Songs like Quarter Master by The Tommy Igoe Groove Conspiracy
Based on a tempo of (+/- 10%) and a similar genre
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The Tommy Igoe Groove Conspiracy
Quarter Master
124 bpm • D Maj • 07:28 • -7.76db
7% Popularity • 72% Danceability • 92% Energy • 38% Liveness
84% Instrumentalness • 70% Positiveness
7% Popularity • 72% Danceability • 92% Energy • 38% Liveness
84% Instrumentalness • 70% Positiveness
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Tribal Tech
Face First
124 bpm • G Maj • 07:04 • -10db
32% Popularity • 57% Danceability • 89% Energy • 13% Liveness
91% Instrumentalness • 53% Positiveness
32% Popularity • 57% Danceability • 89% Energy • 13% Liveness
91% Instrumentalness • 53% Positiveness
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Sammy Nestico
Sweet Georgia Brown
124 bpm • D min • 03:26 • -10.49db
17% Popularity • 58% Danceability • 49% Energy • 14% Liveness
1% Instrumentalness • 77% Positiveness
17% Popularity • 58% Danceability • 49% Energy • 14% Liveness
1% Instrumentalness • 77% Positiveness
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Billy Cobham
Obliquely Speaking
124 bpm • F min • 06:16 • -9.79db
16% Popularity • 52% Danceability • 81% Energy • 37% Liveness
84% Instrumentalness • 66% Positiveness
16% Popularity • 52% Danceability • 81% Energy • 37% Liveness
84% Instrumentalness • 66% Positiveness
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Snarky Puppy
Native Sons
124 bpm • D min • 08:54 • -12.57db
19% Popularity • 56% Danceability • 55% Energy • 37% Liveness
39% Instrumentalness • 25% Positiveness
19% Popularity • 56% Danceability • 55% Energy • 37% Liveness
39% Instrumentalness • 25% Positiveness
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The Funky Knuckles
Yo, This is the Knucks
124 bpm • B min • 07:29 • -6.64db
8% Popularity • 50% Danceability • 95% Energy • 34% Liveness
6% Instrumentalness • 53% Positiveness
8% Popularity • 50% Danceability • 95% Energy • 34% Liveness
6% Instrumentalness • 53% Positiveness
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Bob Curnow's L.A. Big Band
Are We There Yet?
125 bpm • C Maj • 04:53 • -12.48db
15% Popularity • 52% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
15% Popularity • 52% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
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Jacob Mann Big Band
Kogi
124 bpm • F Maj • 03:57 • -10.18db
32% Popularity • 59% Danceability • 59% Energy • 8% Liveness
79% Instrumentalness • 18% Positiveness
32% Popularity • 59% Danceability • 59% Energy • 8% Liveness
79% Instrumentalness • 18% Positiveness
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Yellowjackets
Jacket Town
123 bpm • C Maj • 05:28 • -14db
13% Popularity • 71% Danceability • 48% Energy • 5% Liveness
10% Instrumentalness • 66% Positiveness
13% Popularity • 71% Danceability • 48% Energy • 5% Liveness
10% Instrumentalness • 66% Positiveness
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Taylor Eigsti
Love For Sale
125 bpm • A# min • 03:13 • -15.57db
31% Popularity • 43% Danceability • 47% Energy • 12% Liveness
95% Instrumentalness • 61% Positiveness
31% Popularity • 43% Danceability • 47% Energy • 12% Liveness
95% Instrumentalness • 61% Positiveness
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Mingus Big Band
Ecclusiastics
125 bpm • F Maj • 05:58 • -10.36db
17% Popularity • 31% Danceability • 73% Energy • 17% Liveness
28% Instrumentalness • 32% Positiveness
17% Popularity • 31% Danceability • 73% Energy • 17% Liveness
28% Instrumentalness • 32% Positiveness
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Steven Feifke
Kinetic
125 bpm • B min • 06:00 • -8.54db
11% Popularity • 54% Danceability • 63% Energy • 5% Liveness
91% Instrumentalness • 51% Positiveness
11% Popularity • 54% Danceability • 63% Energy • 5% Liveness
91% Instrumentalness • 51% Positiveness
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Wayne Bergeron
Georgia
125 bpm • F Maj • 05:44 • -8.95db
12% Popularity • 69% Danceability • 50% Energy • 6% Liveness
