Songs like Qui est 'In", qui est "Out" by Serge Gainsbourg
Based on a tempo of (+/- 10%) and a similar genre
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Serge Gainsbourg
Qui est 'In", qui est "Out"
149 bpm • D# Maj • 02:12 • -10db
25% Popularity • 60% Danceability • 61% Energy • 24% Liveness
12% Instrumentalness • 58% Positiveness
25% Popularity • 60% Danceability • 61% Energy • 24% Liveness
12% Instrumentalness • 58% Positiveness
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Véronique Sanson
Mariavah - Remasterisé en 2008
148 bpm • E min • 03:36 • -6.88db
24% Popularity • 60% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
24% Popularity • 60% Danceability • 76% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
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Eddy Mitchell
Toujours un coin qui me rappelle
150 bpm • C Maj • 03:21 • -11db
42% Popularity • 57% Danceability • 39% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
42% Popularity • 57% Danceability • 39% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
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Charles Trenet
Je chante
150 bpm • C Maj • 02:45 • -12.61db
32% Popularity • 68% Danceability • 41% Energy • 81% Liveness
0% Instrumentalness • 84% Positiveness
32% Popularity • 68% Danceability • 41% Energy • 81% Liveness
0% Instrumentalness • 84% Positiveness
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Laurent Voulzy
Karin Redinger
145 bpm • E min • 02:29 • -15db
32% Popularity • 67% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
32% Popularity • 67% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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Dick Annegarn
Sacré géranium
147 bpm • C Maj • 02:42 • -15db
33% Popularity • 58% Danceability • 23% Energy • 31% Liveness
0% Instrumentalness • 62% Positiveness
33% Popularity • 58% Danceability • 23% Energy • 31% Liveness
0% Instrumentalness • 62% Positiveness
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Serge Gainsbourg
Docteur Jekyll et monsieur Hyde
148 bpm • D# Maj • 01:55 • -11.79db
21% Popularity • 61% Danceability • 66% Energy • 9% Liveness
59% Instrumentalness • 88% Positiveness
21% Popularity • 61% Danceability • 66% Energy • 9% Liveness
59% Instrumentalness • 88% Positiveness
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Bertrand Belin
Un déluge
145 bpm • B Maj • 04:01 • -11db
32% Popularity • 77% Danceability • 64% Energy • 10% Liveness
80% Instrumentalness • 94% Positiveness
32% Popularity • 77% Danceability • 64% Energy • 10% Liveness
80% Instrumentalness • 94% Positiveness
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Boby Lapointe
Eh Toto
145 bpm • D# Maj • 01:32 • -14db
27% Popularity • 80% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 98% Positiveness
27% Popularity • 80% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 98% Positiveness
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Andre Bourvil
C'était bien (Le petit bal perdu)
145 bpm • C Maj • 03:16 • -15.36db
34% Popularity • 47% Danceability • 24% Energy • 4% Liveness
0% Instrumentalness • 57% Positiveness
34% Popularity • 47% Danceability • 24% Energy • 4% Liveness
0% Instrumentalness • 57% Positiveness
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Véronique Sanson
Tout est cassé, tout est mort - Remaste...
