Songs like Question It All by Lucy Rose
Based on a tempo of (+/- 10%) and a similar genre
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Villagers
The First Day - Acoustic
141 bpm • A# Maj • 02:13 • -15.33db
34% Popularity • 48% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
34% Popularity • 48% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Billie Marten
This Is How We Move
141 bpm • C# Maj • 03:06 • -11.64db
35% Popularity • 50% Danceability • 28% Energy • 11% Liveness
7% Instrumentalness • 26% Positiveness
35% Popularity • 50% Danceability • 28% Energy • 11% Liveness
7% Instrumentalness • 26% Positiveness
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Anna Mieke
Epitaph
141 bpm • D Maj • 04:27 • -14.16db
15% Popularity • 45% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
15% Popularity • 45% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Klangstof
Ocean View
140 bpm • G min • 04:04 • -12db
29% Popularity • 72% Danceability • 41% Energy • 11% Liveness
70% Instrumentalness • 61% Positiveness
29% Popularity • 72% Danceability • 41% Energy • 11% Liveness
70% Instrumentalness • 61% Positiveness
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Lucy Rose
Question It All
141 bpm • C Maj • 04:02 • -11.91db
41% Popularity • 42% Danceability • 40% Energy • 11% Liveness
9% Instrumentalness • 17% Positiveness
41% Popularity • 42% Danceability • 40% Energy • 11% Liveness
9% Instrumentalness • 17% Positiveness
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French For Rabbits
The Tunnel
142 bpm • F Maj • 02:41 • -16.44db
28% Popularity • 32% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
28% Popularity • 32% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Chris Staples
Full Color Dream
140 bpm • D# min • 03:35 • -8.45db
39% Popularity • 69% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
39% Popularity • 69% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Villagers
Momentarily
140 bpm • C Maj • 05:30 • -9.83db
23% Popularity • 62% Danceability • 39% Energy • 11% Liveness
58% Instrumentalness • 18% Positiveness
23% Popularity • 62% Danceability • 39% Energy • 11% Liveness
58% Instrumentalness • 18% Positiveness
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George Ogilvie
Foreign Hands (George's Version)
140 bpm • D# min • 04:18 • -8.74db
45% Popularity • 41% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
45% Popularity • 41% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Flyte
Losing You
142 bpm • C# Maj • 03:18 • -7.85db
44% Popularity • 63% Danceability • 67% Energy • 12% Liveness
2% Instrumentalness • 92% Positiveness
44% Popularity • 63% Danceability • 67% Energy • 12% Liveness
2% Instrumentalness • 92% Positiveness
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Lucy Rose
Scar - Daliee's Remix
140 bpm • B min • 03:43 • -5.67db
0% Popularity • 68% Danceability • 91% Energy • 10% Liveness
7% Instrumentalness • 58% Positiveness
0% Popularity • 68% Danceability • 91% Energy • 10% Liveness
7% Instrumentalness • 58% Positiveness
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Ella Grace
Pieces
140 bpm • F min • 03:15 • -12db
42% Popularity • 73% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 26% Positiveness
42% Popularity • 73% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 26% Positiveness
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Rhye
Stay Safe
142 bpm • A Maj • 04:52 • -9.85db
47% Popularity • 80% Danceability • 41% Energy • 7% Liveness
34% Instrumentalness • 63% Positiveness
47% Popularity • 80% Danceability • 41% Energy • 7% Liveness
34% Instrumentalness • 63% Positiveness
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Alyson McNamara
After Hours
142 bpm • A# Maj • 05:07 • -12.42db
32% Popularity • 78% Danceability • 33% Energy • 11% Liveness
