Songs like Quarter Master Stores by Joey Welz
Based on a tempo of (+/- 10%) and a similar genre
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Joey Welz
Quarter Master Stores
164 bpm • E Maj • 02:11 • -8.08db
0% Popularity • 60% Danceability • 82% Energy • 10% Liveness
92% Instrumentalness • 97% Positiveness
0% Popularity • 60% Danceability • 82% Energy • 10% Liveness
92% Instrumentalness • 97% Positiveness
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The Super Stocks
Midnight Run
164 bpm • A# Maj • 01:54 • -10db
27% Popularity • 51% Danceability • 78% Energy • 8% Liveness
33% Instrumentalness • 80% Positiveness
27% Popularity • 51% Danceability • 78% Energy • 8% Liveness
33% Instrumentalness • 80% Positiveness
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Jan & Dean
Philadelphia, PA
165 bpm • A Maj • 02:14 • -14.69db
9% Popularity • 48% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
9% Popularity • 48% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Lou Christie
Mr. Tenor Man
165 bpm • F Maj • 02:22 • -7.15db
10% Popularity • 36% Danceability • 79% Energy • 8% Liveness
2% Instrumentalness • 57% Positiveness
10% Popularity • 36% Danceability • 79% Energy • 8% Liveness
2% Instrumentalness • 57% Positiveness
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Tommy James & The Shondells
Thunderbolt
165 bpm • D Maj • 02:06 • -9.49db
12% Popularity • 43% Danceability • 91% Energy • 14% Liveness
52% Instrumentalness • 97% Positiveness
12% Popularity • 43% Danceability • 91% Energy • 14% Liveness
52% Instrumentalness • 97% Positiveness
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Roy Head And The Traits
One More Time - Back Beat Records versio...
165 bpm • A Maj • 02:16 • -10.17db
15% Popularity • 65% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
15% Popularity • 65% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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Joey Welz
Treat Her Right
163 bpm • G Maj • 03:37 • -9.72db
0% Popularity • 59% Danceability • 79% Energy • 16% Liveness
1% Instrumentalness • 90% Positiveness
0% Popularity • 59% Danceability • 79% Energy • 16% Liveness
1% Instrumentalness • 90% Positiveness
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The Crossfires
Chunky
166 bpm • A# Maj • 02:13 • -6.94db
22% Popularity • 35% Danceability • 81% Energy • 24% Liveness
33% Instrumentalness • 76% Positiveness
22% Popularity • 35% Danceability • 81% Energy • 24% Liveness
33% Instrumentalness • 76% Positiveness
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Bill Pinky
After the Hop
162 bpm • A# Maj • 02:04 • -6.52db
8% Popularity • 52% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
8% Popularity • 52% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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Davie Allan & The Arrows
Apache '65
166 bpm • G min • 02:17 • -4.2db
17% Popularity • 37% Danceability • 80% Energy • 37% Liveness
83% Instrumentalness • 65% Positiveness
17% Popularity • 37% Danceability • 80% Energy • 37% Liveness
83% Instrumentalness • 65% Positiveness
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Jimmy Lloyd
I Got a Rocket in My Pocket
161 bpm • C Maj • 02:20 • -4.57db
29% Popularity • 65% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 98% Positiveness
29% Popularity • 65% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 98% Positiveness
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The Chantays
Banzai
161 bpm • B min • 02:03 • -16db
27% Popularity • 34% Danceability • 76% Energy • 12% Liveness
76% Instrumentalness • 77% Positiveness
27% Popularity • 34% Danceability • 76% Energy • 12% Liveness