153 bpm • A min • 02:48 • -4.85db
17% Popularity • 57% Danceability • 92% Energy • 4% Liveness
0% Instrumentalness • 74% Positiveness
17% Popularity • 57% Danceability • 92% Energy • 4% Liveness
0% Instrumentalness • 74% Positiveness
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Alain Souchon
Sous les jupes des filles
144 bpm • A min • 04:37 • -13db
39% Popularity • 68% Danceability • 41% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
39% Popularity • 68% Danceability • 41% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
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Serge Gainsbourg
Variations sur Marilou
149 bpm • G Maj • 07:39 • -17.1db
30% Popularity • 52% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
30% Popularity • 52% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Gillian Hills
Les jolis cœurs
143 bpm • A Maj • 01:54 • -6.29db
10% Popularity • 68% Danceability • 71% Energy • 58% Liveness
0% Instrumentalness • 93% Positiveness
10% Popularity • 68% Danceability • 71% Energy • 58% Liveness
0% Instrumentalness • 93% Positiveness
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Dick Annegarn
Ubu
143 bpm • E Maj • 01:36 • -13db
35% Popularity • 69% Danceability • 37% Energy • 34% Liveness
0% Instrumentalness • 85% Positiveness
35% Popularity • 69% Danceability • 37% Energy • 34% Liveness
0% Instrumentalness • 85% Positiveness
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Andre Bourvil
C'était bien (Le p'tit bal perdu)
144 bpm • C Maj • 03:19 • -18.73db
29% Popularity • 51% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
29% Popularity • 51% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Les Papyvores
Le papyvore
143 bpm • B min • 03:26 • -4.1db
9% Popularity • 41% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
9% Popularity • 41% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Véronique Sanson
Vancouver - Remasterisé en 2008
144 bpm • B Maj • 04:06 • -5.82db
41% Popularity • 44% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
41% Popularity • 44% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Serge Gainsbourg
Je suis venu te dire que je m'en vais
155 bpm • A Maj • 03:23 • -13.74db
52% Popularity • 58% Danceability • 51% Energy • 24% Liveness
51% Instrumentalness • 85% Positiveness
52% Popularity • 58% Danceability • 51% Energy • 24% Liveness
51% Instrumentalness • 85% Positiveness
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Charles Trenet
Y'a d'la joie
142 bpm • D# Maj • 02:33 • -7.77db
36% Popularity • 75% Danceability • 47% Energy • 20% Liveness
0% Instrumentalness • 93% Positiveness
36% Popularity • 75% Danceability • 47% Energy • 20% Liveness
0% Instrumentalness • 93% Positiveness
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Marie Laforêt
Viens sur la montagne
142 bpm • C# Maj • 02:24 • -11.84db
35% Popularity • 51% Danceability • 30% Energy • 33% Liveness
0% Instrumentalness • 83% Positiveness
35% Popularity • 51% Danceability • 30% Energy • 33% Liveness
0% Instrumentalness • 83% Positiveness
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Dick Annegarn
Volet fermé
141 bpm • C Maj • 01:50 • -12.53db
24% Popularity • 56% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
24% Popularity • 56% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Dominique A
Le Courage Des Oiseaux
141 bpm • C# min • 03:12 • -4.97db
16% Popularity • 52% Danceability • 80% Energy • 72% Liveness
0% Instrumentalness • 43% Positiveness
16% Popularity • 52% Danceability • 80% Energy • 72% Liveness
0% Instrumentalness • 43% Positiveness
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Monique Thubert
Avec Les Oreilles
157 bpm • A Maj • 02:12 • -3.75db
7% Popularity • 47% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 82% Positiveness
7% Popularity • 47% Danceability • 64% Energy • 22% Liveness
0% Instrumentalness • 82% Positiveness
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Serge Gainsbourg
Torrey Canyon
152 bpm • A# Maj • 02:42 • -12.51db
16% Popularity • 52% Danceability • 45% Energy • 78% Liveness
0% Instrumentalness • 84% Positiveness
16% Popularity • 52% Danceability • 45% Energy • 78% Liveness
0% Instrumentalness • 84% Positiveness
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Marie et les garçons
Re Bop - Remastered
141 bpm • E Maj • 02:42 • -5db
18% Popularity • 57% Danceability • 91% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
18% Popularity • 57% Danceability • 91% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Boby Lapointe
Lena
141 bpm • C Maj • 01:33 • -8db
29% Popularity • 65% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 87% Positiveness
29% Popularity • 65% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 87% Positiveness
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Dick Annegarn
La transformation
141 bpm • E min • 03:39 • -13db
17% Popularity • 61% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
17% Popularity • 61% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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France Gall
Chanson pour consoler - Remasterisé en ...
