Songs like PUSHER by Joanne Robertson
Based on a tempo of (+/- 10%) and a similar genre
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mark william lewis
Life with Life
132 bpm • B min • 02:08 • -10.46db
33% Popularity • 73% Danceability • 51% Energy • 12% Liveness
85% Instrumentalness • 53% Positiveness
33% Popularity • 73% Danceability • 51% Energy • 12% Liveness
85% Instrumentalness • 53% Positiveness
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bar italia
my kiss era
132 bpm • B Maj • 03:32 • -7.58db
35% Popularity • 75% Danceability • 37% Energy • 10% Liveness
80% Instrumentalness • 34% Positiveness
35% Popularity • 75% Danceability • 37% Energy • 10% Liveness
80% Instrumentalness • 34% Positiveness
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Joanne Robertson
PUSHER
132 bpm • D min • 03:48 • -23.39db
36% Popularity • 40% Danceability • 12% Energy • 11% Liveness
88% Instrumentalness • 12% Positiveness
36% Popularity • 40% Danceability • 12% Energy • 11% Liveness
88% Instrumentalness • 12% Positiveness
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You'll Never Get to Heaven
Shadow Garden
133 bpm • E Maj • 03:19 • -10db
31% Popularity • 21% Danceability • 49% Energy • 10% Liveness
97% Instrumentalness • 9% Positiveness
31% Popularity • 21% Danceability • 49% Energy • 10% Liveness
97% Instrumentalness • 9% Positiveness
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April Magazine
Pink Hair
131 bpm • F Maj • 05:13 • -18.06db
16% Popularity • 41% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 11% Positiveness
16% Popularity • 41% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 11% Positiveness
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Dean Blunt
Heat
133 bpm • D Maj • 04:41 • -10db
24% Popularity • 59% Danceability • 36% Energy • 21% Liveness
1% Instrumentalness • 54% Positiveness
24% Popularity • 59% Danceability • 36% Energy • 21% Liveness
1% Instrumentalness • 54% Positiveness
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mark william lewis
Thinner
131 bpm • C min • 02:04 • -7db
36% Popularity • 56% Danceability • 62% Energy • 26% Liveness
4% Instrumentalness • 24% Positiveness
36% Popularity • 56% Danceability • 62% Energy • 26% Liveness
4% Instrumentalness • 24% Positiveness
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Delroy Edwards
Audio Track 07
133 bpm • A min • 02:28 • -8.95db
16% Popularity • 46% Danceability • 75% Energy • 10% Liveness
82% Instrumentalness • 72% Positiveness
16% Popularity • 46% Danceability • 75% Energy • 10% Liveness
82% Instrumentalness • 72% Positiveness
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Jessica Pratt
Greycedes
130 bpm • D Maj • 02:38 • -11db
48% Popularity • 51% Danceability • 43% Energy • 26% Liveness
12% Instrumentalness • 34% Positiveness
48% Popularity • 51% Danceability • 43% Energy • 26% Liveness
12% Instrumentalness • 34% Positiveness
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Joanne Robertson
You Hear Me Go
133 bpm • G# min • 02:33 • -13.72db
11% Popularity • 22% Danceability • 54% Energy • 34% Liveness
67% Instrumentalness • 44% Positiveness
11% Popularity • 22% Danceability • 54% Energy • 34% Liveness
67% Instrumentalness • 44% Positiveness
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Isabel's Dream
Miranda
130 bpm • G Maj • 04:13 • -12.87db
21% Popularity • 33% Danceability • 41% Energy • 63% Liveness
96% Instrumentalness • 22% Positiveness
21% Popularity • 33% Danceability • 41% Energy • 63% Liveness
96% Instrumentalness • 22% Positiveness
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Dean Blunt
3
131 bpm • D Maj • 01:21 • -13.76db
31% Popularity • 36% Danceability • 26% Energy • 52% Liveness
78% Instrumentalness • 19% Positiveness
31% Popularity • 36% Danceability • 26% Energy • 52% Liveness
78% Instrumentalness • 19% Positiveness
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mark william lewis
Blue Honda
134 bpm • B min • 02:37 • -7.81db
28% Popularity • 65% Danceability • 54% Energy • 33% Liveness
32% Instrumentalness • 40% Positiveness
28% Popularity • 65% Danceability • 54% Energy • 33% Liveness
32% Instrumentalness • 40% Positiveness
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NINA
Brush Wit
134 bpm • A# Maj • 03:43 • -5.79db
19% Popularity • 48% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 19% Positiveness
