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Push Up - Radio Edit
Songs like
Push Up - Radio Edit
by
BADMOOOD
Based on a tempo of (+/- 10%) and a similar genre
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Joe Mal
Don't Wanna
128 bpm • B Maj • 03:22 • -3.24db
9% Popularity • 89% Danceability • 94% Energy • 86% Liveness
85% Instrumentalness • 13% Positiveness
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Andrew Lux
Peanut Butter Smack
128 bpm • D Maj • 01:58 • -3.78db
31% Popularity • 68% Danceability • 97% Energy • 64% Liveness
42% Instrumentalness • 15% Positiveness
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LE FEMME
PLAY - DJ EDIT
128 bpm • F Maj • 02:32 • -4.66db
12% Popularity • 88% Danceability • 81% Energy • 5% Liveness
20% Instrumentalness • 44% Positiveness
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Haylee Wood
Outta Town
128 bpm • C Maj • 03:20 • -4.41db
25% Popularity • 80% Danceability • 98% Energy • 31% Liveness
59% Instrumentalness • 62% Positiveness
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Nyron
Pictures
128 bpm • D Maj • 02:46 • -4.57db
8% Popularity • 60% Danceability • 92% Energy • 9% Liveness
84% Instrumentalness • 8% Positiveness
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aariaa
Burn it up
128 bpm • C Maj • 02:24 • -2.5db
15% Popularity • 66% Danceability • 98% Energy • 40% Liveness
1% Instrumentalness • 57% Positiveness
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MAZAN
Memento Mori
128 bpm • C# Maj • 03:00 • -5.78db
18% Popularity • 76% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Yosmer Davis
About U
128 bpm • A# min • 02:33 • -4.16db
16% Popularity • 67% Danceability • 92% Energy • 24% Liveness
0% Instrumentalness • 36% Positiveness
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KEEL
Dangerous
128 bpm • A# min • 03:37 • -2.48db
9% Popularity • 69% Danceability • 95% Energy • 11% Liveness
84% Instrumentalness • 40% Positiveness
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Flowless
Out Of Here
128 bpm • A Maj • 02:37 • -4.97db
11% Popularity • 71% Danceability • 83% Energy • 33% Liveness
20% Instrumentalness • 54% Positiveness
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BADMOOOD
Push Up - Radio Edit
128 bpm • F# min • 03:30 • -6.77db
0% Popularity • 51% Danceability • 87% Energy • 50% Liveness
92% Instrumentalness • 18% Positiveness
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Habstrakt
Juicy - ALLIESUN & TRYPBOX Remix
128 bpm • G Maj • 03:18 • -4.84db
8% Popularity • 78% Danceability • 91% Energy • 13% Liveness
59% Instrumentalness • 32% Positiveness
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Ricky West
Decisions
128 bpm • B min • 02:35 • -1.23db
31% Popularity • 72% Danceability • 97% Energy • 27% Liveness
29% Instrumentalness • 50% Positiveness
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BUTTER
City Of Lights
128 bpm • C# Maj • 03:17 • -4.85db
8% Popularity • 77% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Tim Hox
Energia (Pt. 2) - Mixed
128 bpm • G Maj • 01:00 • -5.94db
22% Popularity • 85% Danceability • 72% Energy • 69% Liveness
1% Instrumentalness • 41% Positiveness
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Karl Roque
Do The Break
128 bpm • C# Maj • 02:06 • -5db
15% Popularity • 78% Danceability • 77% Energy • 33% Liveness
0% Instrumentalness • 73% Positiveness
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BADMOOOD
Push Up
128 bpm • F# min • 03:46 • -6.35db
0% Popularity • 53% Danceability • 88% Energy • 43% Liveness
79% Instrumentalness • 20% Positiveness
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Crescendo
You & Me
128 bpm • D Maj • 01:05 • -5.98db
29% Popularity • 76% Danceability • 62% Energy • 36% Liveness
9% Instrumentalness • 27% Positiveness
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Brett Allen
NUMNUM
128 bpm • C# Maj • 02:35 • -5.28db
8% Popularity • 72% Danceability • 91% Energy • 35% Liveness
22% Instrumentalness • 82% Positiveness
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Eksoh
Freaky
128 bpm • D Maj • 03:30 • -5db
16% Popularity • 75% Danceability • 80% Energy • 4% Liveness
64% Instrumentalness • 20% Positiveness
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LE FEMME
PLAY
128 bpm • F Maj • 03:02 • -4.66db
19% Popularity • 86% Danceability • 83% Energy • 5% Liveness
31% Instrumentalness • 46% Positiveness
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Ken
Heart
128 bpm • D Maj • 02:25 • -7db
18% Popularity • 65% Danceability • 88% Energy • 36% Liveness
5% Instrumentalness • 6% Positiveness