76% Instrumentalness • 77% Positiveness
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Joey Welz
Southen Country Rock & Roll
166 bpm • G min • 02:20 • -7.55db
2% Popularity • 43% Danceability • 82% Energy • 9% Liveness
3% Instrumentalness • 47% Positiveness
2% Popularity • 43% Danceability • 82% Energy • 9% Liveness
3% Instrumentalness • 47% Positiveness
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The Surf Teens
Moonshine
161 bpm • C Maj • 01:54 • -14.43db
15% Popularity • 37% Danceability • 54% Energy • 13% Liveness
83% Instrumentalness • 57% Positiveness
15% Popularity • 37% Danceability • 54% Energy • 13% Liveness
83% Instrumentalness • 57% Positiveness
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The Impacts
Fort Lauderdale
161 bpm • E Maj • 01:43 • -10.42db
13% Popularity • 24% Danceability • 90% Energy • 27% Liveness
90% Instrumentalness • 38% Positiveness
13% Popularity • 24% Danceability • 90% Energy • 27% Liveness
90% Instrumentalness • 38% Positiveness
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The Pyramids
Midnight Run
167 bpm • C min • 01:55 • -8.77db
25% Popularity • 35% Danceability • 62% Energy • 11% Liveness
70% Instrumentalness • 33% Positiveness
25% Popularity • 35% Danceability • 62% Energy • 11% Liveness
70% Instrumentalness • 33% Positiveness
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Danny & The Juniors
Twistin' USA
161 bpm • C# min • 02:31 • -5.78db
15% Popularity • 45% Danceability • 70% Energy • 61% Liveness
0% Instrumentalness • 92% Positiveness
15% Popularity • 45% Danceability • 70% Energy • 61% Liveness
0% Instrumentalness • 92% Positiveness
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The Bobby Fuller Four
Thunder Reef
168 bpm • D Maj • 01:50 • -9db
17% Popularity • 49% Danceability • 82% Energy • 33% Liveness
94% Instrumentalness • 96% Positiveness
17% Popularity • 49% Danceability • 82% Energy • 33% Liveness
94% Instrumentalness • 96% Positiveness
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The Chantays
Runaway
160 bpm • G Maj • 02:51 • -13.59db
19% Popularity • 47% Danceability • 62% Energy • 38% Liveness
95% Instrumentalness • 82% Positiveness
19% Popularity • 47% Danceability • 62% Energy • 38% Liveness
95% Instrumentalness • 82% Positiveness
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Larry Williams
Little School Girl
168 bpm • G Maj • 01:53 • -10.36db
18% Popularity • 38% Danceability • 53% Energy • 31% Liveness
0% Instrumentalness • 92% Positiveness
18% Popularity • 38% Danceability • 53% Energy • 31% Liveness
0% Instrumentalness • 92% Positiveness
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Carl Mcvoy
Tootsie
168 bpm • G Maj • 02:28 • -8.31db
10% Popularity • 51% Danceability • 75% Energy • 28% Liveness
0% Instrumentalness • 86% Positiveness
10% Popularity • 51% Danceability • 75% Energy • 28% Liveness
0% Instrumentalness • 86% Positiveness
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Don & Dewey
Justine
168 bpm • A Maj • 02:44 • -11db
10% Popularity • 42% Danceability • 72% Energy • 38% Liveness
0% Instrumentalness • 68% Positiveness
10% Popularity • 42% Danceability • 72% Energy • 38% Liveness
0% Instrumentalness • 68% Positiveness
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Tommy Roe
Carol
160 bpm • C min • 02:37 • -8db
12% Popularity • 40% Danceability • 89% Energy • 40% Liveness
0% Instrumentalness • 83% Positiveness
12% Popularity • 40% Danceability • 89% Energy • 40% Liveness
0% Instrumentalness • 83% Positiveness
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Jimmy Lloyd
I Got a Rocket in My Pocket (Alternate T...