19% Popularity • 48% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 19% Positiveness
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Cindy Lee
The Limit
134 bpm • B min • 04:24 • -7.3db
36% Popularity • 23% Danceability • 54% Energy • 54% Liveness
52% Instrumentalness • 36% Positiveness
36% Popularity • 23% Danceability • 54% Energy • 54% Liveness
52% Instrumentalness • 36% Positiveness
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Whitearmor
Could be us
130 bpm • D# min • 04:11 • -11db
34% Popularity • 39% Danceability • 37% Energy • 18% Liveness
98% Instrumentalness • 22% Positiveness
34% Popularity • 39% Danceability • 37% Energy • 18% Liveness
98% Instrumentalness • 22% Positiveness
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Samba Jean-Baptiste
I Could've Cried
134 bpm • D Maj • 01:36 • -21.57db
39% Popularity • 74% Danceability • 14% Energy • 29% Liveness
71% Instrumentalness • 28% Positiveness
39% Popularity • 74% Danceability • 14% Energy • 29% Liveness
71% Instrumentalness • 28% Positiveness
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draag me
Wrench
130 bpm • F min • 02:42 • -11.22db
22% Popularity • 57% Danceability • 70% Energy • 12% Liveness
89% Instrumentalness • 24% Positiveness
22% Popularity • 57% Danceability • 70% Energy • 12% Liveness
89% Instrumentalness • 24% Positiveness
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Joanne Robertson
Below
134 bpm • B min • 04:15 • -10.27db
5% Popularity • 37% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 18% Positiveness
5% Popularity • 37% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 18% Positiveness
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NINA
Demento
134 bpm • F min • 01:14 • -3.97db
21% Popularity • 49% Danceability • 56% Energy • 37% Liveness
8% Instrumentalness • 90% Positiveness
21% Popularity • 49% Danceability • 56% Energy • 37% Liveness
8% Instrumentalness • 90% Positiveness
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Tim Hecker
I'm Transmitting Tonight
130 bpm • C min • 05:16 • -20db
34% Popularity • 19% Danceability • 39% Energy • 67% Liveness
91% Instrumentalness • 6% Positiveness
34% Popularity • 19% Danceability • 39% Energy • 67% Liveness
91% Instrumentalness • 6% Positiveness
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Delroy Edwards
Audio Track 19
135 bpm • A Maj • 01:52 • -14.84db
26% Popularity • 50% Danceability • 40% Energy • 15% Liveness
88% Instrumentalness • 24% Positiveness
26% Popularity • 50% Danceability • 40% Energy • 15% Liveness
88% Instrumentalness • 24% Positiveness
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Eterna
Industry Night
129 bpm • G Maj • 02:34 • -20.09db
21% Popularity • 33% Danceability • 26% Energy • 6% Liveness
69% Instrumentalness • 5% Positiveness
21% Popularity • 33% Danceability • 26% Energy • 6% Liveness
69% Instrumentalness • 5% Positiveness
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draag me
Money
130 bpm • C# Maj • 02:16 • -12.89db
17% Popularity • 65% Danceability • 78% Energy • 32% Liveness
28% Instrumentalness • 14% Positiveness
17% Popularity • 65% Danceability • 78% Energy • 32% Liveness
28% Instrumentalness • 14% Positiveness
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Joanne Robertson
Bay
135 bpm • E min • 03:49 • -10.16db
13% Popularity • 30% Danceability • 41% Energy • 21% Liveness
57% Instrumentalness • 12% Positiveness
13% Popularity • 30% Danceability • 41% Energy • 21% Liveness
57% Instrumentalness • 12% Positiveness
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Forma Norte
Bien , mal
135 bpm • C# min • 01:52 • -10.29db
28% Popularity • 48% Danceability • 80% Energy • 68% Liveness
80% Instrumentalness • 22% Positiveness
28% Popularity • 48% Danceability • 80% Energy • 68% Liveness
80% Instrumentalness • 22% Positiveness
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HTRK
Fast Friend
135 bpm • G# min • 03:06 • -14.63db
29% Popularity • 62% Danceability • 44% Energy • 14% Liveness
73% Instrumentalness • 44% Positiveness
29% Popularity • 62% Danceability • 44% Energy • 14% Liveness
73% Instrumentalness • 44% Positiveness
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Florence Sinclair
Blue Velvet
129 bpm • C# Maj • 02:21 • -12db
20% Popularity • 42% Danceability • 37% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