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Clur
Pishka
128 bpm • A Maj • 04:15 • -5.1db
11% Popularity • 71% Danceability • 90% Energy • 10% Liveness
57% Instrumentalness • 43% Positiveness
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Zenemy
Nice Up
128 bpm • B min • 02:37 • -5.59db
11% Popularity • 67% Danceability • 95% Energy • 8% Liveness
91% Instrumentalness • 42% Positiveness
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Makla
FREQ 98
128 bpm • A# min • 03:26 • -3.55db
13% Popularity • 77% Danceability • 98% Energy • 27% Liveness
88% Instrumentalness • 38% Positiveness
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Fraxy
Take Me Up
128 bpm • B Maj • 02:18 • -1.59db
13% Popularity • 73% Danceability • 87% Energy • 11% Liveness
18% Instrumentalness • 22% Positiveness
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AC Slater
Crave The Bassline - Extended Mix
128 bpm • B min • 03:30 • -3.29db
18% Popularity • 81% Danceability • 98% Energy • 5% Liveness
46% Instrumentalness • 70% Positiveness
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Hysterism
Rabbit Hole
128 bpm • B min • 04:31 • -3.19db
10% Popularity • 84% Danceability • 94% Energy • 9% Liveness
16% Instrumentalness • 56% Positiveness
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Basstrick
No Words
128 bpm • B min • 03:07 • -4.42db
9% Popularity • 79% Danceability • 78% Energy • 40% Liveness
2% Instrumentalness • 40% Positiveness
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ASUNDER
HOW WILL I KNOW
128 bpm • D Maj • 02:01 • -2.96db
13% Popularity • 70% Danceability • 88% Energy • 9% Liveness
33% Instrumentalness • 39% Positiveness
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Wouji
Everyday
128 bpm • C# Maj • 02:18 • -4.86db
14% Popularity • 89% Danceability • 77% Energy • 14% Liveness
65% Instrumentalness • 53% Positiveness
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BADMOOOD
Diablo
128 bpm • G# Maj • 03:45 • -2db
0% Popularity • 87% Danceability • 91% Energy • 33% Liveness
66% Instrumentalness • 37% Positiveness
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Brett Allen
RYDM
128 bpm • G Maj • 03:01 • -4.4db
11% Popularity • 59% Danceability • 99% Energy • 19% Liveness
52% Instrumentalness • 18% Positiveness
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Wolvero
Strangers
128 bpm • F# Maj • 02:23 • -2.76db
19% Popularity • 71% Danceability • 94% Energy • 60% Liveness
19% Instrumentalness • 26% Positiveness
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Senator
Juice
128 bpm • F Maj • 02:33 • -4.23db
18% Popularity • 79% Danceability • 94% Energy • 5% Liveness
1% Instrumentalness • 19% Positiveness
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Carlo Giannico
Unexpected
128 bpm • F min • 03:18 • -4.64db
21% Popularity • 79% Danceability • 83% Energy • 12% Liveness
68% Instrumentalness • 51% Positiveness
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Rishabh N
Expected
128 bpm • G# Maj • 02:58 • -4.43db
7% Popularity • 76% Danceability • 89% Energy • 91% Liveness
90% Instrumentalness • 81% Positiveness
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Mahmoud
Fading Lights
128 bpm • F# min • 02:48 • -7.99db
23% Popularity • 74% Danceability • 68% Energy • 11% Liveness
69% Instrumentalness • 10% Positiveness
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Shamil
Rave
128 bpm • F# min • 02:26 • -3.89db
24% Popularity • 74% Danceability • 95% Energy • 28% Liveness
40% Instrumentalness • 22% Positiveness
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CHOKKTAW
Real Trouble
128 bpm • C Maj • 02:37 • -2.74db
10% Popularity • 88% Danceability • 88% Energy • 25% Liveness
12% Instrumentalness • 46% Positiveness
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Simone Celi
Off
128 bpm • B Maj • 02:24 • -6.42db
23% Popularity • 72% Danceability • 94% Energy • 84% Liveness
9% Instrumentalness • 22% Positiveness
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Brett Allen
Body Tingler
128 bpm • F# min • 02:35 • -8.81db
15% Popularity • 71% Danceability • 91% Energy • 35% Liveness
16% Instrumentalness • 31% Positiveness
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SPLITZ
Lights Camera Action
128 bpm • D Maj • 02:18 • -4.08db
12% Popularity • 66% Danceability • 98% Energy • 19% Liveness
14% Instrumentalness • 26% Positiveness
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ASUNDER
GUNS
128 bpm • D Maj • 02:35 • -3.86db
8% Popularity • 75% Danceability • 92% Energy • 31% Liveness
66% Instrumentalness • 41% Positiveness
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ASH3R.
