Songs like Quatrième concert: III. La Rameau by Jean-Philippe Rameau
Based on a tempo of (+/- 10%) and a similar genre
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Antonio Vivaldi
Concerto for violoncello piccolo in G Ma...
101 bpm • D# min • 03:00 • -13.85db
38% Popularity • 18% Danceability • 20% Energy • 11% Liveness
76% Instrumentalness • 14% Positiveness
38% Popularity • 18% Danceability • 20% Energy • 11% Liveness
76% Instrumentalness • 14% Positiveness
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Johann Sebastian Bach
Concerto in D Minor, BWV 974: I. Andante
101 bpm • D min • 02:17 • -21.22db
32% Popularity • 45% Danceability • 32% Energy • 7% Liveness
84% Instrumentalness • 62% Positiveness
32% Popularity • 45% Danceability • 32% Energy • 7% Liveness
84% Instrumentalness • 62% Positiveness
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Jean-Philippe Rameau
Quatrième concert: III. La Rameau
101 bpm • A# Maj • 02:12 • -20.96db
26% Popularity • 40% Danceability • 29% Energy • 11% Liveness
93% Instrumentalness • 90% Positiveness
26% Popularity • 40% Danceability • 29% Energy • 11% Liveness
93% Instrumentalness • 90% Positiveness
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Domenico Scarlatti
Sonata in G Major, K 13 (L 486)
101 bpm • G Maj • 02:17 • -19.76db
36% Popularity • 44% Danceability • 27% Energy • 18% Liveness
87% Instrumentalness • 96% Positiveness
36% Popularity • 44% Danceability • 27% Energy • 18% Liveness
87% Instrumentalness • 96% Positiveness
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Josef MysliveÄŤek
Overtures For 2 Horns, 2 Oboes And Strin...
101 bpm • B min • 02:38 • -24db
39% Popularity • 32% Danceability • 5% Energy • 12% Liveness
31% Instrumentalness • 13% Positiveness
39% Popularity • 32% Danceability • 5% Energy • 12% Liveness
31% Instrumentalness • 13% Positiveness
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Sigvaldi KaldalĂłns
Ave MarĂa (Arr. VĂkingur Ă“lafsson) - ...
101 bpm • D# Maj • 03:36 • -33.14db
62% Popularity • 33% Danceability • 0% Energy • 10% Liveness
95% Instrumentalness • 12% Positiveness
62% Popularity • 33% Danceability • 0% Energy • 10% Liveness
95% Instrumentalness • 12% Positiveness
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Clara Schumann
III. Andante
101 bpm • G Maj • 04:17 • -25db
26% Popularity • 22% Danceability • 6% Energy • 8% Liveness
88% Instrumentalness • 7% Positiveness
26% Popularity • 22% Danceability • 6% Energy • 8% Liveness
88% Instrumentalness • 7% Positiveness
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Johann Sebastian Bach
Prelude & Fughetta in G Major, BWV 902: ...
101 bpm • D Maj • 03:26 • -24.97db
43% Popularity • 38% Danceability • 25% Energy • 12% Liveness
93% Instrumentalness • 80% Positiveness
43% Popularity • 38% Danceability • 25% Energy • 12% Liveness
93% Instrumentalness • 80% Positiveness
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Claude Debussy
Children's Corner, L. 113: III. Serenade...
100 bpm • E Maj • 01:58 • -29.13db
12% Popularity • 48% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 44% Positiveness
12% Popularity • 48% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 44% Positiveness
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Jean-Philippe Rameau
Les tourbillons
101 bpm • D Maj • 01:42 • -25.45db
27% Popularity • 34% Danceability • 20% Energy • 9% Liveness
96% Instrumentalness • 68% Positiveness
27% Popularity • 34% Danceability • 20% Energy • 9% Liveness
96% Instrumentalness • 68% Positiveness
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Domenico Scarlatti
Sonata in G Minor, K. 450: Allegrissimo
100 bpm • G min • 03:32 • -24.38db
22% Popularity • 53% Danceability • 18% Energy • 19% Liveness
86% Instrumentalness • 53% Positiveness
22% Popularity • 53% Danceability • 18% Energy • 19% Liveness
86% Instrumentalness • 53% Positiveness
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Adolf von Henselt
12 Études caractéristiques, Op. 2: No....