20% Popularity • 42% Danceability • 37% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
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The Cat's Miaow
Barney & Me
129 bpm • C Maj • 01:44 • -13.68db
21% Popularity • 32% Danceability • 31% Energy • 10% Liveness
91% Instrumentalness • 12% Positiveness
21% Popularity • 32% Danceability • 31% Energy • 10% Liveness
91% Instrumentalness • 12% Positiveness
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draag me
All Bad Score Emulations
130 bpm • G# min • 02:21 • -12db
43% Popularity • 66% Danceability • 47% Energy • 17% Liveness
43% Instrumentalness • 34% Positiveness
43% Popularity • 66% Danceability • 47% Energy • 17% Liveness
43% Instrumentalness • 34% Positiveness
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Loukeman
Realize What
135 bpm • F Maj • 01:30 • -12.71db
28% Popularity • 60% Danceability • 39% Energy • 14% Liveness
36% Instrumentalness • 82% Positiveness
28% Popularity • 60% Danceability • 39% Energy • 14% Liveness
36% Instrumentalness • 82% Positiveness
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James K
Open
136 bpm • G Maj • 01:58 • -19db
42% Popularity • 20% Danceability • 15% Energy • 26% Liveness
87% Instrumentalness • 4% Positiveness
42% Popularity • 20% Danceability • 15% Energy • 26% Liveness
87% Instrumentalness • 4% Positiveness
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The Crying Nudes
Unabomber
136 bpm • C Maj • 01:38 • -7.64db
36% Popularity • 64% Danceability • 58% Energy • 20% Liveness
32% Instrumentalness • 52% Positiveness
36% Popularity • 64% Danceability • 58% Energy • 20% Liveness
32% Instrumentalness • 52% Positiveness
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Dean Blunt
Seven Seals Of Affirmation
136 bpm • F Maj • 02:13 • -15.56db
22% Popularity • 36% Danceability • 72% Energy • 95% Liveness
58% Instrumentalness • 35% Positiveness
22% Popularity • 36% Danceability • 72% Energy • 95% Liveness
58% Instrumentalness • 35% Positiveness
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Joanne Robertson
am i grief
136 bpm • G min • 04:39 • -16.19db
23% Popularity • 63% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
23% Popularity • 63% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
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Double Virgo
Burning Bridges
136 bpm • D Maj • 01:58 • -14.19db
32% Popularity • 61% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
32% Popularity • 61% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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You'll Never Get to Heaven
Predawn Visions
136 bpm • A min • 02:27 • -14.48db
33% Popularity • 64% Danceability • 13% Energy • 42% Liveness
91% Instrumentalness • 44% Positiveness
33% Popularity • 64% Danceability • 13% Energy • 42% Liveness
91% Instrumentalness • 44% Positiveness
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African-American Sound Recordings
Varnish
136 bpm • A min • 01:26 • -20.95db
29% Popularity • 16% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 11% Positiveness
29% Popularity • 16% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 11% Positiveness
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His Name Is Alive
Home Is in Your Head
136 bpm • A# Maj • 02:23 • -37.1db
31% Popularity • 47% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 49% Positiveness
31% Popularity • 47% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 49% Positiveness
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Ssaliva
The Stars up Above
127 bpm • A Maj • 02:53 • -8.41db
16% Popularity • 20% Danceability • 58% Energy • 10% Liveness
91% Instrumentalness • 19% Positiveness
16% Popularity • 20% Danceability • 58% Energy • 10% Liveness
91% Instrumentalness • 19% Positiveness
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Joanne Robertson
PARO
128 bpm • D min • 03:01 • -15.72db
26% Popularity • 44% Danceability • 18% Energy • 10% Liveness
44% Instrumentalness • 4% Positiveness
26% Popularity • 44% Danceability • 18% Energy • 10% Liveness
44% Instrumentalness • 4% Positiveness
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Operelly
My Bell Rings
127 bpm • G# min • 02:46 • -12.79db
33% Popularity • 70% Danceability • 67% Energy • 15% Liveness
