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Quam pulchra es - 1987 Remastered Version
Songs like
Quam pulchra es - 1987 Remastered Version
by
John Dunstable
Based on a tempo of (+/- 10%) and a similar genre
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John Dunstable
Credo, JD 17: Credo (Da gaudiorum premia...
76 bpm • F# Maj • 05:59 • -25.61db
11% Popularity • 18% Danceability • 6% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
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Jacob Obrecht
Missa O lumen ecclesie: Kyrie
76 bpm • F Maj • 01:15 • -23db
39% Popularity • 18% Danceability • 14% Energy • 11% Liveness
66% Instrumentalness • 4% Positiveness
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Peter Abelard
Abelard and Heloise, from Saint-Denis to...
76 bpm • A# min • 08:22 • -27.42db
4% Popularity • 23% Danceability • 3% Energy • 23% Liveness
0% Instrumentalness • 9% Positiveness
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John Taverner
Dum transisset Sabbatum
76 bpm • D min • 07:54 • -23.93db
11% Popularity • 8% Danceability • 11% Energy • 8% Liveness
25% Instrumentalness • 4% Positiveness
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William Billings
Chester ("Let tyrants shake their iron r...
76 bpm • C Maj • 02:18 • -20.39db
8% Popularity • 29% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
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Pierre de la Rue
Mijn hert altijt heeft verlanghen
76 bpm • A min • 04:47 • -22.21db
16% Popularity • 13% Danceability • 4% Energy • 9% Liveness
20% Instrumentalness • 4% Positiveness
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John Dunstable
Quam pulchra es - 1987 Remastered Versio...
76 bpm • C# Maj • 02:47 • -27db
10% Popularity • 21% Danceability • 5% Energy • 9% Liveness
6% Instrumentalness • 6% Positiveness
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Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
76 bpm • C Maj • 04:15 • -18.87db
16% Popularity • 11% Danceability • 14% Energy • 14% Liveness
12% Instrumentalness • 4% Positiveness
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William Byrd
Mass for 3 Voices: IV. Sanctus
75 bpm • D# Maj • 01:53 • -26.35db
6% Popularity • 16% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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John Taverner
Quemadmodum
76 bpm • C min • 06:30 • -24db
9% Popularity • 7% Danceability • 11% Energy • 12% Liveness
57% Instrumentalness • 4% Positiveness
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Galina Grigorjeva
In Paradisum
77 bpm • E min • 04:06 • -24db
22% Popularity • 13% Danceability • 11% Energy • 6% Liveness
84% Instrumentalness • 3% Positiveness
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Thomas Morley
Miraculous love's wounding
77 bpm • D min • 03:07 • -35.77db
1% Popularity • 10% Danceability • 1% Energy • 15% Liveness
0% Instrumentalness • 6% Positiveness
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Pérotin
Sederunt principes (4-part organum / pla...
77 bpm • E Maj • 13:34 • -21.03db
14% Popularity • 15% Danceability • 12% Energy • 6% Liveness
7% Instrumentalness • 4% Positiveness
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Jan Garbarek
Ov zarmanali
75 bpm • F# Maj • 04:11 • -23.68db
13% Popularity • 14% Danceability • 5% Energy • 9% Liveness
37% Instrumentalness • 3% Positiveness
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Heinrich Schütz
Historia der Auferstehung Jesu Christi, ...
75 bpm • D# min • 01:04 • -22.9db
25% Popularity • 20% Danceability • 11% Energy • 23% Liveness
2% Instrumentalness • 7% Positiveness
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The Hilliard Ensemble
Missa "Mille Regretz": Magnificat (Moral...
75 bpm • E min • 08:55 • -21.7db
5% Popularity • 11% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
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Alfred Schnittke
Three Sacred Hymns: III. Vater unser
75 bpm • D# Maj • 03:21 • -21.78db
8% Popularity • 9% Danceability • 9% Energy • 8% Liveness
2% Instrumentalness • 3% Positiveness
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Thomas Morley
When loe by breake of morning
77 bpm • C Maj • 01:42 • -30.92db
2% Popularity • 35% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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John Dunstable
Veni Sancte Spiritus et emitte/Veni Sanc...
