db
31% Popularity • 28% Danceability • 9% Energy • 17% Liveness
0% Instrumentalness • 7% Positiveness
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Mel Brooks
The King of Broadway (Bonus Track)
65 bpm • B min • 04:38 • -10.88db
16% Popularity • 40% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Gary Beach
Keep It Gay
82 bpm • C# Maj • 05:07 • -13.2db
32% Popularity • 53% Danceability • 44% Energy • 60% Liveness
0% Instrumentalness • 74% Positiveness
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Burke Moses
Me
82 bpm • F# min • 02:48 • -17.3db
36% Popularity • 66% Danceability • 22% Energy • 28% Liveness
0% Instrumentalness • 54% Positiveness
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Allison Janney and Ensemble
Around Here
82 bpm • C Maj • 03:00 • -9db
35% Popularity • 66% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
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Sean Palmer as Prince Eric
One Step Closer
83 bpm • D Maj • 04:22 • -20.5db
31% Popularity • 28% Danceability • 9% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
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Original London Cast Of The Wind In The Willows
The Wild Wooders
83 bpm • G# min • 03:41 • -6.61db
19% Popularity • 35% Danceability • 74% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
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Sacha Baron Cohen
Master Of The House
83 bpm • D Maj • 04:48 • -13db
43% Popularity • 47% Danceability • 24% Energy • 72% Liveness
0% Instrumentalness • 55% Positiveness
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Brian D'Arcy James
Travel Song
83 bpm • E Maj • 01:56 • -8db
43% Popularity • 68% Danceability • 49% Energy • 31% Liveness
0% Instrumentalness • 77% Positiveness
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Roger Bart
Suppertime
83 bpm • G Maj • 04:38 • -12.58db
27% Popularity • 50% Danceability • 33% Energy • 30% Liveness
0% Instrumentalness • 30% Positiveness
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Jerry Herman
I Am What I Am
83 bpm • F# Maj • 03:24 • -11.36db
32% Popularity • 36% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
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Natalie Cortez
What I Did for Love
83 bpm • G# Maj • 03:36 • -10.81db
41% Popularity • 25% Danceability • 15% Energy • 32% Liveness
0% Instrumentalness • 16% Positiveness
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Terrence Mann
In The Arms
83 bpm • C Maj • 02:25 • -8.25db
30% Popularity • 41% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Tom Bosley
No Matter What
83 bpm • D# Maj • 03:06 • -22.26db
33% Popularity • 41% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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Hailey Kilgore
Waiting for Life
84 bpm • A Maj • 03:25 • -10db
38% Popularity • 54% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
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Douglas Hodge
Strike That, Reverse It
84 bpm • C# Maj • 05:28 • -7.65db
24% Popularity • 63% Danceability • 58% Energy • 46% Liveness
0% Instrumentalness • 75% Positiveness
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Stephen Flaherty
Solla Sollew - Original Broadway Cast Re...
63 bpm • F Maj • 03:31 • -13.48db
32% Popularity • 20% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Jonathan Pryce
Reviewing The Situation
84 bpm • F Maj • 04:53 • -15.27db
26% Popularity • 50% Danceability • 26% Energy • 44% Liveness
0% Instrumentalness • 32% Positiveness
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Alice Ripley
Touch-A-Touch-A-Touch Me
85 bpm • G Maj • 02:29 • -9db
23% Popularity • 62% Danceability • 45% Energy • 68% Liveness
0% Instrumentalness • 59% Positiveness
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Terrence Mann
If I Can't Love Her
84 bpm • C Maj • 04:06 • -21db
42% Popularity • 30% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 14% Positiveness
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Lesli Margherita
Loud
84 bpm • A Maj • 04:01 • -8db
34% Popularity • 44% Danceability • 63% Energy • 4% Liveness
0% Instrumentalness • 38% Positiveness
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Aileen Quinn
Finale from "Annie"
85 bpm • G Maj • 04:36 • -15.11db
31% Popularity • 34% Danceability • 29% Energy • 36% Liveness
0% Instrumentalness • 25% Positiveness
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Brian D'Arcy James
Big Bright Beautiful World (Reprise)
85 bpm • C# Maj • 01:56 • -20.09db
37% Popularity • 40% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Sutton Foster
Show Off
86 bpm • F Maj • 04:41 • -5.97db
35% Popularity • 47% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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Soundtrack/Cast Album
Somewhere That's Green
86 bpm • G Maj • 04:10 • -13.63db
39% Popularity • 44% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Terrence Mann
If I Can't Love Her (Reprise)
84 bpm • D Maj • 01:34 • -26.39db
31% Popularity • 22% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Adam Jacobs
Proud of Your Boy
62 bpm • D Maj • 02:21 • -8.91db
43% Popularity • 45% Danceability • 34% Energy • 23% Liveness
0% Instrumentalness • 30% Positiveness
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Eddie Redmayne
Little Fall Of Rain
86 bpm • F# Maj • 02:32 • -28.05db
38% Popularity • 41% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Jerry Herman
Song on the Sand
86 bpm • F# Maj • 04:41 • -15db
22% Popularity • 35% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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The 2020 Les Misérables Staged Concert Company
One Day More - Live
87 bpm • A Maj • 03:57 • -11db
22% Popularity • 24% Danceability • 38% Energy • 67% Liveness
0% Instrumentalness • 26% Positiveness
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Company
When You're An Addams
87 bpm • G min • 04:25 • -9.34db
46% Popularity • 63% Danceability • 51% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
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Beth Fowler
Beauty and the Beast
85 bpm • A Maj • 03:34 • -22db
34% Popularity • 32% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Brandon Uranowitz
'S Wonderful
87 bpm • C# Maj • 03:09 • -10.44db
16% Popularity • 24% Danceability • 40% Energy • 35% Liveness
0% Instrumentalness • 26% Positiveness
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Wanda Richert
42nd Street
87 bpm • C Maj • 07:24 • -15db
28% Popularity • 40% Danceability • 58% Energy • 6% Liveness
1% Instrumentalness • 22% Positiveness
► Preview
Kevin Chamberlin
Horton Hears A Who - Original Broadway C...
87 bpm • A Maj • 02:37 • -16db
34% Popularity • 60% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
► Preview
Brian D'Arcy James
Build A Wall
87 bpm • F Maj • 02:40 • -6.16db
38% Popularity • 63% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
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Company
Move Toward The Darkness
88 bpm • D# Maj • 03:58 • -9.37db
33% Popularity • 23% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 13% Positiveness
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Luke Brady
Faster
88 bpm • A# min • 02:00 • -11.11db
31% Popularity • 43% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Douglas Hodge
White Moon
88 bpm • D Maj • 03:08 • -15.51db
2% Popularity • 52% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
► Preview
Allie Trimm
What It Means to Be a Friend
88 bpm • A Maj • 03:17 • -6.59db
29% Popularity • 57% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
► Preview
Laura Bell Bundy
Find My Way / Finale
89 bpm • G# Maj • 05:03 • -10db
42% Popularity • 45% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Sharon Wilkins
Can't Help Falling in Love
88 bpm • A# Maj • 02:55 • -9db
30% Popularity • 20% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Pure Imagination