48% Instrumentalness • 42% Positiveness
33% Popularity • 70% Danceability • 67% Energy • 15% Liveness
48% Instrumentalness • 42% Positiveness
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Southpacific
Analogue 9
137 bpm • D Maj • 05:33 • -12.26db
19% Popularity • 23% Danceability • 43% Energy • 18% Liveness
68% Instrumentalness • 7% Positiveness
19% Popularity • 23% Danceability • 43% Energy • 18% Liveness
68% Instrumentalness • 7% Positiveness
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Double Virgo
Centaurella 44
127 bpm • C min • 02:09 • -7.59db
35% Popularity • 69% Danceability • 38% Energy • 10% Liveness
25% Instrumentalness • 45% Positiveness
35% Popularity • 69% Danceability • 38% Energy • 10% Liveness
25% Instrumentalness • 45% Positiveness
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Oneohtrix Point Never
Babylon
127 bpm • D# Maj • 03:40 • -15db
46% Popularity • 57% Danceability • 19% Energy • 11% Liveness
87% Instrumentalness • 17% Positiveness
46% Popularity • 57% Danceability • 19% Energy • 11% Liveness
87% Instrumentalness • 17% Positiveness
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Delroy Edwards
Audio Track 04
137 bpm • F# min • 03:21 • -9.46db
16% Popularity • 61% Danceability • 50% Energy • 12% Liveness
88% Instrumentalness • 27% Positiveness
16% Popularity • 61% Danceability • 50% Energy • 12% Liveness
88% Instrumentalness • 27% Positiveness
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Joanne Robertson
Blue Car
136 bpm • C# Maj • 04:01 • -9.96db
24% Popularity • 30% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
24% Popularity • 30% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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GAIKA
SHREDDER
127 bpm • D min • 05:34 • -11.34db
8% Popularity • 21% Danceability • 43% Energy • 19% Liveness
10% Instrumentalness • 4% Positiveness
8% Popularity • 21% Danceability • 43% Energy • 19% Liveness
10% Instrumentalness • 4% Positiveness
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Ssaliva
5ever
138 bpm • D Maj • 02:05 • -7.07db
26% Popularity • 24% Danceability • 85% Energy • 10% Liveness
84% Instrumentalness • 24% Positiveness
26% Popularity • 24% Danceability • 85% Energy • 10% Liveness
84% Instrumentalness • 24% Positiveness
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You'll Never Get to Heaven
Eye, Soul and Hand
138 bpm • D Maj • 03:18 • -18.51db
33% Popularity • 56% Danceability • 13% Energy • 10% Liveness
94% Instrumentalness • 57% Positiveness
33% Popularity • 56% Danceability • 13% Energy • 10% Liveness
94% Instrumentalness • 57% Positiveness
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Forma Norte
Carrier
126 bpm • F# Maj • 02:08 • -11.5db
34% Popularity • 50% Danceability • 42% Energy • 12% Liveness
90% Instrumentalness • 14% Positiveness
34% Popularity • 50% Danceability • 42% Energy • 12% Liveness
90% Instrumentalness • 14% Positiveness
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Yakub
=
138 bpm • D# min • 00:52 • -11.53db
23% Popularity • 30% Danceability • 34% Energy • 22% Liveness
97% Instrumentalness • 9% Positiveness
23% Popularity • 30% Danceability • 34% Energy • 22% Liveness
97% Instrumentalness • 9% Positiveness
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Joanne Robertson
wheels
128 bpm • C# min • 04:11 • -21.32db
15% Popularity • 46% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
15% Popularity • 46% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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NINA
Dead Horse
126 bpm • G Maj • 04:11 • -5.77db
29% Popularity • 53% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
29% Popularity • 53% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Sciflyer
Slowfire
126 bpm • G Maj • 05:55 • -16.66db
32% Popularity • 37% Danceability • 22% Energy • 10% Liveness
86% Instrumentalness • 14% Positiveness
32% Popularity • 37% Danceability • 22% Energy • 10% Liveness
86% Instrumentalness • 14% Positiveness
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His Name Is Alive
Something About Hope
138 bpm • F# min • 02:35 • -14.83db
18% Popularity • 63% Danceability • 28% Energy • 11% Liveness
91% Instrumentalness • 33% Positiveness
18% Popularity • 63% Danceability • 28% Energy • 11% Liveness
91% Instrumentalness • 33% Positiveness