100 bpm • F# Maj • 02:04 • -24.15db
33% Popularity • 26% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 24% Positiveness
33% Popularity • 26% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 24% Positiveness
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VĂkingur Ă“lafsson
Prelude in G Major
102 bpm • G Maj • 03:54 • -34.4db
59% Popularity • 31% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 24% Positiveness
59% Popularity • 31% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 24% Positiveness
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Edvard Grieg
Lyric Pieces Book I, Op. 12: No. 7 Album...
100 bpm • E min • 01:20 • -33.32db
51% Popularity • 55% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 68% Positiveness
51% Popularity • 55% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 68% Positiveness
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Clara Schumann
3 Preludes and Fugues, Op. 16: No. 2. Pr...
100 bpm • A# Maj • 03:43 • -33db
42% Popularity • 28% Danceability • 4% Energy • 8% Liveness
85% Instrumentalness • 9% Positiveness
42% Popularity • 28% Danceability • 4% Energy • 8% Liveness
85% Instrumentalness • 9% Positiveness
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Jean-Philippe Rameau
Rameau: Nouvelles suites de pièces de c...
100 bpm • G min • 02:03 • -24db
20% Popularity • 35% Danceability • 15% Energy • 14% Liveness
92% Instrumentalness • 77% Positiveness
20% Popularity • 35% Danceability • 15% Energy • 14% Liveness
92% Instrumentalness • 77% Positiveness
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Fanny Mendelssohn
String Quartet in E-Flat Major: I. Adagi...
103 bpm • G# Maj • 03:15 • -21.92db
5% Popularity • 22% Danceability • 6% Energy • 8% Liveness
37% Instrumentalness • 8% Positiveness
5% Popularity • 22% Danceability • 6% Energy • 8% Liveness
37% Instrumentalness • 8% Positiveness
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Christoph Willibald Gluck
Melodie from "Orfeo ed Euridice" (Dance ...
103 bpm • D min • 04:42 • -34.5db
34% Popularity • 44% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 16% Positiveness
34% Popularity • 44% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 16% Positiveness
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Wolfgang Amadeus Mozart
Piano Sonata No. 14 in C Minor, K. 457: ...
99 bpm • C min • 03:54 • -22.88db
24% Popularity • 45% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 45% Positiveness
24% Popularity • 45% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 45% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 62: No. 6 Allegre...
99 bpm • A Maj • 01:56 • -20.7db
25% Popularity • 29% Danceability • 9% Energy • 13% Liveness
23% Instrumentalness • 21% Positiveness
25% Popularity • 29% Danceability • 9% Energy • 13% Liveness
23% Instrumentalness • 21% Positiveness
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Johann David Heinichen
III. Un poco Allegro
99 bpm • E Maj • 02:23 • -35db
26% Popularity • 57% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 80% Positiveness
26% Popularity • 57% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 80% Positiveness
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Jean-Philippe Rameau
Suite in D Minor-Major, RCT 1: XVIII. Le...
99 bpm • D min • 03:59 • -29.43db
16% Popularity • 34% Danceability • 16% Energy • 69% Liveness
91% Instrumentalness • 34% Positiveness
16% Popularity • 34% Danceability • 16% Energy • 69% Liveness
91% Instrumentalness • 34% Positiveness
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Jean-Marie Leclair
Violin Concerto in B-Flat Major, Op. 10 ...
99 bpm • A Maj • 04:59 • -21.75db
36% Popularity • 43% Danceability • 13% Energy • 11% Liveness
1% Instrumentalness • 46% Positiveness
36% Popularity • 43% Danceability • 13% Energy • 11% Liveness
1% Instrumentalness • 46% Positiveness
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Pyotr Ilyich Tchaikovsky
Souvenir d'un lieu cher, Op. 42: 3. MĂ©l...
99 bpm • D# Maj • 03:52 • -25.25db
43% Popularity • 22% Danceability • 5% Energy • 10% Liveness
3% Instrumentalness • 7% Positiveness
43% Popularity • 22% Danceability • 5% Energy • 10% Liveness
3% Instrumentalness • 7% Positiveness
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Georg Philipp Telemann
Overture (Suite) in B-Flat Major, TWV 55...