Body Drop
128 bpm • A Maj • 02:39 • -6.63db
13% Popularity • 80% Danceability • 67% Energy • 30% Liveness
1% Instrumentalness • 63% Positiveness
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Habstrakt
Call Me - Basstrick Remix
128 bpm • D Maj • 02:56 • -5.26db
13% Popularity • 83% Danceability • 97% Energy • 44% Liveness
26% Instrumentalness • 61% Positiveness
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Curbi
Stereo Function
128 bpm • B Maj • 03:26 • -4.82db
39% Popularity • 75% Danceability • 94% Energy • 7% Liveness
86% Instrumentalness • 70% Positiveness
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MADZI
Speedrun
128 bpm • C# Maj • 02:33 • -5.48db
19% Popularity • 58% Danceability • 97% Energy • 26% Liveness
60% Instrumentalness • 15% Positiveness
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NOYSE
Sanatorium
128 bpm • C Maj • 02:52 • -4.13db
12% Popularity • 65% Danceability • 94% Energy • 36% Liveness
6% Instrumentalness • 29% Positiveness
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Blackcode
Don't Need To Love
128 bpm • G min • 02:19 • -4.07db
7% Popularity • 70% Danceability • 89% Energy • 16% Liveness
5% Instrumentalness • 31% Positiveness
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Synthtonix
I Like It
128 bpm • B min • 02:17 • -3.96db
20% Popularity • 79% Danceability • 96% Energy • 35% Liveness
63% Instrumentalness • 62% Positiveness
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Matt Garner
Quarantine
128 bpm • C# Maj • 02:45 • -4.32db
11% Popularity • 73% Danceability • 82% Energy • 7% Liveness
71% Instrumentalness • 7% Positiveness
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Pretence
Welcome To Hell
128 bpm • E min • 03:26 • -4.85db
17% Popularity • 82% Danceability • 73% Energy • 11% Liveness
73% Instrumentalness • 33% Positiveness
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Levex
Got Me Right
128 bpm • C# Maj • 02:19 • -2.89db
23% Popularity • 71% Danceability • 92% Energy • 9% Liveness
89% Instrumentalness • 36% Positiveness
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ZOOTAH
Levitate
128 bpm • A# min • 02:20 • -5.3db
12% Popularity • 71% Danceability • 95% Energy • 25% Liveness
75% Instrumentalness • 26% Positiveness
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Krexxton
Flash
128 bpm • B Maj • 02:17 • -3.02db
25% Popularity • 74% Danceability • 90% Energy • 46% Liveness
2% Instrumentalness • 25% Positiveness
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Martin Stevenson
No Cap
128 bpm • C# Maj • 02:23 • -6.34db
16% Popularity • 74% Danceability • 87% Energy • 15% Liveness
79% Instrumentalness • 25% Positiveness
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Badjokes
Give It To Me
128 bpm • C# Maj • 04:07 • -2.26db
9% Popularity • 79% Danceability • 98% Energy • 8% Liveness
76% Instrumentalness • 27% Positiveness
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Shelco Garcia
Party Out - Radio Mix
128 bpm • B min • 02:45 • -3.63db
16% Popularity • 57% Danceability • 91% Energy • 31% Liveness
76% Instrumentalness • 15% Positiveness
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Ali7e
Switch
128 bpm • C# Maj • 02:05 • -3.8db
21% Popularity • 85% Danceability • 77% Energy • 32% Liveness
86% Instrumentalness • 39% Positiveness
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Samuel Vasell
Got My Heart
128 bpm • A# Maj • 02:13 • -4.75db
18% Popularity • 75% Danceability • 85% Energy • 34% Liveness
37% Instrumentalness • 61% Positiveness
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Electro Bears
I Love It
128 bpm • C min • 02:41 • -4.43db
15% Popularity • 61% Danceability • 93% Energy • 62% Liveness
5% Instrumentalness • 40% Positiveness
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Ozlig
The Show
128 bpm • C Maj • 02:08 • -5.59db
20% Popularity • 73% Danceability • 88% Energy • 9% Liveness