77 bpm • E Maj • 06:26 • -20.93db
12% Popularity • 10% Danceability • 12% Energy • 6% Liveness
65% Instrumentalness • 4% Positiveness
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Charles Tessier
Air espagnol: No ay en la tierra
75 bpm • C# Maj • 04:16 • -27.57db
8% Popularity • 24% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Jacopo da Bologna
Fenice fu’ e vissi (Madrigale)
75 bpm • A# min • 02:24 • -27db
8% Popularity • 34% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Johann Sebastian Bach
Jesu Meine Freude, BWV 358
75 bpm • C# min • 01:06 • -26.88db
13% Popularity • 27% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Pablo Ortiz
Gallos y Huesos: Huesos: Quien se deteng...
75 bpm • C Maj • 02:20 • -30.84db
0% Popularity • 26% Danceability • 1% Energy • 7% Liveness
12% Instrumentalness • 6% Positiveness
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Thomas Weelkes
Thule, the period of Cosmographie: a. (T...
75 bpm • A# Maj • 02:28 • -22.56db
2% Popularity • 18% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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John Dunstable
Veni Sancte Spiritus - Veni Creator, JD ...
77 bpm • C# Maj • 06:56 • -23db
13% Popularity • 7% Danceability • 15% Energy • 5% Liveness
0% Instrumentalness • 6% Positiveness
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Karlheinz Stockhausen
Stimmung: Model 26
77 bpm • F Maj • 00:59 • -26.34db
4% Popularity • 39% Danceability • 3% Energy • 15% Liveness
63% Instrumentalness • 7% Positiveness
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The Hilliard Ensemble
de Missa "Mille Regretz": Agnus Dei I B ...
75 bpm • B Maj • 02:16 • -22.81db
6% Popularity • 17% Danceability • 13% Energy • 14% Liveness
92% Instrumentalness • 4% Positiveness
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Francesco Landini
Che chos'è quest'amor
75 bpm • A Maj • 03:03 • -24.89db
8% Popularity • 23% Danceability • 3% Energy • 22% Liveness
10% Instrumentalness • 13% Positiveness
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Pablo Ortiz
Notker: IX. Cum adhuc iuvenulus (quartet...
77 bpm • A# min • 01:53 • -18.93db
0% Popularity • 22% Danceability • 18% Energy • 12% Liveness
2% Instrumentalness • 6% Positiveness
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Jan Garbarek
Allting finns
75 bpm • A min • 04:18 • -18.37db
10% Popularity • 13% Danceability • 9% Energy • 5% Liveness
18% Instrumentalness • 3% Positiveness
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Thomas Morley
O Greefe even on the Bud
77 bpm • F Maj • 02:07 • -29.92db
2% Popularity • 21% Danceability • 2% Energy • 7% Liveness
2% Instrumentalness • 4% Positiveness
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Thomas Tallis
The Lamentations: First Set
75 bpm • E min • 08:30 • -29.37db
10% Popularity • 7% Danceability • 7% Energy • 11% Liveness
10% Instrumentalness • 4% Positiveness
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Gregorio Allegri
Motets: Cantate domino
77 bpm • F Maj • 03:11 • -18db
22% Popularity • 18% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Peter Abelard
Abelard and Heloise, from Saint-Denis to...
75 bpm • A# min • 11:21 • -28.4db
3% Popularity • 17% Danceability • 3% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Philippe Verdelot
Ogn'hor per voi sospiro
78 bpm • G min • 02:22 • -22db
20% Popularity • 15% Danceability • 14% Energy • 12% Liveness
4% Instrumentalness • 9% Positiveness
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Heinrich Schütz
Erbarm dich mein, o Herre Gott, SWV 148
74 bpm • C Maj • 06:32 • -27db
15% Popularity • 13% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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John Wilbye
Sweet honey sucking Bees: a. (The first ...
78 bpm • G# Maj • 01:57 • -25.28db
6% Popularity • 25% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Orazio Benevoli
Missa si Deus pro nobis, a 16 voci: II. ...
78 bpm • A min • 02:57 • -23.03db
24% Popularity • 7% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 6% Positiveness
► Preview
Sergei Rachmaninoff
All-Night Vigil, Op.37: All-Night Vigil,...
