Songs like Quam pulchra es, JD 44 by John Dunstable
Based on a tempo of (+/- 10%) and a similar genre
► Preview
Adam de la Halle
Le jeu de Robin et de Marion (The Play o...
125 bpm • F Maj • 01:01 • -12.01db
0% Popularity • 39% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
0% Popularity • 39% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 40% Positiveness
► Preview
Nordic Chamber Choir - Nicol Matt
La Rose Complete
125 bpm • C# Maj • 04:10 • -33.25db
13% Popularity • 17% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 17% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
John Dunstable
Quam pulchra es, JD 44
125 bpm • A# Maj • 02:35 • -26db
25% Popularity • 18% Danceability • 12% Energy • 29% Liveness
0% Instrumentalness • 6% Positiveness
25% Popularity • 18% Danceability • 12% Energy • 29% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Frank Martin
Mass for Double Choir: Agnus Dei
125 bpm • E min • 05:05 • -26.37db
11% Popularity • 18% Danceability • 4% Energy • 6% Liveness
84% Instrumentalness • 3% Positiveness
11% Popularity • 18% Danceability • 4% Energy • 6% Liveness
84% Instrumentalness • 3% Positiveness
► Preview
Alessandro Striggio
Ecce beatam lucem à 40
126 bpm • C Maj • 08:15 • -19db
7% Popularity • 18% Danceability • 15% Energy • 8% Liveness
15% Instrumentalness • 5% Positiveness
7% Popularity • 18% Danceability • 15% Energy • 8% Liveness
15% Instrumentalness • 5% Positiveness
► Preview
Gregorio Allegri
Messe vidi turbam magnam: No. 1, Introï...
126 bpm • D Maj • 02:50 • -25db
23% Popularity • 26% Danceability • 3% Energy • 18% Liveness
0% Instrumentalness • 12% Positiveness
23% Popularity • 26% Danceability • 3% Energy • 18% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Adam de la Halle
Le jeu de Robin et de Marion (The Play o...
125 bpm • E min • 02:00 • -20.08db
0% Popularity • 24% Danceability • 13% Energy • 24% Liveness
0% Instrumentalness • 18% Positiveness
0% Popularity • 24% Danceability • 13% Energy • 24% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
Claudin de Sermisy
Tant que vivrai
124 bpm • G Maj • 01:22 • -32db
33% Popularity • 18% Danceability • 0% Energy • 15% Liveness
98% Instrumentalness • 36% Positiveness
33% Popularity • 18% Danceability • 0% Energy • 15% Liveness
98% Instrumentalness • 36% Positiveness
► Preview
John Dunstable
Gloria
126 bpm • A# min • 07:12 • -16.4db
0% Popularity • 20% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
0% Popularity • 20% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Guiot de Dijon
Chanterai por mon corage
124 bpm • A min • 04:15 • -24.1db
10% Popularity • 41% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
10% Popularity • 41% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
► Preview
Herbert Howells
Requiem: Requiem aeternam I
126 bpm • E min • 03:47 • -35db
20% Popularity • 17% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
20% Popularity • 17% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
► Preview
Giacomo Carissimi
Jephte: Plorate, filii Israel
127 bpm • F# Maj • 05:00 • -24db
27% Popularity • 21% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
27% Popularity • 21% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Adam de la Halle
Le jeu de Robin et de Marion (The Play o...
124 bpm • E min • 01:01 • -18.77db
1% Popularity • 27% Danceability • 16% Energy • 46% Liveness
0% Instrumentalness • 16% Positiveness
1% Popularity • 27% Danceability • 16% Energy • 46% Liveness
0% Instrumentalness • 16% Positiveness
► Preview
Jan Dismas Zelenka
The Lamentations of Jeremiah the Prophet...