42% Instrumentalness • 50% Positiveness
12% Popularity • 69% Danceability • 50% Energy • 6% Liveness
42% Instrumentalness • 50% Positiveness
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Chick Corea
Humpty Dumpty
125 bpm • F# Maj • 06:30 • -13.63db
28% Popularity • 43% Danceability • 63% Energy • 13% Liveness
18% Instrumentalness • 76% Positiveness
28% Popularity • 43% Danceability • 63% Energy • 13% Liveness
18% Instrumentalness • 76% Positiveness
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John Patitucci
Mistura Fina
123 bpm • A# min • 05:34 • -17.77db
13% Popularity • 59% Danceability • 52% Energy • 4% Liveness
83% Instrumentalness • 92% Positiveness
13% Popularity • 59% Danceability • 52% Energy • 4% Liveness
83% Instrumentalness • 92% Positiveness
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Alain Caron
Flight of the Bebop Bee
125 bpm • A# Maj • 07:04 • -10.16db
9% Popularity • 64% Danceability • 72% Energy • 7% Liveness
91% Instrumentalness • 68% Positiveness
9% Popularity • 64% Danceability • 72% Energy • 7% Liveness
91% Instrumentalness • 68% Positiveness
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John Blackwell Project
Mind of J
123 bpm • B min • 05:57 • -9.5db
12% Popularity • 58% Danceability • 65% Energy • 14% Liveness
90% Instrumentalness • 63% Positiveness
12% Popularity • 58% Danceability • 65% Energy • 14% Liveness
90% Instrumentalness • 63% Positiveness
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Joshua Redman Elastic Band
Sweet Nasty
125 bpm • A# min • 06:20 • -6db
20% Popularity • 67% Danceability • 76% Energy • 5% Liveness
52% Instrumentalness • 78% Positiveness
20% Popularity • 67% Danceability • 76% Energy • 5% Liveness
52% Instrumentalness • 78% Positiveness
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Jacob Mann Big Band
Don't Fly Spirit
125 bpm • D# Maj • 04:55 • -6.93db
18% Popularity • 56% Danceability • 77% Energy • 6% Liveness
32% Instrumentalness • 52% Positiveness
18% Popularity • 56% Danceability • 77% Energy • 6% Liveness
32% Instrumentalness • 52% Positiveness
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Bob Mintzer Big Band
Computer
123 bpm • C min • 09:21 • -16.22db
18% Popularity • 64% Danceability • 50% Energy • 14% Liveness
87% Instrumentalness • 66% Positiveness
18% Popularity • 64% Danceability • 50% Energy • 14% Liveness
87% Instrumentalness • 66% Positiveness
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Shaun Martin
Liberty of the Rising Son
123 bpm • G# Maj • 05:35 • -11.3db
17% Popularity • 41% Danceability • 70% Energy • 23% Liveness
86% Instrumentalness • 52% Positiveness
17% Popularity • 41% Danceability • 70% Energy • 23% Liveness
86% Instrumentalness • 52% Positiveness
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Redtenbacher's Funkestra
Wiggles
125 bpm • C# Maj • 03:27 • -10db
32% Popularity • 74% Danceability • 61% Energy • 8% Liveness
53% Instrumentalness • 70% Positiveness
32% Popularity • 74% Danceability • 61% Energy • 8% Liveness
53% Instrumentalness • 70% Positiveness
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Santa Fe & The Fat City Horns
Fat City Sauce
126 bpm • G# Maj • 01:15 • -8db
30% Popularity • 60% Danceability • 33% Energy • 11% Liveness
68% Instrumentalness • 76% Positiveness
30% Popularity • 60% Danceability • 33% Energy • 11% Liveness
68% Instrumentalness • 76% Positiveness
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Snarky Puppy
Quarter Master
122 bpm • D Maj • 08:44 • -8db
27% Popularity • 57% Danceability • 85% Energy • 86% Liveness
77% Instrumentalness • 55% Positiveness
27% Popularity • 57% Danceability • 85% Energy • 86% Liveness
77% Instrumentalness • 55% Positiveness
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Huntertones
Time to Play
122 bpm • A Maj • 04:18 • -10.11db
14% Popularity • 62% Danceability • 51% Energy • 2% Liveness
79% Instrumentalness • 76% Positiveness
14% Popularity • 62% Danceability • 51% Energy • 2% Liveness
79% Instrumentalness • 76% Positiveness
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GRP All-Star Big Band