98 bpm • A Maj • 02:32 • -23db
35% Popularity • 18% Danceability • 8% Energy • 18% Liveness
47% Instrumentalness • 16% Positiveness
35% Popularity • 18% Danceability • 8% Energy • 18% Liveness
47% Instrumentalness • 16% Positiveness
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Carl Philipp Emanuel Bach
2 Clavier-Sonaten, 2 Fantasien und 2 Ron...
98 bpm • G# Maj • 04:46 • -25.34db
18% Popularity • 40% Danceability • 7% Energy • 22% Liveness
92% Instrumentalness • 33% Positiveness
18% Popularity • 40% Danceability • 7% Energy • 22% Liveness
92% Instrumentalness • 33% Positiveness
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Gabriel Fauré
Après un rêve, Op. 7, No. 1 (Arr. for ...
98 bpm • F min • 03:01 • -20db
50% Popularity • 17% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
50% Popularity • 17% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Jean-Philippe Rameau
Suite en La Mineur, RCT 5: III. Saraband...
99 bpm • A Maj • 03:10 • -27.93db
17% Popularity • 30% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 16% Positiveness
17% Popularity • 30% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 16% Positiveness
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George Frideric Handel
Handel: Concerto grosso in F Major, Op. ...
104 bpm • E Maj • 02:11 • -19.07db
27% Popularity • 36% Danceability • 8% Energy • 11% Liveness
15% Instrumentalness • 38% Positiveness
27% Popularity • 36% Danceability • 8% Energy • 11% Liveness
15% Instrumentalness • 38% Positiveness
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Frédéric Chopin
Nocturne No. 6 In G Minor, Op. 15 No. 3
105 bpm • D min • 04:11 • -28.84db
45% Popularity • 38% Danceability • 1% Energy • 7% Liveness
88% Instrumentalness • 12% Positiveness
45% Popularity • 38% Danceability • 1% Energy • 7% Liveness
88% Instrumentalness • 12% Positiveness
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Georg Philipp Telemann
Tafelmusik - Banquet Music In 3 Parts / ...
105 bpm • E Maj • 05:10 • -18db
36% Popularity • 53% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
36% Popularity • 53% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Carl Philipp Emanuel Bach
Sonata in G major, Wq. 62/19: 2. Andante
98 bpm • B min • 03:07 • -32db
43% Popularity • 44% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 34% Positiveness
43% Popularity • 44% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 34% Positiveness
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Joseph Haydn
Piano Sonata in B Minor, Hob.XVI:32: I. ...
98 bpm • B min • 03:03 • -25db
11% Popularity • 36% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 55% Positiveness
11% Popularity • 36% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 55% Positiveness
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Jean-Philippe Rameau
Rameau / Arr Roques: Nouvelles suites de...
103 bpm • G min • 01:59 • -14.82db
17% Popularity • 51% Danceability • 34% Energy • 12% Liveness
92% Instrumentalness • 71% Positiveness
17% Popularity • 51% Danceability • 34% Energy • 12% Liveness
92% Instrumentalness • 71% Positiveness
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Gabriel Fauré
Après un rêve, Op. 7, No. 1 (Arr. Pian...
98 bpm • F min • 03:18 • -29db
34% Popularity • 41% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
34% Popularity • 41% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
Concerto for 2 Mandolins, Strings and Co...
105 bpm • C# Maj • 04:00 • -21db
38% Popularity • 65% Danceability • 28% Energy • 7% Liveness
78% Instrumentalness • 72% Positiveness
38% Popularity • 65% Danceability • 28% Energy • 7% Liveness
78% Instrumentalness • 72% Positiveness
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Edvard Grieg
Pièces Lyriques, Op. 47 No. 3: Mélodie
105 bpm • F Maj • 04:16 • -30.93db
51% Popularity • 41% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
51% Popularity • 41% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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![Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 17, Polonaise in G Minor, H. 1 No. 2 [Attrib. J.S. Bach's BWV Anh. 123] cover art](https://i.scdn.co/image/ab67616d00001e02b03d3ef34d5769b0e3f94feb)
Carl Philipp Emanuel Bach
Notebook for Anna Magdalena Bach (1725) ...