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Bowery Electric
Inside Out
126 bpm • A Maj • 07:19 • -19.8db
27% Popularity • 43% Danceability • 25% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
27% Popularity • 43% Danceability • 25% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
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mark william lewis
Angel Investor
126 bpm • D Maj • 03:00 • -9db
21% Popularity • 70% Danceability • 76% Energy • 12% Liveness
15% Instrumentalness • 44% Positiveness
21% Popularity • 70% Danceability • 76% Energy • 12% Liveness
15% Instrumentalness • 44% Positiveness
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Joanne Robertson
Jeans
127 bpm • D# Maj • 04:03 • -8.47db
18% Popularity • 30% Danceability • 49% Energy • 12% Liveness
82% Instrumentalness • 23% Positiveness
18% Popularity • 30% Danceability • 49% Energy • 12% Liveness
82% Instrumentalness • 23% Positiveness
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NINA
Resus
126 bpm • D min • 01:00 • -5.58db
24% Popularity • 31% Danceability • 84% Energy • 92% Liveness
0% Instrumentalness • 47% Positiveness
24% Popularity • 31% Danceability • 84% Energy • 92% Liveness
0% Instrumentalness • 47% Positiveness
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Delroy Edwards
Audio Track 14
126 bpm • A min • 01:26 • -9.1db
20% Popularity • 33% Danceability • 48% Energy • 13% Liveness
76% Instrumentalness • 17% Positiveness
20% Popularity • 33% Danceability • 48% Energy • 13% Liveness
76% Instrumentalness • 17% Positiveness
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Jessica Pratt
Game That I Play
126 bpm • G# Maj • 04:15 • -12db
37% Popularity • 42% Danceability • 37% Energy • 14% Liveness
3% Instrumentalness • 22% Positiveness
37% Popularity • 42% Danceability • 37% Energy • 14% Liveness
3% Instrumentalness • 22% Positiveness
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James Ferraro
Upper East Side Pussy
139 bpm • D# min • 02:39 • -20.77db
16% Popularity • 21% Danceability • 6% Energy • 10% Liveness
74% Instrumentalness • 23% Positiveness
16% Popularity • 21% Danceability • 6% Energy • 10% Liveness
74% Instrumentalness • 23% Positiveness
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Dave Bixby
Drug Song
140 bpm • G# min • 03:25 • -15.13db
38% Popularity • 36% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
38% Popularity • 36% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Joanne Robertson
hit
137 bpm • A min • 03:08 • -16.87db
27% Popularity • 39% Danceability • 20% Energy • 13% Liveness
74% Instrumentalness • 20% Positiveness
27% Popularity • 39% Danceability • 20% Energy • 13% Liveness
74% Instrumentalness • 20% Positiveness
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Chanel Beads
Male Friendship
125 bpm • D Maj • 04:15 • -12.22db
28% Popularity • 49% Danceability • 48% Energy • 8% Liveness
7% Instrumentalness • 35% Positiveness
28% Popularity • 49% Danceability • 48% Energy • 8% Liveness
7% Instrumentalness • 35% Positiveness
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Tram
Like Clockwork
140 bpm • A Maj • 03:54 • -13.18db
20% Popularity • 48% Danceability • 25% Energy • 11% Liveness
86% Instrumentalness • 10% Positiveness
20% Popularity • 48% Danceability • 25% Energy • 11% Liveness
86% Instrumentalness • 10% Positiveness
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draag me
Running Instead
140 bpm • C Maj • 02:44 • -8.67db
23% Popularity • 56% Danceability • 51% Energy • 14% Liveness
20% Instrumentalness • 51% Positiveness
23% Popularity • 56% Danceability • 51% Energy • 14% Liveness
20% Instrumentalness • 51% Positiveness
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bar italia
angels
140 bpm • A# min • 02:03 • -5.88db
31% Popularity • 70% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
31% Popularity • 70% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
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They Are Gutting a Body of Water
threes
140 bpm • D min • 01:58 • -8.83db
26% Popularity • 64% Danceability • 84% Energy • 13% Liveness
89% Instrumentalness • 70% Positiveness
26% Popularity • 64% Danceability • 84% Energy • 13% Liveness
89% Instrumentalness • 70% Positiveness
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Joanne Robertson
Days
138 bpm • G min • 05:32 • -10.8db