159 bpm • F Maj • 02:22 • -7.9db
22% Popularity • 67% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 98% Positiveness
22% Popularity • 67% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 98% Positiveness
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The Nashville Teens
Let It Rock/Rocking On The Railroad
168 bpm • B Maj • 02:18 • -9.49db
17% Popularity • 26% Danceability • 88% Energy • 29% Liveness
2% Instrumentalness • 71% Positiveness
17% Popularity • 26% Danceability • 88% Energy • 29% Liveness
2% Instrumentalness • 71% Positiveness
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The Rhythm Rockers
Breakfast at Tressles
169 bpm • E Maj • 02:48 • -8.76db
34% Popularity • 33% Danceability • 90% Energy • 26% Liveness
72% Instrumentalness • 76% Positiveness
34% Popularity • 33% Danceability • 90% Energy • 26% Liveness
72% Instrumentalness • 76% Positiveness
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Johnny Knight
Rock & Roll Guitar
170 bpm • F min • 02:08 • -5.09db
20% Popularity • 39% Danceability • 93% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
20% Popularity • 39% Danceability • 93% Energy • 25% Liveness
0% Instrumentalness • 96% Positiveness
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Larry Williams
Ting-A-Ling
159 bpm • A# Maj • 02:04 • -11.49db
13% Popularity • 48% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
13% Popularity • 48% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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Gerry Granaham
Short Skirts
158 bpm • F Maj • 02:05 • -10.45db
3% Popularity • 35% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 78% Positiveness
3% Popularity • 35% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 78% Positiveness
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The Safaris
Summer Nights
159 bpm • D Maj • 01:54 • -13.42db
8% Popularity • 32% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
8% Popularity • 32% Danceability • 49% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
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Huelyn Duvall
Pucker Paint
170 bpm • G Maj • 02:10 • -5.83db
31% Popularity • 63% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
31% Popularity • 63% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Gems
Hernando's Hideaway
158 bpm • D Maj • 02:15 • -3.86db
7% Popularity • 40% Danceability • 96% Energy • 8% Liveness
75% Instrumentalness • 96% Positiveness
7% Popularity • 40% Danceability • 96% Energy • 8% Liveness
75% Instrumentalness • 96% Positiveness
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The Fireballs
Bulldog
158 bpm • A Maj • 02:11 • -14.27db
31% Popularity • 54% Danceability • 77% Energy • 9% Liveness
94% Instrumentalness • 94% Positiveness
31% Popularity • 54% Danceability • 77% Energy • 9% Liveness
94% Instrumentalness • 94% Positiveness
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The Underdogs
Friday At The Hideout
158 bpm • B min • 02:11 • -7.53db
10% Popularity • 44% Danceability • 85% Energy • 12% Liveness
3% Instrumentalness • 91% Positiveness
10% Popularity • 44% Danceability • 85% Energy • 12% Liveness
3% Instrumentalness • 91% Positiveness
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The Royal Coachmen
Loophole
158 bpm • A min • 02:41 • -8.4db
16% Popularity • 46% Danceability • 68% Energy • 14% Liveness
16% Instrumentalness • 61% Positiveness
16% Popularity • 46% Danceability • 68% Energy • 14% Liveness
16% Instrumentalness • 61% Positiveness
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Johnny & The Hurricanes
Bam-Boo
158 bpm • E min • 02:27 • -7.08db
12% Popularity • 44% Danceability • 94% Energy • 10% Liveness
91% Instrumentalness • 85% Positiveness
12% Popularity • 44% Danceability • 94% Energy • 10% Liveness
91% Instrumentalness • 85% Positiveness
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The Reekers
Don't Call Me Flyface, 1964
171 bpm • A Maj • 02:26 • -5.39db
11% Popularity • 43% Danceability • 99% Energy • 30% Liveness
92% Instrumentalness • 91% Positiveness
11% Popularity • 43% Danceability • 99% Energy • 30% Liveness
92% Instrumentalness • 91% Positiveness
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Gene Summers
Straight Skirt
157 bpm • A Maj • 01:57 • -7db
16% Popularity • 47% Danceability • 71% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
16% Popularity • 47% Danceability • 71% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
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The Fireballs
Torquay
157 bpm • C Maj • 01:55 • -15.11db
34% Popularity • 63% Danceability • 55% Energy • 15% Liveness
94% Instrumentalness • 96% Positiveness