123 bpm • E Maj • 04:33 • -29.95db
8% Popularity • 34% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 34% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Antonio Lotti
Crucifixus
127 bpm • C min • 03:29 • -25.68db
21% Popularity • 18% Danceability • 10% Energy • 8% Liveness
45% Instrumentalness • 3% Positiveness
21% Popularity • 18% Danceability • 10% Energy • 8% Liveness
45% Instrumentalness • 3% Positiveness
► Preview
Alfonso X El Sabio
Cantigas de Santa Maria: Nenbressete Mad...
123 bpm • A# min • 01:55 • -20.69db
31% Popularity • 29% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
31% Popularity • 29% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
► Preview
Jean Mouton
Tota pulchra es
128 bpm • D min • 01:44 • -15.41db
11% Popularity • 17% Danceability • 26% Energy • 37% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 17% Danceability • 26% Energy • 37% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Anonymous
Viderunt omnes fines terre salutare dei ...
122 bpm • G# Maj • 01:12 • -20.38db
12% Popularity • 20% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
12% Popularity • 20% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
► Preview
Pavel Chesnokov
All Night Vigil, Op. 9: No. 18, Bless Th...
127 bpm • C Maj • 03:07 • -26db
13% Popularity • 19% Danceability • 11% Energy • 32% Liveness
3% Instrumentalness • 12% Positiveness
13% Popularity • 19% Danceability • 11% Energy • 32% Liveness
3% Instrumentalness • 12% Positiveness
► Preview
Guillaume de Machaut
Chanson: Rose, liz, printemps, verdure
128 bpm • C Maj • 04:25 • -26db
10% Popularity • 20% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
10% Popularity • 20% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
128 bpm • F# Maj • 01:42 • -24.88db
28% Popularity • 20% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
28% Popularity • 20% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
► Preview
Urmas Sisask
Sisask : Gloria Patri... 24 Hymns for Mi...
122 bpm • F# min • 03:30 • -26.6db
4% Popularity • 20% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
4% Popularity • 20% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
David Buckley
Strengthen ye the weak hands
129 bpm • G Maj • 02:18 • -27.58db
16% Popularity • 17% Danceability • 8% Energy • 7% Liveness
22% Instrumentalness • 3% Positiveness
16% Popularity • 17% Danceability • 8% Energy • 7% Liveness
22% Instrumentalness • 3% Positiveness
► Preview
Léonin
Viderunt omnes No. 1: ...Dominus...
128 bpm • C# Maj • 01:34 • -19.79db
28% Popularity • 23% Danceability • 18% Energy • 25% Liveness
0% Instrumentalness • 4% Positiveness
28% Popularity • 23% Danceability • 18% Energy • 25% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Nathan Jones
I Would Live in Your Love
121 bpm • A# Maj • 04:55 • -31db
25% Popularity • 17% Danceability • 2% Energy • 11% Liveness
6% Instrumentalness • 3% Positiveness
25% Popularity • 17% Danceability • 2% Energy • 11% Liveness
6% Instrumentalness • 3% Positiveness
► Preview
Robert Lucas Pearsall
Lay a garland on her hearse
129 bpm • C min • 03:01 • -25db
22% Popularity • 17% Danceability • 10% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
22% Popularity • 17% Danceability • 10% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
► Preview
The Rose Ensemble
O Gloriosissimi Lux
129 bpm • C min • 06:09 • -26db
14% Popularity • 24% Danceability • 3% Energy • 7% Liveness
10% Instrumentalness • 4% Positiveness
14% Popularity • 24% Danceability • 3% Energy • 7% Liveness
10% Instrumentalness • 4% Positiveness
► Preview
John Taverner
Taverner: Missa Gloria Tibi Trinitas - B...
130 bpm • F min • 02:59 • -23db
13% Popularity • 18% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
13% Popularity • 18% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
John Dunstable
Quam pulchra es
130 bpm • G# Maj • 01:53 • -22.09db
1% Popularity • 26% Danceability • 10% Energy • 7% Liveness
66% Instrumentalness • 8% Positiveness
1% Popularity • 26% Danceability • 10% Energy • 7% Liveness
66% Instrumentalness • 8% Positiveness
► Preview
Henryk Górecki
Miserere, Op. 44: 10. Domine Deus noster...