14% Popularity • 33% Danceability • 24% Energy • 11% Liveness
28% Instrumentalness • 11% Positiveness
14% Popularity • 33% Danceability • 24% Energy • 11% Liveness
28% Instrumentalness • 11% Positiveness
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Stina Nordenstam
Under Your Command
140 bpm • G# Maj • 05:19 • -15.01db
33% Popularity • 61% Danceability • 24% Energy • 16% Liveness
42% Instrumentalness • 20% Positiveness
33% Popularity • 61% Danceability • 24% Energy • 16% Liveness
42% Instrumentalness • 20% Positiveness
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African-American Sound Recordings
Bendable
124 bpm • C# Maj • 02:25 • -22.45db
22% Popularity • 50% Danceability • 39% Energy • 11% Liveness
89% Instrumentalness • 40% Positiveness
22% Popularity • 50% Danceability • 39% Energy • 11% Liveness
89% Instrumentalness • 40% Positiveness
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draag me
There Is a Party Where I'm Going
140 bpm • G Maj • 02:45 • -10.28db
27% Popularity • 51% Danceability • 47% Energy • 13% Liveness
20% Instrumentalness • 26% Positiveness
27% Popularity • 51% Danceability • 47% Energy • 13% Liveness
20% Instrumentalness • 26% Positiveness
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Chanel Beads
Shining Armor
124 bpm • D Maj • 03:32 • -11.09db
25% Popularity • 49% Danceability • 38% Energy • 12% Liveness
63% Instrumentalness • 20% Positiveness
25% Popularity • 49% Danceability • 38% Energy • 12% Liveness
63% Instrumentalness • 20% Positiveness
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Ssaliva
Euphoria
140 bpm • A# min • 01:39 • -12.8db
32% Popularity • 35% Danceability • 55% Energy • 11% Liveness
89% Instrumentalness • 26% Positiveness
32% Popularity • 35% Danceability • 55% Energy • 11% Liveness
89% Instrumentalness • 26% Positiveness
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Hype Williams
The Den
124 bpm • E Maj • 00:55 • -6.91db
25% Popularity • 30% Danceability • 55% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
25% Popularity • 30% Danceability • 55% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Stereolab
Super Falling Star
124 bpm • B min • 03:16 • -15db
38% Popularity • 37% Danceability • 31% Energy • 16% Liveness
85% Instrumentalness • 6% Positiveness
38% Popularity • 37% Danceability • 31% Energy • 16% Liveness
85% Instrumentalness • 6% Positiveness
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African-American Sound Recordings
Eyes Of The Analyzer.
124 bpm • E min • 02:00 • -10.28db
21% Popularity • 35% Danceability • 71% Energy • 35% Liveness
94% Instrumentalness • 11% Positiveness
21% Popularity • 35% Danceability • 71% Energy • 35% Liveness
94% Instrumentalness • 11% Positiveness
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bar italia
Quarrel
124 bpm • G min • 02:18 • -13.3db
25% Popularity • 63% Danceability • 31% Energy • 11% Liveness
86% Instrumentalness • 70% Positiveness
25% Popularity • 63% Danceability • 31% Energy • 11% Liveness
86% Instrumentalness • 70% Positiveness
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Chanel Beads
Ef
141 bpm • D Maj • 02:58 • -7.74db
41% Popularity • 71% Danceability • 57% Energy • 23% Liveness
3% Instrumentalness • 55% Positiveness
41% Popularity • 71% Danceability • 57% Energy • 23% Liveness
3% Instrumentalness • 55% Positiveness
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Joanne Robertson
Take Me In
123 bpm • G min • 02:50 • -9.58db
21% Popularity • 46% Danceability • 27% Energy • 14% Liveness
95% Instrumentalness • 13% Positiveness
21% Popularity • 46% Danceability • 27% Energy • 14% Liveness
95% Instrumentalness • 13% Positiveness
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Hope Sandoval & The Warm Inventions
Bavarian Fruit Bread
141 bpm • C Maj • 01:18 • -28.49db
41% Popularity • 21% Danceability • 2% Energy • 10% Liveness
61% Instrumentalness • 3% Positiveness
41% Popularity • 21% Danceability • 2% Energy • 10% Liveness
61% Instrumentalness • 3% Positiveness
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You'll Never Get to Heaven
To Be Fair
123 bpm • A Maj • 04:30 • -8.79db
27% Popularity • 33% Danceability • 45% Energy • 18% Liveness
98% Instrumentalness • 15% Positiveness
27% Popularity • 33% Danceability • 45% Energy • 18% Liveness
98% Instrumentalness • 15% Positiveness