97 bpm • G min • 01:06 • -22.27db
45% Popularity • 54% Danceability • 12% Energy • 14% Liveness
88% Instrumentalness • 66% Positiveness
45% Popularity • 54% Danceability • 12% Energy • 14% Liveness
88% Instrumentalness • 66% Positiveness
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Arcangelo Corelli
Concerto Grosso In B Flat Major, Op. 6, ...
97 bpm • A# Maj • 01:08 • -20db
51% Popularity • 23% Danceability • 9% Energy • 15% Liveness
46% Instrumentalness • 40% Positiveness
51% Popularity • 23% Danceability • 9% Energy • 15% Liveness
46% Instrumentalness • 40% Positiveness
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Jean-Philippe Rameau
Suite in G Major (Excerpts): IX. L'egypt...
97 bpm • G min • 02:34 • -28.23db
8% Popularity • 34% Danceability • 11% Energy • 13% Liveness
89% Instrumentalness • 42% Positiveness
8% Popularity • 34% Danceability • 11% Energy • 13% Liveness
89% Instrumentalness • 42% Positiveness
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VĂkingur Ă“lafsson
24 Préludes Op. 28: No. 23 F major
105 bpm • F Maj • 01:01 • -35.41db
16% Popularity • 28% Danceability • 4% Energy • 9% Liveness
59% Instrumentalness • 23% Positiveness
16% Popularity • 28% Danceability • 4% Energy • 9% Liveness
59% Instrumentalness • 23% Positiveness
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BĂ©la BartĂłk
II. L’istesso tempo - Upright Piano
106 bpm • E Maj • 01:01 • -29.31db
21% Popularity • 52% Danceability • 13% Energy • 8% Liveness
97% Instrumentalness • 39% Positiveness
21% Popularity • 52% Danceability • 13% Energy • 8% Liveness
97% Instrumentalness • 39% Positiveness
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Clara Schumann
3 Romances, Op. 11: I. Andante
106 bpm • D# min • 03:30 • -31db
39% Popularity • 38% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 8% Positiveness
39% Popularity • 38% Danceability • 3% Energy • 10% Liveness
86% Instrumentalness • 8% Positiveness
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Carl Philipp Emanuel Bach
Keyboard Sonata in B Minor, Wq. 55/3, H....
106 bpm • E min • 03:00 • -28.23db
38% Popularity • 43% Danceability • 9% Energy • 9% Liveness
89% Instrumentalness • 30% Positiveness
38% Popularity • 43% Danceability • 9% Energy • 9% Liveness
89% Instrumentalness • 30% Positiveness
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Joseph Haydn
Cello Concerto in C, H.VIIb, No.1: 2. Ad...
96 bpm • F Maj • 09:14 • -23.97db
29% Popularity • 18% Danceability • 6% Energy • 7% Liveness
53% Instrumentalness • 10% Positiveness
29% Popularity • 18% Danceability • 6% Energy • 7% Liveness
53% Instrumentalness • 10% Positiveness
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Jean-Philippe Rameau
Rigaudons I, II & Double
106 bpm • E Maj • 01:02 • -24db
50% Popularity • 33% Danceability • 34% Energy • 15% Liveness
90% Instrumentalness • 68% Positiveness
50% Popularity • 33% Danceability • 34% Energy • 15% Liveness
90% Instrumentalness • 68% Positiveness
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Franz Schubert
Die schöne Müllerin, Op. 25, D. 795: N...
96 bpm • G Maj • 04:22 • -25.79db
35% Popularity • 14% Danceability • 4% Energy • 8% Liveness
78% Instrumentalness • 8% Positiveness
35% Popularity • 14% Danceability • 4% Energy • 8% Liveness
78% Instrumentalness • 8% Positiveness
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BĂ©la BartĂłk
6 Romanian Folk Dances, BB 68, Sz. 56: I...
106 bpm • A min • 01:12 • -23.63db
21% Popularity • 47% Danceability • 10% Energy • 13% Liveness
88% Instrumentalness • 41% Positiveness
21% Popularity • 47% Danceability • 10% Energy • 13% Liveness
88% Instrumentalness • 41% Positiveness
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Claude Debussy
Pour le piano, L. 95: II. Sarabande
96 bpm • E Maj • 05:20 • -24.79db
2% Popularity • 50% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
2% Popularity • 50% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Johannes Brahms