130 bpm • A min • 02:58 • -26.55db
9% Popularity • 16% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 3% Positiveness
9% Popularity • 16% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 3% Positiveness
► Preview
Tonus Peregrinus
Sancte Deus
130 bpm • E min • 08:15 • -26.6db
0% Popularity • 16% Danceability • 8% Energy • 20% Liveness
71% Instrumentalness • 3% Positiveness
0% Popularity • 16% Danceability • 8% Energy • 20% Liveness
71% Instrumentalness • 3% Positiveness
► Preview
Frank Martin
Mass for Double Choir: Sanctus
130 bpm • D Maj • 04:31 • -22db
13% Popularity • 22% Danceability • 11% Energy • 5% Liveness
5% Instrumentalness • 6% Positiveness
13% Popularity • 22% Danceability • 11% Energy • 5% Liveness
5% Instrumentalness • 6% Positiveness
► Preview
Adam de la Halle
Le jeu de Robin et de Marion (The Play o...
130 bpm • C Maj • 03:01 • -20.16db
9% Popularity • 36% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
9% Popularity • 36% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
► Preview
Adrian Willaert
Vecchie letrose non valete niente
120 bpm • D Maj • 00:50 • -16.64db
16% Popularity • 56% Danceability • 9% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
16% Popularity • 56% Danceability • 9% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
► Preview
James Whitbourn
Son of God Mass: Sanctus and Benedictus
131 bpm • F Maj • 03:00 • -21.5db
26% Popularity • 19% Danceability • 12% Energy • 6% Liveness
90% Instrumentalness • 4% Positiveness
26% Popularity • 19% Danceability • 12% Energy • 6% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
John Dunstable
Ave regina celorum
131 bpm • C# Maj • 05:29 • -17.54db
0% Popularity • 21% Danceability • 17% Energy • 30% Liveness
2% Instrumentalness • 6% Positiveness
0% Popularity • 21% Danceability • 17% Energy • 30% Liveness
2% Instrumentalness • 6% Positiveness
► Preview
Jan Dismas Zelenka
The Lamentations of Jeremiah the Prophet...
131 bpm • C# Maj • 04:00 • -30.61db
14% Popularity • 34% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
14% Popularity • 34% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
131 bpm • C# Maj • 04:27 • -24.33db
12% Popularity • 20% Danceability • 4% Energy • 8% Liveness
3% Instrumentalness • 3% Positiveness
12% Popularity • 20% Danceability • 4% Energy • 8% Liveness
3% Instrumentalness • 3% Positiveness
► Preview
Adam de la Halle
Le jeu de Robin et de Marion (The Play o...
131 bpm • C min • 03:12 • -15.91db
0% Popularity • 20% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
0% Popularity • 20% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
► Preview
The Benedictine Abbey of Saint Benôit-Du-Lac, Dom André Saint-Cyr
Memorare
131 bpm • F Maj • 02:00 • -28db
42% Popularity • 20% Danceability • 5% Energy • 10% Liveness
32% Instrumentalness • 6% Positiveness
42% Popularity • 20% Danceability • 5% Energy • 10% Liveness
32% Instrumentalness • 6% Positiveness
► Preview
Carlo Gesualdo
Itene, o miei sospiri
131 bpm • C Maj • 04:11 • -19.28db
13% Popularity • 22% Danceability • 16% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 22% Danceability • 16% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
John Dunstable
Sanctus, JD 6
119 bpm • A Maj • 04:31 • -24.11db
11% Popularity • 24% Danceability • 7% Energy • 5% Liveness
13% Instrumentalness • 10% Positiveness
11% Popularity • 24% Danceability • 7% Energy • 5% Liveness
13% Instrumentalness • 10% Positiveness
► Preview
Gregorio Allegri
Miserere: III. Auditui meo
131 bpm • F min • 02:45 • -21.56db
15% Popularity • 22% Danceability • 11% Energy • 26% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 22% Danceability • 11% Energy • 26% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Isaac Albéniz
Salmo VI del Oficio de difuntos
132 bpm • F min • 05:29 • -25db
10% Popularity • 16% Danceability • 8% Energy • 10% Liveness
1% Instrumentalness • 3% Positiveness
10% Popularity • 16% Danceability • 8% Energy • 10% Liveness
1% Instrumentalness • 3% Positiveness
► Preview
Adam de la Halle
Le jeu de Robin et de Marion (The Play o...