Sing, Sing, Sing - Live In Japan 1993
122 bpm • C Maj • 06:58 • -12db
14% Popularity • 59% Danceability • 58% Energy • 71% Liveness
23% Instrumentalness • 35% Positiveness
14% Popularity • 59% Danceability • 58% Energy • 71% Liveness
23% Instrumentalness • 35% Positiveness
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Joshua Redman Quartet
How We Do
122 bpm • F min • 03:33 • -8.58db
25% Popularity • 59% Danceability • 53% Energy • 8% Liveness
91% Instrumentalness • 86% Positiveness
25% Popularity • 59% Danceability • 53% Energy • 8% Liveness
91% Instrumentalness • 86% Positiveness
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John La Barbera Big Band
Caravan
126 bpm • C Maj • 05:28 • -8db
14% Popularity • 46% Danceability • 56% Energy • 21% Liveness
15% Instrumentalness • 58% Positiveness
14% Popularity • 46% Danceability • 56% Energy • 21% Liveness
15% Instrumentalness • 58% Positiveness
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Chick Corea
Galaxy 32 Star 4
126 bpm • A# min • 08:20 • -10.48db
6% Popularity • 42% Danceability • 65% Energy • 4% Liveness
86% Instrumentalness • 56% Positiveness
6% Popularity • 42% Danceability • 65% Energy • 4% Liveness
86% Instrumentalness • 56% Positiveness
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Snarky Puppy
Thorn
126 bpm • A# min • 05:34 • -12.17db
15% Popularity • 62% Danceability • 64% Energy • 12% Liveness
81% Instrumentalness • 88% Positiveness
15% Popularity • 62% Danceability • 64% Energy • 12% Liveness
81% Instrumentalness • 88% Positiveness
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Kinga Glyk
Doloniedola
126 bpm • G Maj • 04:24 • -6.9db
16% Popularity • 72% Danceability • 68% Energy • 13% Liveness
89% Instrumentalness • 91% Positiveness
16% Popularity • 72% Danceability • 68% Energy • 13% Liveness
89% Instrumentalness • 91% Positiveness
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Yellowjackets
Rush Hour
126 bpm • C# min • 05:18 • -15.57db
25% Popularity • 45% Danceability • 74% Energy • 6% Liveness
84% Instrumentalness • 72% Positiveness
25% Popularity • 45% Danceability • 74% Energy • 6% Liveness
84% Instrumentalness • 72% Positiveness
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One O'Clock Lab Band
Cool Kids
122 bpm • C# Maj • 05:46 • -7.59db
12% Popularity • 64% Danceability • 48% Energy • 6% Liveness
41% Instrumentalness • 66% Positiveness
12% Popularity • 64% Danceability • 48% Energy • 6% Liveness
41% Instrumentalness • 66% Positiveness
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John La Barbera Big Band
Roman Notes
122 bpm • A Maj • 05:49 • -9.29db
10% Popularity • 41% Danceability • 50% Energy • 29% Liveness
17% Instrumentalness • 56% Positiveness
10% Popularity • 41% Danceability • 50% Energy • 29% Liveness
17% Instrumentalness • 56% Positiveness
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The Tommy Igoe Groove Conspiracy
I Didn't Know What Time It Was
126 bpm • F min • 07:20 • -7db
5% Popularity • 77% Danceability • 69% Energy • 10% Liveness
1% Instrumentalness • 86% Positiveness
5% Popularity • 77% Danceability • 69% Energy • 10% Liveness
1% Instrumentalness • 86% Positiveness
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US Army Blues Jazz Ensemble
I Thought About You
126 bpm • D# Maj • 05:28 • -10db
15% Popularity • 56% Danceability • 37% Energy • 9% Liveness
1% Instrumentalness • 42% Positiveness
15% Popularity • 56% Danceability • 37% Energy • 9% Liveness
1% Instrumentalness • 42% Positiveness
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Shaun Martin
The Torrent
122 bpm • A# Maj • 04:43 • -11.32db
20% Popularity • 34% Danceability • 67% Energy • 10% Liveness
40% Instrumentalness • 63% Positiveness
20% Popularity • 34% Danceability • 67% Energy • 10% Liveness
40% Instrumentalness • 63% Positiveness
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Yellowjackets
Man Facing North
122 bpm • C# Maj • 06:48 • -11db
18% Popularity • 56% Danceability • 45% Energy • 9% Liveness
80% Instrumentalness • 45% Positiveness