141 bpm • G Maj • 01:52 • -10db
27% Popularity • 72% Danceability • 38% Energy • 9% Liveness
12% Instrumentalness • 78% Positiveness
27% Popularity • 72% Danceability • 38% Energy • 9% Liveness
12% Instrumentalness • 78% Positiveness
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Michel Colombier
Scène De Bal 1 - Les Cœurs Verts
157 bpm • C Maj • 02:10 • -13.62db
25% Popularity • 68% Danceability • 29% Energy • 11% Liveness
86% Instrumentalness • 30% Positiveness
25% Popularity • 68% Danceability • 29% Energy • 11% Liveness
86% Instrumentalness • 30% Positiveness
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Clothilde
Je t'ai voulu et je t'ai bien eu
158 bpm • B Maj • 02:17 • -5.63db
21% Popularity • 45% Danceability • 67% Energy • 40% Liveness
0% Instrumentalness • 78% Positiveness
21% Popularity • 45% Danceability • 67% Energy • 40% Liveness
0% Instrumentalness • 78% Positiveness
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Nino Ferrer
Mirza
141 bpm • F min • 02:24 • -3.64db
45% Popularity • 65% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
45% Popularity • 65% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Les Parisiennes
Il fait trop beau pour travailler
140 bpm • A min • 02:20 • -11db
27% Popularity • 64% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 98% Positiveness
27% Popularity • 64% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 98% Positiveness
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Boris Vian
Ah! Si j'avais un franc cinquante
141 bpm • G# Maj • 01:03 • -15.35db
16% Popularity • 77% Danceability • 50% Energy • 25% Liveness
4% Instrumentalness • 98% Positiveness
16% Popularity • 77% Danceability • 50% Energy • 25% Liveness
4% Instrumentalness • 98% Positiveness
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Les Chats Sauvages
Croque croque la pomme
140 bpm • G Maj • 02:31 • -9.01db
8% Popularity • 49% Danceability • 55% Energy • 30% Liveness
0% Instrumentalness • 83% Positiveness
8% Popularity • 49% Danceability • 55% Energy • 30% Liveness
0% Instrumentalness • 83% Positiveness
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Les Fleurs De Pavot
À dégager
140 bpm • G Maj • 02:53 • -3.34db
10% Popularity • 51% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
10% Popularity • 51% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 80% Positiveness
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Serge Gainsbourg
Le poinçonneur des Lilas
158 bpm • E min • 02:43 • -14db
45% Popularity • 56% Danceability • 37% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
45% Popularity • 56% Danceability • 37% Energy • 20% Liveness
0% Instrumentalness • 77% Positiveness
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Hubert-Félix Thiéfaine
Fièvre resurrectionnelle
140 bpm • A# min • 03:32 • -7db
33% Popularity • 59% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
33% Popularity • 59% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
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France Gall
Comment t'en apercevoir - Remasterisé e...
159 bpm • C# min • 01:46 • -10.26db
17% Popularity • 40% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 39% Positiveness
17% Popularity • 40% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 39% Positiveness
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Mano Solo
Pas du gâteau
139 bpm • B Maj • 03:07 • -11.07db
32% Popularity • 74% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
32% Popularity • 74% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Violaine
J'ai des problèmes décidément
138 bpm • A# Maj • 02:12 • -1db
16% Popularity • 56% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
16% Popularity • 56% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
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Véronique Sanson
Comme je l'imagine
138 bpm • E min • 02:58 • -9.52db
34% Popularity • 64% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 78% Positiveness
34% Popularity • 64% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 78% Positiveness
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Serge Gainsbourg
Le sonnet d'Arvers
139 bpm • C Maj • 01:53 • -13.93db
19% Popularity • 73% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
19% Popularity • 73% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
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Dominique A
Rendez-nous la lumière
138 bpm • A# Maj • 03:09 • -5.49db
29% Popularity • 55% Danceability • 72% Energy • 10% Liveness
1% Instrumentalness • 45% Positiveness
29% Popularity • 55% Danceability • 72% Energy • 10% Liveness
1% Instrumentalness • 45% Positiveness
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France Gall
Je l'aimais - Remasterisé en 2004
159 bpm • A min • 03:51 • -6.15db
14% Popularity • 48% Danceability • 82% Energy • 8% Liveness
2% Instrumentalness • 92% Positiveness
14% Popularity • 48% Danceability • 82% Energy • 8% Liveness
2% Instrumentalness • 92% Positiveness
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Joe Dassin
Excuse Me Lady - Excuse Me Baby
138 bpm • G# Maj • 02:26 • -6.07db
28% Popularity • 60% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 85% Positiveness
28% Popularity • 60% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 85% Positiveness
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Brigitte Bardot
Tu veux ou tu veux pas?