42% Instrumentalness • 76% Positiveness
32% Popularity • 78% Danceability • 33% Energy • 11% Liveness
42% Instrumentalness • 76% Positiveness
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Chris Staples
Everybody Said
140 bpm • C# Maj • 02:18 • -14db
41% Popularity • 69% Danceability • 20% Energy • 11% Liveness
38% Instrumentalness • 56% Positiveness
41% Popularity • 69% Danceability • 20% Energy • 11% Liveness
38% Instrumentalness • 56% Positiveness
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Ada Lea
damn
142 bpm • G# min • 04:21 • -9db
39% Popularity • 69% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
39% Popularity • 69% Danceability • 46% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
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Lucy Rose
Middle of the Bed
140 bpm • B min • 03:11 • -9db
38% Popularity • 70% Danceability • 45% Energy • 7% Liveness
7% Instrumentalness • 41% Positiveness
38% Popularity • 70% Danceability • 45% Energy • 7% Liveness
7% Instrumentalness • 41% Positiveness
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Maia Friedman
First to Love
140 bpm • D# Maj • 04:38 • -8.53db
38% Popularity • 49% Danceability • 55% Energy • 10% Liveness
70% Instrumentalness • 39% Positiveness
38% Popularity • 49% Danceability • 55% Energy • 10% Liveness
70% Instrumentalness • 39% Positiveness
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Bess Atwell
Swimming Pool
143 bpm • C# Maj • 04:33 • -12.02db
22% Popularity • 55% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
22% Popularity • 55% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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The Paper Kites
For All You Give
139 bpm • B min • 03:11 • -17.14db
51% Popularity • 50% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
51% Popularity • 50% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Flyte
Everyone's A Winner
143 bpm • A Maj • 03:29 • -9.15db
46% Popularity • 59% Danceability • 36% Energy • 15% Liveness
1% Instrumentalness • 51% Positiveness
46% Popularity • 59% Danceability • 36% Energy • 15% Liveness
1% Instrumentalness • 51% Positiveness
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Bell X1
The Upswing
139 bpm • A Maj • 04:59 • -11.85db
37% Popularity • 62% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
37% Popularity • 62% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Lucy Rose
Is This Called Home
139 bpm • F# Maj • 03:51 • -15.46db
22% Popularity • 32% Danceability • 20% Energy • 12% Liveness
62% Instrumentalness • 15% Positiveness
22% Popularity • 32% Danceability • 20% Energy • 12% Liveness
62% Instrumentalness • 15% Positiveness
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Chartreuse
Keep Checking up on Me
139 bpm • C Maj • 04:19 • -10db
34% Popularity • 71% Danceability • 56% Energy • 10% Liveness
1% Instrumentalness • 70% Positiveness
34% Popularity • 71% Danceability • 56% Energy • 10% Liveness
1% Instrumentalness • 70% Positiveness
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Fenne Lily
Berlin
143 bpm • G# Maj • 03:39 • -9.88db
39% Popularity • 52% Danceability • 36% Energy • 12% Liveness
82% Instrumentalness • 29% Positiveness
39% Popularity • 52% Danceability • 36% Energy • 12% Liveness
82% Instrumentalness • 29% Positiveness
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Matilda Mann
The Loch Ness Monster
144 bpm • E Maj • 03:19 • -11.5db
37% Popularity • 53% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
37% Popularity • 53% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Kings of Convenience
Love Is A Lonely Thing
138 bpm • C Maj • 02:45 • -16db
46% Popularity • 56% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
46% Popularity • 56% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Anna Leone