12% Instrumentalness • 39% Positiveness
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Prayer Handz
Addicted
128 bpm • D Maj • 02:33 • -4.09db
8% Popularity • 76% Danceability • 87% Energy • 32% Liveness
20% Instrumentalness • 58% Positiveness
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Dj Gabriel Reyes
The Drop
128 bpm • C min • 03:26 • -5db
9% Popularity • 69% Danceability • 94% Energy • 9% Liveness
68% Instrumentalness • 46% Positiveness
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Capochino
Crash Course 2.0
128 bpm • D Maj • 03:18 • -4.42db
7% Popularity • 80% Danceability • 92% Energy • 73% Liveness
68% Instrumentalness • 70% Positiveness
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Shdws
Radio
128 bpm • A Maj • 03:58 • -5.52db
9% Popularity • 83% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 77% Positiveness
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Markis
No Sleep
128 bpm • D Maj • 02:18 • -3.04db
40% Popularity • 64% Danceability • 92% Energy • 14% Liveness
44% Instrumentalness • 39% Positiveness
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Control Room
Point Blank
128 bpm • E Maj • 02:51 • -3.34db
23% Popularity • 75% Danceability • 93% Energy • 38% Liveness
4% Instrumentalness • 66% Positiveness
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Thomas Xavier
Money in the Bank
128 bpm • C# Maj • 03:31 • -7.28db
8% Popularity • 86% Danceability • 75% Energy • 14% Liveness
20% Instrumentalness • 43% Positiveness
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Guo
RGM
128 bpm • G Maj • 02:49 • -4.7db
7% Popularity • 70% Danceability • 97% Energy • 35% Liveness
2% Instrumentalness • 42% Positiveness
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Jasted
Money
128 bpm • A min • 02:39 • -3.16db
37% Popularity • 77% Danceability • 96% Energy • 38% Liveness
0% Instrumentalness • 77% Positiveness
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Terry Moon
Let Me Go
128 bpm • D Maj • 02:35 • -5.08db
19% Popularity • 67% Danceability • 88% Energy • 44% Liveness
89% Instrumentalness • 17% Positiveness
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NO QVLT
Arcade Dealers
128 bpm • C min • 02:43 • -2.03db
43% Popularity • 79% Danceability • 93% Energy • 32% Liveness
0% Instrumentalness • 44% Positiveness
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EXYT
Thugs
128 bpm • F# Maj • 02:35 • -6.45db
13% Popularity • 77% Danceability • 93% Energy • 29% Liveness
0% Instrumentalness • 32% Positiveness
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CLAMOR
Beast Hive
128 bpm • C Maj • 02:19 • -4.45db
18% Popularity • 76% Danceability • 91% Energy • 37% Liveness
26% Instrumentalness • 30% Positiveness
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Dhylo
French Bitch
128 bpm • D Maj • 02:45 • -3.2db
14% Popularity • 80% Danceability • 93% Energy • 63% Liveness
50% Instrumentalness • 13% Positiveness
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Mat Eclair
Start The Bass
128 bpm • F min • 02:37 • -4.68db
16% Popularity • 66% Danceability • 94% Energy • 8% Liveness
67% Instrumentalness • 10% Positiveness
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KDH
Don’t Stop
128 bpm • C# Maj • 02:49 • -2.77db
35% Popularity • 73% Danceability • 86% Energy • 23% Liveness
7% Instrumentalness • 29% Positiveness
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Kløn
How I Do It
128 bpm • F# min • 01:50 • -4.04db
40% Popularity • 70% Danceability • 96% Energy • 8% Liveness
19% Instrumentalness • 43% Positiveness
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Bok Nero
SAFE
128 bpm • D Maj • 02:11 • -3.12db
22% Popularity • 81% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Pretence
Drum Machine
128 bpm • B min • 03:30 • -4.56db
10% Popularity • 83% Danceability • 79% Energy • 8% Liveness