18% Popularity • 56% Danceability • 45% Energy • 9% Liveness
80% Instrumentalness • 45% Positiveness
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Chick Corea
Armando’s Rhumba
121 bpm • C min • 08:00 • -10.53db
24% Popularity • 53% Danceability • 67% Energy • 12% Liveness
85% Instrumentalness • 88% Positiveness
24% Popularity • 53% Danceability • 67% Energy • 12% Liveness
85% Instrumentalness • 88% Positiveness
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Toshi Clinch Big Band
Samba Juice
127 bpm • D min • 05:44 • -10db
13% Popularity • 53% Danceability • 54% Energy • 2% Liveness
40% Instrumentalness • 64% Positiveness
13% Popularity • 53% Danceability • 54% Energy • 2% Liveness
40% Instrumentalness • 64% Positiveness
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Tommy Igoe and the Birdland Big Band
New Ground
127 bpm • A min • 06:52 • -5.37db
13% Popularity • 54% Danceability • 86% Energy • 12% Liveness
70% Instrumentalness • 82% Positiveness
13% Popularity • 54% Danceability • 86% Energy • 12% Liveness
70% Instrumentalness • 82% Positiveness
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Dave Weckl Band
Vuelo
127 bpm • C# min • 05:55 • -8.06db
18% Popularity • 53% Danceability • 90% Energy • 25% Liveness
72% Instrumentalness • 81% Positiveness
18% Popularity • 53% Danceability • 90% Energy • 25% Liveness
72% Instrumentalness • 81% Positiveness
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Shaun Martin
Focus
127 bpm • A# min • 06:15 • -13.36db
22% Popularity • 34% Danceability • 52% Energy • 9% Liveness
83% Instrumentalness • 41% Positiveness
22% Popularity • 34% Danceability • 52% Energy • 9% Liveness
83% Instrumentalness • 41% Positiveness
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Christian McBride Big Band
Down by the Riverside
121 bpm • G# Maj • 08:20 • -9.37db
8% Popularity • 55% Danceability • 60% Energy • 10% Liveness
90% Instrumentalness • 74% Positiveness
8% Popularity • 55% Danceability • 60% Energy • 10% Liveness
90% Instrumentalness • 74% Positiveness
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Roy Hargrove
Brown
121 bpm • G Maj • 04:30 • -12.88db
25% Popularity • 50% Danceability • 31% Energy • 9% Liveness
35% Instrumentalness • 19% Positiveness
25% Popularity • 50% Danceability • 31% Energy • 9% Liveness
35% Instrumentalness • 19% Positiveness
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Marshall Gilkes
4711 Special
121 bpm • A# Maj • 07:57 • -9.28db
10% Popularity • 48% Danceability • 58% Energy • 18% Liveness
87% Instrumentalness • 49% Positiveness
10% Popularity • 48% Danceability • 58% Energy • 18% Liveness
87% Instrumentalness • 49% Positiveness
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Jazz Orchestra of the Concertgebouw
It's Happening
120 bpm • C min • 07:57 • -12.22db
13% Popularity • 50% Danceability • 67% Energy • 95% Liveness
26% Instrumentalness • 72% Positiveness
13% Popularity • 50% Danceability • 67% Energy • 95% Liveness
26% Instrumentalness • 72% Positiveness
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The Tom Kubis Big Band
Purple Porpoise Parkway
127 bpm • C Maj • 04:24 • -13db
23% Popularity • 46% Danceability • 45% Energy • 20% Liveness
7% Instrumentalness • 53% Positiveness
23% Popularity • 46% Danceability • 45% Energy • 20% Liveness
7% Instrumentalness • 53% Positiveness
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Shaun Martin
Ms. Genell
127 bpm • F Maj • 04:54 • -16.16db
29% Popularity • 54% Danceability • 41% Energy • 9% Liveness
96% Instrumentalness • 54% Positiveness
29% Popularity • 54% Danceability • 41% Energy • 9% Liveness
96% Instrumentalness • 54% Positiveness
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Organissimo
You Don't Want To Do That
128 bpm • C Maj • 07:15 • -10.88db
9% Popularity • 71% Danceability • 56% Energy • 10% Liveness
86% Instrumentalness • 74% Positiveness
9% Popularity • 71% Danceability • 56% Energy • 10% Liveness
86% Instrumentalness • 74% Positiveness
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Roy Hargrove
Style