78 bpm • C Maj • 02:48 • -13.42db
8% Popularity • 24% Danceability • 25% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
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Sheryngham
Ah, Gentle Jesu
78 bpm • D min • 08:27 • -25.99db
0% Popularity • 17% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Francisco de Peñalosa
Missa Nunca Fue Pena Major: V. Agnus Dei
74 bpm • G# min • 03:26 • -22.83db
24% Popularity • 19% Danceability • 15% Energy • 11% Liveness
97% Instrumentalness • 6% Positiveness
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David Lang
evening morning day
74 bpm • A# Maj • 07:49 • -37.3db
9% Popularity • 10% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Alexander Agricola
Ay je rien fet
78 bpm • D min • 03:11 • -16db
9% Popularity • 20% Danceability • 21% Energy • 9% Liveness
3% Instrumentalness • 31% Positiveness
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Line Tjørnhøj
Vox Reportage: No. 6, Rivers
78 bpm • C Maj • 06:22 • -26.78db
0% Popularity • 13% Danceability • 5% Energy • 9% Liveness
1% Instrumentalness • 3% Positiveness
► Preview
Johannes Ockeghem
Missa prolationum, Agnus Dei: Agnus Dei ...
78 bpm • D# Maj • 04:19 • -25.1db
2% Popularity • 14% Danceability • 8% Energy • 10% Liveness
82% Instrumentalness • 6% Positiveness
► Preview
John Taverner
Taverner: Leroy Kyrie
74 bpm • C# Maj • 03:33 • -19.95db
11% Popularity • 14% Danceability • 12% Energy • 10% Liveness
41% Instrumentalness • 4% Positiveness
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Graduale Romanum, Toul,
Kyrie
78 bpm • G Maj • 01:48 • -27.55db
2% Popularity • 21% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
David Lang
the little match girl passion: have merc...
78 bpm • G# Maj • 04:37 • -26.33db
10% Popularity • 9% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 3% Positiveness
► Preview
Orazio Benevoli
Missa Azzolina: Agnus Dei
78 bpm • A Maj • 02:07 • -20db
31% Popularity • 18% Danceability • 10% Energy • 11% Liveness
90% Instrumentalness • 5% Positiveness
► Preview
The Hilliard Ensemble
Missa "Mille Regretz": Credo (Morales)
74 bpm • B Maj • 09:07 • -21.1db
7% Popularity • 9% Danceability • 17% Energy • 14% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
Sergei Rachmaninoff
All-Night Vigil, Op.37: All-Night Vigil,...
78 bpm • C min • 03:19 • -31.6db
7% Popularity • 17% Danceability • 4% Energy • 9% Liveness
13% Instrumentalness • 4% Positiveness
► Preview
Giovanni Maria Nanino
Nanino: Adoramus te, Christe
74 bpm • A# Maj • 03:16 • -25.15db
15% Popularity • 23% Danceability • 6% Energy • 6% Liveness
95% Instrumentalness • 6% Positiveness
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John Dunstable
Sanctus (Da gaudiorum premia), JD 18
79 bpm • F# Maj • 06:11 • -23db
12% Popularity • 14% Danceability • 10% Energy • 11% Liveness
83% Instrumentalness • 4% Positiveness
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Thomas Crecquillon
Crecquillon: Pater peccavi - 1. Pater pe...