34% Popularity • 63% Danceability • 55% Energy • 15% Liveness
94% Instrumentalness • 96% Positiveness
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The Chantays
Tragic Wind
157 bpm • A min • 02:07 • -13.31db
28% Popularity • 28% Danceability • 75% Energy • 14% Liveness
91% Instrumentalness • 67% Positiveness
28% Popularity • 28% Danceability • 75% Energy • 14% Liveness
91% Instrumentalness • 67% Positiveness
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Floyd Dakil Combo
Dance, Franny, Dance
172 bpm • G Maj • 02:07 • -5.75db
8% Popularity • 46% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 93% Positiveness
8% Popularity • 46% Danceability • 87% Energy • 37% Liveness
0% Instrumentalness • 93% Positiveness
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Gene Vincent
Ain't That Too Much
172 bpm • F min • 02:58 • -12.73db
20% Popularity • 64% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
20% Popularity • 64% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Jim Fleming
Ask Her to Dance
157 bpm • G Maj • 02:20 • -6.59db
10% Popularity • 48% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
10% Popularity • 48% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
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Terry Stafford
Playing With Fire
172 bpm • G Maj • 02:15 • -11.58db
9% Popularity • 58% Danceability • 70% Energy • 25% Liveness
0% Instrumentalness • 83% Positiveness
9% Popularity • 58% Danceability • 70% Energy • 25% Liveness
0% Instrumentalness • 83% Positiveness
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The Carnations
Scorpion
172 bpm • D# Maj • 02:05 • -7.5db
16% Popularity • 44% Danceability • 92% Energy • 23% Liveness
0% Instrumentalness • 97% Positiveness
16% Popularity • 44% Danceability • 92% Energy • 23% Liveness
0% Instrumentalness • 97% Positiveness
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Link Wray & His Ray Men
Fat Back
172 bpm • G Maj • 02:43 • -10.78db
9% Popularity • 36% Danceability • 86% Energy • 32% Liveness
5% Instrumentalness • 49% Positiveness
9% Popularity • 36% Danceability • 86% Energy • 32% Liveness
5% Instrumentalness • 49% Positiveness
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Larry Williams
Peaches And Cream
172 bpm • G Maj • 02:01 • -13.78db
14% Popularity • 52% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
14% Popularity • 52% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
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Jan & Dean
Surfin' Hearse
156 bpm • G Maj • 02:42 • -12.8db
12% Popularity • 52% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
12% Popularity • 52% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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Number Nine
Where's Robin?
173 bpm • G Maj • 03:12 • -13.91db
4% Popularity • 28% Danceability • 73% Energy • 9% Liveness
88% Instrumentalness • 90% Positiveness
4% Popularity • 28% Danceability • 73% Energy • 9% Liveness
88% Instrumentalness • 90% Positiveness
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Kip Tyler
She Got Eyes
155 bpm • E Maj • 02:14 • -7.57db
16% Popularity • 58% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
16% Popularity • 58% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Jody Reynolds
Beaulah Lee
155 bpm • A Maj • 02:20 • -8.24db
11% Popularity • 56% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 91% Positiveness
11% Popularity • 56% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 91% Positiveness
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The Pyramids
Road Runnah
174 bpm • E min • 02:02 • -8.37db
22% Popularity • 29% Danceability • 96% Energy • 26% Liveness
95% Instrumentalness • 96% Positiveness
22% Popularity • 29% Danceability • 96% Energy • 26% Liveness
95% Instrumentalness • 96% Positiveness
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Johnny Kidd & The Pirates
Feelin'
155 bpm • E min • 01:59 • -8.98db
16% Popularity • 41% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 90% Positiveness
16% Popularity • 41% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 90% Positiveness
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The Everly Brothers
Let's Go Get Stoned
174 bpm • C# Maj • 03:04 • -11.47db
6% Popularity • 34% Danceability • 41% Energy • 64% Liveness
0% Instrumentalness • 55% Positiveness
6% Popularity • 34% Danceability • 41% Energy • 64% Liveness
0% Instrumentalness • 55% Positiveness
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The Belairs
Volcanic Action
155 bpm • E Maj • 02:33 • -10.67db
16% Popularity • 31% Danceability • 88% Energy • 30% Liveness
93% Instrumentalness • 71% Positiveness