Once
138 bpm • A Maj • 03:25 • -13db
39% Popularity • 35% Danceability • 24% Energy • 11% Liveness
4% Instrumentalness • 10% Positiveness
39% Popularity • 35% Danceability • 24% Energy • 11% Liveness
4% Instrumentalness • 10% Positiveness
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Maple Glider
As Tradition
144 bpm • D min • 04:00 • -8.57db
30% Popularity • 67% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
30% Popularity • 67% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Lucy Rose
Save Me From Your Kindness
144 bpm • C Maj • 03:47 • -15.51db
19% Popularity • 48% Danceability • 18% Energy • 7% Liveness
10% Instrumentalness • 18% Positiveness
19% Popularity • 48% Danceability • 18% Energy • 7% Liveness
10% Instrumentalness • 18% Positiveness
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Bess Atwell
Cherry Baby
138 bpm • F# min • 05:26 • -13.36db
29% Popularity • 58% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
29% Popularity • 58% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Palace
Heaven Up There
138 bpm • E Maj • 07:17 • -10.54db
55% Popularity • 42% Danceability • 42% Energy • 11% Liveness
12% Instrumentalness • 18% Positiveness
55% Popularity • 42% Danceability • 42% Energy • 11% Liveness
12% Instrumentalness • 18% Positiveness
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Blanco White
Mano a Mano
144 bpm • C# min • 06:20 • -12.29db
34% Popularity • 31% Danceability • 32% Energy • 10% Liveness
64% Instrumentalness • 14% Positiveness
34% Popularity • 31% Danceability • 32% Energy • 10% Liveness
64% Instrumentalness • 14% Positiveness
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Route 500
I'll Play You Out
138 bpm • E Maj • 02:44 • -14.03db
40% Popularity • 63% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
40% Popularity • 63% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Anna Leone
Still I Wait
138 bpm • G Maj • 03:49 • -13.98db
44% Popularity • 56% Danceability • 26% Energy • 10% Liveness
5% Instrumentalness • 27% Positiveness
44% Popularity • 56% Danceability • 26% Energy • 10% Liveness
5% Instrumentalness • 27% Positiveness
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Bonny Light Horseman
The Roving
138 bpm • F Maj • 04:20 • -7.34db
39% Popularity • 54% Danceability • 45% Energy • 11% Liveness
2% Instrumentalness • 57% Positiveness
39% Popularity • 54% Danceability • 45% Energy • 11% Liveness
2% Instrumentalness • 57% Positiveness
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Billie Marten
I Can't Get My Head Around You
145 bpm • G# Maj • 03:26 • -7.86db
45% Popularity • 53% Danceability • 57% Energy • 11% Liveness
3% Instrumentalness • 61% Positiveness
45% Popularity • 53% Danceability • 57% Energy • 11% Liveness
3% Instrumentalness • 61% Positiveness
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Saint Saviour
Rock Pools
145 bpm • G Maj • 03:58 • -8.89db
41% Popularity • 80% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
41% Popularity • 80% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Katy J Pearson
Beautiful Soul
145 bpm • G Maj • 03:16 • -5.91db
38% Popularity • 59% Danceability • 64% Energy • 13% Liveness
1% Instrumentalness • 49% Positiveness
38% Popularity • 59% Danceability • 64% Energy • 13% Liveness
1% Instrumentalness • 49% Positiveness
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Westerman
Float Over
137 bpm • A Maj • 02:20 • -12.93db
34% Popularity • 85% Danceability • 26% Energy • 11% Liveness
84% Instrumentalness • 68% Positiveness
34% Popularity • 85% Danceability • 26% Energy • 11% Liveness
84% Instrumentalness • 68% Positiveness
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James Vincent McMorrow
Hurricane
137 bpm • G Maj • 04:26 • -6.38db