131 bpm • E min • 01:03 • -18.29db
1% Popularity • 30% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
1% Popularity • 30% Danceability • 14% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
► Preview
Guillaume de Machaut
Qui es promesses
118 bpm • G Maj • 01:52 • -22.77db
8% Popularity • 34% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
8% Popularity • 34% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
► Preview
Jaufre Rudel
Lanquan li jorn
132 bpm • B min • 05:22 • -20db
9% Popularity • 17% Danceability • 9% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
9% Popularity • 17% Danceability • 9% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
► Preview
John Dunstable
Quam pulchra es
118 bpm • D# Maj • 03:04 • -27.17db
3% Popularity • 19% Danceability • 4% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
3% Popularity • 19% Danceability • 4% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Jean Mouton
Celeste beneficium - Audiutorium nostrum
132 bpm • F Maj • 06:15 • -18db
10% Popularity • 20% Danceability • 19% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
10% Popularity • 20% Danceability • 19% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
► Preview
Pro Cantione Antiqua
Dies Irae
118 bpm • C# min • 06:23 • -21.86db
11% Popularity • 32% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
11% Popularity • 32% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
► Preview
Antoine Brumel
Messe Et ecce terrae motus: I. Kyrie
132 bpm • C# Maj • 05:48 • -20db
13% Popularity • 17% Danceability • 25% Energy • 5% Liveness
5% Instrumentalness • 10% Positiveness
13% Popularity • 17% Danceability • 25% Energy • 5% Liveness
5% Instrumentalness • 10% Positiveness
► Preview
Thomas Weelkes
Hosanna to the Son of David
132 bpm • A# min • 02:00 • -24.11db
18% Popularity • 19% Danceability • 15% Energy • 6% Liveness
7% Instrumentalness • 14% Positiveness
18% Popularity • 19% Danceability • 15% Energy • 6% Liveness
7% Instrumentalness • 14% Positiveness
► Preview
Francesco Landini
Non avra ma'pieta questa mia donna
133 bpm • C Maj • 04:18 • -15db
9% Popularity • 23% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 10% Positiveness
9% Popularity • 23% Danceability • 28% Energy • 18% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Giovanni Battista Martini
In monte Oliveti, IGM 4
133 bpm • G min • 01:34 • -27.54db
48% Popularity • 23% Danceability • 3% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
48% Popularity • 23% Danceability • 3% Energy • 10% Liveness
81% Instrumentalness • 4% Positiveness
► Preview
Pavel Chesnokov
Spaseniye sodelal yesi posrede zemli (Sa...
133 bpm • D Maj • 03:35 • -27db
32% Popularity • 16% Danceability • 2% Energy • 6% Liveness
61% Instrumentalness • 4% Positiveness
32% Popularity • 16% Danceability • 2% Energy • 6% Liveness
61% Instrumentalness • 4% Positiveness
► Preview
John Dunstable
Gloria, JD 15: Gloria (Jesu Christe Fili...
133 bpm • E Maj • 07:42 • -22.55db
11% Popularity • 18% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
11% Popularity • 18% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Nicholas Ludford
Ave cujus conceptio
133 bpm • D Maj • 08:51 • -20db
24% Popularity • 18% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
24% Popularity • 18% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Henry Purcell
Remember Not, Lord, Our Offences, Z. 50
133 bpm • A min • 03:16 • -24.9db
18% Popularity • 17% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
18% Popularity • 17% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
Pérotin
Alleluia / Posui adiutorium
133 bpm • G min • 05:45 • -22db
13% Popularity • 27% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
13% Popularity • 27% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Thomas Morley
The Third Dirge Anthem: I Heard a Voice ...