16% Popularity • 31% Danceability • 88% Energy • 30% Liveness
93% Instrumentalness • 71% Positiveness
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Dwight Pullen
Sunglasses After Dark
174 bpm • E min • 02:08 • -10.61db
31% Popularity • 29% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
31% Popularity • 29% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Bevis Lawrence
Surf Ride
175 bpm • A Maj • 03:15 • -10.56db
20% Popularity • 25% Danceability • 64% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
20% Popularity • 25% Danceability • 64% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
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Del Shannon
My Wild One
175 bpm • E Maj • 01:58 • -5.08db
18% Popularity • 34% Danceability • 62% Energy • 64% Liveness
0% Instrumentalness • 80% Positiveness
18% Popularity • 34% Danceability • 62% Energy • 64% Liveness
0% Instrumentalness • 80% Positiveness
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The Rivieras
Surfin' Fun
175 bpm • D# Maj • 02:05 • -7db
16% Popularity • 37% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
16% Popularity • 37% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Rosco Gordon
Sally Jo
175 bpm • A Maj • 02:06 • -11.04db
15% Popularity • 62% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
15% Popularity • 62% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 94% Positiveness
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Ronnie Self
Rocky Road Blues
153 bpm • D Maj • 02:29 • -10.9db
27% Popularity • 58% Danceability • 55% Energy • 31% Liveness
0% Instrumentalness • 85% Positiveness
27% Popularity • 58% Danceability • 55% Energy • 31% Liveness
0% Instrumentalness • 85% Positiveness
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The Rumblers
I Don't Need You No More
153 bpm • B Maj • 02:21 • -7.83db
9% Popularity • 46% Danceability • 82% Energy • 41% Liveness
1% Instrumentalness • 95% Positiveness
9% Popularity • 46% Danceability • 82% Energy • 41% Liveness
1% Instrumentalness • 95% Positiveness
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Screaming Lord Sutch & The Savages
Don't You Just Know It
153 bpm • E Maj • 02:24 • -7.77db
8% Popularity • 25% Danceability • 80% Energy • 36% Liveness
91% Instrumentalness • 69% Positiveness
8% Popularity • 25% Danceability • 80% Energy • 36% Liveness
91% Instrumentalness • 69% Positiveness
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The Chantays
Pipeline
153 bpm • A min • 02:20 • -13.03db
31% Popularity • 40% Danceability • 53% Energy • 15% Liveness
78% Instrumentalness • 64% Positiveness
31% Popularity • 40% Danceability • 53% Energy • 15% Liveness
78% Instrumentalness • 64% Positiveness
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Troy Shondell
Girl After Girl
153 bpm • G Maj • 02:21 • -11.39db
8% Popularity • 44% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
8% Popularity • 44% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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The Hollywood Flames
Strollin' On The Beach
153 bpm • A Maj • 01:49 • -11db
10% Popularity • 40% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 97% Positiveness
10% Popularity • 40% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 97% Positiveness
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Roy Head
Wigglin' And Gigglin'
176 bpm • C Maj • 02:30 • -8.53db
9% Popularity • 60% Danceability • 60% Energy • 23% Liveness
0% Instrumentalness • 70% Positiveness
9% Popularity • 60% Danceability • 60% Energy • 23% Liveness
0% Instrumentalness • 70% Positiveness
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Wizzard
You Got Me Runnin'
177 bpm • C Maj • 03:15 • -7.79db
7% Popularity • 32% Danceability • 84% Energy • 31% Liveness
0% Instrumentalness • 95% Positiveness
7% Popularity • 32% Danceability • 84% Energy • 31% Liveness
0% Instrumentalness • 95% Positiveness
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The "5" Royales
The Slummer the Slum
152 bpm • G# Maj • 02:14 • -9db
15% Popularity • 49% Danceability • 56% Energy • 17% Liveness
2% Instrumentalness • 96% Positiveness
15% Popularity • 49% Danceability • 56% Energy • 17% Liveness
2% Instrumentalness • 96% Positiveness
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Jody Reynolds
Thunder
152 bpm • B min • 02:28 • -8.48db
11% Popularity • 44% Danceability • 81% Energy • 10% Liveness
78% Instrumentalness • 92% Positiveness
11% Popularity • 44% Danceability • 81% Energy • 10% Liveness
78% Instrumentalness • 92% Positiveness
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Carl Perkins
Honey Don't - Alternate / Remastered 202...