42% Popularity • 68% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 77% Positiveness
42% Popularity • 68% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 77% Positiveness
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Eve Owen
So Still For You
145 bpm • A Maj • 02:10 • -7.24db
21% Popularity • 52% Danceability • 54% Energy • 28% Liveness
3% Instrumentalness • 51% Positiveness
21% Popularity • 52% Danceability • 54% Energy • 28% Liveness
3% Instrumentalness • 51% Positiveness
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Nana Adjoa
No Room
145 bpm • A Maj • 03:29 • -12db
39% Popularity • 56% Danceability • 44% Energy • 10% Liveness
5% Instrumentalness • 31% Positiveness
39% Popularity • 56% Danceability • 44% Energy • 10% Liveness
5% Instrumentalness • 31% Positiveness
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Ten Fé
Nothing Breaks Like A Heart
136 bpm • C min • 03:16 • -16.97db
39% Popularity • 42% Danceability • 14% Energy • 9% Liveness
66% Instrumentalness • 34% Positiveness
39% Popularity • 42% Danceability • 14% Energy • 9% Liveness
66% Instrumentalness • 34% Positiveness
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Vagabon
Every Woman
146 bpm • G# min • 03:27 • -17.36db
30% Popularity • 48% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
30% Popularity • 48% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Westerman
Mother Song
136 bpm • G Maj • 02:53 • -16.92db
40% Popularity • 57% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
40% Popularity • 57% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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JFDR
Shimmer
136 bpm • D Maj • 03:21 • -15.63db
19% Popularity • 53% Danceability • 21% Energy • 9% Liveness
7% Instrumentalness • 41% Positiveness
19% Popularity • 53% Danceability • 21% Energy • 9% Liveness
7% Instrumentalness • 41% Positiveness
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Ben Howard
What A Day - Edit
136 bpm • G Maj • 04:17 • -9.03db
46% Popularity • 66% Danceability • 43% Energy • 9% Liveness
7% Instrumentalness • 59% Positiveness
46% Popularity • 66% Danceability • 43% Energy • 9% Liveness
7% Instrumentalness • 59% Positiveness
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Loah
Unveiled
136 bpm • E min • 04:12 • -11.63db
36% Popularity • 63% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
36% Popularity • 63% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Siv Jakobsen
Sun, Moon, Stars
147 bpm • A min • 04:35 • -14.73db
25% Popularity • 32% Danceability • 26% Energy • 11% Liveness
6% Instrumentalness • 17% Positiveness
25% Popularity • 32% Danceability • 26% Energy • 11% Liveness
6% Instrumentalness • 17% Positiveness
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Participant
Coast
135 bpm • A Maj • 03:55 • -12.77db
22% Popularity • 55% Danceability • 17% Energy • 11% Liveness
9% Instrumentalness • 25% Positiveness
22% Popularity • 55% Danceability • 17% Energy • 11% Liveness
9% Instrumentalness • 25% Positiveness
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Bess Atwell
Dolly
147 bpm • A# min • 02:55 • -13.78db
35% Popularity • 35% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
35% Popularity • 35% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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MAVICA
Fire
135 bpm • G# min • 04:35 • -10.01db
37% Popularity • 59% Danceability • 39% Energy • 11% Liveness
20% Instrumentalness • 12% Positiveness
37% Popularity • 59% Danceability • 39% Energy • 11% Liveness
20% Instrumentalness • 12% Positiveness
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Ben Howard
What A Day
136 bpm • G Maj • 05:16 • -8.51db
36% Popularity • 68% Danceability • 47% Energy • 10% Liveness
12% Instrumentalness • 54% Positiveness