4 Ballades, Op. 10: No. 1 in D Minor. An...
96 bpm • A# Maj • 04:34 • -23.81db
14% Popularity • 43% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 7% Positiveness
14% Popularity • 43% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 7% Positiveness
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![6 Chants polonais, S. 480: No. 2, FrĂĽhling (Wiosna, Spring) [After Chopin's Op. 74] cover art](https://i.scdn.co/image/ab67616d00001e02b75259b5803e04a1d46dc211)
Franz Liszt
6 Chants polonais, S. 480: No. 2, FrĂĽhl...
96 bpm • G min • 02:11 • -35.91db
63% Popularity • 41% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 16% Positiveness
63% Popularity • 41% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 16% Positiveness
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Carl Maria von Weber
Piano Concerto No. 1 in C Major, Op. 11,...
95 bpm • G# Maj • 04:17 • -33.85db
42% Popularity • 17% Danceability • 1% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
42% Popularity • 17% Danceability • 1% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Jean-Philippe Rameau
L’enharmonique
107 bpm • G min • 03:53 • -33.82db
23% Popularity • 42% Danceability • 2% Energy • 22% Liveness
89% Instrumentalness • 15% Positiveness
23% Popularity • 42% Danceability • 2% Energy • 22% Liveness
89% Instrumentalness • 15% Positiveness
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Wolfgang Amadeus Mozart
Piano Sonata No. 16 in C Major, K. 545 "...
107 bpm • C Maj • 01:42 • -23.92db
27% Popularity • 55% Danceability • 20% Energy • 9% Liveness
93% Instrumentalness • 86% Positiveness
27% Popularity • 55% Danceability • 20% Energy • 9% Liveness
93% Instrumentalness • 86% Positiveness
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Giovanni Battista Pergolesi
Lo frate 'nnamorato: II. Andante
108 bpm • G min • 02:27 • -22db
45% Popularity • 19% Danceability • 6% Energy • 22% Liveness
81% Instrumentalness • 5% Positiveness
45% Popularity • 19% Danceability • 6% Energy • 22% Liveness
81% Instrumentalness • 5% Positiveness
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Johannes Brahms
Double Concerto in A Minor, Op. 102 for ...
95 bpm • G Maj • 07:34 • -20.77db
38% Popularity • 17% Danceability • 13% Energy • 15% Liveness
86% Instrumentalness • 4% Positiveness
38% Popularity • 17% Danceability • 13% Energy • 15% Liveness
86% Instrumentalness • 4% Positiveness
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Domenico Scarlatti
Sonata in D Minor, K. 9
94 bpm • D min • 04:14 • -32.37db
41% Popularity • 40% Danceability • 2% Energy • 6% Liveness
92% Instrumentalness • 32% Positiveness
41% Popularity • 40% Danceability • 2% Energy • 6% Liveness
92% Instrumentalness • 32% Positiveness
► Preview
Johann Sebastian Bach
Aria variata (alla maniera italiana) in ...
108 bpm • E Maj • 01:50 • -35.19db
31% Popularity • 39% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 22% Positiveness
31% Popularity • 39% Danceability • 1% Energy • 6% Liveness
91% Instrumentalness • 22% Positiveness
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Jean-Philippe Rameau
Quatrième concert: II. L'indiscrète
107 bpm • A# Maj • 01:06 • -26db
27% Popularity • 43% Danceability • 32% Energy • 14% Liveness
86% Instrumentalness • 46% Positiveness
27% Popularity • 43% Danceability • 32% Energy • 14% Liveness
86% Instrumentalness • 46% Positiveness
► Preview
Leopold Godowsky
Renaissance, Book 2: Sarabande (Lully)
94 bpm • E min • 05:36 • -35db
35% Popularity • 48% Danceability • 1% Energy • 5% Liveness
94% Instrumentalness • 8% Positiveness
35% Popularity • 48% Danceability • 1% Energy • 5% Liveness
94% Instrumentalness • 8% Positiveness
► Preview
Domenico Cimarosa
Keyboard Sonata in C Major, C. 14: I. An...