133 bpm • G# min • 01:56 • -27.88db
35% Popularity • 16% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 3% Energy • 11% Liveness
98% Instrumentalness • 4% Positiveness
► Preview
Blondel De Nesle
A l'entrant d'este
133 bpm • C Maj • 04:09 • -27.52db
11% Popularity • 42% Danceability • 1% Energy • 6% Liveness
1% Instrumentalness • 40% Positiveness
11% Popularity • 42% Danceability • 1% Energy • 6% Liveness
1% Instrumentalness • 40% Positiveness
► Preview
Manuel Machado
Dos estrellas le seguen. Romance – à ...
133 bpm • E min • 03:56 • -24db
17% Popularity • 23% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
17% Popularity • 23% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Francisco Guerrero
Ave virgo sanctissima
133 bpm • A# min • 03:50 • -27.09db
16% Popularity • 16% Danceability • 7% Energy • 7% Liveness
6% Instrumentalness • 4% Positiveness
16% Popularity • 16% Danceability • 7% Energy • 7% Liveness
6% Instrumentalness • 4% Positiveness
► Preview
Johann Kuhnau
Tristis Est Anima Mea
134 bpm • F min • 03:48 • -24.17db
11% Popularity • 20% Danceability • 13% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
11% Popularity • 20% Danceability • 13% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
John Dunstable
Puisque m'amour
134 bpm • G# Maj • 03:42 • -18.96db
0% Popularity • 30% Danceability • 18% Energy • 4% Liveness
40% Instrumentalness • 18% Positiveness
0% Popularity • 30% Danceability • 18% Energy • 4% Liveness
40% Instrumentalness • 18% Positiveness
► Preview
The Russian State Symphony Cappella
Fervent Supplication
134 bpm • C Maj • 03:49 • -17.31db
23% Popularity • 16% Danceability • 23% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
23% Popularity • 16% Danceability • 23% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
► Preview
Léonin
Viderunt omnes No. 3: ...fines terre sal...
134 bpm • C# Maj • 00:58 • -21.59db
21% Popularity • 17% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
21% Popularity • 17% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Pierre de la Rue
Soubz ce tumbel
116 bpm • C Maj • 05:03 • -24.03db
13% Popularity • 23% Danceability • 4% Energy • 7% Liveness
14% Instrumentalness • 8% Positiveness
13% Popularity • 23% Danceability • 4% Energy • 7% Liveness
14% Instrumentalness • 8% Positiveness
► Preview
Choeur des Bénédictins de l'Abbaye Sainte-Anne de Kergonan
Messe de la toussaint : Introit gaudeamu...
134 bpm • F Maj • 02:46 • -31.08db
39% Popularity • 21% Danceability • 2% Energy • 12% Liveness
32% Instrumentalness • 5% Positiveness
39% Popularity • 21% Danceability • 2% Energy • 12% Liveness
32% Instrumentalness • 5% Positiveness
► Preview
Jacobus Gallus
Repleti sunt
134 bpm • F min • 01:58 • -20.77db
33% Popularity • 20% Danceability • 13% Energy • 7% Liveness
64% Instrumentalness • 9% Positiveness
33% Popularity • 20% Danceability • 13% Energy • 7% Liveness
64% Instrumentalness • 9% Positiveness
► Preview
Thomas Tomkins
Burial Sentences: I Am the Resurrection ...
134 bpm • C# min • 07:51 • -24db
12% Popularity • 16% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 16% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Henry Purcell
Thou knowest Lord
135 bpm • A# Maj • 02:45 • -27.64db
10% Popularity • 19% Danceability • 3% Energy • 13% Liveness
53% Instrumentalness • 3% Positiveness
10% Popularity • 19% Danceability • 3% Energy • 13% Liveness
53% Instrumentalness • 3% Positiveness
► Preview
Léonin
Viderunt omnes No. 2: ...fines terre sal...