79 bpm • G Maj • 04:24 • -20db
12% Popularity • 13% Danceability • 14% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
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Samuel Scheidt
Surrexit Christus hodie
79 bpm • G min • 01:18 • -19db
34% Popularity • 32% Danceability • 11% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
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Antonio Caprioli
Quella bella e biancha mano
79 bpm • F Maj • 03:13 • -22.72db
4% Popularity • 30% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Orlando Gibbons
The Silver Swan
79 bpm • C Maj • 02:07 • -25.05db
17% Popularity • 18% Danceability • 8% Energy • 12% Liveness
81% Instrumentalness • 4% Positiveness
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Léonin
Propter veritatem
73 bpm • D# Maj • 07:01 • -21.84db
5% Popularity • 16% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Giovanni Gabrieli
In ecclesiis (a 14), C78
79 bpm • A min • 07:44 • -21db
15% Popularity • 11% Danceability • 11% Energy • 18% Liveness
18% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Palestrina: Sicut Lilium Inter Spinas 1
79 bpm • B min • 04:42 • -24.11db
19% Popularity • 8% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Alexander Agricola
Missa, "In myne zin": Agnus Dei: Agnus I
79 bpm • A min • 02:31 • -21db
30% Popularity • 18% Danceability • 17% Energy • 12% Liveness
27% Instrumentalness • 7% Positiveness
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Cipriano de Rore
Ancor che col partire
73 bpm • A min • 02:50 • -18db
10% Popularity • 13% Danceability • 20% Energy • 9% Liveness
38% Instrumentalness • 20% Positiveness
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Johann Sebastian Bach
Cantata, BWV 136: Auf Meinen Lieben Gott
79 bpm • G# min • 02:04 • -23.78db
13% Popularity • 11% Danceability • 12% Energy • 26% Liveness
2% Instrumentalness • 7% Positiveness
► Preview
Petrus de Grudencz
Paraneuma Eructemus
79 bpm • F# Maj • 01:14 • -23.08db
0% Popularity • 16% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 10% Positiveness
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Carlo Gesualdo
O dolorosa gioia
79 bpm • G# Maj • 04:40 • -23.45db
11% Popularity • 8% Danceability • 5% Energy • 8% Liveness
1% Instrumentalness • 3% Positiveness
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John Wilbye
Sweet honey sucking Bees: b. The second ...
73 bpm • G# Maj • 02:57 • -24.3db
4% Popularity • 24% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Alfred Schnittke
3 Sacred Hymns: No. 3. Otche nash (Our F...
73 bpm • D# Maj • 04:25 • -27db
12% Popularity • 12% Danceability • 3% Energy • 6% Liveness
5% Instrumentalness • 3% Positiveness
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John Taverner
Kyrie, "Leroy": Kyrie Leroy
79 bpm • A# min • 06:37 • -27.51db
16% Popularity • 11% Danceability • 11% Energy • 8% Liveness
49% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
St. John Passion, BWV 245 / Part One: Ch...
73 bpm • C# min • 00:54 • -24.37db
8% Popularity • 12% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Pablo Ortiz
Gallos y Huesos: Gallos: Hace falta una ...
73 bpm • G min • 02:04 • -24.1db
0% Popularity • 27% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Pérotin
Dum Sigillum
79 bpm • C Maj • 07:37 • -25.39db
7% Popularity • 20% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Cipriano de Rore
Anchor che col partire
79 bpm • A min • 02:32 • -24.69db
3% Popularity • 19% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Thomas Tallis
O Sacrum Convivium
73 bpm • G min • 03:46 • -20.39db
12% Popularity • 16% Danceability • 23% Energy • 14% Liveness
82% Instrumentalness • 4% Positiveness
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Léonin
Viderunt omnes No. 1: ...salutare suum a...
73 bpm • C# Maj • 03:43 • -22db
19% Popularity • 15% Danceability • 9% Energy • 13% Liveness
5% Instrumentalness • 4% Positiveness
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Guillaume de Machaut
Introitus: Gaudeamus omnes in domino
73 bpm • E Maj • 05:11 • -26.17db
12% Popularity • 19% Danceability • 5% Energy • 21% Liveness
1% Instrumentalness • 5% Positiveness
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Graduale Romanum, Toul,
Graduale
79 bpm • C Maj • 02:49 • -29.28db
2% Popularity • 15% Danceability • 3% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Jacob Obrecht
Tsat een meskin: Stat ('tsaat) ein meski...
73 bpm • G Maj • 02:05 • -19db
27% Popularity • 51% Danceability • 16% Energy • 9% Liveness
98% Instrumentalness • 55% Positiveness
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Thomas Weelkes
Since Roben Hood
79 bpm • G Maj • 01:28 • -29.75db
2% Popularity • 48% Danceability • 7% Energy • 28% Liveness
0% Instrumentalness • 79% Positiveness
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Johannes Ockeghem
Missa 'Mi-Mi' (Missa Quarti Toni) a 4: I...
73 bpm • A min • 05:06 • -24.38db
1% Popularity • 20% Danceability • 14% Energy • 31% Liveness
2% Instrumentalness • 18% Positiveness
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Léonin
Viderunt omnes No. 1: Notum fecit... (2-...