127 bpm • G Maj • 06:35 • -11.74db
20% Popularity • 50% Danceability • 36% Energy • 11% Liveness
71% Instrumentalness • 17% Positiveness
20% Popularity • 50% Danceability • 36% Energy • 11% Liveness
71% Instrumentalness • 17% Positiveness
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Marshall Gilkes
Puddle Jumping
120 bpm • A# min • 08:31 • -14.42db
24% Popularity • 55% Danceability • 41% Energy • 19% Liveness
88% Instrumentalness • 52% Positiveness
24% Popularity • 55% Danceability • 41% Energy • 19% Liveness
88% Instrumentalness • 52% Positiveness
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Jesse Van Ruller
The Secret Champ
128 bpm • G# Maj • 06:58 • -14.07db
12% Popularity • 43% Danceability • 52% Energy • 15% Liveness
93% Instrumentalness • 39% Positiveness
12% Popularity • 43% Danceability • 52% Energy • 15% Liveness
93% Instrumentalness • 39% Positiveness
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Bill Laurance
The Pines
120 bpm • C Maj • 06:25 • -10db
23% Popularity • 55% Danceability • 66% Energy • 11% Liveness
88% Instrumentalness • 36% Positiveness
23% Popularity • 55% Danceability • 66% Energy • 11% Liveness
88% Instrumentalness • 36% Positiveness
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Hiromi
Wonderland
128 bpm • F# min • 05:42 • -12.07db
18% Popularity • 40% Danceability • 64% Energy • 10% Liveness
85% Instrumentalness • 78% Positiveness
18% Popularity • 40% Danceability • 64% Energy • 10% Liveness
85% Instrumentalness • 78% Positiveness
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Steve Smith
Mr. Pc
128 bpm • F min • 06:20 • -10db
11% Popularity • 45% Danceability • 75% Energy • 14% Liveness
84% Instrumentalness • 66% Positiveness
11% Popularity • 45% Danceability • 75% Energy • 14% Liveness
84% Instrumentalness • 66% Positiveness
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The Tommy Igoe Groove Conspiracy
Caprichosos De La Habana
128 bpm • A min • 05:11 • -7.05db
6% Popularity • 63% Danceability • 89% Energy • 19% Liveness
84% Instrumentalness • 66% Positiveness
6% Popularity • 63% Danceability • 89% Energy • 19% Liveness
84% Instrumentalness • 66% Positiveness
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Dimas Pradipta
1 Year After
120 bpm • A min • 09:39 • -7.7db
21% Popularity • 66% Danceability • 86% Energy • 6% Liveness
91% Instrumentalness • 83% Positiveness
21% Popularity • 66% Danceability • 86% Energy • 6% Liveness
91% Instrumentalness • 83% Positiveness
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Tim Davies Big Band
Caravan (-Dialized)
120 bpm • C# Maj • 05:02 • -7.82db
11% Popularity • 71% Danceability • 67% Energy • 19% Liveness
88% Instrumentalness • 63% Positiveness
11% Popularity • 71% Danceability • 67% Energy • 19% Liveness
88% Instrumentalness • 63% Positiveness
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Alan Baylock Jazz Orchestra
September Song
120 bpm • F min • 04:55 • -4.56db
18% Popularity • 71% Danceability • 62% Energy • 17% Liveness
91% Instrumentalness • 50% Positiveness
18% Popularity • 71% Danceability • 62% Energy • 17% Liveness
91% Instrumentalness • 50% Positiveness
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Gary Willis
Do The Math
120 bpm • G Maj • 04:15 • -10.13db
13% Popularity • 69% Danceability • 65% Energy • 10% Liveness
73% Instrumentalness • 88% Positiveness
13% Popularity • 69% Danceability • 65% Energy • 10% Liveness
73% Instrumentalness • 88% Positiveness
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Doug Johns
Just Play
120 bpm • B min • 01:29 • -14db
32% Popularity • 79% Danceability • 77% Energy • 11% Liveness
92% Instrumentalness • 22% Positiveness
32% Popularity • 79% Danceability • 77% Energy • 11% Liveness
92% Instrumentalness • 22% Positiveness
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John La Barbera Big Band
Incompatible (Incompatibilide De Genios)
120 bpm • A min • 05:30 • -8.21db
8% Popularity • 68% Danceability • 53% Energy • 26% Liveness
25% Instrumentalness • 81% Positiveness
8% Popularity • 68% Danceability • 53% Energy • 26% Liveness