134 bpm • F min • 00:52 • -24.81db
20% Popularity • 22% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
20% Popularity • 22% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
Ars Veritas
Messe cum jubilo: Kyrie IX
135 bpm • F# min • 04:50 • -13.52db
20% Popularity • 19% Danceability • 36% Energy • 15% Liveness
10% Instrumentalness • 5% Positiveness
20% Popularity • 19% Danceability • 36% Energy • 15% Liveness
10% Instrumentalness • 5% Positiveness
► Preview
Pierre Passereau
ll est bel et bon, commere, mon mary: Il...
135 bpm • C min • 01:01 • -18db
20% Popularity • 52% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
20% Popularity • 52% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
► Preview
Adam de la Halle
Pilgrim's Prologue (after Li jus du Pele...
135 bpm • G Maj • 02:46 • -15.92db
0% Popularity • 33% Danceability • 44% Energy • 55% Liveness
0% Instrumentalness • 11% Positiveness
0% Popularity • 33% Danceability • 44% Energy • 55% Liveness
0% Instrumentalness • 11% Positiveness
► Preview
Antony Pitts
The Hymnes and Songs of the Church: No. ...
135 bpm • G# Maj • 01:22 • -19.64db
0% Popularity • 21% Danceability • 7% Energy • 14% Liveness
2% Instrumentalness • 19% Positiveness
0% Popularity • 21% Danceability • 7% Energy • 14% Liveness
2% Instrumentalness • 19% Positiveness
► Preview
Gautier De Coincy
Ma viële
116 bpm • D# Maj • 04:07 • -29.41db
11% Popularity • 19% Danceability • 3% Energy • 6% Liveness
1% Instrumentalness • 17% Positiveness
11% Popularity • 19% Danceability • 3% Energy • 6% Liveness
1% Instrumentalness • 17% Positiveness
► Preview
Léonin
Viderunt omnes... (2-part organum)
135 bpm • G# Maj • 01:20 • -23.1db
36% Popularity • 24% Danceability • 10% Energy • 7% Liveness
90% Instrumentalness • 7% Positiveness
36% Popularity • 24% Danceability • 10% Energy • 7% Liveness
90% Instrumentalness • 7% Positiveness
► Preview
Claude Goudimel
Psaume 128: Bienheureux est quiconque
135 bpm • G min • 01:26 • -19db
25% Popularity • 29% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
25% Popularity • 29% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
► Preview
The Tallis Scholars
Allegri: Miserere - 01. Miserere Mei, De...
135 bpm • A# Maj • 01:12 • -27db
42% Popularity • 19% Danceability • 10% Energy • 16% Liveness
39% Instrumentalness • 3% Positiveness
42% Popularity • 19% Danceability • 10% Energy • 16% Liveness
39% Instrumentalness • 3% Positiveness
► Preview
Thomas Morley
The Second Dirge Anthem: Man That Is Bor...
135 bpm • G# min • 05:31 • -21.31db
10% Popularity • 16% Danceability • 7% Energy • 11% Liveness
64% Instrumentalness • 4% Positiveness
10% Popularity • 16% Danceability • 7% Energy • 11% Liveness
64% Instrumentalness • 4% Positiveness
► Preview
Carlo Gesualdo
Qual fora, donna, un dolce Ohime
135 bpm • F min • 02:51 • -23.41db
17% Popularity • 18% Danceability • 9% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
17% Popularity • 18% Danceability • 9% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
Thomas Weelkes
Noel, Adieu Thou Court's Delight
136 bpm • B Maj • 05:48 • -23.25db
14% Popularity • 18% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
14% Popularity • 18% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Anonymous
Psalm 115/113b - Non nobis Domine (organ...
135 bpm • D# Maj • 07:05 • -19.79db
12% Popularity • 23% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 3% Positiveness
12% Popularity • 23% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 3% Positiveness
► Preview
John Dunstable
Quam pulchra es et quam decora
136 bpm • C Maj • 02:36 • -28.56db
0% Popularity • 20% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
0% Popularity • 20% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Jehan de Lescurel
A vous, douce debonnaire (Rondeau) W!