108 bpm • C Maj • 00:46 • -23.71db
30% Popularity • 66% Danceability • 12% Energy • 15% Liveness
79% Instrumentalness • 68% Positiveness
30% Popularity • 66% Danceability • 12% Energy • 15% Liveness
79% Instrumentalness • 68% Positiveness
► Preview
Jean Sibelius
Sonatina No. 1, Op. 67: III. Allegro mod...
94 bpm • F# Maj • 01:41 • -30db
42% Popularity • 36% Danceability • 11% Energy • 8% Liveness
89% Instrumentalness • 33% Positiveness
42% Popularity • 36% Danceability • 11% Energy • 8% Liveness
89% Instrumentalness • 33% Positiveness
► Preview
Tomaso Albinoni
Sonata a 5 in G Minor, Op. 2, No. 6: III...
94 bpm • G min • 01:09 • -23.91db
49% Popularity • 24% Danceability • 4% Energy • 15% Liveness
2% Instrumentalness • 21% Positiveness
49% Popularity • 24% Danceability • 4% Energy • 15% Liveness
2% Instrumentalness • 21% Positiveness
► Preview
Antonio Vivaldi
Concerto for Oboe and Bassoon in G Major...
94 bpm • D Maj • 03:22 • -22db
43% Popularity • 48% Danceability • 12% Energy • 16% Liveness
31% Instrumentalness • 58% Positiveness
43% Popularity • 48% Danceability • 12% Energy • 16% Liveness
31% Instrumentalness • 58% Positiveness
► Preview
Jean-Philippe Rameau
Suite in D Minor-Major, RCT 1: II. Les t...
107 bpm • D min • 03:35 • -36.41db
12% Popularity • 31% Danceability • 1% Energy • 68% Liveness
67% Instrumentalness • 14% Positiveness
12% Popularity • 31% Danceability • 1% Energy • 68% Liveness
67% Instrumentalness • 14% Positiveness
► Preview
Felix Mendelssohn
Lieder ohne Worte (Songs without Words),...
109 bpm • F min • 02:28 • -25.74db
35% Popularity • 28% Danceability • 9% Energy • 11% Liveness
84% Instrumentalness • 12% Positiveness
35% Popularity • 28% Danceability • 9% Energy • 11% Liveness
84% Instrumentalness • 12% Positiveness
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Claude Debussy
Pour le piano, L. 95: I. Prélude
109 bpm • C Maj • 04:04 • -19.36db
12% Popularity • 30% Danceability • 23% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
12% Popularity • 30% Danceability • 23% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Camille Saint-Saëns
Saint-Saëns: Cello Sonata No. 1 in C Mi...
109 bpm • D# Maj • 05:22 • -31.66db
12% Popularity • 37% Danceability • 2% Energy • 10% Liveness
95% Instrumentalness • 32% Positiveness
12% Popularity • 37% Danceability • 2% Energy • 10% Liveness
95% Instrumentalness • 32% Positiveness
► Preview
Johann Nepomuk Hummel
Adagio, Variations and Rondo on Schone M...
110 bpm • A Maj • 01:41 • -19db
33% Popularity • 38% Danceability • 12% Energy • 9% Liveness
85% Instrumentalness • 34% Positiveness
33% Popularity • 38% Danceability • 12% Energy • 9% Liveness
85% Instrumentalness • 34% Positiveness
► Preview
Georg Philipp Telemann
Concerto In G Major TWV 40:201, For 4 Vi...
110 bpm • F# Maj • 02:11 • -24.41db
42% Popularity • 31% Danceability • 1% Energy • 7% Liveness
7% Instrumentalness • 33% Positiveness
42% Popularity • 31% Danceability • 1% Energy • 7% Liveness
7% Instrumentalness • 33% Positiveness
► Preview
Jean-Philippe Rameau
La joyeuse
108 bpm • D Maj • 00:58 • -23.84db
22% Popularity • 48% Danceability • 52% Energy • 13% Liveness
86% Instrumentalness • 92% Positiveness
22% Popularity • 48% Danceability • 52% Energy • 13% Liveness
86% Instrumentalness • 92% Positiveness
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Gabriel Fauré
Requiem, Op. 48:IV. Pie Jesu (Arr. for P...