25% Instrumentalness • 81% Positiveness
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Russell Ferrante
Out Of Town
120 bpm • A# Maj • 05:06 • -13.65db
8% Popularity • 54% Danceability • 42% Energy • 33% Liveness
0% Instrumentalness • 60% Positiveness
8% Popularity • 54% Danceability • 42% Energy • 33% Liveness
0% Instrumentalness • 60% Positiveness
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Huntertones
Chameleon
120 bpm • D# Maj • 04:42 • -11db
29% Popularity • 57% Danceability • 38% Energy • 16% Liveness
94% Instrumentalness • 50% Positiveness
29% Popularity • 57% Danceability • 38% Energy • 16% Liveness
94% Instrumentalness • 50% Positiveness
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US Air Force Airmen Of Note
Caravan
120 bpm • F min • 05:24 • -14.16db
16% Popularity • 56% Danceability • 72% Energy • 7% Liveness
80% Instrumentalness • 72% Positiveness
16% Popularity • 56% Danceability • 72% Energy • 7% Liveness
80% Instrumentalness • 72% Positiveness
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Ulysses Owens Jr. Big Band
Giant Steps
120 bpm • D# Maj • 06:32 • -9.16db
12% Popularity • 52% Danceability • 59% Energy • 97% Liveness
4% Instrumentalness • 70% Positiveness
12% Popularity • 52% Danceability • 59% Energy • 97% Liveness
4% Instrumentalness • 70% Positiveness
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Snarky Puppy
Phoebus
120 bpm • D Maj • 06:47 • -12.6db
14% Popularity • 56% Danceability • 58% Energy • 31% Liveness
43% Instrumentalness • 50% Positiveness
14% Popularity • 56% Danceability • 58% Energy • 31% Liveness
43% Instrumentalness • 50% Positiveness
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Yellowjackets
Tortoise And The Hare
128 bpm • C# Maj • 07:25 • -10.21db
12% Popularity • 45% Danceability • 59% Energy • 85% Liveness
11% Instrumentalness • 16% Positiveness
12% Popularity • 45% Danceability • 59% Energy • 85% Liveness
11% Instrumentalness • 16% Positiveness
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Tommy Igoe and the Birdland Big Band
Armando's Rhumba
120 bpm • F min • 05:37 • -7db
16% Popularity • 68% Danceability • 74% Energy • 8% Liveness
55% Instrumentalness • 87% Positiveness
16% Popularity • 68% Danceability • 74% Energy • 8% Liveness
55% Instrumentalness • 87% Positiveness
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Kris Berg
Games
120 bpm • D Maj • 05:52 • -5.15db
13% Popularity • 54% Danceability • 77% Energy • 8% Liveness
20% Instrumentalness • 63% Positiveness
13% Popularity • 54% Danceability • 77% Energy • 8% Liveness
20% Instrumentalness • 63% Positiveness
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Dave Weckl Band
Mixed Bag
120 bpm • G# Maj • 06:37 • -8.63db
24% Popularity • 52% Danceability • 87% Energy • 4% Liveness
85% Instrumentalness • 82% Positiveness
24% Popularity • 52% Danceability • 87% Energy • 4% Liveness
85% Instrumentalness • 82% Positiveness
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GRP All-Star Big Band
Oleo - Live In Japan 1993
129 bpm • F min • 07:40 • -8.01db
18% Popularity • 49% Danceability • 83% Energy • 88% Liveness
3% Instrumentalness • 41% Positiveness
18% Popularity • 49% Danceability • 83% Energy • 88% Liveness
3% Instrumentalness • 41% Positiveness
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Snarky Puppy
Briar
120 bpm • C# Maj • 08:20 • -13.92db
14% Popularity • 59% Danceability • 57% Energy • 54% Liveness
61% Instrumentalness • 46% Positiveness
14% Popularity • 59% Danceability • 57% Energy • 54% Liveness
61% Instrumentalness • 46% Positiveness
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Yellowjackets
When the Lady Dances
129 bpm • G# Maj • 05:07 • -9db
15% Popularity • 67% Danceability • 55% Energy • 6% Liveness
6% Instrumentalness • 56% Positiveness
15% Popularity • 67% Danceability • 55% Energy • 6% Liveness
6% Instrumentalness • 56% Positiveness
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Bob Curnow's L.A. Big Band
If I Could
129 bpm • G Maj • 08:42 • -15.06db