79 bpm • C# Maj • 00:44 • -21db
28% Popularity • 21% Danceability • 7% Energy • 9% Liveness
17% Instrumentalness • 6% Positiveness
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Philippe de Vitry
Colla iugo subdere - Bona condit cetera ...
79 bpm • A min • 01:40 • -23.46db
20% Popularity • 18% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Johannes Ciconia
Venecie mundi splendor / Michael qui Ste...
73 bpm • E Maj • 02:36 • -23.13db
3% Popularity • 18% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Thomas Tallis
Mass For Four Voices: 2. Credo
80 bpm • C Maj • 05:42 • -23.58db
11% Popularity • 11% Danceability • 18% Energy • 16% Liveness
8% Instrumentalness • 6% Positiveness
► Preview
Orlando Gibbons
Drop, Drop, Slow Tears a 4
72 bpm • E Maj • 02:05 • -43db
22% Popularity • 20% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Thomas Morley
Sweet nimphe come to thy lover
80 bpm • G Maj • 01:41 • -31.08db
3% Popularity • 32% Danceability • 1% Energy • 6% Liveness
1% Instrumentalness • 8% Positiveness
► Preview
The Hilliard Ensemble
Missa "Mille Regretz": Agnus Dei I (Mora...
72 bpm • A min • 02:26 • -20.72db
14% Popularity • 16% Danceability • 18% Energy • 9% Liveness
26% Instrumentalness • 5% Positiveness
► Preview
Claude Le Jeune
Le Jeune: Le Printemps: No. 1, Revecy ve...
72 bpm • F Maj • 03:48 • -19.62db
15% Popularity • 28% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
► Preview
Josef Rheinberger
Hymnen, Op. 140: III. Eripe me
80 bpm • D Maj • 04:11 • -23.81db
9% Popularity • 15% Danceability • 11% Energy • 12% Liveness
4% Instrumentalness • 4% Positiveness
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Charles D'Argentil
Missa pro defunctis: V. Sanctus
80 bpm • A Maj • 03:14 • -13.11db
13% Popularity • 15% Danceability • 34% Energy • 29% Liveness
0% Instrumentalness • 8% Positiveness
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Claudin de Sermisy
Tant que vivray
72 bpm • E Maj • 02:19 • -18.77db
15% Popularity • 34% Danceability • 14% Energy • 34% Liveness
0% Instrumentalness • 26% Positiveness
► Preview
Maddalena Casulana
Morir non può il mio cuore
72 bpm • A# min • 01:58 • -24.02db
12% Popularity • 22% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Carlo Gesualdo
Io parto e non piu dissi
80 bpm • A min • 03:06 • -27db
23% Popularity • 12% Danceability • 4% Energy • 12% Liveness
3% Instrumentalness • 4% Positiveness
► Preview
Pierre de la Rue
O salutaris hostia
72 bpm • F Maj • 03:08 • -31db
13% Popularity • 13% Danceability • 3% Energy • 7% Liveness
9% Instrumentalness • 4% Positiveness
► Preview
Gregorio Allegri
Messe vidi turbam magnam: No. 2, Kyrie
80 bpm • F Maj • 02:39 • -16.68db
24% Popularity • 20% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
The Hilliard Ensemble
Missa "Mille Regretz": "Lamentabatur Jac...
80 bpm • D# min • 09:58 • -25.55db
5% Popularity • 8% Danceability • 9% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
► Preview
Adam de Saint Victor
Templum cordis
72 bpm • F# Maj • 05:38 • -27.65db
5% Popularity • 18% Danceability • 3% Energy • 30% Liveness
0% Instrumentalness • 16% Positiveness
► Preview
Matteo da Perugia
Ave sancta mundi salus - Agnus dei
80 bpm • E min • 02:10 • -21db
8% Popularity • 22% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
John Taverner
Taverner: Missa Corona spinea - 08. Hosa...
80 bpm • D# Maj • 01:35 • -18db
22% Popularity • 12% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
David Lang
the little match girl passion: come, dau...
72 bpm • C# Maj • 03:40 • -27.87db
16% Popularity • 16% Danceability • 8% Energy • 10% Liveness
1% Instrumentalness • 3% Positiveness
► Preview
Francesco Landini
Angelica biltÃ
81 bpm • A Maj • 02:11 • -28db
13% Popularity • 31% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Quam pulchra es - 1987 Remastered Version