110 bpm • A# Maj • 03:09 • -36.6db
26% Popularity • 43% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 39% Positiveness
26% Popularity • 43% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 39% Positiveness
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Claude Debussy
La damoiselle élue, L. 62: Prélude
110 bpm • F Maj • 03:51 • -28db
16% Popularity • 49% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 10% Positiveness
16% Popularity • 49% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 10% Positiveness
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Philip Glass
Études: No. 6
110 bpm • F min • 04:26 • -21db
34% Popularity • 35% Danceability • 19% Energy • 12% Liveness
88% Instrumentalness • 14% Positiveness
34% Popularity • 35% Danceability • 19% Energy • 12% Liveness
88% Instrumentalness • 14% Positiveness
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Johann Sebastian Bach
Prelude & Fugue in E Minor (Well-Tempere...
111 bpm • D Maj • 01:16 • -18.46db
33% Popularity • 52% Danceability • 66% Energy • 10% Liveness
89% Instrumentalness • 39% Positiveness
33% Popularity • 52% Danceability • 66% Energy • 10% Liveness
89% Instrumentalness • 39% Positiveness
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Emanuele Barbella
Mandolin Concerto in D Major: II. Andant...
110 bpm • G Maj • 03:53 • -20.29db
36% Popularity • 48% Danceability • 11% Energy • 13% Liveness
27% Instrumentalness • 32% Positiveness
36% Popularity • 48% Danceability • 11% Energy • 13% Liveness
27% Instrumentalness • 32% Positiveness
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Jean-Philippe Rameau
Le Rappel des oiseaux
94 bpm • E min • 02:40 • -29.7db
22% Popularity • 42% Danceability • 14% Energy • 8% Liveness
90% Instrumentalness • 53% Positiveness
22% Popularity • 42% Danceability • 14% Energy • 8% Liveness
90% Instrumentalness • 53% Positiveness
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François Couperin
Pièces de Clavecin, Livre II, 6e ordre:...
111 bpm • A# Maj • 01:40 • -25.59db
47% Popularity • 19% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 35% Positiveness
47% Popularity • 19% Danceability • 9% Energy • 10% Liveness
93% Instrumentalness • 35% Positiveness
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Robert Schumann
Study in Canonic Form, Op. 56, No. 1 - G...
92 bpm • C Maj • 01:56 • -27.73db
31% Popularity • 29% Danceability • 10% Energy • 9% Liveness
92% Instrumentalness • 35% Positiveness
31% Popularity • 29% Danceability • 10% Energy • 9% Liveness
92% Instrumentalness • 35% Positiveness
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VĂkingur Ă“lafsson
Partita No. 2 in C minor, BWV 826: I. Si...
92 bpm • C min • 04:19 • -25.16db
10% Popularity • 26% Danceability • 17% Energy • 7% Liveness
87% Instrumentalness • 42% Positiveness
10% Popularity • 26% Danceability • 17% Energy • 7% Liveness
87% Instrumentalness • 42% Positiveness
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Franz Danzi
Concertino for Clarinet & Bassoon in B-F...
92 bpm • D# Maj • 02:49 • -24.28db
41% Popularity • 14% Danceability • 4% Energy • 19% Liveness
40% Instrumentalness • 9% Positiveness
41% Popularity • 14% Danceability • 4% Energy • 19% Liveness
40% Instrumentalness • 9% Positiveness
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Franz Schubert
Minuet in A major, D. 334
92 bpm • A Maj • 03:13 • -39.25db
59% Popularity • 27% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
59% Popularity • 27% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
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Jean-Philippe Rameau
Les tendres plaintes
110 bpm • D min • 02:36 • -30.11db
27% Popularity • 38% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 27% Positiveness
27% Popularity • 38% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 27% Positiveness
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Jean Sibelius
Sonatina No. 1, Op. 67: II. Largo
112 bpm • F# min • 02:11 • -33.07db
32% Popularity • 53% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 20% Positiveness
32% Popularity • 53% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 20% Positiveness
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Karol Szymanowski
9 Preludes, Op. 1: No. 1 in B Minor. And...
91 bpm • E min • 02:56 • -27.93db
30% Popularity • 27% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 14% Positiveness
30% Popularity • 27% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 14% Positiveness
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VĂkingur Ă“lafsson
For JĂłhann
111 bpm • C min • 03:03 • -34db
34% Popularity • 63% Danceability • 9% Energy • 9% Liveness
95% Instrumentalness • 24% Positiveness
34% Popularity • 63% Danceability • 9% Energy • 9% Liveness
95% Instrumentalness • 24% Positiveness
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Robert Schumann
Schumann: Bunte Blätter, Op. 99: No. 6,...