137 bpm • C Maj • 02:30 • -4db
33% Popularity • 57% Danceability • 75% Energy • 35% Liveness
29% Instrumentalness • 69% Positiveness
33% Popularity • 57% Danceability • 75% Energy • 35% Liveness
29% Instrumentalness • 69% Positiveness
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Michel Jonasz
Super nana
137 bpm • C Maj • 03:22 • -14db
39% Popularity • 53% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
39% Popularity • 53% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Guy Skornik
Des arbres de fer
137 bpm • A min • 02:20 • -2.21db
7% Popularity • 59% Danceability • 95% Energy • 35% Liveness
0% Instrumentalness • 96% Positiveness
7% Popularity • 59% Danceability • 95% Energy • 35% Liveness
0% Instrumentalness • 96% Positiveness
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Dominique A
Le twenty two bar
138 bpm • E min • 03:41 • -9.29db
33% Popularity • 58% Danceability • 59% Energy • 27% Liveness
0% Instrumentalness • 54% Positiveness
33% Popularity • 58% Danceability • 59% Energy • 27% Liveness
0% Instrumentalness • 54% Positiveness
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Boby Lapointe
Comprend qui peut
137 bpm • E Maj • 01:54 • -12db
22% Popularity • 72% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 97% Positiveness
22% Popularity • 72% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 97% Positiveness
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France Gall
Samba Mambo - Remasterisé en 2004
139 bpm • E min • 02:37 • -4.96db
36% Popularity • 68% Danceability • 94% Energy • 7% Liveness
29% Instrumentalness • 97% Positiveness
36% Popularity • 68% Danceability • 94% Energy • 7% Liveness
29% Instrumentalness • 97% Positiveness
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Louis Chedid
T'as beau pas être beau
137 bpm • C Maj • 03:28 • -7db
27% Popularity • 93% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
27% Popularity • 93% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Brigitte Bardot
Sidonie
136 bpm • C Maj • 02:51 • -12.8db
36% Popularity • 48% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
36% Popularity • 48% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Alice Dona
Amuse toi bien
162 bpm • F# Maj • 02:13 • -6.62db
19% Popularity • 34% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 85% Positiveness
19% Popularity • 34% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 85% Positiveness
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Thomas Fersen
Diane de Poitiers
136 bpm • G min • 03:06 • -9db
35% Popularity • 70% Danceability • 43% Energy • 39% Liveness
0% Instrumentalness • 92% Positiveness
35% Popularity • 70% Danceability • 43% Energy • 39% Liveness
0% Instrumentalness • 92% Positiveness
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Katty Line
Ne fais pas la tête - Remastered
163 bpm • B min • 02:18 • -6.27db
17% Popularity • 63% Danceability • 70% Energy • 26% Liveness
12% Instrumentalness • 92% Positiveness
17% Popularity • 63% Danceability • 70% Energy • 26% Liveness
12% Instrumentalness • 92% Positiveness
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Yves Simon
De l'autre côté de ton âme
136 bpm • E Maj • 02:18 • -12.09db
8% Popularity • 79% Danceability • 56% Energy • 4% Liveness
1% Instrumentalness • 98% Positiveness
8% Popularity • 79% Danceability • 56% Energy • 4% Liveness
1% Instrumentalness • 98% Positiveness
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Christie Laume
La Musique et la danse
136 bpm • A Maj • 02:31 • -5.51db
16% Popularity • 55% Danceability • 74% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
16% Popularity • 55% Danceability • 74% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
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Noir Désir
Marlène
136 bpm • A Maj • 03:03 • -10db
40% Popularity • 54% Danceability • 46% Energy • 11% Liveness
34% Instrumentalness • 49% Positiveness
40% Popularity • 54% Danceability • 46% Energy • 11% Liveness
34% Instrumentalness • 49% Positiveness
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Serge Gainsbourg
Mambo miam miam
135 bpm • A min • 02:32 • -11db
26% Popularity • 84% Danceability • 57% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
26% Popularity • 84% Danceability • 57% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
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Brigitte Fontaine
Le Nougat
164 bpm • E min • 03:33 • -5.41db
29% Popularity • 62% Danceability • 85% Energy • 25% Liveness
0% Instrumentalness • 62% Positiveness
29% Popularity • 62% Danceability • 85% Energy • 25% Liveness
0% Instrumentalness • 62% Positiveness
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Gillian Hills
Maintenant il téléphone
135 bpm • C Maj • 02:07 • -5db
21% Popularity • 63% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
21% Popularity • 63% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Laurent Voulzy
Grimaud
135 bpm • A Maj • 03:19 • -17.85db
16% Popularity • 87% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
16% Popularity • 87% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Boby Lapointe
L'hélicon
135 bpm • G# Maj • 01:50 • -13db
24% Popularity • 79% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
24% Popularity • 79% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Charlotte Leslie
Les Filles C'Est Fait...