50% Instrumentalness • 13% Positiveness
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Krexxton
DSN
128 bpm • G Maj • 01:55 • -6.26db
23% Popularity • 64% Danceability • 90% Energy • 34% Liveness
57% Instrumentalness • 26% Positiveness
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Brisco
Get Money - Radio Mix
128 bpm • C Maj • 01:51 • -5.09db
14% Popularity • 74% Danceability • 85% Energy • 10% Liveness
61% Instrumentalness • 32% Positiveness
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KDH
Your Soul
128 bpm • G Maj • 02:19 • -4.52db
32% Popularity • 66% Danceability • 95% Energy • 26% Liveness
20% Instrumentalness • 26% Positiveness
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BADMOOOD
Move the Body
128 bpm • F# min • 03:04 • -3.22db
0% Popularity • 82% Danceability • 93% Energy • 7% Liveness
44% Instrumentalness • 52% Positiveness
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Oomloud
Chicken Face
128 bpm • G# min • 02:41 • -3.24db
4% Popularity • 92% Danceability • 100% Energy • 23% Liveness
20% Instrumentalness • 57% Positiveness
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Hypedelic
Hunger
128 bpm • G# min • 04:03 • -4.79db
8% Popularity • 79% Danceability • 97% Energy • 13% Liveness
15% Instrumentalness • 51% Positiveness
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Rezone
Can't Get Enough - Radio Edit
128 bpm • C# Maj • 01:56 • -6.26db
20% Popularity • 84% Danceability • 72% Energy • 38% Liveness
69% Instrumentalness • 55% Positiveness
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Cheyenne Giles
Let's Rock
128 bpm • C# Maj • 03:29 • -3.06db
39% Popularity • 78% Danceability • 96% Energy • 21% Liveness
25% Instrumentalness • 47% Positiveness
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ADXRE
So Adxrable
128 bpm • F Maj • 02:19 • -4.34db
15% Popularity • 72% Danceability • 98% Energy • 70% Liveness
45% Instrumentalness • 68% Positiveness
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BADMOOOD
Bass - Original Mix
128 bpm • D Maj • 03:59 • -7.57db
0% Popularity • 68% Danceability • 76% Energy • 3% Liveness
78% Instrumentalness • 32% Positiveness
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Finetuners
Back Once Again
128 bpm • A Maj • 02:22 • -4.11db
20% Popularity • 61% Danceability • 95% Energy • 10% Liveness
89% Instrumentalness • 69% Positiveness
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DayNight
Club
128 bpm • C# Maj • 02:26 • -6.34db
9% Popularity • 76% Danceability • 92% Energy • 21% Liveness
84% Instrumentalness • 32% Positiveness
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Xenomx
Burnout Basslines
128 bpm • C# min • 02:29 • -5.92db
16% Popularity • 83% Danceability • 81% Energy • 24% Liveness
4% Instrumentalness • 51% Positiveness
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Makla
Assumptions
128 bpm • D Maj • 02:39 • -5.49db
36% Popularity • 82% Danceability • 94% Energy • 81% Liveness
35% Instrumentalness • 50% Positiveness
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Noah Diaz
Hurt You
128 bpm • C# Maj • 02:17 • -6.23db
8% Popularity • 75% Danceability • 77% Energy • 35% Liveness
6% Instrumentalness • 57% Positiveness
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BADMOOOD
Beautiful Sky
128 bpm • F# min • 04:59 • -5.81db
0% Popularity • 58% Danceability • 86% Energy • 8% Liveness
74% Instrumentalness • 33% Positiveness
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DwyTHM
Blacklist
128 bpm • B Maj • 02:22 • -7.82db
7% Popularity • 87% Danceability • 82% Energy • 50% Liveness
40% Instrumentalness • 27% Positiveness
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RadWulf
Feel Alright
128 bpm • B Maj • 03:45 • -4.53db
37% Popularity • 77% Danceability • 79% Energy • 5% Liveness
59% Instrumentalness • 53% Positiveness
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Push Up - Radio Edit