36% Popularity • 68% Danceability • 47% Energy • 10% Liveness
12% Instrumentalness • 54% Positiveness
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Hypnotic Brass Ensemble
Soon It Will Be Fire
135 bpm • B min • 09:29 • -13.74db
31% Popularity • 35% Danceability • 30% Energy • 10% Liveness
81% Instrumentalness • 15% Positiveness
31% Popularity • 35% Danceability • 30% Energy • 10% Liveness
81% Instrumentalness • 15% Positiveness
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Fenne Lily
What's Good
134 bpm • G# min • 03:36 • -14.84db
41% Popularity • 43% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
41% Popularity • 43% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Helena Deland
Swimmer
135 bpm • F Maj • 03:33 • -15.27db
36% Popularity • 51% Danceability • 22% Energy • 9% Liveness
1% Instrumentalness • 33% Positiveness
36% Popularity • 51% Danceability • 22% Energy • 9% Liveness
1% Instrumentalness • 33% Positiveness
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Nassau
Whatever Brings You Peace of Mind
148 bpm • D Maj • 04:39 • -10db
38% Popularity • 53% Danceability • 48% Energy • 12% Liveness
63% Instrumentalness • 22% Positiveness
38% Popularity • 53% Danceability • 48% Energy • 12% Liveness
63% Instrumentalness • 22% Positiveness
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Matilda Mann
Japan
134 bpm • A# Maj • 02:14 • -12db
39% Popularity • 71% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
39% Popularity • 71% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Villagers
A Trick of the Light - Bibio Remix
149 bpm • B Maj • 03:08 • -10db
32% Popularity • 50% Danceability • 52% Energy • 13% Liveness
82% Instrumentalness • 21% Positiveness
32% Popularity • 50% Danceability • 52% Energy • 13% Liveness
82% Instrumentalness • 21% Positiveness
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Palace
Lost in the Night
149 bpm • G Maj • 02:04 • -10.22db
51% Popularity • 62% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
51% Popularity • 62% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Ex:Re
The Dazzler
133 bpm • A Maj • 04:41 • -11db
35% Popularity • 77% Danceability • 22% Energy • 9% Liveness
1% Instrumentalness • 36% Positiveness
35% Popularity • 77% Danceability • 22% Energy • 9% Liveness
1% Instrumentalness • 36% Positiveness
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Lucy Rose
All That Fear - Otzeki Remix
133 bpm • B min • 03:51 • -9.59db
3% Popularity • 76% Danceability • 66% Energy • 11% Liveness
77% Instrumentalness • 42% Positiveness
3% Popularity • 76% Danceability • 66% Energy • 11% Liveness
77% Instrumentalness • 42% Positiveness
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Danika
Suit of Armour
133 bpm • E min • 03:48 • -12.89db
31% Popularity • 69% Danceability • 43% Energy • 5% Liveness
10% Instrumentalness • 87% Positiveness
31% Popularity • 69% Danceability • 43% Energy • 5% Liveness
10% Instrumentalness • 87% Positiveness
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Uma
Mockingbird
133 bpm • B min • 03:15 • -12.96db
29% Popularity • 70% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
29% Popularity • 70% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Eleni Drake
King Street
150 bpm • E Maj • 03:38 • -11.58db
46% Popularity • 57% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
46% Popularity • 57% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Villagers
A Trick of the Light
150 bpm • B Maj • 04:08 • -8.16db
53% Popularity • 56% Danceability • 61% Energy • 13% Liveness
4% Instrumentalness • 42% Positiveness
53% Popularity • 56% Danceability • 61% Energy • 13% Liveness
4% Instrumentalness • 42% Positiveness
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Moses Sumney
Make Out in My Car - Sufjan Stevens Vers...