165 bpm • D# min • 02:56 • -4.6db
16% Popularity • 42% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
16% Popularity • 42% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Richard Anthony
Nouvelle vague
135 bpm • D min • 02:35 • -10db
20% Popularity • 66% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
20% Popularity • 66% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
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Stone
Fille ou garçon
135 bpm • A# Maj • 02:31 • -2.9db
14% Popularity • 65% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
14% Popularity • 65% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Boris Vian
Une bonne paire de claques
134 bpm • G Maj • 03:53 • -8.67db
17% Popularity • 58% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
17% Popularity • 58% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Jane Birkin
Raccrochez C'Est Une Horreur
134 bpm • C Maj • 03:13 • -9.47db
12% Popularity • 74% Danceability • 63% Energy • 6% Liveness
9% Instrumentalness • 72% Positiveness
12% Popularity • 74% Danceability • 63% Energy • 6% Liveness
9% Instrumentalness • 72% Positiveness
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Boby Lapointe
Framboise
135 bpm • D Maj • 02:40 • -8.56db
31% Popularity • 78% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
31% Popularity • 78% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Georges Brassens
J'ai rendez-vous avec vous
134 bpm • A Maj • 02:02 • -18db
32% Popularity • 86% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
32% Popularity • 86% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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Dominique A
Il ne faut pas souhaiter la mort des gen...
134 bpm • A Maj • 03:21 • -10.25db
8% Popularity • 78% Danceability • 50% Energy • 11% Liveness
13% Instrumentalness • 87% Positiveness
8% Popularity • 78% Danceability • 50% Energy • 11% Liveness
13% Instrumentalness • 87% Positiveness
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Serge Gainsbourg
Vilaines filles, mauvais garçons
166 bpm • C Maj • 01:54 • -10.68db
24% Popularity • 49% Danceability • 77% Energy • 45% Liveness
0% Instrumentalness • 90% Positiveness
24% Popularity • 49% Danceability • 77% Energy • 45% Liveness
0% Instrumentalness • 90% Positiveness
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Étienne Daho
Bleu comme toi - Single Edit
134 bpm • F Maj • 03:24 • -4.4db
38% Popularity • 61% Danceability • 92% Energy • 31% Liveness
1% Instrumentalness • 79% Positiveness
38% Popularity • 61% Danceability • 92% Energy • 31% Liveness
1% Instrumentalness • 79% Positiveness
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Renaud
Adieu minette
134 bpm • A min • 03:51 • -5.77db
36% Popularity • 55% Danceability • 70% Energy • 36% Liveness
0% Instrumentalness • 60% Positiveness
36% Popularity • 55% Danceability • 70% Energy • 36% Liveness
0% Instrumentalness • 60% Positiveness
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Dick Annegarn
Bruxelles
134 bpm • E Maj • 02:28 • -11db
42% Popularity • 42% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
42% Popularity • 42% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Brigitte Bardot
Comic Strip - Version anglaise
134 bpm • F Maj • 02:12 • -11.97db
20% Popularity • 75% Danceability • 54% Energy • 82% Liveness
0% Instrumentalness • 60% Positiveness
20% Popularity • 75% Danceability • 54% Energy • 82% Liveness
0% Instrumentalness • 60% Positiveness
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Patrick Coutin
J'aime regarder les filles
133 bpm • G Maj • 05:08 • -10.75db
34% Popularity • 71% Danceability • 60% Energy • 9% Liveness
1% Instrumentalness • 82% Positiveness
34% Popularity • 71% Danceability • 60% Energy • 9% Liveness
1% Instrumentalness • 82% Positiveness
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Serge Gainsbourg
Comic Strip
134 bpm • F Maj • 02:10 • -11db
42% Popularity • 79% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
42% Popularity • 79% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Jacques Dutronc
Mini, mini, mini
166 bpm • A Maj • 01:54 • -9db
35% Popularity • 77% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
35% Popularity • 77% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Jeanne Moreau
Embrasse-moi
133 bpm • G Maj • 02:15 • -12db
29% Popularity • 57% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
29% Popularity • 57% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Étienne Daho
Mythomane - 2011 Remaster