14% Popularity • 37% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
14% Popularity • 37% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
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The Stanley Clarke Band
Gotham City
129 bpm • A# min • 03:42 • -9.83db
7% Popularity • 57% Danceability • 68% Energy • 42% Liveness
90% Instrumentalness • 44% Positiveness
7% Popularity • 57% Danceability • 68% Energy • 42% Liveness
90% Instrumentalness • 44% Positiveness
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Joshua Redman Quartet
Headin' Home
119 bpm • C Maj • 04:05 • -11db
25% Popularity • 76% Danceability • 54% Energy • 8% Liveness
95% Instrumentalness • 84% Positiveness
25% Popularity • 76% Danceability • 54% Energy • 8% Liveness
95% Instrumentalness • 84% Positiveness
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Chad Lefkowitz-Brown
Giant Steps
129 bpm • D# Maj • 05:08 • -7.87db
10% Popularity • 41% Danceability • 64% Energy • 30% Liveness
87% Instrumentalness • 55% Positiveness
10% Popularity • 41% Danceability • 64% Energy • 30% Liveness
87% Instrumentalness • 55% Positiveness
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Gary McKay
Sharp Funkster, Pt. 1
119 bpm • G Maj • 01:54 • -6.67db
36% Popularity • 55% Danceability • 90% Energy • 5% Liveness
92% Instrumentalness • 73% Positiveness
36% Popularity • 55% Danceability • 90% Energy • 5% Liveness
92% Instrumentalness • 73% Positiveness
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Yellowjackets
Eddie's in the House
129 bpm • F Maj • 05:40 • -9db
13% Popularity • 84% Danceability • 54% Energy • 5% Liveness
24% Instrumentalness • 89% Positiveness
13% Popularity • 84% Danceability • 54% Energy • 5% Liveness
24% Instrumentalness • 89% Positiveness
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Valeriy Stepanov
Cute Martlets
129 bpm • G min • 05:31 • -12.39db
24% Popularity • 73% Danceability • 66% Energy • 9% Liveness
80% Instrumentalness • 58% Positiveness
24% Popularity • 73% Danceability • 66% Energy • 9% Liveness
80% Instrumentalness • 58% Positiveness
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Bob Mintzer Big Band
Incredible Journey
129 bpm • F Maj • 07:46 • -20.52db
8% Popularity • 60% Danceability • 39% Energy • 10% Liveness
82% Instrumentalness • 36% Positiveness
8% Popularity • 60% Danceability • 39% Energy • 10% Liveness
82% Instrumentalness • 36% Positiveness
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Roy Hargrove
To Wisdom The Prize
129 bpm • A# min • 05:43 • -11.36db
22% Popularity • 56% Danceability • 40% Energy • 10% Liveness
88% Instrumentalness • 22% Positiveness
22% Popularity • 56% Danceability • 40% Energy • 10% Liveness
88% Instrumentalness • 22% Positiveness
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Tommy Igoe and the Birdland Big Band
Butterfly
119 bpm • F Maj • 07:03 • -9.01db
3% Popularity • 56% Danceability • 45% Energy • 7% Liveness
85% Instrumentalness • 59% Positiveness
3% Popularity • 56% Danceability • 45% Energy • 7% Liveness
85% Instrumentalness • 59% Positiveness
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Jesus Molina
Cumbialada
130 bpm • A# min • 02:41 • -12.42db
37% Popularity • 52% Danceability • 67% Energy • 9% Liveness
92% Instrumentalness • 89% Positiveness
37% Popularity • 52% Danceability • 67% Energy • 9% Liveness
92% Instrumentalness • 89% Positiveness
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Tom Harrell
Accross the City
130 bpm • C Maj • 07:01 • -12.94db
17% Popularity • 46% Danceability • 46% Energy • 6% Liveness
88% Instrumentalness • 50% Positiveness
17% Popularity • 46% Danceability • 46% Energy • 6% Liveness
88% Instrumentalness • 50% Positiveness
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John La Barbera Big Band
Mayreh
119 bpm • F Maj • 04:23 • -5.43db
15% Popularity • 48% Danceability • 72% Energy • 37% Liveness
10% Instrumentalness • 80% Positiveness
15% Popularity • 48% Danceability • 72% Energy • 37% Liveness
10% Instrumentalness • 80% Positiveness
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Dave Grusin
T.K.O.