177 bpm • E Maj • 02:24 • -5.4db
12% Popularity • 56% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 92% Positiveness
12% Popularity • 56% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 92% Positiveness
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Johnny Kidd & The Pirates
More Of The Same
152 bpm • A Maj • 01:53 • -10.9db
9% Popularity • 72% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
9% Popularity • 72% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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The Swinging Blue Jeans
You've Got Love
152 bpm • A Maj • 01:56 • -6.58db
12% Popularity • 50% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
12% Popularity • 50% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Joey Welz
Jammin' with Roy
151 bpm • C# Maj • 02:45 • -6.85db
2% Popularity • 41% Danceability • 88% Energy • 13% Liveness
85% Instrumentalness • 63% Positiveness
2% Popularity • 41% Danceability • 88% Energy • 13% Liveness
85% Instrumentalness • 63% Positiveness
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The Super Stocks
Redondo Beach
178 bpm • G Maj • 02:10 • -11db
27% Popularity • 37% Danceability • 93% Energy • 9% Liveness
94% Instrumentalness • 97% Positiveness
27% Popularity • 37% Danceability • 93% Energy • 9% Liveness
94% Instrumentalness • 97% Positiveness
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Johnny's Uncalled Four
Movin' & Groovin'
151 bpm • E Maj • 01:59 • -6.45db
8% Popularity • 60% Danceability • 90% Energy • 19% Liveness
87% Instrumentalness • 97% Positiveness
8% Popularity • 60% Danceability • 90% Energy • 19% Liveness
87% Instrumentalness • 97% Positiveness
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The Ready Men
Disintegration
179 bpm • C Maj • 02:26 • -5db
11% Popularity • 32% Danceability • 87% Energy • 7% Liveness
65% Instrumentalness • 90% Positiveness
11% Popularity • 32% Danceability • 87% Energy • 7% Liveness
65% Instrumentalness • 90% Positiveness
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Alvie Self
Seven Minutes Till Four
151 bpm • G Maj • 02:08 • -7.64db
14% Popularity • 54% Danceability • 91% Energy • 28% Liveness
87% Instrumentalness • 98% Positiveness
14% Popularity • 54% Danceability • 91% Energy • 28% Liveness
87% Instrumentalness • 98% Positiveness
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The Sentinals
Sensation
150 bpm • A Maj • 02:32 • -12db
14% Popularity • 61% Danceability • 80% Energy • 10% Liveness
89% Instrumentalness • 94% Positiveness
14% Popularity • 61% Danceability • 80% Energy • 10% Liveness
89% Instrumentalness • 94% Positiveness
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Joey Welz
Ya Ya
151 bpm • C# Maj • 02:43 • -6.81db
0% Popularity • 47% Danceability • 89% Energy • 62% Liveness
0% Instrumentalness • 74% Positiveness
0% Popularity • 47% Danceability • 89% Energy • 62% Liveness
0% Instrumentalness • 74% Positiveness
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Bobby Darin
Splish Splash
150 bpm • F Maj • 02:01 • -4.53db
14% Popularity • 64% Danceability • 77% Energy • 19% Liveness
0% Instrumentalness • 97% Positiveness
14% Popularity • 64% Danceability • 77% Energy • 19% Liveness
0% Instrumentalness • 97% Positiveness
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Worn-Tin
In My Place
150 bpm • G# Maj • 02:47 • -6.98db
18% Popularity • 64% Danceability • 91% Energy • 37% Liveness
0% Instrumentalness • 88% Positiveness
18% Popularity • 64% Danceability • 91% Energy • 37% Liveness
0% Instrumentalness • 88% Positiveness
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Gene Vincent
I'm Gonna Catch Me A Rat
150 bpm • G# min • 02:04 • -12.08db
12% Popularity • 52% Danceability • 50% Energy • 84% Liveness
0% Instrumentalness • 96% Positiveness
12% Popularity • 52% Danceability • 50% Energy • 84% Liveness
0% Instrumentalness • 96% Positiveness
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The Pilgrims Five
And Blue
150 bpm • G Maj • 02:23 • -11.46db
10% Popularity • 36% Danceability • 59% Energy • 11% Liveness
1% Instrumentalness • 88% Positiveness
10% Popularity • 36% Danceability • 59% Energy • 11% Liveness