91 bpm • G# Maj • 01:25 • -31.31db
41% Popularity • 49% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 12% Positiveness
41% Popularity • 49% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 12% Positiveness
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Carl Stamitz
Cello Concerto No. 1 in G Major: II. Rom...
91 bpm • A# Maj • 05:23 • -28db
39% Popularity • 14% Danceability • 4% Energy • 11% Liveness
87% Instrumentalness • 6% Positiveness
39% Popularity • 14% Danceability • 4% Energy • 11% Liveness
87% Instrumentalness • 6% Positiveness
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Jean-Philippe Rameau
L’égyptienne
112 bpm • G min • 02:12 • -22.44db
28% Popularity • 47% Danceability • 32% Energy • 9% Liveness
93% Instrumentalness • 91% Positiveness
28% Popularity • 47% Danceability • 32% Energy • 9% Liveness
93% Instrumentalness • 91% Positiveness
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Felix Mendelssohn
Lieder ohne Worte (Songs without Words),...
91 bpm • G min • 02:47 • -23.25db
30% Popularity • 31% Danceability • 9% Energy • 10% Liveness
86% Instrumentalness • 12% Positiveness
30% Popularity • 31% Danceability • 9% Energy • 10% Liveness
86% Instrumentalness • 12% Positiveness
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Philip Glass
Études: No. 3
112 bpm • F Maj • 04:01 • -22.81db
24% Popularity • 29% Danceability • 27% Energy • 9% Liveness
94% Instrumentalness • 20% Positiveness
24% Popularity • 29% Danceability • 27% Energy • 9% Liveness
94% Instrumentalness • 20% Positiveness
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Thomas Adès
The Branch - Upright Piano
112 bpm • C Maj • 01:19 • -32db
19% Popularity • 33% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 16% Positiveness
19% Popularity • 33% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 16% Positiveness
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Carl Maria von Weber
6 Violin Sonatas, Op. 10b No. 3 in D Min...
112 bpm • D min • 01:54 • -23.16db
51% Popularity • 42% Danceability • 6% Energy • 8% Liveness
80% Instrumentalness • 20% Positiveness
51% Popularity • 42% Danceability • 6% Energy • 8% Liveness
80% Instrumentalness • 20% Positiveness
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Robert Schumann
Waldszenen, Op. 82: I. Eintritt im Walde
113 bpm • A# Maj • 02:04 • -33.9db
36% Popularity • 28% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 20% Positiveness
36% Popularity • 28% Danceability • 2% Energy • 7% Liveness
92% Instrumentalness • 20% Positiveness
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Franz Schubert
Waltz, D. 1/14, "Kupelwieser-Walzer"
113 bpm • F# Maj • 01:36 • -34db
57% Popularity • 26% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 14% Positiveness
57% Popularity • 26% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 14% Positiveness
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Gabriel Fauré
Berceuse, Op. 16
90 bpm • F Maj • 03:57 • -26.99db
47% Popularity • 17% Danceability • 2% Energy • 11% Liveness
89% Instrumentalness • 10% Positiveness
47% Popularity • 17% Danceability • 2% Energy • 11% Liveness
89% Instrumentalness • 10% Positiveness
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Antonio Vivaldi
Cello Concerto in C Minor, RV 401: II. A...
113 bpm • C min • 02:18 • -26.38db
39% Popularity • 26% Danceability • 2% Energy • 16% Liveness
87% Instrumentalness • 14% Positiveness
39% Popularity • 26% Danceability • 2% Energy • 16% Liveness
87% Instrumentalness • 14% Positiveness
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BĂ©la BartĂłk
I. Rubato - Upright Piano
90 bpm • A Maj • 01:10 • -29.09db
21% Popularity • 40% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 38% Positiveness
21% Popularity • 40% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 38% Positiveness