130 bpm • C# Maj • 05:48 • -8.33db
10% Popularity • 47% Danceability • 84% Energy • 3% Liveness
78% Instrumentalness • 38% Positiveness
10% Popularity • 47% Danceability • 84% Energy • 3% Liveness
78% Instrumentalness • 38% Positiveness
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Ben Patterson Jazz Orchestra
To the Top
130 bpm • F Maj • 07:16 • -7.55db
12% Popularity • 66% Danceability • 91% Energy • 35% Liveness
74% Instrumentalness • 61% Positiveness
12% Popularity • 66% Danceability • 91% Energy • 35% Liveness
74% Instrumentalness • 61% Positiveness
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The Brecker Brothers
Song For Barry
130 bpm • G# Maj • 05:07 • -10db
23% Popularity • 72% Danceability • 70% Energy • 17% Liveness
53% Instrumentalness • 78% Positiveness
23% Popularity • 72% Danceability • 70% Energy • 17% Liveness
53% Instrumentalness • 78% Positiveness
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Tommy Igoe and the Birdland Big Band
Common Ground
118 bpm • G min • 07:04 • -8.83db
5% Popularity • 47% Danceability • 41% Energy • 12% Liveness
89% Instrumentalness • 29% Positiveness
5% Popularity • 47% Danceability • 41% Energy • 12% Liveness
89% Instrumentalness • 29% Positiveness
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Kris Berg
Forgotten Thoughts
130 bpm • F min • 06:11 • -6.31db
7% Popularity • 59% Danceability • 51% Energy • 9% Liveness
63% Instrumentalness • 42% Positiveness
7% Popularity • 59% Danceability • 51% Energy • 9% Liveness
63% Instrumentalness • 42% Positiveness
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Vanguard Jazz Orchestra
A-That's Freedom
130 bpm • G# Maj • 07:21 • -8.79db
8% Popularity • 52% Danceability • 44% Energy • 8% Liveness
7% Instrumentalness • 62% Positiveness
8% Popularity • 52% Danceability • 44% Energy • 8% Liveness
7% Instrumentalness • 62% Positiveness
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The Funky Knuckles
New Leaf
130 bpm • C# Maj • 08:45 • -6db
10% Popularity • 58% Danceability • 88% Energy • 12% Liveness
81% Instrumentalness • 38% Positiveness
10% Popularity • 58% Danceability • 88% Energy • 12% Liveness
81% Instrumentalness • 38% Positiveness
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Wayne Bergeron
Endless Torture (Tortura Sin Fin)
130 bpm • C# Maj • 08:13 • -7.72db
20% Popularity • 70% Danceability • 76% Energy • 10% Liveness
72% Instrumentalness • 78% Positiveness
20% Popularity • 70% Danceability • 76% Energy • 10% Liveness
72% Instrumentalness • 78% Positiveness
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Alan Baylock Jazz Orchestra
I Want to Be Happy
130 bpm • F min • 03:02 • -4db
26% Popularity • 68% Danceability • 79% Energy • 27% Liveness
58% Instrumentalness • 72% Positiveness
26% Popularity • 68% Danceability • 79% Energy • 27% Liveness
58% Instrumentalness • 72% Positiveness
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Jesus Molina
Mass Ave Blues
130 bpm • C Maj • 05:49 • -11.37db
16% Popularity • 48% Danceability • 60% Energy • 7% Liveness
89% Instrumentalness • 59% Positiveness
16% Popularity • 48% Danceability • 60% Energy • 7% Liveness
89% Instrumentalness • 59% Positiveness