133 bpm • C min • 02:32 • -10.39db
12% Popularity • 48% Danceability • 33% Energy • 10% Liveness
84% Instrumentalness • 19% Positiveness
12% Popularity • 48% Danceability • 33% Energy • 10% Liveness
84% Instrumentalness • 19% Positiveness
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Georges Brassens
Les amoureux des bancs publics
133 bpm • C min • 03:00 • -14.78db
46% Popularity • 81% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
46% Popularity • 81% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Patrick Coutin
J'aime regarder les filles - Version 45T
133 bpm • G Maj • 03:49 • -12.82db
39% Popularity • 68% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
39% Popularity • 68% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Serge Gainsbourg
Ce mortel ennui
134 bpm • C# Maj • 02:55 • -15.76db
21% Popularity • 61% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
21% Popularity • 61% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Elizabeth
Je suis sublime
133 bpm • C Maj • 02:59 • -4.63db
15% Popularity • 54% Danceability • 90% Energy • 37% Liveness
0% Instrumentalness • 63% Positiveness
15% Popularity • 54% Danceability • 90% Energy • 37% Liveness
0% Instrumentalness • 63% Positiveness
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Jeanne Moreau
Rumba des îles - BOF India Song
133 bpm • C Maj • 03:03 • -17db
27% Popularity • 44% Danceability • 22% Energy • 21% Liveness
0% Instrumentalness • 73% Positiveness
27% Popularity • 44% Danceability • 22% Energy • 21% Liveness
0% Instrumentalness • 73% Positiveness
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Étienne Daho
Épaule tattoo - 2006 Remaster
133 bpm • D Maj • 04:42 • -4.93db
31% Popularity • 60% Danceability • 93% Energy • 10% Liveness
86% Instrumentalness • 97% Positiveness
31% Popularity • 60% Danceability • 93% Energy • 10% Liveness
86% Instrumentalness • 97% Positiveness
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Brigitte Bardot
Je danse donc je suis
133 bpm • C# Maj • 01:54 • -11db
34% Popularity • 69% Danceability • 63% Energy • 23% Liveness
0% Instrumentalness • 97% Positiveness
34% Popularity • 69% Danceability • 63% Energy • 23% Liveness
0% Instrumentalness • 97% Positiveness
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Alice Dona
Les Trois couleurs de l'amour
132 bpm • C Maj • 02:25 • -5.5db
8% Popularity • 67% Danceability • 87% Energy • 65% Liveness
0% Instrumentalness • 96% Positiveness
8% Popularity • 67% Danceability • 87% Energy • 65% Liveness
0% Instrumentalness • 96% Positiveness
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Serge Gainsbourg
Comic Strip
133 bpm • C Maj • 02:32 • -13.21db
27% Popularity • 75% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
27% Popularity • 75% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Christine Pilzer
Dracula
133 bpm • A min • 01:52 • -4.73db
20% Popularity • 57% Danceability • 82% Energy • 39% Liveness
0% Instrumentalness • 67% Positiveness
20% Popularity • 57% Danceability • 82% Energy • 39% Liveness
0% Instrumentalness • 67% Positiveness
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Jacqueline Taieb
Juste un peu d'amour
168 bpm • A# min • 02:26 • -5.14db
19% Popularity • 34% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 94% Positiveness
19% Popularity • 34% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 94% Positiveness
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Brigitte Fontaine
Je fume
168 bpm • F Maj • 04:04 • -6.87db
17% Popularity • 71% Danceability • 73% Energy • 37% Liveness
0% Instrumentalness • 63% Positiveness
17% Popularity • 71% Danceability • 73% Energy • 37% Liveness
0% Instrumentalness • 63% Positiveness
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Jacques Dutronc
Et moi, et moi, et moi
168 bpm • A Maj • 02:55 • -8db
45% Popularity • 72% Danceability • 58% Energy • 22% Liveness
0% Instrumentalness • 94% Positiveness
45% Popularity • 72% Danceability • 58% Energy • 22% Liveness
0% Instrumentalness • 94% Positiveness
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Alain Souchon
L'amour en fuite
168 bpm • D Maj • 03:32 • -13db
23% Popularity • 53% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
23% Popularity • 53% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Serge Gainsbourg
Marilu
132 bpm • G# Maj • 02:33 • -9.28db
15% Popularity • 69% Danceability • 67% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
15% Popularity • 69% Danceability • 67% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