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Voice Actor
U Projected 2
142 bpm • G# Maj • 02:06 • -18.99db
40% Popularity • 61% Danceability • 18% Energy • 10% Liveness
61% Instrumentalness • 35% Positiveness
40% Popularity • 61% Danceability • 18% Energy • 10% Liveness
61% Instrumentalness • 35% Positiveness
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bar italia
skylinny
122 bpm • D Maj • 01:28 • -11.4db
47% Popularity • 79% Danceability • 79% Energy • 8% Liveness
43% Instrumentalness • 58% Positiveness
47% Popularity • 79% Danceability • 79% Energy • 8% Liveness
43% Instrumentalness • 58% Positiveness
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Chanel Beads
Zut Alors
142 bpm • B Maj • 01:50 • -13.45db
23% Popularity • 55% Danceability • 71% Energy • 12% Liveness
15% Instrumentalness • 18% Positiveness
23% Popularity • 55% Danceability • 71% Energy • 12% Liveness
15% Instrumentalness • 18% Positiveness
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Stina Nordenstam
Almost A Smile
122 bpm • B min • 04:53 • -14.45db
19% Popularity • 57% Danceability • 53% Energy • 10% Liveness
1% Instrumentalness • 17% Positiveness
19% Popularity • 57% Danceability • 53% Energy • 10% Liveness
1% Instrumentalness • 17% Positiveness
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Joanne Robertson
Band Sit Together
123 bpm • B Maj • 03:08 • -7.71db
31% Popularity • 34% Danceability • 53% Energy • 34% Liveness
2% Instrumentalness • 23% Positiveness
31% Popularity • 34% Danceability • 53% Energy • 34% Liveness
2% Instrumentalness • 23% Positiveness
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His Name Is Alive
The Homesick Waltz
122 bpm • F# min • 04:00 • -19.27db
18% Popularity • 39% Danceability • 38% Energy • 7% Liveness
53% Instrumentalness • 78% Positiveness
18% Popularity • 39% Danceability • 38% Energy • 7% Liveness
53% Instrumentalness • 78% Positiveness
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Blind Mr. Jones
Flying With Lux
121 bpm • D Maj • 01:58 • -15.79db
27% Popularity • 43% Danceability • 22% Energy • 12% Liveness
87% Instrumentalness • 19% Positiveness
27% Popularity • 43% Danceability • 22% Energy • 12% Liveness
87% Instrumentalness • 19% Positiveness
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Delroy Edwards
Audio Track 01
144 bpm • A Maj • 02:46 • -7.91db
17% Popularity • 32% Danceability • 58% Energy • 26% Liveness
89% Instrumentalness • 43% Positiveness
17% Popularity • 32% Danceability • 58% Energy • 26% Liveness
89% Instrumentalness • 43% Positiveness
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The Durutti Column
Beginning
121 bpm • C min • 01:39 • -18.94db
37% Popularity • 67% Danceability • 17% Energy • 8% Liveness
71% Instrumentalness • 36% Positiveness
37% Popularity • 67% Danceability • 17% Energy • 8% Liveness
71% Instrumentalness • 36% Positiveness
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yes/and
Melt Away
121 bpm • C Maj • 03:18 • -13db
35% Popularity • 65% Danceability • 31% Energy • 10% Liveness
85% Instrumentalness • 49% Positiveness
35% Popularity • 65% Danceability • 31% Energy • 10% Liveness
85% Instrumentalness • 49% Positiveness
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Joanne Robertson
call say
122 bpm • B min • 03:21 • -18.44db
13% Popularity • 50% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
13% Popularity • 50% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
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pigbaby
Why Don't You Stay, For A Moment
121 bpm • G# Maj • 04:00 • -12.04db
16% Popularity • 33% Danceability • 40% Energy • 11% Liveness
50% Instrumentalness • 46% Positiveness
16% Popularity • 33% Danceability • 40% Energy • 11% Liveness
50% Instrumentalness • 46% Positiveness
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bar italia
night so kissedof
121 bpm • A Maj • 01:46 • -9.75db
24% Popularity • 83% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
24% Popularity • 83% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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NINA
Lara
121 bpm • B Maj • 02:23 • -6.69db
21% Popularity • 40% Danceability • 58% Energy • 14% Liveness
33% Instrumentalness • 27% Positiveness
21% Popularity • 40% Danceability • 58% Energy • 14% Liveness
33% Instrumentalness • 27% Positiveness