136 bpm • C# Maj • 03:39 • -27db
12% Popularity • 16% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
12% Popularity • 16% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Paschal de l'Estocart
Veu que du tout (Ps. 11)
115 bpm • C# min • 01:38 • -18.46db
29% Popularity • 21% Danceability • 17% Energy • 11% Liveness
37% Instrumentalness • 6% Positiveness
29% Popularity • 21% Danceability • 17% Energy • 11% Liveness
37% Instrumentalness • 6% Positiveness
► Preview
Baralipton
Gloria
136 bpm • A min • 04:09 • -24.14db
9% Popularity • 22% Danceability • 3% Energy • 11% Liveness
4% Instrumentalness • 12% Positiveness
9% Popularity • 22% Danceability • 3% Energy • 11% Liveness
4% Instrumentalness • 12% Positiveness
► Preview
The Russian State Symphony Cappella
Hymn of the Cherubim (Excerpt 1)
136 bpm • B min • 04:43 • -17.84db
25% Popularity • 15% Danceability • 30% Energy • 9% Liveness
97% Instrumentalness • 3% Positiveness
25% Popularity • 15% Danceability • 30% Energy • 9% Liveness
97% Instrumentalness • 3% Positiveness
► Preview
Men's Choir of the Valaam Singing Culture Institute
Let My Prayer Be Set Forth in Thy Sight
136 bpm • A# min • 07:31 • -25.34db
24% Popularity • 16% Danceability • 7% Energy • 9% Liveness
3% Instrumentalness • 3% Positiveness
24% Popularity • 16% Danceability • 7% Energy • 9% Liveness
3% Instrumentalness • 3% Positiveness
► Preview
Thomas Weelkes
Alleluia, I Heard a Voice
115 bpm • B Maj • 02:52 • -20.54db
13% Popularity • 26% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
13% Popularity • 26% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
► Preview
Heinrich Schütz
Musicalische Exequien, SWV 279: Concert ...
115 bpm • E min • 03:58 • -22.63db
19% Popularity • 20% Danceability • 5% Energy • 21% Liveness
33% Instrumentalness • 8% Positiveness
19% Popularity • 20% Danceability • 5% Energy • 21% Liveness
33% Instrumentalness • 8% Positiveness
► Preview
USSR Ministry of Culture Chamber Choir
Amen, And with thy spirit
136 bpm • C Maj • 01:16 • -28db
31% Popularity • 22% Danceability • 6% Energy • 18% Liveness
58% Instrumentalness • 3% Positiveness
31% Popularity • 22% Danceability • 6% Energy • 18% Liveness
58% Instrumentalness • 3% Positiveness
► Preview
Georg Philipp Telemann
Laudate Jehovam omnes gentes (Psalm 117)...
137 bpm • A Maj • 05:03 • -20.09db
11% Popularity • 22% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
11% Popularity • 22% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Robert Lucas Pearsall
Tu es Petrus
137 bpm • D# Maj • 02:48 • -29db
19% Popularity • 15% Danceability • 6% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
19% Popularity • 15% Danceability • 6% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
► Preview
John Dunstable
Agnus Dei, JD 14
137 bpm • D# Maj • 05:33 • -28db
12% Popularity • 16% Danceability • 8% Energy • 18% Liveness
2% Instrumentalness • 4% Positiveness
12% Popularity • 16% Danceability • 8% Energy • 18% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
The Tallis Scholars
Tallis: Sancte Deus - 4. Quia Per Crucem...
137 bpm • A min • 01:26 • -23.78db
38% Popularity • 17% Danceability • 11% Energy • 11% Liveness
11% Instrumentalness • 4% Positiveness
38% Popularity • 17% Danceability • 11% Energy • 11% Liveness
11% Instrumentalness • 4% Positiveness