150 bpm • F Maj • 02:46 • -11.66db
52% Popularity • 55% Danceability • 38% Energy • 12% Liveness
2% Instrumentalness • 66% Positiveness
52% Popularity • 55% Danceability • 38% Energy • 12% Liveness
2% Instrumentalness • 66% Positiveness
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Lucy Rose
Love Song - Evan Klar Remix
150 bpm • D Maj • 04:04 • -12.2db
5% Popularity • 78% Danceability • 41% Energy • 22% Liveness
2% Instrumentalness • 94% Positiveness
5% Popularity • 78% Danceability • 41% Energy • 22% Liveness
2% Instrumentalness • 94% Positiveness
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Logan and Isabel
Nights By The River
150 bpm • A min • 04:32 • -15.46db
26% Popularity • 48% Danceability • 38% Energy • 18% Liveness
90% Instrumentalness • 27% Positiveness
26% Popularity • 48% Danceability • 38% Energy • 18% Liveness
90% Instrumentalness • 27% Positiveness
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Fenne Lily
On Hold
150 bpm • C# min • 02:38 • -9.52db
29% Popularity • 59% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 12% Positiveness
29% Popularity • 59% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 12% Positiveness
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Bess Atwell
Red Light Heaven
132 bpm • A Maj • 03:29 • -8.94db
34% Popularity • 56% Danceability • 63% Energy • 9% Liveness
17% Instrumentalness • 36% Positiveness
34% Popularity • 56% Danceability • 63% Energy • 9% Liveness
17% Instrumentalness • 36% Positiveness
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Someone
Empathy
150 bpm • G Maj • 03:23 • -10.61db
23% Popularity • 61% Danceability • 58% Energy • 13% Liveness
87% Instrumentalness • 83% Positiveness
23% Popularity • 61% Danceability • 58% Energy • 13% Liveness
87% Instrumentalness • 83% Positiveness
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Billie Marten
Garden of Eden
150 bpm • F Maj • 03:19 • -8.08db
29% Popularity • 58% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
29% Popularity • 58% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Anna Mieke
Aurillac
132 bpm • D# Maj • 04:34 • -11.51db
29% Popularity • 44% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
29% Popularity • 44% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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James Vincent McMorrow
I Should Go - Solo Version
132 bpm • F# min • 02:31 • -10.37db
54% Popularity • 71% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
54% Popularity • 71% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Fenne Lily
Hypochondriac
132 bpm • D# Maj • 03:12 • -7db
42% Popularity • 61% Danceability • 57% Energy • 22% Liveness
17% Instrumentalness • 56% Positiveness
42% Popularity • 61% Danceability • 57% Energy • 22% Liveness
17% Instrumentalness • 56% Positiveness
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Ghostpoet
Sorry My Love, It's You Not Me - Ghost C...
132 bpm • A# min • 06:20 • -6.88db
3% Popularity • 70% Danceability • 92% Energy • 10% Liveness
1% Instrumentalness • 86% Positiveness
3% Popularity • 70% Danceability • 92% Energy • 10% Liveness
1% Instrumentalness • 86% Positiveness
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Ocie Elliott
Back Door Run
132 bpm • B min • 03:33 • -11.95db
45% Popularity • 70% Danceability • 27% Energy • 8% Liveness
35% Instrumentalness • 30% Positiveness
45% Popularity • 70% Danceability • 27% Energy • 8% Liveness
35% Instrumentalness • 30% Positiveness
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Ben Howard
Time Is Dancing
151 bpm • A# Maj • 06:49 • -13db
49% Popularity • 40% Danceability • 53% Energy • 11% Liveness
71% Instrumentalness • 18% Positiveness
49% Popularity • 40% Danceability • 53% Energy • 11% Liveness
71% Instrumentalness • 18% Positiveness
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Orlando Weeks
Milk Breath
131 bpm • G# min • 03:16 • -11.94db
19% Popularity • 57% Danceability • 44% Energy • 18% Liveness
82% Instrumentalness • 12% Positiveness
19% Popularity • 57% Danceability • 44% Energy • 18% Liveness
82% Instrumentalness • 12% Positiveness
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Molly Parden
Weather2020
131 bpm • B Maj • 04:49 • -10db
25% Popularity • 61% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
25% Popularity • 61% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Becca Mancari
Annie
152 bpm • C# Maj • 04:42 • -8.68db
21% Popularity • 23% Danceability • 44% Energy • 10% Liveness
4% Instrumentalness • 26% Positiveness
21% Popularity • 23% Danceability • 44% Energy • 10% Liveness
4% Instrumentalness • 26% Positiveness
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Fenne Lily
More Than You Know - Recorded at Metropo...