1% Instrumentalness • 88% Positiveness
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The Volcanos
Oh Oh Mojo
180 bpm • G Maj • 01:40 • -8db
19% Popularity • 49% Danceability • 70% Energy • 28% Liveness
0% Instrumentalness • 94% Positiveness
19% Popularity • 49% Danceability • 70% Energy • 28% Liveness
0% Instrumentalness • 94% Positiveness
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Warren Smith
Stop The World
150 bpm • E min • 02:01 • -12.5db
15% Popularity • 67% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
15% Popularity • 67% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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The Villiants
Moon Flight
150 bpm • F# min • 02:18 • -11.34db
9% Popularity • 34% Danceability • 60% Energy • 11% Liveness
92% Instrumentalness • 64% Positiveness
9% Popularity • 34% Danceability • 60% Energy • 11% Liveness
92% Instrumentalness • 64% Positiveness
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Jimmie Rodgers
The Girl in the Wood
149 bpm • F# Maj • 03:01 • -4.33db
11% Popularity • 44% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
11% Popularity • 44% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Dale Hawkins
Daredevil
180 bpm • A Maj • 02:12 • -12.65db
18% Popularity • 41% Danceability • 69% Energy • 20% Liveness
85% Instrumentalness • 68% Positiveness
18% Popularity • 41% Danceability • 69% Energy • 20% Liveness
85% Instrumentalness • 68% Positiveness
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Larry Williams
Slow Down
181 bpm • D Maj • 02:46 • -13db
34% Popularity • 44% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 91% Positiveness
34% Popularity • 44% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 91% Positiveness
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Bailey's Nervous Kats
Five Fingers of Scotch
148 bpm • C min • 02:00 • -14.6db
16% Popularity • 43% Danceability • 61% Energy • 14% Liveness
86% Instrumentalness • 60% Positiveness
16% Popularity • 43% Danceability • 61% Energy • 14% Liveness
86% Instrumentalness • 60% Positiveness
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The Torquays
Surfer's Cry
182 bpm • B min • 02:32 • -9.97db
18% Popularity • 48% Danceability • 59% Energy • 15% Liveness
37% Instrumentalness • 65% Positiveness
18% Popularity • 48% Danceability • 59% Energy • 15% Liveness
37% Instrumentalness • 65% Positiveness
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Glen Glenn
One Cup of Coffee
147 bpm • C# Maj • 02:03 • -9.97db
31% Popularity • 61% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 95% Positiveness
31% Popularity • 61% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 95% Positiveness
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Preston Epps
Bongo In The Congo
147 bpm • E Maj • 01:58 • -11.06db
12% Popularity • 66% Danceability • 55% Energy • 20% Liveness
44% Instrumentalness • 73% Positiveness
12% Popularity • 66% Danceability • 55% Energy • 20% Liveness
44% Instrumentalness • 73% Positiveness
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Chuck Willis
Sugar Sugar
147 bpm • C Maj • 01:47 • -8.9db
18% Popularity • 65% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
18% Popularity • 65% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Joey Welz
Runaway
147 bpm • F min • 02:31 • -7.86db
1% Popularity • 46% Danceability • 68% Energy • 72% Liveness
0% Instrumentalness • 53% Positiveness
1% Popularity • 46% Danceability • 68% Energy • 72% Liveness
0% Instrumentalness • 53% Positiveness
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The Bell Notes
I've Had It
147 bpm • E Maj • 02:42 • -12.59db
18% Popularity • 54% Danceability • 78% Energy • 26% Liveness
3% Instrumentalness • 94% Positiveness
18% Popularity • 54% Danceability • 78% Energy • 26% Liveness
3% Instrumentalness • 94% Positiveness
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Ritchie Valens
Fast Freight
147 bpm • A Maj • 02:01 • -9.82db
35% Popularity • 48% Danceability • 78% Energy • 19% Liveness
90% Instrumentalness • 91% Positiveness
35% Popularity • 48% Danceability • 78% Energy • 19% Liveness
90% Instrumentalness • 91% Positiveness