131 bpm • F# min • 03:40 • -16db
29% Popularity • 45% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
29% Popularity • 45% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Luluc
All the Pretty Scenery
152 bpm • C# Maj • 03:27 • -16db
27% Popularity • 59% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
27% Popularity • 59% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Fleet Foxes
Featherweight
152 bpm • G min • 03:50 • -13db
44% Popularity • 34% Danceability • 49% Energy • 24% Liveness
6% Instrumentalness • 44% Positiveness
44% Popularity • 34% Danceability • 49% Energy • 24% Liveness
6% Instrumentalness • 44% Positiveness
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Saint Sister
Dynamite
152 bpm • C# Maj • 03:21 • -8db
23% Popularity • 65% Danceability • 58% Energy • 37% Liveness
1% Instrumentalness • 38% Positiveness
23% Popularity • 65% Danceability • 58% Energy • 37% Liveness
1% Instrumentalness • 38% Positiveness
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Angie McMahon
Total Eclipse of the Heart
130 bpm • G Maj • 05:18 • -13.65db
35% Popularity • 70% Danceability • 26% Energy • 10% Liveness
55% Instrumentalness • 28% Positiveness
35% Popularity • 70% Danceability • 26% Energy • 10% Liveness
55% Instrumentalness • 28% Positiveness
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Foreign Fields
Rose Colored
130 bpm • A min • 05:03 • -19.38db
25% Popularity • 56% Danceability • 7% Energy • 8% Liveness
33% Instrumentalness • 9% Positiveness
25% Popularity • 56% Danceability • 7% Energy • 8% Liveness
33% Instrumentalness • 9% Positiveness
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Fenne Lily
Dawncolored Horse
152 bpm • B Maj • 04:04 • -11db
28% Popularity • 60% Danceability • 46% Energy • 12% Liveness
4% Instrumentalness • 49% Positiveness
28% Popularity • 60% Danceability • 46% Energy • 12% Liveness
4% Instrumentalness • 49% Positiveness
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RF Shannon
Ballad Of A Thin Place
153 bpm • C# min • 04:16 • -14db
39% Popularity • 62% Danceability • 52% Energy • 12% Liveness
1% Instrumentalness • 90% Positiveness
39% Popularity • 62% Danceability • 52% Energy • 12% Liveness
1% Instrumentalness • 90% Positiveness
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Someone
True Love Will Find You In The End
130 bpm • A# Maj • 03:35 • -15.68db
33% Popularity • 58% Danceability • 13% Energy • 11% Liveness
3% Instrumentalness • 25% Positiveness
33% Popularity • 58% Danceability • 13% Energy • 11% Liveness
3% Instrumentalness • 25% Positiveness
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Eleni Drake
Melbourne Blues
130 bpm • C Maj • 04:20 • -11.73db
30% Popularity • 56% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 18% Positiveness
30% Popularity • 56% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 18% Positiveness
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Blanco White
Olalla
130 bpm • C min • 04:08 • -11.95db
65% Popularity • 58% Danceability • 40% Energy • 12% Liveness
46% Instrumentalness • 38% Positiveness
65% Popularity • 58% Danceability • 40% Energy • 12% Liveness
46% Instrumentalness • 38% Positiveness
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Bess Atwell
Silver Fir
130 bpm • C Maj • 04:45 • -11.99db
28% Popularity • 54% Danceability • 40% Energy • 64% Liveness
1% Instrumentalness • 18% Positiveness
28% Popularity • 54% Danceability • 40% Energy • 64% Liveness
1% Instrumentalness • 18% Positiveness
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Fenne Lily
For a While
130 bpm • D Maj • 03:54 • -12db
39% Popularity • 49% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
39% Popularity • 49% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Palace
Someday, Somewhere
130 bpm • C Maj • 03:12 • -9.39db
46% Popularity • 39% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
46% Popularity • 39% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Charlotte Day Wilson
Summertime
130 bpm • B Maj • 02:31 • -9db
45% Popularity • 88% Danceability • 65% Energy • 11% Liveness
8% Instrumentalness • 60% Positiveness
45% Popularity • 88% Danceability • 65% Energy • 11% Liveness
8% Instrumentalness • 60% Positiveness
